CATALOGUE 

OF 

PAINTINGS 


Digitized  by  the  Internet  Archive 
in  2015 


https://archive.org/details/catalogueofpaint00metr_2 


VIRGIN  ENTHRONED  WITH  SAINTS 
BY  RAPHAEL 


THE  METROPOLITAN  MUSEUM 
OF  ART 


CATALOGUE  OF 
PAINTINGS 

BY 

BRYSON  BURROUGHS 

CURATOR 

DEPARTMENT  OF  PAINTINGS 


SIXTH 

EDITION 


NEW  YORK 
M C M X X I 1 


FIRST  EDITION,  COPYRIGHT,  FEBRUARY,  I914 
SECOND  EDITION,  COPYRIGHT,  FEBRUARY,  I916 
THIRD  EDITION,  COPYRIGHT,  JUNE,  1917 
FOURTH  EDITION,  COPYRIGHT,  MARCH,  I919 
FIFTH  EDITION,  COPYRIGHT,  JUNE,  I92O 
SIXTH  EDITION,  COPYRIGHT,  FEBRUARY,  IQ22 
BY 

THE  METROPOLITAN  MUSEUM  OF  ART 


T;!£Ccrv.... 


PREFACE 

An  alphabetical  arrangement  by  the  names  of  artists,  or  by 
schools  where  the  artists  are  unknown,  is  followed  in  this 
book.  In  the  attempt  to  solve  the  problem  of  number- 
^ ing  a rapidly  growing  collection  of  paintings,  the  experi- 
ment has  been  made  here  of  adapting  the  C.  A.  Cutter  system, 
long  in  use  in  libraries.  To  use  the  catalogue  it  is  not  necessary  to 
be  familiar  with  the  system  of  numbering,  but  for  those  who  may 
be  interested  an  explanation  follows.  It  consists  of  a combination 
of  letters  and  numbers,  composed  of  the  initial  letter  of  the 
author’s  name  followed  by  numbers  that  represent  the  succeeding 
letters  of  the  same,  so  that  additional  entries  can  be  inserted  without 
disturbing  the  sequence  of  the  letters  or  the  numerals.  By  this 
system  the  number,  instead  of  being  an  arbitrary  tag  affixed  to  the 
picture,  has  a logical  connection  with  it  and  its  place  in  the  catalogue, 
and  the  usual  finding  list  is  done-  away  with.  The  plan  has  the 
advantage  of  being  thoroughly  logical  and  flexible,  and  the  com- 
pilers of  this  catalogue  believe  that  it  will  be  considered  an  improve- 
ment over  the  prevailing  methods,  at  least  for  the  purpose  of  this 
collection. 

The  C.  A.  Cutter  Two-Figure  Author  Table,  which  has  been 
used  in  numbering  this  collection,  calls  for  one  letter  for  names  be- 
ginning with  a consonant  (except  S)  and  two  for  names  beginning 
with  vowels  orS.  Thus  Abi  is  Abbey  and  R28  is  Rembrandt. 
When  it  is  necessary  to  make  a close  classification  an  additional 
number  is  used.  Thus  M61  is  Millais,  J.  E.;  M61 1 Miller,  C.  H.; 
M612  Miller,  R.  E.;  M613  Millet,  F.  D.;  M614  Millet,  J.  F.  The 
number  after  the  dash  indicates  the  order  of  acquisition  of  works  by 
an  artist.  Thus  R28-1  is  the  first  painting  by  Rembrandt  acquired 
by  the  Museum;  R28-2  is  the  second;  and  so  on.  Works  lent  begin 
with  5 1 after  the  dash.  Thus,  following  the  nine  paintings  by  Stuart 
owned  by  the  Museum  come  the  Stuarts  lent,  which  begin  with 
St9~5i.  To  indicate  that  a picture  is  the  work  of  an  unknown 
artist  of  a certain  school,  a capital  S is  added.  Thus  R28S  is  School 


V 


PREFACE 

of  Rembrandt;  Am3S  is  American  School;  the  Italian  School  has 
been  further  subdivided  to  mdicate  particular  sections  of  Italy;, 
thus  It5S  is  Italian  School  and  It5S-F2  is  Florentine,  second  picture 
acquired. 

The  gallery  number,  given  immediately  below  the  number  of  the 
picture,  shows  its  location  at  the  time  of  the  publication  of  the 
catalogue.  When  no  gallery  number  is  given,  it  indicates  that  the 
painting  is  not  on  exhibition. 

The  information  about  each  picture  is  arranged  in  three  para- 
graphs: 

1.  Biographical  note  of  the  artist. 

2.  Title;  biographical  note  if  a portrait,  or  historical  note  if  an 
event  is  depicted;  description.  The  words  right  and  left,  when  not 
otherwise  stated,  refer  to  the  right  and  left  of  the  spectator. 
Doubtful  attributions  and  changes  in  attributions  are  noted;  in  the 
case  of  works  lent  to  the  Museum,  the  owner’s  attribution  has 
generally  been  retained. 

3.  Height  and  width  of  the  picture,  without  frame,  given  in 
inches;  material  on  which  it  is  painted;  when  not  painted  in  oil,  then 
the  medium,  such  as  water  color  or  pastel;  the  signature  in  capitals 
or  capitals  and  small  capitals  if  the  artist  has  written  it  thus, 
othea-wise  in  capitals  and  small  letters;  reference  to  the  monthly 
Bulletin  of  the  Metropolitan  Museum  of  Art  if  the  picture  has 
been  described  or  illustrated  therein;  the  fund  through  which  it 
was  purchased  or  the  name  of  the  donor  if  it  is  a gift  or  a bequest; 
year  of  acquisition. 


VI 


TABLE  OF  CONTENTS 


PAGE 


Preface  ........ 

Table  of  Contents  ...... 

List  of  Illustrations  . . . . . 

Introduction  . ...... 

Catalogue  ....... 

Appendix  ....... 

A.  Artists  Represented,  Arranged  by  Schools 

B.  A List  of  Portraits  Arranged  by  Subjects 

C.  Classification  by  Galleries 


V 

vii 

ix 

xi 

I 

355  , 

357 

366 

371 


vn 


LIST  OF  ILLUSTRATIONS 

FACING 

PAGE 

Virgin  and  Child  Enthroned  with  Saints,  by  Raphael  Title 

Joan  of  Arc,  by  Jules  Bastien-Lepage  12 

Three  Miracles  of  Saint  Zenobius,  by  Botticelli  ...  13 

Meditation  on  the  Passion,  by  Vittore  Carpaccio  ...  20 

The  Aegean  Sea,  by  Frederic  E.  Church 21 

The  Sleep  of  Diana,  by  Jean  Baptiste  Camille  Corot  . . 52 

PiETA,  by  Carlo  Crivelli 53 

The  Abduction  of  Rebecca,  by  Eugene  Delacroix  ...  76 

Paradise,  by  Giovanni  di  Paolo 77 

Portrait  of  a Woman,  by  Frans  Hals 1 14 

The  Merry  Company,  by  Frans  Hals 115 

Margaret  Wyatt,  Lady  Lee,  by  Hans  Holbein  . . . . 126 

Northeaster,  by  Winslow  Homer 127 

Peace  and  Plenty,  by  George  Inness 136 

Boy  with  a Sword,  by  Edouard  Manet 137 

Harp  of  the  Winds;  a View  on  the  Seine,  by  Homer  D. 

Martin 152 

Adoration  OF  THE  Kings,  by  Quentin  Massys  . . . . 153 

Betrothal  of  Saint  Catherine,  by  Hans  Memling  . . 196 

Madonna  and  Child  Enthroned  with  Angels,  by  Pietro 

di  Domenico  da  Montepulciano 197 

Portrait  of  a Man,  by  Rembrandt 220 

Old  Woman  Cutting  Her  Nails,  by  Rembrandt  ....  221 


IX 


LIST  OF  ILLUSTRATIONS 


FACING 

PAGE 

Portrait  of  the  Artist,  by  Rembrandt 236* 

Madame  Charpentier  and  Her  Children,  by  Pierre 

Auguste  Renoir  237 

Hon.  Henry  Fane  with  His  Guardians,  Inigo  Jones  and 

Charles  Blair,  by  Sir  Joshua  Reynolds 244 

Wolf  and  Fox  Hunt,  by  Peter  Paul  Rubens 245 

Henry  G.  Marquand,  by  John  S.  Sargent 260 

George  Washington  (Gibbs-Channing-Avery  Portrait), 

by  Gilbert  Stuart 261 

Saltash,  by  Joseph  Mallord  William  Turner 284 

James  Stuart,  Duke  of  Lennox,  by  Anthony  Van  Dyck  . 285 

Philip  IV  of  Spain,  by  Velazquez 302 

Young  Woman  with  a Water  Jug,  by  Johannes  Vermeer  . 303 

Mars  and  Venus  United  by  Love,  by  Paolo  Veronese  . . 306 

Arrangement  in  Flesh  Color  and  Black;  Theodore 

Duret,  by  James  A.  McNeill  Whistler 307 

Floor  Plan 362 


X 


INTRODUCTION 


The  beginning  of  the  Museum’s  collection  of  pictures 
dates  from  1871  when  174  paintings  of  the  seventeenth 
and  eighteenth  centuries  became  its  property.  These 
were  bought  the  year  previous  in  Europe  by  William 
T.  Blodgett,  a Trustee  of  the  Museum,  who  held  them  until  the 
Museum  was  able  to  make  the  purchase.  One  hundred  of  the 
number  belonged  to  the  Comte  Cornit  de  Ways  Ruart  de  Vanech 
and  were  acquired  in  Brussels  through  Etienne  Le  Roy,  the  official 
expert  of  the  Royal  Museum  of  Belgium;  fifteen  others  were  ac- 
quired through  M.  Le  Roy;  and  the  remaining  fifty-nine  were  pur- 
chased in  Paris.  Many  excellent  pictures  were  included  in  these 
collections:  The  Old  Fiddler  by  van  Ostade,  Dutch  Kermesse  by 
Jan  Steen,  Drawing  the  Eel  by  S.  Ruysdael,  Hille  Babbe  by  Frans 
Hals,  three  works  by  Tiepolo,  and  two  by  Guardi,  to  name  only  a 
few.  A building  at  681  Fifth  Avenue  was  prepared  for  the  exhibi- 
tion of  this  collection,  and,  as  stated  in  the  first  catalogue,  published 
in  1872,  the  results  led  the  Trustees  to  believe  that  their  institution 
was  permanently  established  upon  a sure  basis  and  would  “become 
a most  important  agent  in  developing  a taste  and  knowledge  of  art 
*■  in  this  community.’’ 

The  second  great  accretion  of  pictures,  and  the  most  important 
event  in  the  history  of  the  Department  of  Paintings,  occurred  in 
1888  when  Henry  G.  Marquand  gave  53  pictures  which  placed 
the  collection  immediately  in  a position  of  considerable  prominence. 
The  Van  Dycks,  the  three  Hals,  the  Rembrandts,  the  Vermeer, 
the  strange  and  beautiful  work  ascribed  to  Lucas  van  Leyden, 
the  double  portrait  of  the  early  Florentine  school,  the  variant  of 
Van  Eyck’s  Madonna  of  the  Fountain,  Saltash  by  Turner,  these 
and  the  others  of  the  donation  fix  the  Marquand  gift  among  the 
most  notable  benefactions  ever  made  to  public  collections.  The 
effect  of  the  gift  on  the  growth  of  the  Museum  and  on  the 
development  of  culture  in  America  has  been  incalculable.  In  com- 
memoration of  Mr.  Marquand’s  services  and  munificence,  Gal- 


xi 


INTRODUCTION 

lery  ii  at  the  head  of  the  great  staircase  was  set  apart  in  1911 
for  the  exhibition  of  distinguished  paintings  of  any  school,  and  was 
called  by  his  name.  Several  of  the  pictures  included  in  his  giff 
are  shown  in  the  Marquand  Gallery,  but  the  quality  of  the  works 
he  gave,  whether  exhibited  here  or  distributed  in  the  other  rooms, 
is  the  real  reminder  of  his  connoisseurship  and  generosity. 

Other  gifts  were  received.  Cornelius  Vanderbilt  gave  the  fresco 
of  Saint  Christopher  by  Pollaiuolo  in  1880;  Junius  S.  Morgan,  the 
large  portraits  of  the  Hon.  Henry  Fane  and  His  Guardians  by 
Reynolds  in  1887;  and  in  the  same  year  the  Catharine  Lorillard 
Wolfe  Bequest,  consisting  of  a collection  of  148  modern  paintings 
and  a fund  for  its  maintenance  and  increase,  became  the  property  of 
the  Museum.  Her  collection  included  pictures  of  worth  and  out  of 
the  Wolfe  Fund  have  been  bought  many  of  the  best  modern  pictures 
now  shown — Turner’s  Whale  Ship,  Delacroix’s  L’Enlevement  de 
Rebecca,  Corot’s  Sleep  of  Diana,  and  Renoir’s  Charpentier  Family 
among  the  number. 

Some  pictures  given  in  these  early  days  were  works  in  general 
favor  at  the  moment,  the  popularity  of  which  has  not  survived. 
Many  of  these  are  no  longer  on  exhibition.  They  have  performed 
their  task  in  our  genesis,  however,  giving  pleasure  to  many  for  a 
number  of  years.  Certain  others,  on  the  contrary,  now  numbered 
among  the  most  precious,  were  not  considered  so  highly  at  the 
time  they  were  given.  In  this  category  are  the  two  Hunting 
Scenes  by  Piero  di  Cosimo  from  Robert  Gordon  in  1875  and  the 
Boy  with  a Sword  and  the  Girl  with  a Parrot,  both  by  Manet,  which 
Erwin  Davis  (also  the  donor  of  the  Jeanne  d’Arc  by  Bastien  Lepage) 
had  the  boldness  and  foresight  to  give  as  early  as  1889. 

The  year  1893  marks  the  first  participation  of  George  A.  Hearn 
in  the  growth  of  the  collection.  Thirteen  years  later  he  carried 
out  the  plan  of  a fund  for  the  purchase  of  contemporary  American 
paintings,  increased  since  by  the  Arthur  Hoppock  Hearn  Fund 
given  by  Mr.  Hearn  in  memory  of  his  son  for  the  same  purpose. 
With  the  advice  and  help  of  the  donor,  until  his  death  in  1913, 
the  income  from  these  funds  has  already  yielded  55  works,  to  which 
many  more  have  been  added  by  gift  from  Mr.  Hearn.  The  collec- 
tion of  American  art  of  to-day  from  this  and  other  sources  is  the 
most  complete  branch  of  the  collection  and  gives  a wide  representa- 
tion of  what  is  being  done  in  our  own  country. 

In  1913  the  important  bequest  from  Benjamin  Altman  was  re- 
ceived. The  collection,  remarkable  for  the  wide  range  of  interest 
it  embraces  and  the  prominence  of  its  contents,  includes  fifty-one 
pictures.  Among  these  are  Dutch  paintings  of  the  seventeenth 
century,  thirteen  by  Rembrandt  among  them,  as  well  as  examples 
by  Vermeer,  Hals,  and  others;  a very  remarkable  group  of  primi- 

xii 


INTRODUCTION 

tives,  Memling,  Botticelli,  Mantegna,  Antonello  da  Messina,  Hol- 
bein being  among  the  artists  represented;  and  works  by  Velazquez, 
Giorgione,  Titian,  and  Van  Dyck.  The  collection  according  to  the 
terms  of  the  bequest  must  be  exhibited  as  a whole;  it  has  been  tem- 
porarily installed  in  the  five  rooms  to  the  right  of  the  Marquand 
Gallery. 

In  1920  the  Museum  received  as  a bequest  from  William  K. 
Vanderbilt  a notable  collection  of  sixteenth-,  seventeenth-,  and  eigh- 
teenth-century paintings,  which  include  important  examples  by  Hol- 
bein, Boucher,  Greuze,  Gainsborough,  Reynolds,  Rembrandt,  and 
other  Dutch  masters. 

At  all  stages  in  the  history  of  the  collection  valuable  aid  has 
been  given  by  those  who  have  generously  lent  their  pictures.  Mr. 
Morgan,  besides  his  gifts  of  Columbus  by  Sebastiano  del  Piombo, 
The  Assumption  of  the  Virgin  by  Benvenuto  di  Giovanni,  The  Argo- 
nauts by  Pesellino,  and  many  more,  helped  continually  by  lending 
works  from  his  collection.  With  but  few  exceptions  the  pictures  that 
he  acquired  after  1906  were  shown  in  the  Museum  and  many  of  them 
have  never  left  its  walls  since  their  purchase  by  him.  In  1 9 1 6,  his  son, 
J.  Pierpont  Morgan,  presented  to  the  Museum  the  Virgin  and  Child 
Enthroned  with  Saints  by  Raphael,  the  so-called  Colonna  Madonna, 
which  had  been  on  exhibition  in  the  Museum  since  his  father  lent  it  in 
1912.  In  the  following  year  the  Museum  received  as  gifts  from  Mr. 
Morgan  all  the  pictures  lent  from  his  father’s  collection  which  were 
at  that  time  in  the  Museum.  This  munificent  gift  consisted  of  works 
of  various  schools  and  included  such  masterpieces  as  the  Visit  to 
the  Nursery  by  Metsu  and  the  great  Roger  van  der  Weyden. 

By  the  will  of  Hugo  Reisinger  the  Museum  received  in  1914  a 
fund  for  the  purchase  of  modern  German  art.  In  1915  Maria  de 
Witt  Jesup  bequeathed  seventy-one  pictures  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  and  a fund  for  the  maintenance  and 
increase  of  the  collection. 

The  regular  buying  of  paintings  began  in  1905,  after  the  receipt 
of  the  Rogers  Fund,  the  first  of  the  great  bequests  and  gifts  of 
money  by  which  the  Museum  has  been  enriched.  The  Nativity 
by  El  Greco  was  the  first  painting  bought  out  of  this  fund,  which 
for  four  or  five  years  was  the  single  great  source  available  for  pur- 
chases without  restrictions  as  regards  schools.  With  the  Hewitt 
Fund,  1908,  and  the  Kennedy  Fund,  1910,  the  possibilities  were 
largely  increased,  the  latter  in  particular  being  utilized  conspicu- 
ously for  the  benefit  of  the  painting  collection.  Many  of  the 
important  purchases  of  the  last  seven  years — Wolf  and  Fox  Hunt 
by  Rubens,  Mars  and  Venus  by  Veronese,  Three  Miracles  of  Saint 
Zenobius  by  Botticelli,  Meditation  on  the  Passion  by  Carpaccio, 
Four  Saints  by  Correggio,  and  others — ^are  due  to  the  Kennedy 

xiii 


INTRODUCTION 

Fund.  The  purchases  out  of  the  Leland  gift,  1912,  are  the  Mouth 
of  the  Scheldt  by  Van  de  Cappelle  and  the  Miracle  of  the  Loaves 
and  Fishes  by  Tintoretto. 

While  these  funds  are  most  frequently  drawn  upon  for  the  pur- 
chase of  paintings,  the  following  are  all  available:  Marquand  Fund, 
1894;  Dodge  Fund,  1899;  Curtis  Fund,  1901;  Amelia  B.  Lazarus 
Fund,  1906;  Avery  Memorial  Fund,  1907;  Smith  Fund,  1911;  and 
Egleston  Fund,  1912.  Of  these  the  Smith  Fund  is  absolutely  un- 
restricted, the  others  must  be  used  to  purchase  works  of  art,  and 
the  Curtis  Fund,  by  the  terms  of  the  gift,  must  be  used  to  purchase 
paintings  by  old  masters  and  those  of  the  early  English  school. 
The  Marquand  gift  is  employed  to  increase  the  Marquand  collection 
of  old  masters. 


Bryson  Burroughs 
Curator  of  Paintings 


xvi 


CATALOGUE 

OF 

PAINTINGS 


CATALOGUE  OF  PAINTINGS 


A 

ABBEY,  Edwin  A.  American;  born  1852  at  Philadelphia;  died 
191 1 at  London,  England,  where  he  had  lived  during  the 
latter  part  of  his  life.  Studied  at  the  Pennsylvania 
Academy  of  the  Fine  Arts  in  Philadelphia,  then  entered 
the  art  department  of  Harper  and  Brothers  in  New  York 
City.  Illustrator  and  mural  decorator. 

Abi-i  KING  LEAR.  (From  Shakespeare’s  play  of  King  Lear, 

Gallery  act  i,  scene  i.)  In  the  center  stands  Cordelia,  dressed  in 
13  pale  yellow,  who  extends  her  hand  to  the  King  of  France 
who  bends  down  to  kiss  it;  the  Princess  turns  to  address 
her  two  older  sisters,  Goneril  and  Regan,  who  stand  at  the 
left,  the  one  wearing  a black  cloak  lined  with  red  and 
the  other  a rich  red  robe.  At  the  right,  the  aged  King, 
in  a white  robe,  is  being  led  away  by  his  attendants 
and  is  followed  by  his  hound.  The  costumes  are  adapted 
from  twelfth  century  styles. 

H.  54J  in.  W.  127J  in.  Canvas.  Signed:  E.  A.  Abbey, 
1898.  Bulletin,  1913,  p.  146,  ill. 

Gift  of  George  A.  Hearn,  1913. 

Abi-2  THE  DIRGE  OF  THE  THREE  QUEENS.  (From 
The  Two  Noble  Kinsmen,  perhaps  by  John  Fletcher, 
act  I.,  scene  5.)  A funeral  procession  with  three  coffins 
and  mourners  seen  passing  over  a hilltop  against  the 
sunset  sky. 

H.29in.  W.45jin.  Pastel.  Signed:  E.  A.  Abbey  1895. 
Gift  of  Mrs.  Edwin  A.  Abbey,  1918. 

ACHENBACH,  Andreas.  German  (Diisseldorf);  born  1815  at 
Kassel;  died  1910  at  Diisseldorf.  Pupil  of  Dusseldorf 
Academy  under  Schirmer  and  Schadow.  Landscapes. 


5 


ACHENBACH  - ALEXANDER 

Ac4--  sunset  AFTER  A STORM;  COAST  OF  SICILY. 
Gallery  At  the  left  is  the  sea;  in  the  foreground  are  wreckage 
i8  and  men  in  a life-boat;  at  the  right,  behind  a cliff,  the 
sun  is  setting. 

H.  32}  in.  W.  42§  in.  Canvas.  Signed:  A.  Achen- 
bach  1853. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ACHENBACH,  Oswald.  German  (Diisseldorf);  born  1827  at 
Diisseldorf;  died  there  1905.  Pupil  of  his  brother, 
Andreas  Achenbach.  Landscapes. 

AC41-1  NEAR  NAPLES;  MOONRISE.  A roadway  with 
Gallery  peasants  grouped  about  a stone  fountain. 

18  H.39jin.  W. 56Jin.  Canvas.  Signed:  Osw. Achenbach. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

AEKEN,  Hieronymus  van.  See  Bosch,  Hieronymus. 

ALEXANDER,  John  W.  American;  born  1856  at  Allegheny,  Pa.; 

died,  1915,  in  New  York  City.  Studied  in  Munich,  Paris, 
and  Florence.  President  National  Academy  of  Design 
from  1909.  Portraits  and  mural  decorations. 

WALT  WHITMAN.  (1819-1892;  American  poet.) 
Life-size,  seated  figure,  seen  to  below  the  knees;  he  has 
long  silvery  white  hair  and  beard;  brownish  background. 
H.  5oin.  W.qoin.  Canvas.  Signed: J.  W.  Alexander-89. 
Gift  of  Mrs.  Jeremiah  Milbank,  1891. 

STUDY  IN  BLACK  AND  GREEN.  Life-size,  seated 
figure  of  a young  woman,  seen  to  below  the  knees; 
she  is  fastening  a red  flower  on  her  low-necked,  black 
and  green  striped  gown ; a curtained  window  forms  the 
background. 

H.  50  in.  W.  40  in.  Canvas.  Signed:  J.  W.  Alexander. 
Purchase,  Hearn  Fund,  1908. 

THE  RING.  Life-size  figure  of  a young  woman, 
seen  to  below  the  knees;  she  is  seated  on  a couch  with 
her  back  to  a window  and  looks  at  a ring  held  in  her 
right  hand;  she  wears  a greenish  dress;  a straw  hat  with 
pink  roses  lies  on  her  lap. 

H.  48!  in.  W.  36!  in.  Canvas.  Signed:  John  W. 

Alexander  1911.  Bulletin,  1912,  p.  135,  ill. 

Gift  of  Mrs.  Herbert  S.  Greims,  in  memory  of  Arthur 
Hoppock  Hearn,  1912. 


AI2-1 

Gallery 

16 


AI2-2 

Gallery 

15 


AI2-3 

Gallery 

13 


4 


ALLEGRI— AMERICAN  SCHOOL 

ALLEGRI,  Antonio.  See  Correggio. 

ALLSTON,  Washington.  American;  born  1779  at  Waccamaw, 
S.  C.;  died  1843  Cambridgeport,  Mass.  Pupil  of 
Benjamin  West  in  London;  studied  also  in  Paris  and 
Rome.  Legendary  and  historical  subjects. 

AI51-1  A SPANISH  GIRL.  Full-length  figure  of  a young  woman 
Gallery  in  a brownish-red  bodice,  seated  on  a grassy  knoll 

16  in  the  foreground;  ruins  and  mountains  form  the  back- 

ground. 

H.  30  in.  W.  25  in.  Canvas. 

Gift  of  Lyman  G.  Bloomingdale,  1901. 

AI51-2  THE  DELUGE.  Wreckage  and  dead  bodies  are  on 
Gallery  the  beach  in  the  foreground;  stormy  surf  beyond;  heavy 
16  rain  clouds. 

H.  48  in.  W.  65J  in.  Canvas.  Bulletin,  1909,  p.  89. 
Gift  of  William  M.  Chase,  1909. 

AMERICAN  SCHOOL. 

Am3S-i  MISS  FOOTE.  (1797?- 1867;  an  actress  who  in  1831 
married  Charles  Stanhope,  fourth  Earl  of  Harrington.) 
Life-size,  seated  figure,  seen  almost  to  the  knees;  she 
wears  a low-necked  white  dress  of  the  style  of  the  early 
nineteenth  century.  Has  been  attributed  to  Lawrence. 
H.  30  in.  W.  25  in.  Canvas. 

Bequest  of  Margaretta  Jones,  1907. 

Am3S-2  COLONEL  MARINUS  WILLETT.  (1740-1830;  of- 
ficer of  New  York  Militia,  1775-78;  Sheriff  of  New  York, 
1784-92;  Mayor  of  New  York,  1807-8;  President  of  the 
Electoral  College,  1824.)  Full-length,  life-size  portrait; 
painted  1790-1800.  He  stands  with  the  right  arm  ex- 
tended; landscape  background.  He  wears  the  Continen- 
tal uniform — a dark  blue  coat,  white  waistcoat  and 
breeches,  black  cocked  hat.  The  sword  presented  by 
Congress  is  at  his  side,  and  on  the  left  lapel  of  his  coat 
is  the  Order  of  the  Cincinnati  consisting  of  a bald  eagle 
suspended  from  a blue  ribbon  with  white  border,  symbol- 
izing the  union  of  France  and  America. 

H.  9iJ  in.  W.  56  in.  Canvas. 

Bequest  of  George  Willett  van  Nest,  1917. 

Am3S-3  CHRISTOPHER  COLLES.  (1738-1821;  American  en- 
gineer; projector  of  the  first  waterworks  system  for  New 


5 


AMERICAN  SCHOOL  — ANGELICO 

York.)  Early  nineteenth-century  work. 

H.  30I  in.  W.  25I  in.  Canvas. 

Gift  of  Dr.  Christopher  J.  Colies,  1917. 

AMES,  Ezra.  American;  born  1768,  died  1836.  Portrait  painter 
in  Albany,  New  York. 

Am3i-5i  CATHERINE  VAN  SCHAICK.  (1751-1830;  wife  of 
Wing  H General  Peter  Gansevoort.)  Seated  figure  seen  to  the 
Base-  waist;  she  wears  a white  ruffled  cap,  and  a black  net 
ment  scarf;  her  hands  are  folded  in  her  lap. 

H.  29J  in.  W.  23!  in.  Canvas. 

Lent  by  Roland  N.  Moore  in  memory  of  Mrs.  Abraham 
Lansing  of  Albany,  1919. 

AMES,  Joseph.  American;  born  1816  at  Roxbury,  N.  H.;  died 
1872  at  New  York  City. 

Am32-i  JAMES  TOPHAM  BRADY.  (1815-1869;  a member 
of  the  New  York  bar.)  Life-size  bust  in  an  oval;  he 
has  brown,  curly  hair,  moustache,  and  goatee. 

H.  30  in.  W.  25  in.  Canvas.  Signed:  J.  Ames.  1869. 
Bulletin,  1910,  p.  175,  ill. 

Gift  of  Erancis  Lynde  Stetson,  1910. 

ANGELICO,  Era  Giovanni;  real  name  Guido  (or  Guidolino)  di 
Pietro  da  Mugello;  called  also  Giovanni  da  Eiesole,  Beato 
Angelico,  and  II  Beato.  Italian  (Elorentine);  born  1387 
at  Vecchio  in  the  province  of  Mugello;  died  1455  near 
Rome.  Entered  the  convent  of  San  Domenico  at  Eiesole 
near  Florence,  and  about  1436  went  to  the  monastery  of 
San  Marco  in  Florence.  Painted  frescoes,  altarpieces, 
and  devotional  pictures. 

An4~i  THE  CRUCIFIXION.  In  the  center  Christ  is  on  the 
Gallery  cross,  at  the  base  of  which  kneels  Mary  Magdalen  between 
37  St.  Dominic  at  the  left  and  St.  Thomas  Aquinas  at  the 
right;  beyond  at  the  left  stand  the  Virgin,  a bishop  (St. 
Augustine  ?),  and  a female  saint  (St.  Monica  ?);  at  the 
right  are  St.  John  the  Evangelist,  St.  Francis,  and  St. 
Elizabeth  of  Hungary.  A palm  tree  is  at  each  side  of 
the  cross. 

H.  15!  in.  W.  2ifin.  Tempera.  Transferred  from  wood 
to  canvas. 

Bequest  of  Benjamin  Altman,  1913. 

6 


ANTONELLO  DA  MESSINA  — ASCH 

ANTONELLO  DA  MESSINA,  real  name  Antonello degli  Antonii. 

Italian  (Venetian);  born  about  1430  presumably  at  Mes- 
sina; died  1479.  In  the  early  seventies  he  went  to  Venice 
and  from  that  time  his  influence  on  the  artists  of  that 
city  is  noticeable,  as  is  also  the  effect  of  the  Venetian 
painting  on  his  work.  He  was  the  first  Italian  to  use 
consistently  the  method  of  painting  with  colors  ground 
in  oil. 

An8i-i  PORTRAIT  OF  A YOUNG  MAN.  Life-size  head  and 

Gallery  part  of  shoulders  of  a smiling  youth  of  about  seventeen, 
37  seen  three-quarters  toward  the  left.  He  has  reddish 
hair  and  wears  a dark  cap  with  a band  hanging  down  upon 
the  right  shoulder. 

H.  lof  in.  W.  8i  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

APT,  Ulrich,  the  Elder.  German;  born  at  Augsburg,  where 
he  appears  to  have  been  admitted  to  the  painters' 
guild  in  i486;  mentioned  for  the  last  time  in  1532. 

Ap8-i  PORTRAIT  OF  A MAN  AND  HIS  WIFE.  A double 

Gallery  portrait  with  the  figures  seen  to  the  waist;  the  man  is 
34  at  the  left  and  wears  a black  coat  lined  with  brown  fur, 
and  a fur  cap;  the  woman  has  a dark  green,  low-necked 
gown  and  a close-fitting  white  headdress;  through  a 
window  back  of  the  man  is  a view  of  a town  with  a 
winding  river  and  distant  mountains.  Inscribed  with 
their  ages:  52  and  35. 

H.  i3y\  in.  W.  24!  in.  Wood.  Dated:  1512.  Bul- 
letin, 1912,  p.  150,  ill. 

Purchase,  Rogers  Fund,  1912. 

ARETINO.  See  Spinello  Aretino. 

ASCH,  Pieter  Jansz.  van.  Dutch;  born  1603  at  Delft;  died  there 
1678.  Landscapes. 

As2-i  landscape  with  WATERFALL.  Brown  fore- 
ground with  a waterfall  and  a rocky  hillside  at  the  left; 
near  the  center  are  two  tall  trees  and  in  the  roadway  be- 
yond is  a group  of  peasants. 

H.  151  in.  W.  132- in.  Wood. 

Purchase,  1871. 


7 


B 


BACA-FLOR,  Carlos.  French-Peruvian;  born  1869.  Studied 
in  Paris;  lives  in  Paris  and  New  York  City. 

B12-1  J.  PIERPONT  MORGAN.  (1837-1913;  New  York 
Wing  F financier;  elected  a Trustee  of  The  Metropolitan  Museum 
Gallery  of  Art  in  1888  and  its  President  from  1904  until  his  death.) 
12  Life-size,  standing  figure,  seen  to  below  the  knees;  his 
clenched  right  hand  rests  on  a table  beside  him  and  his 
left  hand  is  in  his  trousers  pocket;  a red  chair  shows  at 
the  right. 

H.  62  in.  W.  59  in.  Canvas.  Bulletin,  1913,  p.  64,  ill. 
Gift  of  J.  Pierpont  Morgan,  1910. 

BAIXERAS-VERDAGUER,  Dionisio.  Spanish;  born  1862  at 
Barcelona;  lives  there.  Pupil  of  Ecole  des  Beaux- 
Arts  of  Barcelona. 

B 161-1  BOATMEN  AT  BARCELONA.  Three  men  seated 
in  a rowboat. 

H.  59  in.  W.  82I  in.  Canvas.  Signed:  D.  BAIXE- 

RAS  1886. 

Gift  of  George  I.  Seney,  1886. 

BAKER,  George  A.  American;  born  1821  at  New  York;  died 
there  1880.  Pupil  of  his  father,  a miniature  painter; 
studied  in  Europe. 

B17-1  JOHN  F.  KENSETT.  (1818-1872;  American  landscape 
painter.)  Life-size,  seen  almost  to  the  waist;  he  has 
brown  hair,  moustache,  and  side  whiskers. 

H.  27  in.  W.  22  in.  Canvas.  Signed:  G.  A.  Baker  1875. 
Gift  of  several  gentlemen,  1881. 

BAKKER-KORFF,  Alexander  Hugo.  Dutch;  born  1824  at 
The  Hague;  died  1882  at  Leyden,  where  he  had  lived 

8 


BAKKER-KORFF— BAROCCIO 

since  1856.  Pupil  of  The  Hague  Academy  under  Cor- 
nelius Kruseman.  Genre  subjects,  often  satirical; 
known  as  the  Dutch  Meissonier. 

B171-1  BRIC-A-BRAC.  An  old  woman  seated  near  a table 
Gallery  in  a room  filled  with  objects  of  art. 

18  H.  7I  in.  W.  5I  in.  Wood.  Signed:  A.  H.  Bakkcr- 
Korff— 68. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
BARBARELLI,  Giorgio.  See  Giorgione. 

BARGUE,  Charles.  French;  born  at  Paris;  died  there  1883. 
Pupil  of  G^r6me.  Also  lithographer. 

B23-1  A FOOTMAN  SLEEPING.  A man  in  a dark  blue 
livery  is  seated  on  a carved  settee  in  a hallway. 

H.  i3Jin.  W.  lojin.  Wood.  Signed:  C.  Bargve-71. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

B23-2  A BASH  I BAZOUK.  (A  volunteer  in  the  Turkish 
Gallery  army.)  A dark-skinned  man  is  seated  in  a cave-like 
18  interior,  smoking  a hooka. 

H.  i8/e  in.  W.  i3in.  Canvas.  Signed:  BARGVE-75. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BARKER,  Thomas;  known  as  Barker  of  Bath.  British  (English); 

born  1769  near  the  village  of  Pontypool  in  Monmouth- 
shire; died  1847  Bath.  Began  as  a coach  painter; 
then  copied  works  of  old  Dutch  and  Flemish  masters;  later 
visited  Rome.  Landscapes  and  rural  life. 

B24-1  LANDSCAPE.  At  the  left,  a herd  of  asses  is  being 
driven  by  a girl;  at  the  right  are  thick  woods  and 
a road  on  which  are  a wagon  and  several  figures,  f or- 
merly attributed  to  -Gainsborough. 

H.  56  in.  W.  75I  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1890. 

BAROCCIO,  Federigo.  Italian  (Umbrian);  born  1528  (?)  at 
Urbino;  died  there  1612.  Pupil  of  Battista  Franco; 
copied  works  of  Titian  at  Pesaro  and  of  Raphael  in 
Rome;  decorated  parts  of  the  Vatican. 

B261-1  HOLY  FAMILY.  At  the  right,  on  the  steps  in  the 
foreground,  stand  the  young  St.  John,  St.  Elizabeth, 
and  St.  Zacharias;  and  at-  the  left  St.  Joseph  raises  a 
dark  blue  curtain;  in  the  room  beyond,  the  Madonna 


9 


BAROCCIO— BASSANO 

is  rocking  the  cradle  in  which  the  Child  lies  asleep; 
a cat  and  kittens  are  on  her  red  dress. 

H.  28J  in.  W.  24  in.  Canvas.  Bulletin,  1906,  p.  72. 
Purchase,  Rogers  Fund,  1906. 

BARONZIO,  Giovanni  of  Rimini.  Italian  (School  of  the 
Marches);  died  before  1362.  He  combined  the  teaching 
of  Giotto  with  the  Byzantine  tradition  which  existed  in 
the  Marches. 

B262-1  SCENES  FROM  HOLY  SUBJECTS.  Eight  equal- 
Gallery  sized  panels  in  a vertical  arrangement  of  two  panel 
33  width.  Beginning  at  the  upper  left  the  subjects  are  as 
follows:  I.  Coronation  of  the  Virgin  by  Christ;  2.  Four 

female  figures  of  Saints  and  Martyrs;  3.  Descent  from 
the  Cross;  4.  Piet  a;  5.  Christ  in  Limbo;  6.  Transfigura- 
tion; 7.  The  Last  Supper;  8.  The  Last  Judgment. 

H.  26  in.  W.  14I  in.  Tempera  on  wood  transferred  to 
canvas. 

Purchase,  Rogers  Fund,  1909. 

BARTOLO  DI  FREDI;  also  known  as  Bartolommeo  Manfredi. 

Italian  (Sienese);  born  1330  at  Siena;  died  there  1410. 
Follower  of  the  brothers  Lorenzetti. 

B28-1  CRUCIFIXION.  Christ  is  on  the  cross  and  winged 
Gallery  angels  are  catching  the  blood  from  the  wounds  in  His 
33  hands;  the  crucified  thieves  are  also  shown;  soldiers 
and  populace  are  grouped  around  the  base  of  the  cross; 
the  fainting  Virgin  and  the  Marys  are  at  the  left.  Attrib- 
uted to  Bartolo  di  Fredi  by  Bernhard  Berenson;  pre- 
viously attributed  to  Spinello  Aretino. 

H.2o^in.  W.  38J  in.  Tempera  on  wood.  Bulletin,  1912, 
p.  54.  ill- 

Purchase,  Rogers  Fund,  19 ii. 

BASSANO;  real  name,  Jacopo  da  Ponte.  Italian  (Venetian); 

born  1510  at  Bassano,  in  the  Venetian  State;  died  there 
1592.  Pupil  of  his  father,  Francesco  da  Ponte,  a fol- 
lower of  Bellini;  also  worked  with  Bonifazio  at  Venice. 
His  four  sons  assisted  him. 

B29-51  LAZARUS  AND  THE  RICH  MAN.  A garden  with  the 
Gallery  nude  figure  of  Lazarus  reclining  on  the  ground  at  the  left; 
29  a lady  and  two  men  are  seated  at  a table  and  a boy  stands 
in  the  center  of  the  picture  with  two  dogs  near  him. 

H.  57J  in.  W.  87!  in.  Canvas. 


10 


BASSANO— BEAL 

Lent  by  Dan  Fellows  Platt,  1910. 

Copies  of  paintings  by  Bassano;  see  Teniers.  T251-5 
and  T251-6. 

BASTIEN-LEPAGE,  Jules.  French;  born  1848  at  Damvillers; 

died  1884  at  Paris.  Pupil  of  Cabanel;  influenced  by 
Courbet.  Peasant  subjects  and  portraits. 

B292-1  JOAN  OF  ARC.  (1412- 1431;  the  Maid  of  Orleans, 
Gallery  who  was  inspired  to  deliver  France  from  the  English; 
21  she  led  the  French  troops  and  assisted  at  the  crown- 
ing of  Charles  VI 1 at  Rheims.)  A young  peasant  girl 
stands  in  front  of  a tree  in  the  garden  of  her  home; 
behind  her,  at  the  left,  her  vision  is  indicated  by  vague 
figures  of  St.  Michael  in  armor  who  holds  a sword  toward 
her,  St.  Catherine  with  hands  clasped,  and  St.  Margaret 
who  is  weeping. 

H.  100  in.  W.  iiojin.  Canvas.  Signed:  J.  Bastien- 
Lepage,  Damvillers  Meuse  1879. 

Gift  of  Erwin  Davis,  1889. 

B292-2  AN  ANXIOUS  MOMENT.  An  old  peasant  lighting 
his  pipe  in  the  wind. 

H.  lyf  in.  W.  8f  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

BAZZI,  Giovanni  Antonio  de.  See  Sodoma. 

BEAL,  Gifford.  American;  born  1879  in  New  York  City;  lives 
there.  Pupil  of  Chase  and  F.  V.  Du  Mond.  Painter  of 
marines,  landscapes,  and  figures. 

B36-1  MAYFAIR.  Numerous  people  moving  about  in  a park 
Gallery  where  there  are  fountains  and  trees. 

15  H.28in.  W.  25!  in.  Canvas.  Signed:  Gifford  Beal 

13.  Bulletin,  1914,  p.  150;  ill.  p.  155. 

Purchase,  Hearn  Fund,  1914. 

B36-2  THE  ALBANY  BOAT.  There  are  peop’e  mostly  wo- 
Gallery  men  and  children  in  light  summer  costumes,  gathered  on 
15  the  roadway  which  leads  down  to  the  steamboat  landing; 
a building  and  a clump  of  trees  are  at  the  left  and  tall 
trees  at  the  right;  between,  one  sees  the  great  white  Al- 
bany boat,  the  blue  Hudson,  and  the  green  hills  on  the 
opposite  shore;  strong  sunlight. 

H.36fin.  W.6oJin.  Canvas.  Signed:  Gifford  Beal.  15. 
Purchase,  Hearn  Fund,  1917. 


II 


BEATO  ANGELICO— BEECHEY 

BEATO  ANGELICO.  See  Angelico. 

BEAUX,  Cecilia.  American;  contemporary;  born  in  Philadelphia; 

lives  in  New  York  City.  Pupil  of  William  Sartain  in 
Philadelphia;  Julian  and  Lazar  schools  in  Paris.  Portrait 
painter. 

B38-1  A GIRL  IN  WHITE;  ERNESTA.  Full-length  figure 
Gallery  of  a young  woman,  who  is  dressed  in  white  and  seated 
15  on  a white  sofa;  before  her  is  a table  on  which  are  a 
candlestick  and  a Chinese  white  porcelain  jar  on  a teak- 
wood  stand;  back  of  her  is  a mirror. 

H.  71  Jin.  W.  43fin.  Canvas.  Signed;  Cecilia  Beaux. 
Bulletin,  1915,  p.  1 52,  ill. 

Purchase,  Arthur  Hoppock  Hearn  Fund,  1915. 

BECKER,  Carl  Ludwig  Friedrich.  German;  born  1820  in 
Berlin;  died  there  1900.  Pupil  of  Munich  Academy. 
Genre  and  historical  subjects. 

B382-1  ADELHEID  AND  THE  BISHOP  OF  BAMBERG. 

(A  scene  in  Goethe’s  play,  Gotz  von  Berlichingen.)  An 
interior  with  Adelheid  and  the  Bishop  of  Bamberg  play- 
ing chess;  beyond  are  ladies  and  gentlemen,  one  of  whom 
is  playing  a lute. 

H.  50^  in.  W.  67  in.  Canvas.  Signed:  C.  Becker. 
Gift  of  Mrs.  Anna  Woerishoffer,  1899. 

BEECHEY,  Sir  William.  British  (English);  born  1753  at  Bur- 
ford,  Oxfordshire;  died  1839  at  Hampstead,  London. 
Pupil  of  the  Royal  Academy  Schools  in  London.  Portraits. 

B39-1  H.  R.  H.  THE  DUKE  OF  YORK.  (1763-1837; 
Gallery  Frederick  Augustus,  second  son  of  King  George  HI.) 
24  Life-size,  standing  portrait,  seen  to  the  knees;  his  scarlet 
coat  is  elaborately  trimmed  with  gold  braid,  and  a 
black  cloak,  on  which  the  star  of  the  Order  of  the  Garter 
is  embroidered,  hangs  from  his  left  shoulder;  various 
orders  are  on  his  breast. 

H.63in.  W.5ijin.  Canvas. 

Gift  of  T.  J.  Blakeslee,  1895. 

B39-2  PORTRAIT  OF  A LADY.  Life-size  figure,  seen  to  be- 
Gallery  low  the  knees;  she  is  seated  in  a landscape  and  wears  a 
14  white,  short-waisted,  low-necked  gown  and  an  orange  scarf. 
H.  50  in.  W.  401^6^  in.  Canvas. 

Gift  of  George  A.  Hearn,  1905. 


12 


JOAN  OF  ARC 

BY  jllFHS  BASTIFN-LKI’A(}F 


/ 


THREE  MIRACLES  OF  SAINT  ZENOBIUS 
BY  BOTTICELLI 


BEERSTRAATEN  — BELLOWS 

BEERSTRAATEN,  Jan  Abrahamsz.  Dutch;  bom  1622  at  Am- 
sterdam; died  there  1666.  Landscapes. 

B392-1  SNOW  SCENE.  A frozen  river  with  skaters  in  the 
foreground;  in  the  middle  distance  is  a church. 

H.  36J  in.  W.  5 if  in.  Canvas.  Signed:  F.  Beerstraa- 
ten  Pingit.  Bulletin,  1911,  p.  171. 

Purchase,  Rogers  Fund,  1911. 

BEHAM,  Barthel.  German;  born  1502  at  Nuremberg;  died 
1540,  probably  in  Italy.  Follower  of  Diirer.  Portraits. 

B393-1  PORTRAIT  OF  A MAN.  (Leonardt  von  Eck  or  Johann 
Gallery  Mayr  von  Eck.)  Seen  to  the  waist  with  arms  folded;  he 
34  wears  a brilliant  red  cap,  and  a full  white  tunic  shows 
above  a loose  grayish  robe;  dark  background  immediately 
back  of  the  head. 

H.  22g-  in.  W.  14I  in.  Wood. 

Purchase,  Kennedy  Fund,  1912. 

BELLINI,  Giovanni.  Italian  (Venetian);  born  at  Venice  about 
1428;  died  there  1516.  Pupil  of  his  father,  Jacopo 
Bellini;  influenced  by  the  school  of  Squarcione  at  Padua. 
Worked  chiefly  at  Venice  where,  in  1479,  he  was  ap- 
pointed to  redecorate  the  Ducal  Palace. 

B41-1  MADONNA  AND  CHILD.  Seated  figure  of  the 
Gallery  Madonna,  seen  to  the  knees;  she  wears  a deep  blue 
30  mantle  and  the  nude  Child  is  held  on  her  left  knee;  an 
orange-red  curtain  is  back  of  the  Madonna  at  the  right 
and  at  the  left  a town  and  a range  of  distant  mountains. 
H.  35fin.  W.  28t\  in.  Wood.  Signed:  lOANNES 

BELLINVS.  Bulletin,  1908,  p.  180,  ill. 

Purchase,  Rogers  Fund,  1908. 

B41-52  MADONNA  AND  CHILD.  The  Madonna  in  a red 
gown  and  a blue  mantle  stands  behind  a parapet  on  which 
the  nude  Child  stands;  he  caresses  her  chin,  but  she  turns 
away  from  him.  Green  curtain  background  showing 
mountain  landscapes  at  each  side.  Attributed  to  Bellini. 
H.20jin.  W.  14}  Jin.  Wood. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

BELLOWS,  George  W.  American;  born  1882  at  Columbus, 
Ohio;  lives  in  New  York  City.  Pupil  of  Robert  Henri. 

B411-1  UP  THE  HUDSON.  Riverside  Park,  New  York,  is 
Gallery  in  the  foreground;  railroad  tracks  and  docks  are  at  the 
12  river’s  edge  and  the  Jersey  shore  is  in  the  distance. 


3 


BELLOWS—  BERCHEM 

H.  35f  in.  W.  48!  in.  Canvas.  Signed:  Geo.  Bellows. 
Bulletin,  191 1,  p.  67,  ill. 

Gift  of  Hugo  Reisinger,  1911. 

BENJAMIN-CONSTANT,  Jean  Joseph.  French;  born  1845 

Paris;  died  there  1902.  Pupil  of  Cabanel;  influenced 
by  Delacroix  and  Regnault. 

B431-1  JUSTINIAN  IN  COUNCIL.  (482?-565;  Byzantine 
Emperor.)  The  emperor  is  seated  on  the  throne;  three 
councillors  are  seated  at  each  side  and  in  the  foreground 
is  a figure  with  his  back  to  the  spectator. 

H.  148  in.  W.  260  in.  Canvas.  Signed:  1886  Benj-Con- 
stant. 

Gift  of  Godfrey  Mannheimer,  1890. 

BENOZZO  GOZZOLI.  See  Gozzoli. 

BENSON,  Frank  W.  American;  born  1862  at  Salem,  Mass.; 

lives  in  Boston.  Pupil  of  the  Boston  Museum  of  Fine 
Arts  School  and  of  Julian  Academy  in  Paris  under 
Bouguereau  and  Lefebvre. 

B44-1  PORTRAIT  OF  A LADY.  Life-size,  seated  figure. 
Gallery  seen  to  below  the  waist;  she  wears  a low-necked  black 
15  and  green  dress  and  a black  hat  with  feathers;  yellow 
autumn  leaves  form  the  background. 

H.  4O1V  in.  W.  32I  in.  Canvas.  Signed:  F.  W.  Benson 
1901. 

Purchase,  Hearn  Fund,  1906. 

BENVENUTO  DI  GIOVANNI;  also  known  as  Benvenuto  da 
Siena.  Italian  (Sienese);  born  1436  at  Siena;  died 
after  1517.  Pupil  of  Vecchietta. 

B442-1  ASSUMPTION  OF  THE  VIRGIN.  The  Virgin,  in 
Gallery  a white  robe,  is  surrounded  by  red-winged  cherubim 
31  and  angels  with  musical  instruments;  at  the  right  and 
left  are  prophets  and  apostles;  in  the  foreground  is  the 
empty  sarcophagus  before  which  kneels  St.  Thomas, 
receiving  the  girdle;  St.  Francis  kneels  at  the  left,  and 
St.  Anthony  at  the  right. 

H.  116J  in.  W.  86|  in.  Tempera  on  wood.  Signed: 
OPVS  • BENVENVTI  ’ lOHANIS  ‘ DE  ’ SENIS  ’ 
MCCCCLXXXXVIII.  Bulletin,  1910,  p.  249,  ill. 

Gift  of  J.  Pierpont  Morgan,  1910. 

BERCHEM,  Claes  Pietersz.;  occasionally  signed  Berghem. 

Dutch;  born  1620  at  Haarlem;  died  1683  at  Amster- 
dam. Pupil  of  his  father,  Pieter  Claes. 


14 


BERCHEM  — BICCI  DI  LORENZO 

B45-1  REST.  A woman  with  a child  in  her  arms  is  seated 
on  the  ground;  a man  stands  at  her  side  near  a clump  of 
tree  trunks;  sheep  are  beyond  and  a cow  stands  nearby. 
H.  in.  W.  13J  in.  Wood.  Signed:  Berchem. 

Purchase,  1871. 

BERNE-BELLECOUR,  Etienne  Prosper.  French;  born  1838 
at  Boulogne-sur-Mer;  died  1910  at  Paris.  Pupil  of 
Ecole  des  Beaux-Arts  under  Picot  and  Barrias.  Mili- 
tary subjects  and  portraits. 

B451-1  SOLDIER  IN  THE  TRENCHES.  He  is  sitting  behind 
Gallery  the  earthworks  with  a rifle  in  hand. 

17  H.  6|  in.  W.  4tV  in.  Water  color.  Signed:  E.  Berne 
Bellecour-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B451-2  THE  INTENDED.  A garden  terrace  with  a young 

S.  W.  woman  seated  on  a bench  winding  yarn  which  is  held 

Stairway  by  an  officer;  an  elderly  lady  and  gentleman  are  seated 
at  the  right;  the  costumes  are  of  the  Empire  period. 

H.  2o|  in.  W.  32I  in.  Canvas.  Signed:  E.  Berne- 
Bellecour.  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BETTO,  Bernardino  di.  See  Pinturicchio. 

BEYEREN,  Abraham  Hendricksz.  van.  Dutch;  born  1620 
or  1621  at  The  Hague;  died  after  1674  at  Alkmaar. 
Perhaps  a pupil  of  his  brother-in-law,  Pieter  de  Putter. 
Still  life,  marines,  etc. 

B46-1  STUDY  OF  FISH. 

H.  25 J in.  W.  31J  in.  Canvas. 

Purchase,  1871. 

BICCI  DI  LORENZO.  Italian  (Florentine) ; born  1373  at  Florence; 
died  there  1452.  Pupil  of  his  father,  Lorenzo  di  Bicci. 

B47-1  MIRACLE  OF  ST.  NICHOLAS  OF  BARI.  (St. 
Gallery  Nicholas,  Bishop  of  Myra  in  the  fourth  century,  among 
31  other  miracles  is  supposed  to  have  supplied  gold  for 
three  maidens  who  were  too  poor  to  marry.)  Three 
young  women  and  a man  in  a bedroom; outside  the  house, 
at  the  left,  the  Saint  throws  the  gold  through  the 
window  grating  and  it  falls  upon  the  bed. 

H.  12  in.  W.  22^  in.  Tempera  on  wood. 

Gift  of  Frederic  Coudert  from  the  collection  of  Madame 
D 'Oliveira  of  Florence,  1888. 


*5 


BLACKBURN  — BLAKELOCK] 

blue-green  dress  with  violet  bows  and  there  is  white 
lace  at  the  throat  and  elbows. 

H.  49J  in.  W.  40I  in.  Canvas.  Signed:  J.  Blackburn 
Pinxit.  1754. 

Gift  of  Sylvester  Dering,  1916. 

B56-51  MARY  BROWN  GREENLEAF.  (1728-1807;  daughter 
of  Judge  Robert  Brown;  married  William  Greenleaf  in 
1747.)  Life-size,  standing  figure,  seen  to  the  knees;  her 
left  elbow  rests  on  a balustrade  and  a landscape  forms 
the  background;  she  wears  a low-necked  pink  dress  trim- 
med with  white  lace  and  black  ribbons.  This  and  the 
following  canvas  have  bullet  holes  which,  according  to 
tradition,  were  made  during  the  Revolutionary  War. 

H.  50-j\  in.  W.  40yV  in.  Canvas.  Signed:  J.  Black- 
burn Pinxit,  1757. 

Lent  by  Richard  C.  Greenleaf,  1913. 

B56-52  WILLIAM  GREENLEAF.  (1725-1803;  youngest  son 
Gallery  of  Rev.  Daniel  Greenleaf  [see  portrait  by  Copley];  Sheriff 
16  of  Suffolk  County,  1 775  to  1 780.)  Life-size,  standing  figure 

seen  to  the  knees;  his  right  elbow  rests  on  a table  and  the 
extended  hand  holds  a letter  addressed  to  Mr.  William 
Greenleaf  Mercht.  Boston.  He  wears  a white  wig, 
ruffled  white  shirt,  robin’s  egg  blue  waistcoat  and  fawn- 
colored  coat  and  knee  breeches;  a draped  dark  green  cur- 
tain forms  the  background. 

H.  50J  in.  W.  40  in.  Canvas.  Signed:  J.  Blackburn, 
Pinxit  1757. 

Lent  by  Richard  C.  Greenleaf,  1913. 

B56-53  PRISCILLA  BROWN  GREENLEAF.  (Daughter  of 
Judge  Robert  Brown  and  wife  of  W.  John  Greenleaf.) 
Life-size,  seated  figure,  seen  to  the  knees;  she  wears  a low- 
necked  white  satin  dress  trimmed  with  white  lace,  and  a 
lavender  scarf;  her  left  arm  rests  on  a balustrade;  a tree 
trunk  is  at  the  left  with  sunset  sky  beyond. 

H.  35I  in.  W.  28i  in.  Canvas.  Signed:  J.  Blackburn 
Pinx.  1756. 

Lent  by  Richard  C.  Greenleaf,  1913. 

BLAKELOCK,  Ralph  Albert.  American;  born  1847  New 
York  City;  died  1919  near  New  York  City.  Landscapes. 

B58-1  INDIAN  ENCAMPMENT.  A plain  with  trees;  in  the 
Gallery  foreground  there  are  small  figures  of  Indians  and  horses 
13  near  a group  of  tents;  a river  is  in  the  middle  distance. 

18 


BLAKELOCK  — BLASHFIELD 

H.  37yV  in.  W.  40 J in.  Canvas.  Signed:  Ralph  Albert 
Blakelock. 

Gift  of  George  A.  Hearn,  1906. 

B58-2  THE  PIPE  DANCE.  Indians  are  dancing  hand  in 
Gallery  hand  on  a river  bank;  in  the  background  low  hills  and 

13  trees  stand  out  against  a golden  sunset  sky. 

H.  4^1^  in.  W.  in.  Canvas.  Signed:  Ralph  Al- 
bert Blakelock.  Bulletin,  1909,  p.  53,  ill. 

Gift  of  George  A.  Hearn,  1909. 

BLANCHARD,  Jacques.  French;  born  1600  at  Paris;  died  there 
1638.  Pupil  of  his  uncle,  Jerome  Nicholas  Bollery; 
went  to  Lyons  in  1620  and  spent  four  years  studying 
with  and  assisting  Horace  Le  Blanc. 

B59-1  VENUS  AND  ADONIS.  A nude  woman  reclines  on  a 
Gallery  rose  and  white  drapery;  beside  her  is  a youth  with  a red 

14  drapery;  both  are  cutting  an  inscription  on  a tree  trunk. 
H.  47f  in.  W.  6gi  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

BLARENBERGHE,  Henri  Joseph  van.  French;  born  1741 
at  Lille;  died  there  1826.  Lived  long  in  Paris  and  was 
attached  to  the  court  of  Louis  XVI;  after  the  king's 
death  returned  to  Lille,  opened  an  art  school,  and  later 
became  curator  of  the  Art  Gallery  at  Lille. 

B61-1  FETE  OF  THE  TUNNY  FISHERS  AT  MARSEILLES. 

The  boats  in  the  harbor  are  filled  with  people;  a fortress 
is  on  the  shore  at  the  left;  windmills  crown  the  distant 
hills. 

H.  33  in.  W.  48  in.  Canvas. 

Purchase,  1871. 

BLASHFIELD,  Edwin  Howland.  American;  born  1848  at  New 
York  City;  lives  in  New  York  City.  Pupil  of  Bonnat 
in  Paris.  Mural  decorations. 

B611-1  CARRY  ON.  The  figure  of  Liberty,  holding  high  the 

S.  E.  American  flag  in  her  left  hand  and  a drawn  sword  in  her 

Stairway  right,  urges  on  two  lines  of  soldiers  to  the  attack.  A 
screeching  eagle  flies  behind  her;  strong  light  from  fire  in 
the  background. 

H.  13 if  in.  W.  109!  in.  Canvas.  Signed:  Edwin 
Howland  Blashfield,  1918. 

Purchase,  Hearn  Fund,  1918. 


19 


BLOEMEN  — BOCCACCINO 

BLOEMEN,  Peeter  van.  Flemish;  born  1657  at  Antwerp; 

died  there  1720.  Traveled  in  Italy;  was  made  director 
of  Antwerp  Academy  in  1699. 

B62-1  HORSES  TAKEN  TO  WATER.  Several  men  are 
wading  in  a stream  at  the  right;  a white  horse  is  being 
ridden  into  the  water  and  other  horses  are  at  the  left; 
in  the  background  is  a round  building  from  which  smoke 
arises. 

H.  16J  in.  W.  23 J in.  Canvas. 

Purchase,  1871. 

BLUM,  Robert  F.  American;  born  1857  at  Cincinnati,  O.; 

died  1903  at  New  York  City.  Studied  lithography; 
traveled  in  Europe  and  in  Japan.  Illustrator  and 
mural  decorator. 

B621-1  THE  AMEYA.  A street  in  Japan  with  an  itinerant 
Gallery  candy  vendor  (Ameya),  dressed  in  blue;  he  is  sur- 
12  rounded  by  Japanese  women  and  children,  who  wear 
brightly  colored  kimonos;  beyond  is  a jinrikisha  with  its 
bearer  seated  on  the  shaft;  shops  line  the  far  side  of 
the  street. 

H.  27!  in.  W.  31  in.  Canvas.  Signed:  Blum. 

Gift  of  Estate  of  Alfred  Corning  Clark,  1904. 

B621-2  STREET  SCENE  IN  I KAO,  JAPAN.  A row  of  open 
shops;  in  the  foreground  is  a woman  with  a baby  on  her 
back. 

H.  lof  in.  W.  i2f  in.  Water  color.  Stamped:  R.  F. 
Blum. 

Gift  of  William  J.  Baer,  1904. 

BOCCACCINO,  Boccaccio.  Italian  (Lombard);  born  about  1460 
at  Ferrara;  died  1518  at  Cremona.  Influenced  by  Cima 
and  Bramantino. 

B63-52  MADONNA  AND  CHILD.  Seated  figure  seen  to  below 
Gallery  the  knees;  she  wears  a red  robe  decorated  with  a gold 
30  band  and  jewel  at  the  neck,  and  a dark  blue  cloak  lined 
with  yellow.  She  holds  the  Child  in  her  lap;  he  has  a 
narrow  white  drapery  about  him  and  holds  a little  bird. 
Behind  them  is  a green  drapery  which  partly  covers  a 
window  at  the  left  looking  on  a landscape  of  hills  and 
water. 

H.  32I  in.  W.  24J  in.  Wood. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 


20 


BY  VITTORE  CARPACCIO 


IHE  AEGEAN  SEA 


BOGERT— BONHEUR 

BOGERT,  George  H.  American;  bom  1864  at  New  York  City; 

lives  there.  Pupil  of  National  Academy  of  Design,  New 
York;  Puvis  de  Chavannes,  Aime  Morot,  and  Eugene 
Boudin  in  Paris.  Landscapes. 

B632-1  CHALE  CHURCH,  ISLE  OF  WIGHT,  ENGLAND. 
Gallery  Fields  of  harvested  grain  are  in  the  foreground;  the 

15  church  is  in  the  middle  distance  and  beyond  is  the  sea 

with  a line  of  chalk  cliffs  at  the  horizon. 

H.  28  in.  W.  36  in.  Canvas.  Signed:  George  Bogert- 
Chale.  Bulletin,  1906,  p.  56. 

Gift  of  George  A.  Hearn,  1906. 

B632-2  OCTOBER  MOONLIGHT.  Trees  and  moon  reflected 
Gallery  in  a river. 

13  ' H.  \gl  in.  W.  30^  in.  Canvas.  Signed:  George  Bo- 
gert,  1898.  Bulletin,  1906,  p.  56. 

Gift  of  George  A.  Hearn,  1906. 

BOGGS,  Frank  M.  American;  born  1855  at  Springfield,  O.; 

lives  in  Paris.  Pupil  of  Ecole  des  Beaux-Arts  and  Gerome. 
B633-1  ON  THE  THAMES.  Several  boats  with  sails  up;  in 
Gallery  the  background  is  the  city;  gray  sky  and  water. 

13  H.  38J  in.  W.  51 J in.  Canvas.  Signed:  Boggs  London 

83.  Bulletin,  1909,  p.  54,  ill. 

Purchase,  Hearn  Fund,  1909. 

BOLDINI,  Giovanni.  Italian;  born  1844  at  Ferrara;  lives  in 
Paris.  Pupil  of  Florence  Academy.  Went  to  London 
to  paint  portraits;  settled  in  Paris  in  1872.  Portraits 
and  genre. 

B636-1  GOSSIP.  In  a room  decorated  in  the  Empire  style 
Gallery  sit  three  women  in  costumes  of  the  period. 

18  H.  7iV  in.  W.  9I  in.  Wood.  Signed:  Boldini-/73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B636-2  THE  DISPATCH  BEARER.  A French  cavalryman, 
having  pulled  up  his  horse  on  the  sidewalk  in  front  of  a 
porte-cochere,  gives  a letter  to  the  porter  who  has  stopped 
sweeping  to  receive  it. 

H.  16J  in.  W.  i3§  in.  Wood.  Signed:  Boldini. 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

BON  DONE.  See  Giotto  di  Bondone. 

BONHEUR,  FRANgois  Auguste.  French;  born  1824  at  Bordeaux; 

died  1884  at  Bellevue.  Son  and  pupil  of  Raymond 
Bonheur  and  brother  of  Rosa  Bonheur. 


2 


BON  H EUR  — BONINGTON 

B64-1  WOODLAND  AND  CATTLE.  A herd  of  cattle  in 
the  shade  of  a grove  of  old  oak  trees;  a pool  of  water  is* 
in  the  middle  distance  where  a white  cow  is  prominent; 
the  cowherd  leans  against  the  trunk  of  a tree  at  the  right. 
H.  i04i  in.  W.  I57x\  in.  Canvas.  Signed:  Auguste 
Bonheur. 

Gift  of  James  Clinch  Smith  and  sister,  1890. 

BONHEUR,  Marie  Rosa.  French;  born  1822  at  Bordeaux; 

died  1899  at  her  home,  the  Chateau-de-By.  Pupil  of  her 
father,  Raymond  Bonheur.  Founded  the  Paris  Free 
School  for  Young  Girls  in  1858  and  was  long  its  di- 
rector. Painted  chiefly  animals. 

B641-1  A LIMIER-BRIQUET  HOUND.  A brown  and  white 
S.  W.  dog  with  head  and  tail  erect;  landscape  background. 
Stairway  H.  14^  in.  W.  18  in.  Canvas.  Initialed:  R.  B. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B641-2  WEANING  THE  CALVES.  A mountain  pasture  with 
Gallery  five  calves  on  one  side  of  a fence  and  the  cow  on  the 

18  other;  other  cows  are  coming  down  the  hill  on  the  right. 

H.  25!  in.  W.  32  in.  Canvas.  Signed:  Rosa  Bon- 

heur-1879. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B641-3  THE  HORSE  FAIR.  Heavy  white  and  sorrel  Perche- 
Gallery  ron  horses  are  being  led  or  ridden  bareback  by  men 

19  who  wear  blue  blouses. 

H.96jin.  W.  i99x'Vin.  Canvas.  Signed:  Rosa  Bonheur 
1853-5. 

Gift  of  Cornelius  Vanderbilt,  1887. 

BONI,  Michele  Giovanni.  See  Giambono. 

BONINGTON,  Richard  Parkes.  British  (English);  born  1801 
at  Arnold, ^near  Nottingham;  died  1828  at  London. 
Pupil  of  ficole  des  Beaux-Arts  under  Baron  Gros. 
Made  frequent  journeys  to  London  to  study  the  works 
of  Constable.  Landscapes  and  genre. 

B643-1  SEA  COAST.  The  beach  at  low  tide  with  shallow 
Gallery  water  inside  a sand  bar;  groups  of  fishermen  and  women 
24  are  at  right  and  left. 

H.  i6|  in.  W.  23!  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

B643-2  COAST  SCENE,  NORMANDY.  A beach  on  which 
Gallery  men  and  women  are  selling  and  buying  fish;  to  the 
14  right,  in  the  shallow  water,  are  two  horses  attached  to  a 


22 


BONINGTON  — BONVIN 

heavy  wagon  with  a canvas  cover;  sail-boats  are  drawn 
up  on  the  beach  in  the  distance  at  the  left. 

H.  32  in.  W.  48y\  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

B643-3  MANTES  ON  THE  SEINE.  The  river  with  the 
Gallery  towers  of  Mantes  cathedral  in  the  distance;  two  peasants 
24  are  seated  in  the  foreground  on  a point  of  land. 

H.  15  in.  W.  20J  in.  Canvas.  Bulletin,  191 5,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

BONNAT,  Leon.  French;  born  1833  at  Bayonne;  lives  in  Paris 
and  Rome.  Pupil  of  Federico  de  Madrazo  in  Madrid; 
Leon  Cogniet  in  Paris.  Lived  several  years  in  Italy; 
'traveled  in  the  Orient.  Director  French  Academy  in 
Rome.  Chiefly  portraits. 

B644-1  JOHN  TAYLOR  JOHNSTON.  (1820-1893;  first  pres- 
Gallery  ident  of  the  Museum,  1870  to  1889.)  Life-size,  seated 

16  figure,  seen  to  below  the  knees. 

H.  54i  in.  W.  43  in.  Canvas.  Signed:  L^  Bonnat 
— 1880. 

Gift  of  the  Trustees,  1880. 

B644-2  EGYPTIAN  FELLAH  WOMAN  AND  CHILD.  Life- 
Gallery  size,  almost  full-length  figure  of  a woman,  carrying  a 

17  nude  sleeping  child  on  her  shoulder;  the  Suez  Canal  is 
indicated  in  the  background. 

H.  73i  in.  W.  41J  in.  Canvas.  Signed:  L*}  Bonnat. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B644-3  ROMAN  GIRL  AT  A FOUNTAIN. 

Gallery  H.  67  in.  W.  39J  in.  Canvas.  Signed:  L*}  Bonnat-75. 

17  Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B644-4  HEBER  R.  BISHOP.  (1840-1902;  New  York  mer- 
Gallery  chant,  financier,  and  collector.  He  gave  to  the  Museum 
4 his  collection  of  jades.)  Life-size,  seated  figure,  seen  to 
the  knees. 

H.  45i  in.  W.  28^  in.  Canvas.  Signed:  L^  Bonnat 

1904. 

Gift  of  the  Executors  of  the  Estate  of  Mary  C.  Bishop, 

1905. 

BONVICINO,  Alessandro.  See  Moretto  da  Brescia. 

BONVIN,  pRANgois.  French;  born  1817;  died  1888. 

B645-1  A WOMAN  READING.  (Copy  after  the  picture  by 
Pieter  de  Hooch  in  the  Munich  Gallery.) 


23 


BONVIN  — BOSCH 

H.  5H  in.  W.  4t\  in.  Water  color. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

BORRASSA,  Luis  (?).  Spanish  (Catalonian);  worked  1390  to  1434. 

B647-1  ALTARPIECE  DEDICATED  TO  SAINT  ANDREW. 

Gallery  Numerous  panels  with  gold  ground  in  an  architectural 

33  setting.  St.  Andrew  is  seated  in  the  center.  In 
the  panel  above,  the  Madonna  is  enthroned  with  the 
Child  on  her  lap;  St.  Catherine  and  Mary  Magdalen 
are  seated  at  her  feet;  two  singing  angels  are  at 
the  right  and  at  the  left  an  angel  is  playing  the  harp. 
The  upper  left  panel  depicts  the  calling  of  St.  Andrew; 
below,  he  is  a witness  to  the  wicked  mother  being  killed 
by  fire  from  heaven.  In  the  lower  right  panel,  the 
Saint  witnesses  a bishop  being  tempted  by  the  devil 
in  the  form  of  a beautiful  woman;  above,  St.  Andrew 
is  being  bound  to  the  cross.  In  the  uprights  separating 
the  principal  panels  are  eight  small,  single,  full-length 
figures  of  holy  men.  The  predella  is  divided  into  seven 
panels  but  the  right-hand  one  is  missing.  The  sub- 
jects beginning  at  the  left  are  St.  Andrew  and  the 
woman  who  prayed  to  Diana  on  behalf  of  her  sister; 
the  woman  brings  St.  Andrew  to  her  sister;  St.  Andrew 
drives  away  the  demons  in  the  form  of  dogs;  the  dead 
Christ,  upheld  by  angels,  stands  in  the  tomb;  St.  Andrew 
raises  the  dead  youth  who  has  been  strangled;  and 
St.  Andrew  brings  to  life  the  four  drowned  men. 

H.  123I  in.  W.  123 in.  (overall).  Tempera  on  wood. 
Bulletin,  1907,  p.  77,  ill. 

Purchase,  Rogers  Fund,  1906. 

BOSCH,  Hieronymus;  also  known  as  Hieronymus  van  Aeken, 
and  also  Heronimus  Bos.  Flemish;  born  about  1462  at 
Bois-Ie-Duc;  died  there  in  1516. 

B65-1  ADORATION  OF  THE  KINGS.  The  Virgin,  wearing  a 

Gallery  dark  blue  robe,  is  seated  in  a ruined  courtyard  and  holds 

34  the  nude  Child  on  her  lap;  in  the  foreground  at  the  right 
are  the  three  kings  bearing  gifts  while  Joseph,  wearing  a 
green  robe,  kneels  at  the  left;  beyond,  the  ox  and  the  ass 
are  seen  within  a tower  at  the  left,  and  at  the  right,  two 
shepherds  look  through  a window  while  one  of  them  warms 
his  hands  at  a fire  within  the  court;  four  child  angels  hold 
a green  canopy  above  the  Virgin;  landscape  background 


24 


BOSCH  — BOTTICELLI 

with  Jerusalem  at  the  left,  a lake  and  castle  at  the  right, 
and  numerous  figures  in  the  middle  distance. 

H.  28  in.  W.  22J  in.  Wood.  Bulletin,  1913,  p.  130,  ill. 
Purchase,  Kennedy  Fund,  1912. 

BOTH,  Jan  and  Andries.  Dutch;  Jan  born  about  1610  at 
Utrecht;  died  there  1652.  Andries  born  about  1609; 
died  at  Venice,  probably  in  1650.  Pupils  of  Abraham 
Bloemart  at  Utrecht;  influenced  by  Claude  Lorraine. 
Jan  was  a landscape  painter;  the  brother,  Andries, 
often  added  the  figures. 

B651-1  ITALIAN  LANDSCAPE.  A rocky  road  with  a group 

Gallery  of  trees  in  the  center  of  the  picture  and  one  large  oak 

26  at  the  right;  two  horsemen  and  several  figures  on  foot 
are  on  a roadway  at  the  left;  hilly  country  beyond. 

H.  5o|f  in.  W.  63!  in.  Canvas.  Signed:  Both  fc 
1640. 

Purchase,  1871. 

BOTTICELLI;  real  name  Sandro  Filipepi.  Italian  (Florentine); 

born  1447  or  a few  years  earlier,  at  Florence;  died  there 
1 5 10.  Apprenticed  to  a goldsmith,  then  studied  painting 
with  Fra  Filippo  Lippi  and  worked  as  assistant  to  Antonio 
and  Piero  Pollaiuolo.  Called  to  Rome  in  1481  by 
Pope  Sixtus  IV  and  executed  frescoes  in  the  Sistine 
Chapel. 

B652-1  THREE  MIRACLES  OF  SAINT  ZENOBIUS.  (334- 
Gallery  424;  Zenobius  was  a wealthy  Florentine  who  devoted 

30  his  life  to  the  Church  and  became  bishop  of  Florence.) 

An  open  square  in  the  city;  at  the  left  the  Saint  is  stop- 
ped by  a funeral  procession  and  brings  the  body  back 
to  life.  In  the  center  the  Saint,  while  on  a journey, 
meets  a party  bringing  relics  of  a martyr;  the  leader 
having  fallen  and  been  crushed  to  death  is  restored 
by  the  Saint.  The  story  told  at  the  right  is  in  three 
scenes:  St.  Eugenius,  while  gravely  ill,  hears  that  a 
relative  has  died  without  receiving  the  last  sacrament; 
St.  Zenobius  therefore  takes  blessed  water  and  salt 
to  the  bedroom  of  St.  Eugenius,  who  rises  from  his  sick 
bed,  crosses  the  square,  and  in  the  foreground  is  seen 
sprinkling  the  holy  water  over  his  relative  who  revives. 
There  are  three  other  panels  of  this  series;  two  are  in  the 
Mond  Collection  in  London  and  one  in  the  Dresden  Gal- 
lery. These  panels  were  probably  intended  to  decorate 


25 


BOTTICELLI  — BOTTICINI 

a chest  containing  clerical  vestments  in  some  church 
dedicated  to  St.  Zenobius. 

H.  265  in.  W.  59f  in.  Tempera  on  wood.  Bulletin, 
191 1,  p.  185,  ill. 

Purchase,  Kennedy  Fund,  1911. 

B652-2  THE  LAST  COMMUNION  OF  SAINT  JEROME.  A 
Gallery  cell  built  of  reeds  with  the  Saint’s  bed,  above  which 
37  hang  a crucifix,  palms,  and  a cardinal’s  hat;  in  the  fore- 
ground St.  Jerome,  supported  by  two  monks,  kneels  at 
the  right  and  receives  the  last  communion  from  a priest 
who  wears  a rose-colored  chasuble  and  blue  stole;  two 
acolytes  stand  at  the  left  holding  candles.  Painted  for 
Francesco  di  Filippo  Del  Pugliesc  of  Florence,  who 
mentioned  this  picture  in  his  will  dated  28th  February, 
1502-3. 

H.  13^  in.  W.  iOi\  in.  Tempera  on  wood.  Bulletin, 
1915,  pp.  52,  72,  loi ; ill. 

Bequest  of  Benjamin  Altman,  1913, 

BOTTICINI,  Francesco.  Italian  (Florentine);  born  1446  at 
Florence;  died  there  1497.  Pupil  of  Neri  di  Bicci; 
influenced  by  Cosimo  Rosselli,  Verrocchio,  and  Botticelli. 

B653-1  a.  TOBIAS  ANDTHE  ANGEL.  Three  predella  panels. 
Gallery  Tobias,  wearing  a blue  doublet  and  red  stockings,  kneels 

30  at  the  right  near  the  seashore,  and  takes  out  the  fish’s 

heart,  liver,  and  gall;  at  the  left  stands  the  angel,  who 
wears  a yellow  robe  and  red  cloak  lined  with  green; 
nearby  is  a white  poodle;  in  the  distance  is  the  city 
of  Florence;  blue  mountains  follow  the  line  of  the 
seashore. 

H.  6|  in.  W.  i6i\  in.  Tempera  on  wood. 

B653-1  b.  THE  MARRIAGE  OF  THE  VIRGIN.  Mary,  in  a 

Gallery  red  robe  and  blue  cloak  lined  with  green,  stands  at  the 

30  right;  opposite  her  is  Joseph,  who  wears  a blue  robe  and 

a yellow  cloak  lined  with  green;  back  of  them  is  the  high 
priest  who  stands  in  front  of  an  altar;  three  women  are  at 
the  right  and  at  the  left  are  the  four  disappointed  suitors, 
one  of  whom  raises  his  hand  to  strike  Joseph  and  another 
breaks  his  staff;  the  background  at  each  side  consists  of 
a colonnade  with  a view  of  distant  hills. 

H.  61%  in.  W.  i6f  in.  Tempera  on  wood. 

B653-1  c.  THE  BURIAL  OF  ST.  ZENOBIUS.  The  body  lies 

Gallery  on  a red-covered  stretcher  and  is  being  carried  through  a 

30  city  street  on  the  shoulders  of  four  prelates  who  wear  white 

26 


BOTTICINI  — BOUDIN 

robes,  green  cloaks,  and  white  and  gold  mitres;  two  aco- 
lytes precede  them  and  four  citizens  follow  the  bier;  the 
Baptistery  and  Campanile  of  Florence  are  in  the  back- 
ground; in  the  immediate  foreground  is  the  dead  tree 
which  burst  into  leaf  at  the  touch  of  the  Saint’s  body. 

H.  6-i\  in.  W.  i6Win.  Tempera  on  wood.  Bulletin, 
1913,  p.  214,  ill. 

Purchase,  Leland  Fund,  1913. 

BOUCHER,  Francois.  French;  born  1703  at  Paris;  died  there  1770. 

Pupil  of  his  father,  a designer  of  embroideries,  and  of 
Le  Moine;  traveled  in  Italy.  Decorative  subjects;  de- 
signed Beauvais  tapestries. 

B66-1  PORTRAIT  OF  A LADY.  Bust  of  a large-eyed,  red- 
Gallery  lipped  young  lady  with  powdered  hair  and  blue  ribbons, 
20  a low-cut  white  satin  dress,  and  a blue  shawl;  gray  back- 
ground. 

H.  19  in.  W.  14J  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

B66-2  TOILET  OF  VENUS.  She  is  seated  on  a sofa  fondling 
Gallery  a white  dove  while  three  cupids  arrange  her  hair  and  bring 
20  out  strings  of  pearls.  There  are  draperies  of  rose  velvet 
and  cloth  of  gold  about  her  and  blue  silk  curtains  behind 
her,  ornamental  gold  dishes  and  another  dove  at  her  feet. 
H.42fin.  W.  33 Jin.  Canvas.  Signed:  F.  Boucher  1751. 
Bequest  of  William  K.  Vanderbilt,  1920. 

School  of  Boucher. 

B66S-1  THE  RESCUE  OF  ARION  FROM  THE  WAVES. 
Gallery  (The  picture  illustrates  a legend  according  to  which  the 
20  Greek  poet,  Arion,  while  returning  home  from  a musical 
contest  in  Sicily  where  he  had  been  a victor,  was  ship- 
wrecked; he  was  saved  by  dolphins  who  were  attracted 
by  his  music.)  Arion,  with  a red  drapery  about  him, 
playing  his  lyre,  is  seated  on  the  back  of  a dolphin; 
mermaids  and  mermen  surround  him;  beyond  at  the 
left  is  the  prow  of  a burning  ship. 

H.  45 J in.  W.  52I  in.  Canvas.  Signed:  F.  Boucher, 
but  not  supposed  to  be  by  this  master. 

Gift  of  Leon  Gauchez,  1875. 

BOUDIN,  Eugene.  French;  born  1824  at  Honfleur;  died  1898 
at  Deauville.  Pupil  of  Troyon. 


27 


BOUDIN  — BOUGUEREAU 


B661-1  ON  THE  BEACH  AT  TROUVILLE.  A sandy  beach 
with  people  in  costumes  of  the  middle  of  the  nineteenth* 
century;  to  the  right  is  the  sea  with  bathers  and  a bath- 
house on  wheels  drawn  by  a horse. 

H.  loin.  W.  18  in.  Canvas.  Signed:  E Boudin-63. 

Bequest  of  Mrs.  Amelia  B.  Lazarus,  1907. 


BOUGHTON,  George  H.  British-American;  born  1833  in 
England;  died  1905  at  London.  Educated  in  Albany, 
N.  Y.;  lived  in  New  York  City  till  1861,  when  he  set- 
tled in  London. 


B662-1 

Gallery 

18 


B 662-2 


B 662-3 


A PURITAN  GIRL.  Three-quarter-length  figure 
standing  in  a field  and  holding  wild  flowers;  her  costume 
is  that  of  New  England  in  the  early  seventeenth  cen- 
tury. 

H.  i5i\  in.  W.  in.  Wood.  Signed:  G.  H.  Boughton. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

EDICT  OF  WILLIAM  THE  TESTY.  (A  situation 
from  the  Knickerbocker  History  of  New  Amsterdam 
by  Washington  Irving.)  The  burghers,  grouped  in 
an  open  square,  are  protesting  by  clouds  of  tobacco 
smoke  against  their  Governor’s  decree  forbidding  tobacco 
smoking.  The  Governor  and  his  wife  stand  in  the 
doorway  of  their  house  at  the  right. 

H.  22J  in.  W.  32I  in.  Canvas  mounted  on  wood. 
Signed:  G.  H.  Boughton.  Bulletin,  1908,  p.  199,  ill. 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory 
of  Josiah  M.  Fiske,  1908. 

THE  TWO  FAREWELLS;  also  called  Autumn— De- 
parture of  the  Swallows.  A stubbly  field  near  the  sea 
with  two  women;  one,  in  mourning,  is  seated  on  a rock; 
the  other,  in  a white  dress,  stands  back  of  her  and  holds 
her  hand.  This  picture  is  one  of  a series  of  three;  the 
smaller  side  panels  depict  respectively  Spring  and  Winter. 
Inscribed  on  the  back:  The  Flight  of  the  Birds,  Summer 
is  gone  on  Swallows  Wings.  Painted  by  Geo.  H. 
Boughton,  Grove  Lodge,  Palace  Gardens  Terrace,  Ken- 
sington, W. 

H.  48^15^  in.  W.  6of  in.  Canvas.  Signed:  G.  H.  Bough- 
ton 1872. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 


BOUGUEREAU,  William  Adolphe.  French;  born  1825  at 
La  Rochelle;  died  there  1905.  Pupil  of  Picot  and 

28 


BOUGUEREAU  — BRAMANTI,NO 

Ecole  des  Beaux-Arts  in  Paris,  where  he  lived  the 
greater  part  of  his  life. 

B663-1  THE  TWO  SISTERS.  A Brittany  peasant  girl  is 

Gallery  seated  in  an  orchard  and  holds  upon  her  lap  a child 
18  who  has  a red  apple  in  each  hand. 

H.  51  in.  W.  35y\  in.  Canvas.  Signed:  W.  Bovgve- 

REAV  1871. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BOUTS,  Dirk;  known  also  as  Dirk  or  Tierry  van  Haarlem  and 
as  Dierick  de  Louvain.  Flemish;  born  about  1410  at 
Haarlem  (?);  died  1475  at  Louvain.  Influenced  by  Jan 
Van  Eyck  and  by  Roger  van  der  Weyden.  Appointed 
official  portrait  painter  of  the  city  of  Louvain  in  1464. 
Also  painted  religious  subjects. 

B666-2  PORTRAIT-  OF  A MAN.  Head  and  shoulders  of  a 
Gallery  middle-aged  man  with  his  fingers  joined  as  if  in  prayer; 
37  he  wears  a high  purple  cap  and  a gray  doublet  fastened 
close  at  the  neck,  with  an  edge  of  the  fur  lining  showing 
against  a brown  collar. 

H.  12  in.  W.  8J  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

BOYERMANS,  Theodor.  Flemish;  born  1620  at  Antwerp;  died 
there  1677.  Pupil  of  Van  Dyck. 

B70-1  CHRIST  EXPIRING  ON  THE  CROSS.  The  single 
figure  is  outlined  against  a dark,  stormy  sky. 

H.  43i  in.  W.  33J  in.  Wood. 

Purchase,  1871. 

BRAMANTINO;  real  name  Bartolommeo  Suardi.  Italian  (Mi- 
lanese); born  about  1450  to  1455  in  the  Milanese  dis- 
trict; died  about  1530.  He  is  supposed  to  have  been  a 
pupil  of  Vincenzo  Foppa  and  assistant  to  Bramante  in 
Milan. 

B73-1-12  Twelve  panels,  each  a single  head,  bust  length;  the 
majority  are  in  profile;  the  background  of  each  consists 
of  an  archway  from  which  hangs  a swag  of  green  foliage. 
These  panels  were  originally  part  of  a frieze  in  the 
palace  of  San  Martino  di  Guznago  near  Mantua  and  have 
generally  been  considered  as  the  work  of  Bramantino. 
Each:  H.  18  in.  W.  18  in.  Tempera  on  wood.  Bul- 
letin, 1905,  p.  14,  ill. 

Purchase,  Rogers  Fund,  1905. 


29 


BRAMANTINO  — BRION 

B73-13  VIRGIN  AND  CHILD.  An  open  courtyard  with 
Gallery  the  Madonna  seen  to  the  knees  back  of  a ledge  on  which 
30  the  nude  Child  stands;  the  Madonna  wears  a red  robe 
and  a blue  cloak  lined  with  green;  an  apple  is  in  her 
right  hand,  and  a pot  of  red  carnations  is  on  the  ledge 
in  the  immediate  foreground  at  the  right;  in  the  back- 
ground buildings  close  one  side  of  the  hollow  square  court 
while  at  the  left  is  a hedge. 

H.  13^  in.  W.  iiyVin.  Tempera  on  wood. 

Purchase,  Kennedy  Fund,  1912. 

BRAMER,  Leonard.  Dutch;  born  1595  at  Delft;  died  there 
1674.  Traveled  in  his  youth  in  France  and  Italy. 
B731-1  JUDGMENT  OF  SOLOMON.  An  open  court  with 
the  king  seated  on  a high  throne  at  the  right;  before 
him  a man  prepares  to  divide  the  child  between  the  two 
kneeling  mothers;  beyond  are  groups  of  people  and  two 
men  stand  in  the  immediate  foreground  at  the  right. 

H.  31I  in.  W.  40^  in.  Canvas.  Signed:  L.  Bramer. 
Gift  of  National  Surety  Company,  191 1. 

BRETON,  Jules.  French;  born  1827  at  Courri^res;  died  1906 
at  Paris.  Pupil  of  Felix  de  Vigneat  Ghent;  Wappers  at 
Antwerp;  Ecole  des  Beaux-Arts  at  Paris  under  Drolling. 
B75I-'i  peasant  GIRL  KNITTING.  She  is  seated  on  the 
Gallery  bent  trunk  of  an  apple  tree. 

18  H.  22f  in.  W.  i8§  in.  Canvas.  Signed:  Jules  Breton. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B751-2  RELIGIOUS  PROCESSION  IN  BRITTANY.  (A 
Gallery  festival  such  as  here  depicted  is  held  once  a year  at 

17  Kergoat  near  Douarnenez  and  Quimper.)  The  public 
square  of  the  village  is  crowded  with  women  and  children 
who  carry  lighted  tapers;  a procession  of  men,  bareheaded 
and  carrying  lighted  torches,  emerges  from  the  porch 
of  the  church  at  the  right. 

H.  52j  in.  W.  73  in.  Canvas.  Signed:  Jules  Breton- 
1869. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BRION,  Gustave.  French;  born  1824  at  Rothau;  died  1877  at 
Paris.  Pupil  of  Gabriel  Guerin  at  Strasburg. 

B77-1  . RETURN  FROM  THE  CHRISTENING.  A church 

Gallery  porch  with  the  christening  party  coming  out  and  dis- 

18  tributing  alms. 

H.  44I  in.  W.  63I  in.  Canvas.  Signed:  G.  Brion  74. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

30 


BRITISH  SCHOOL— BRONZINO 

BRITISH  SCHOOL. 

BryyiS-i  THE  MILLS.  In  the  foreground  is  a stream  which 
winds  under  several  bridges;  beyond  are  an  old  red  building 
and  a level  plain  with  windmills  against  the  horizon; 
the  general  tone  is  a golden  brown.  Formerly  attributed 
to  Rembrandt  and  called  at  one  time  Canal  in  Holland. 
Probably  British,  end  of  eighteenth  century. 

H.  27  in.  W.  23  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1890. 

Br77iS-4  PORTRAIT  OF  A MAN.  Life-size  figure,  seen  to  the 

Wing  F waist,  standing  at  the  right  of  a table  and  holding  a 

Gallery  portfolio;  he  wears  a long  curled  white  wig;  a bookcase 
20  forms  the  background;  there  is  a coat  of  arms  in  the 
upper  left  corner. 

H.  38I  in.  ^W.  32I  in.  Canvas.  Bulletin,  1909,  p.  10. 
Gift  of  Mrs.  Wheeler  Smith,  1908. 

Br77iS-5  MARY,  QUEEN  OF  SCOTS,  WITH  HER  SON, 
JAMES  VI  (Afterwards  James  I of  England).  Known 
as  the  Duff-Ogilvie  portrait.  The  Queen  wears  a dark 
dress  with  a white  neck  ruff  and  a gold  chain;  she  is 
seen  back  of  a red  covered  table  on  which  stands  the 
child;  he  is  dressed  in  a long  dark  robe  embroidered  in 
stripes,  and  his  cap  is  similarly  embroidered. 

H.  8|  in.  W.  7f  in.  Slate  or  black  marble. 

Gift  of  J.  Pierpont  Morgan,  1917. 

Br77iS-6  LADY  JANE  GREY  (?\  Half  life-size  seen  to  the 
waist,  full-front;  she  wears  a black  dress  high  at  the  neck 
with  a white  ruff  at  neck  and  wrists,  a black  cap  which 
shows  her  light  brown  hair,  and  a double  string  of  pearls 
knotted  about  the  neck  and  falling  straight  from  the 
knot.  In  her  hands  she  holds  an  undetermined  leather 
article  and  there  is  a sapphire  ring  on  her  right  forefinger; 
gray  background.  Probably  sixteenth  century. 

H.  i2f  in.  W.  9 in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1917. 

BRONZINO;  real  name  Agnolo  di  Cosimo  di  Mariano.  Italian 
(Florentine);  born  1502  (?)  at  Monticelli,  near  Florence; 
died  1572  at  Florence.  Studied  with  Raffaellino  del 
Garbo  and  later  with  Pontormo  whom  he  assisted;  in- 
fluenced by  Michaelangelo.  Portraits  and  mural  deco- 
rations. 


31 


BRONZINO  — BROWN 

B78-1  COSIMO  DE’  MEDICI.  (15 19-1574;  first  grand  duke 
Gallery  of  Tuscany.)  Life-size,  standing  figure,  seen  to  below- 
29  the  waist;  he  is  dressed  in  armor;  his  right  hand  rests 
on  his  casque  that  lies  on  a table  at  the  right.  Inscribed 
on  armor  of  his  right,  elbow:  C M 
H.  38!  in.  W.  27I  in.  Wood.  Bulletin,  1909,  p.  69,  ill. 
Purchase,  Rogers  Fund,  1909. 

BROWN,  George  Loring.  American;  born  1814  at  Boston;  died 
there  1889.  Pupil  of  Washington  Allston;  of  Isabey  in 
Paris.  Painted  in  Antwerp,  Florence,  Rome,  and  London. 

B81-1  VIEW  AT  AMALFI.  The  Bay  of  Salerno  with  fishing 
Gallery  boats  in  the  sunlight;  a stony  beach  is  in  the  foreground; 

16  white  buildings  are  at  the  base  of  the  cliffs  that  follow 
the  curve  of  the  shore  at  the  right. 

H.  33j  in.  W.  53!  in.  Canvas.  Signed:  G.  L.  Brown, 
Rome  1857. 

Gift  of  William  Church  Osborn,  1903. 

BROWN,  John  George.  American;  born  1831  at  Durham,  Eng- 
land; died  1913  in  New  York  City.  Pupil  of  William 
B.  Scott  at  Newcastle-on-Tyne  in  England;  School  of 
the  Royal  Academy  at  Edinburgh;  National  Academy  of 
Design  under  Thomas  S.  Cummings  at  New  York.  Genre. 

B811-1  MEDITATION.  A Catskill  farmer’s  daughter  is 

Gallery  seated  in  a rocking-chair  in  a country  kitchen. 

13  H.  30  in.  W.  25  in.  Canvas.  Signed:  J.  G.  Brown, 

N.  A. 

Purchase,  Fleam  Fund,  1909. 

B811-2  THE  MUSIC  LESSON.  A young  woman  in  a ruffled 
gray  silk  dress  seated  on  a green  plush  sofa  is  blowing  on  a 
flute  which  a young  man  seated  on  the  arm  of  the  sofa  is 
fingering.  There  is  a harp  in  front  of  them;  the  decora- 
tions of  the  room  are  red  and  green. 

H.  24  in.  W.  20  in.  Canvas.  Signed:  J.  G.  Brown,  1870. 
Gift  of  Colonel  C.  A.  Fowler,  1921. 

BROWN,  John  Lewis.  French;  born  1829  at  Bordeaux;  died 
1890  at  Paris.  Pupil  of  Roqueplan  and  of  Belloc. 
Painted  military  and  hunting  scenes;  also  engraver. 

B812-1  FOX  HUNTERS.  Open  country  with  horsemen  in 
Gallery  scarlet  and  yellow  jackets  preceded  by  a pack  of  hounds. 

17  H.  5fin.  W.  4|in.  Wood.  Signed:  J.  L.  Brown.  1866. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


32 


BROZIK— BRUEGEL 

BROZIK,  Vacslav  von.  Bohemian;  born  1851  at  Tremoschna, 
near  Pilsen;  died  1901  at  Paris.  Studied  at  the  Acad- 
emies of  Prague,  Dresden,  and  Munich  under  Piloty 
and  Munk^csy;  went  to  Paris  in  1876. 

B821-1  CHRISTOPHER  COLUMBUS  AT  THE  COURT  OF 
FERDINAND  THE  CATHOLIC  AND  ISABELLA 
OF  CASTILE.  A room  in  the  palace  is  crowded  with 
courtiers;  the  King  and  Queen  of  Spain  are  about  to 
sign  the  contract  with  Columbus,  April  17,  1492,  which 
made  possible  his  journey  and  the  discovery  of  the  New 
World. 

H.  I58jin.  W.  225^  in.  Canvas.  Signed:  Brozik  1884. 
Gift  of  Morris  K.  Jesup,  1886. 

BRUEGEL,  Jan  the  Elder;  called  Fluweelen  or  Velvet  Bruegel. 

Flemish;  born  1568  at  Brussels;  died  1625  at  Antwerp. 
Son  of  Pieter  Bruegel  the  Elder;  the  family  name  was 
sometimes  signed  Breughel.  Pupil  of  Peter  Goetkint  at 
Antwerp,  where  he  settled  in  1596  after  a visit  to  Italy. 
Landscapes. 

B83-1  THE  HILL.  On  a roadway  which  leads  over  a hill 
Gallery  are  a cart,  horsemen,  peasants,  and  cows;  at  the  right 
27  is  a valley  with  a stream  and  villages. 

H.  7J  in.  W.  io|  in.  Copper. 

Purchase,  1871. 

B83-2  THE  WINDMILL.  A mill  is  on  a slight  elevation  at 
Gallery  the  left;  small  figures  are  in  the  foreground;  in  the 

26  distance  are  formal  woods  and  villages. 

H.  7^  in.  W.  lof  in.  Copper. 

Purchase,  1877. 

BRUEGEL,  Jan,  the  Younger.  Flemish; born  1601  at  Antwerp; 
died  after  1677.  Pupil  of  his  father,  Jan  the  Elder. 

B831-1  A FLEMISH  VILLAGE.  A town  on  the  bank  of  a river; 
Gallery  in  the  foreground  at  the  right  is  a road  with  people; 

27  at  the  left  the  river,  with  trees  on  the  far  bank,  extends 
to  the  horizon. 

H.  9I  in.  W.  I2f  in.  Wood. 

Purchase,  1871. 

BRUEGEL,  Pieter  the  Elder.  Flemish;  born  1525  at  Breda; 

died  1569  at  Brussels.  Pupil  of  his  father-in-law,  Pieter 
Coeck  van  Aelst.  Influenced  by  the  work  of  Hier- 
onymus Bosch. 


33 


BRUEGEL— BRUSH 

B832-1  THE  HARVESTERS.  A group  of  peasants  are  eating 

Gallery  under  a tall  pear  tree;  beyond  in  the  grain  field  men  are 

27  mowing  and  women  binding  sheaves;  three  women  carry- 

ing sheaves  on  their  heads  go  down  a path  cut  in  the  grain, 
while  a boy  comes  back  with  a heavy  jug  of  water.  A 
far-reaching  landscape  in  the  background  with  fields  and 
trees,  houses  and  people  working  about  them,  and  the 
sea  fading  into  the  hazy  distance. 

H.46iin.  W.63iin.  Wood.  Signed:  BRVEG EL  LXV. 
Purchase,  Rogers  Fund,  1919. 

BRUEGEL,  Pieter,  the  Younger;  called  Hell  Bruegel.  Flem- 
ish; born  1564  at  Antwerp;  died  there  1638.  Pupil  of 
his  father,  Pieter  Bruegel  the  Elder,  and  of  Gilles  van 
Coninxloo. 

B833-1  GAMBLERS  QUARRELING.  (Rixe  de  Jeu  entre 

Gallery  Paysans.)  Peasants  fighting  out  of  doors  after  a game 

27  of  cards;  a flail  and  a pitchfork  are  being  used  by  the  two 

combatants  while  two  other  men  and  two  women  try  to 
separate  them;  at  the  left  a man  approaches  over  a bridge; 
in  the  background  at  the  right  peasants  are  dancing  in  a 
village  street.  This  is  one  of  several  copies,  with  dif- 
ferences, made  by  Pieter  Bruegel  the  Younger  from  a lost 
painting  by  Pieter  Bruegel  the  Elder. 

H.28Jin.  W.  4oi  in.  Wood.  Signed:  P.  BREVGH EL. 
1619. 

Purchase,  1871. 

BRUGES  MASTER  OF  THE  LEGEND  OF  SAINT  URSULA. 

Flemish;  late  fifteenth  century.  A disciple  of  Memling 
who  lived  at  Bruges  between  1470  and  1490.  So  called 
from  his  series  of  pictures  in  the  cloister  of  the  Black 
Sisters  at  Bruges. 

B834-1  MADONNA  AND  CHILD.  The  Madonna,  seated. 

Gallery  is  seen  to  the  knees  against  a gold  niche;  she  prepares 

34  to  suckle  the  nude  Child. 

H.  22J  in.  W.  I3i  in.  Wood.  Bulletin,  1909,  p.  154. 
Gift  of  J.  Pierpont  Morgan,  1917. 

BRUSH,  George  De  Forest.  American;  born  1855  at  Shelbyville, 
Tenn.;  lives  in  New  York  City.  Pupil  of  G^rbme  in 
Paris. 

B835-1  IN  THE  GARDEN.  Full-length  figures  of  a mother 

Gallery  and  two  children  standing  in  a garden;  the  mother’s 

13  dress  is  reddish  brown,  and  dark  green  drapery  falls 


34 


BRUSH  — BUNGE 

about  the  younger  child,  who  is  held  in  her  left  arm;  the 
boy,  who  clings  to  her  right  arm,  is  dressed  in  olive-green. 
H.  37  in.  W.  i6f  in.  Canvas.  Signed:  George  De 
Forest  Brush  1906.  Bulletin,  1907,  p.  24,  ill. 

Gift  of  George  A.  Hearn,  1906. 

B835-2  HENRY  GEORGE.  (1839-1897;  founder  of  the  single 
N.  E.  tax  party;  author  of  Progress  and  Poverty.)  Life-size, 
Stairway  full-length  figure  seated  in  an  arm-chair;  his  legs  are 
crossed,  his  left  hand  rests  in  his  lap,  and  the  right  is  on 
the  arm  of  the  chair;  green  carpet;  brown  wall  with  one 
picture. 

H.  64  in.  W.  45ff  in.  Canvas.  Signed:  Geo.  de  For- 
est Brush  1893.  Repainted  1903.  Bulletin,  1914,  p. 
75,  ill. 

Bequest  of  August  Lewis,  1914. 

BUGIARDINI,  Giuliano.  ' Italian  (Florentine);  born  1475  at 
Florence;  died  there  1554.  Pupil  of  Piero  di  Cosimo; 
influenced  by  Perugino,  Francia,  and  Franciabigio; 
was  assistant  to  Albertinelli  and  in  1508  was  employed 
by  Michaelangelo  in  the  Sistine  Chapel  at  Rome. 

B86-1  VIRGIN  AND  CHILD  WITH  INFANT  ST.  JOHN. 

The  Virgin  is  seated  on  a marble  bench  and  holds  on 
her  knee  the  nude  Child;  the  head  and  shoulders  of  the 
adoring  infant  St.  John  are  in  the  foreground  at  the 
right. 

H.  23  in.  W.  i8jV  in.  Wood. 

Purchase,  Rogers  Fund,  1906. 

BUNGE,  W.  Gedney.  American;  born  1840  at  Hartford,  Conn.; 

died  there,  1916.  Pupil  of  Cooper  Union  Schools  and 
William  Hart  in  New  York,  Achenbach  in  Munich,  and 
Clays  in  Antwerp.  Painted  chiefly  Venetian  scenes. 

B88-1  MORNING  VIEW  IN  VENICE.  To  the  right,  boats 
Gallery  with  sails;  to  the  left,  a buoy  with  signal  shaft;  low  hori- 
13  zon  and  the  sky  reflected  in  the  water. 

H.35|in.  W.  55iin.  Canvas.  Signed:  Gedney  Bunce. 
Purchase,  Hearn  Fund,  1907. 

B88-2  EARLY  MORNING;  VENICE.  Boats  with  orange 
Gallery  sails  are  at  the  left  near  a point  of  land  with  trees; 
13  other  boats  are  in  the  distance. 

H.  I2|  in.  W.  i6J  in.  Wood.  Bulletin,  1909,  p.  116, 
ill. 

Gift  of  George  A.  Hearn,  1909. 


35 


BUNGE  — BURROUGHS 

B88-3  . STUDIO  OF  F.  D.  MILLET  AT  EAST  BRIDGE- 
WATER,  MASS.  (See  Millet.)  A low  building  in 
the  middle  distance  at  the  right,  is  partly  hidden  by  a 
maple  with  yellow  foliage  and  by  other  trees. 

H.  i3i  in.  W.  lOxV  in.  Wood.  Signed:  W.  G.  Bunce. 
Gift  of  the  artist,  1912. 

BUNKER,  Dennis  M.  American;  born  1861  at  New  York  City; 

died  1890  at  Boston.  Pupil  of  National  Academy  of 
Design  in  New  York;  Hebert  and  Gerome  in  Paris. 

B881-1  THE  ARTIST’S  WIFE.  Life-size  portrait,  seen  almost 
Gallery  to  the  waist  ; she  has  light  brown  hair  with  a crown  of 
12  leaves;  blue-black  gown. 

H.  23I  in.  W.  21  in.  Canvas. 

Gift  of  several  gentlemen,  1893. 

BUONAVENTURA,  Segna  di.  Italian  Sienese).  A follower  of 
Duccio  di  Buoninsegna;  active  in  the  early  years  of  the 
fourteenth  century.  In  1305-06  he  made  a painting  for 
the  Biccherna,  or  Treasury  Office. 

B882-1  VIRGIN  AND  CHILD  ENTHRONED,  WITH 
Gallery  SCENES  FROM  THE  PASSION.  Triptych  with  the 
33  Virgin  and  Child  in  the  center.  She  wears  a red  robe 
and  a black  mantle.  The  Child  is  in  brown.  Angels 
and  saints  are  on  either  side  of  her  throne;  the  saints 
being — at  left,  Paul  (brown  mantle  over  blue  robe), 
John  the  Baptist  (red  cloak);  at  right,  Peter  (green  and 
black),  John  the  Evangelist  (blue  cloak  over  red  robe). 
Below  are  half-length  figures  of  Saints  Nicholas,  Francis, 
Dominic,  and  Catherine.  On  the  left-hand  shutter  are 
three  scenes,  The  Betrayal,  The  Scourging  of  Christ,  The 
Carrying  of  the  Cross.  On  the  right-hand  shutter,  two 
scenes.  The  Crucifixion  and  the  Pietk.  The  background 
is  gold  and  the  predominant  colors  are  red  and  black. 
The  compositions  are  borrowed  from  the  altarpiece  of 
the  Cathedral  of  Siena  finished  by  Duccio  in  1308. 
Center,  H.  3o§  in.  W.  16J  in.;  right,  H.  30I  in.  W. 
8j  in.;  left,  H.  30!  in.  W.  8|  in.  Tempera  on  wood. 
Bulletin,  1919,  p.  6,  ill. 

Purchase,  Rogers  Fund,  1918. 

BURROUGHS,  Bryson.  American;  born  1869.  Pupil  of  Art 
Students’  League  and  Luc  Olivier  Merson. 

36 


BURROUGHS  — BUTLER 

B94-1  CONSOLATION  OF  ARIADNE.  Ariadne,  in  a black 
Gallery  gown,  and  Bacchus  are  seated  on  rocks  above  a beach. 

15  In  the  background  the  followers  of  Bacchus  disport 
themselves:  the  boat  of  Theseus  sails  away  at  the  right. 
H.  30  in.  W.  36  in.  Canvas.  Signed:  BRYSON  BUR- 
ROUGHS, 1915. 

Purchase,  Hearn  Fund,  1918. 

BUTINONE,  Bernardino;  real  name  Bernardino  Jacopi.  Italian 
(Lombard);  born  before  1436  at  Treviglio;  died  after 
1507.  Influenced  by  Mantegna  and  by  Vincenzo  Foppa, 
whose  pupil  he  is  supposed  to  have  been;  many  of  his 
works  were  done  with  Bernardino  Zenale. 

B97-1  SAINT  JOHN  THE  EVANGELIST  AND  SAINT 
LAWRENCE.  Full-length,  standing  figures.  St.  John, 
in  a dark  green  tunic  and  red  cloak,  holds  in  his  right 
hand  a chalice  and  in  his  left  an  open  book  inscribed: 

IN  PRICIPIO  ERAT  VERBVM  ET  VERBVM  ERAT.  At  his 

feet  an  eagle  stands  on  two  books.  St.  Lawrence,  in  a 
deacon’s  vestment,  consisting  of  a white  alb  and  a dal- 
matic of  cloth-of-gold,  carries  the  palm  branch  of  martyr- 
dom and  the  gridiron.  The  panel  is  apparently  the 
right-hand  shutter  of  a triptych.  It  has  been  ascribed 
to  Macrino  d’AIba,  Defendente  Deferrari,  and  others. 

H.  48J  in.  W.  19J  in.  Tempera  on  wood.  Bulletin, 
1915,  p.  152,  ill. 

Purchase,  Rogers  Fund,  1915. 

BUTLER,  George  Bernard.  American;  born  1838 at  New  York 
City;  died  1907  at  Croton  Falls,  N.  Y. 

B971-1  THE  GRAY  SHAWL.  Life-size  figure  of  a young 
Gallery  woman,  standing  in  front  of  a gray  wall  with  her  hands 

16  folded  over  a gray  and  red  plaid  shawl. 

H.  58  in.  W.  32  in.  Canvas. 

Gift  of  Henry  P.  Butler,  1913. 


37 


c 


CABANEL,  Alexandre.  French;  born  1823  at  Montpellier; 

died  1889  at  Paris.  Pupil  of  Picot  at  Ecole  des  Beaux- 
Arts  in  Paris.  Figure  subjects. 

Cii-i  CATHARINE  LORILLARD  WOLFE.  (Born  1828 
Gallery  at  New  York  City;  died  there  1887.  She  bequeathed  to 
17  the  Museum  her  collection  of  paintings  with  a fund  for  its 
maintenance  and  increase.)  Life-size,  nearly  full-length, 
standing;  she  is  dressed  in  white  satin  trimmed  with  fur. 

H.  67J  in.  W.  43J  in.  Canvas.  Signed:  Alex.  Cabanel- 
1876. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Cii-2  THE  SHULA MITE.  Life-size  figure  of  a woman,  seated 
S.  W.  on  a blue  rug;  she  wears  a diaphanous  white  drapery  and 
Stairway  an  orange  scarf;  an  inner  court,  with  columns  having 
Egyptian  decorations,  forms  the  background. 

H.  56J  in.  W.  42J  in.  Canvas.  Signed:  Alex 
CABANEL-1875. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Ci  1-3  BIRTH  OF  VENUS.  Life-size,  full-length,  nude  female 
figure,  lying  on  the  sea;  five  Loves  hover  above  her. 
Cabanel  painted  this  subject  several  times;  the  first 
version  is  in  the  Luxembourg  Gallery  in  Paris;  the 
Museum  picture  is  a little  smaller  and  was  painted 
to  Mr.  Wolfe’s  order;  a still  smaller  replica  is  in  the 
Gibson  Collection  of  the  Pennsylvania  Academy  of 
the  Fine  Arts,  Philadelphia. 

H.  4if  in.  W.  71I  in.  Canvas.  Signed:  Alex. 
CABANEL-1875. 

Gift  of  John  Wolfe,  1893. 

CALIARl,  Carlo.  Italian  (Venetian);  born  1570  at  Venice; 

died  there  1596.  Pupil  of  his  father,  Paolo  Caliari 
(Veronese),  and  of  Jacopo  Bassano. 

38 


CALIARl  — CANALETTO 

C12-1  ALLEGORICAL  FIGURES.  Two  women,  one  seated 
Gallery  on  a stone  bench  with  her  back  toward  the  spectator, 
29  the  other  holding  a gold  vase  in  her  raised  right  hand 

and  a silver  one  in  her  skirt. 

H.  40J  in.  W.  30  in.  Canvas.  Bulletin,  1906,  p.  74. 
Gift  of  Louis  R.  Ehrich,  1906. 

CALIARl,  Paolo.  See  Veronese. 

CALLCOTT,  Sir  Augustus  Wall.  British  (English);  born  1779 
at  Kensington,  London;  died  there  1844.  Pupil  of 
Hoppner;  visited  Italy  and  was  influenced  by  the  work 
of  Claude  Lorraine.  At  first  painted  portraits;  later  only 
landscapes. 

Cl 3-1  LANDSCAPE.  A country  road  leading  past  a group 
Gallery  of  low,  thatched  cottages;  in  the  foreground  two  men  lie 
14  across  the  footpath. 

H.  28  in.  W.  36  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

CAMERON,  David  Young.  British  (English) ; born  1865.  Pupil 
of  Glasgow  Art  School  and  Edinburgh  School  of  Art. 
Etcher  and  painter  of  landscapes. 

C14-1  SUNRISE  ON  BADENOCK  HILLS.  A river  or  lake 
Gallery  in  the  foreground,  with  a mountain  beyond,  behind  which 

19  the  sun  has  set. 

H.27|in.  W.  40y\in.  Canvas.  Signed:  D.Y.Cameron. 
Purchase,  The  Harris  Brisbane  Dick  Fund,  1917. 

CAMPIN,  Robert.  See  Maitre  de  Flemalle. 

CANALETTO;  real  name  Antonio  Canale.  Italian  (Venetian); 

born  1697  Venice;  died  there  1768.  Pupil  of  his  father, 
Bernardo  Canale,  a scene  painter,  and  of  Luca  Carlevaris 
of  Udine.  Painted  chiefly  views  of  Venice. 

C16-1  SCENE  IN  VENICE;  THE  PIAZZETTA.  Entrance 
Gallery  to  the  Grand  Canal;  in  the  foreground  is  the  Piazzetta 
29  with  groups  of  people,  the  column  of  St.  Theodore,  and 
a corner  of  the  library  of  St.  Mark;  the  Molo,  Dogana, 
and  Santa  Maria  della  Salute  are  seen  across  the 
Grand  Canal. 

H.  51J  in.  W.  5ijin.  Canvas.  Bulletin,  1911,  p.  13,  ill. 
Purchase,  Kennedy  Fund,  1910. 


39 


CAPPELLE  — CARPACCIO 

CAPPELLE,  Jan  van  de.  Dutch,  born  1624  or  1625  at  Amster- 
dam; buried  there  1679.  Probably  pupil  of  Simon  d^ 
Vlieger.  Marines. 

C17-1  MOUTH  OF  THE  SCHELDT.  Calm  water  with 
Gallery  numerous  vessels;  a galleon  is  in  the  middle  distance 
26  and  near  it  a rowboat  filled  with  men. 

H.  27i\  in.  W.  36!  in.  Wood.  Signed:  J V Cappel-  (le?) 
Bulletin,  1912,  p.  76,  ill. 

Purchase,  Leland  Fund,  1912. 

CARIANI;  real  name  Giovanni  de’  Busi.  Italian  (Venetian); 

born  about  1485;  died  after  1547.  Is  supposed  to  have 
been  a pupil  of  Palma  Vecchio. 

C181-1  RAPE  OF  HELEN.  Paris  holds  Helen  in  his  arms 
Gallery  carrying  her  toward  the  ship  which  is  anchored  at  the 
32  right;  his  companions  in  armor  are  attacking  the  by- 
standers, some  of  whom  are  moving  away  at  the  left; 
landscape  background. 

H.  44 iV  iri-  J nit  Iri*  Canvas. 

Purchase,  Rogers  Fund,  1912. 

CARLSEN,  Emil.  American;  born  1853  Copenhagen,  Den- 
mark; came  to  the  United  States  in  1872;  lives  in  New 
York  City.  Studied  architecture  at  Danish  Royal 
Academy;  chiefly  self-taught.  Marines  and  still  life. 

C19-1  STILL  LIFE.  A grayish  basket  with  a white  cloth 
Gallery  hanging  over  the  edge;  a fish  lies  in  front  of  the  basket 
12  and  clams  are  at  the  right. 

H.34|in.  W.  381^  in.  Canvas.  Signed:  Emil  Carlsen. 
Gift  of  William  A.  Read,  1905. 

C19-2  THE  OPEN  SEA.  Blue,  white-capped  waves;  wide  ex- 
Gallery  pause  of  cloudy  sky. 

15  H.  47I  in.  W.  57J  in.  Canvas.  Signed:  Emil  Carlsen. 
1909. 

Gift  of  George  A.  Hearn,  1910. 

CARPACCIO,  Vittore.  Italian  (Venetian);  born  probably  in 
1455  at  Venice  or  Istria;  died  shortly  before  1527. 
Pupil  of  Lazzaro  Bastiani;  follower  of  Gentile  Bellini. 

C22-1  MEDITATION  ON  THE  PASSION.  The  dead  body 
Gallery  of  Christ  reclines  on  a ruined  marble  throne  of  Renais- 
30  sance  workmanship;  at  each  side  sits  an  emaciated, 
scantily  clothed  old  man,  perhaps  St.  Onuphrius,  the 
one  to  the  left  being  St.  Jerome.  Landscape  background 


40 


CARPACCIO  — CATENA 

with  animals;  in  the  distance  there  is  a town  on  the 
bank  of  a river  at  the  foot  of  a cultivated  hill. 

H.  27f  in.  W.  34I  in.  Wood.  Inscribed  with  a false 
signature:  ANDREAS  MANTINEA  F.  Bulletin,  1911, 
p.  191,  ill. 

Purchase,  Kennedy  Fund,  1911. 

CASILEAR,  John  W.  American;  born  1811  at  New  York  City; 

died  1893  at  Saratoga,  N.  Y.  Began  life  as  a bank- 
note engraver;  studied  in  Europe  in  1840  and  in  1857. 
Landscapes. 

C26-1  DISTANT  VIEW  OF  THE  CATSKILLS.  Two  large 
Gallery  trees  are  at  the  left;  cows  wade  in  a stream  in  the  fore- 
16  ground;  meadows  beyond  and  distant  blue  mountains. 
H.  3of  in.  W.  54^  in.  Canvas.  Initialed:]  W C-91. 
Gift  of  Mrs.  Rebecca  A.  Goldsmith,  1897. 

C26-2  LAKE  GEORGE^  Rocky  shore  and  a clump  of  trees 
Gallery  at  the  left;  mountains  in  the  distance. 

16  H.  20i^^  in.  W.  29J  in.  Canvas.  Monogrammed: 

JWC  ’57. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

CASSATT,  Mary.  American;  born  at  Pittsburg,  Pa.;  lives  in 
Paris.  Pupil  of  Manet. 

C27-1  MOTHER  AND  CHILD.  Le  Lever  de  Beb^.  A 

Gallery  nude  child  is  seated  on  the  edge  of  a bed  with  the 

15  mother  seated  on  a chair  at  the  bedside  drying  the 

baby’s  feet;  green  painted  furniture. 

H.  36!  in.  W.  29  in.  Canvas.  Signed:  Mary  Cas- 

satt. Bulletin,  1909,  p.  54,  ill. 

Purchase,  Hearn  Fund,  1909. 

C27-51  LADY  AT  THE  TEA-TABLE.  An  elderly  lady,  seen 

Gallery  to  the  waist  wearing  a dark  blue  dress  and  a lace  scarf 

12  over  her  head,  sits  behind  a tea-table  on  which  is  a set 

of  blue  and  gold  china. 

H.  29  in.  W.  24  in.  Canvas.  Signed:  Mary  Cassatt, 
1885. 

Lent  anonymously,  1918. 

CATENA,  Vincenzo.  Venetian;  active  1495-1531;  born  at  Tre- 
viso; died  at  Venice.  A disciple  of  Giovanni  Bellini; 
influenced  by  Carpaccio  and  Giorgione. 


41 


CATENA  — GAZIN 

C28-1  THE  CIRCUMCISION.  Half-length  figures;  the  Vir- 

Gallery  gin  in  red  robe,  blue  mantle,  and  white  scarf  holds  the  * 
30  nude  Child  to  the  high  priest,  a long-bearded  old  man 
wearing  an  orange  cloth  about  the  head  and  a white  em- 
broidered vestment  that  a clean-shaven  man  at  the  left 
holds  back,  disclosing  its  red  lining.  St.  Joseph  is  back 
of  the  Christ  Child,  and  at  the  right  is  a woman  in  green 
who  has  a scarf  of  silk,  pink  in  the  lights  and  lavender  in 
the  shadows,  about  the  head  and  neck.  The  table  cover 
in  the  center  is  gray.  Landscape  background.  This  is 
a copy  of  a painting  perhaps  by  Giovanni  Bellini,  several 
versions  of  which  exist — one  in  the  National  Gallery  (No. 
1455)  attributed  to  Giovanni  Bellini  but  given  to  Catena 
by  Berenson.  Another  version  was  in  the  Orleans  Gal- 
lery, and  still  another  in  the  Leuchtenberg  Collection; 
the  whereabouts  of  the  last  two  are  not  known. 

H.  26|  in.  W.  4of  in.  Wood.  Inscribed:  JOANNES 
BELLINVS,  P M D X I. 

Gift  of  J.  Pierpont  Morgan,  1917. 

CAZIN,  Jean  Charles.  French;  born  1841  at  Samer,  Pas-de- 
Calais;  died  1901  at  Lavandou  near  Toulon.  Pupil 
of  Ecole  des  Arts  Decoratifs  under  Lecoq  de  Boisbaudran. 
In  1868  was  appointed  Director  of  the  Ecole  des  Beaux- 
Arts  at  Tours  and  later  Curator  of  the  Museum  in  that 
city.  Landscapes,  usually  with  figures. 

C31-1  LANDSCAPE.  A stream  is  in  the  foreground  and  at 
the  right  a country  road  bordered  by  trees;  there  are- 
masses  of  violet  clouds  and  above  the  bushes  at  the  left 
is  a rainbow. 

H.  32I  in.  W.  39§  in.  Canvas.  Signed:  J.  C.  CAZIN. 
Bulletin,  191 1,  p.  loi,  ill. 

Bequest  of  Robert  G.  Dun,  191 1. 

C31-2  A FORMER  ROYAL  HIGHWAY.  At  the  right  is  a 
row  of  farm  buildings  with  thatched  roofs;  a woman 
stands  in  the  road,  and  a wagon  in  the  distance  is  disap- 
pearing between  the  two  rows  of  thin  trees. 

H.4i^in.  W.  48I  in.  Canvas.  Signed:  J.  C.  CAZIN. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

C31-3  FAUBOURG  DE  CHARENTON.  Buildings  by  the 

Gallery  river  at  dusk,  with  street  lights  beginning  to  show. 

19  H.  in.  W.  i6|  in.  Wood.  Signed:  J.  C.  CAZIN. 
Purchase,  The  Harris  Brisbane  Dick  Fund,  1917. 


42 


CEREZO  — CHAPLIN 

CEREZO,  Mateo.  Spanish;  born  1635  at  Burgos;  died  1675  (or 
1685)  at  Madrid.  Pupil  of  his  father  and  of  Juan  Carreho 
de  Miranda. 

C33-1  PORTRAIT  OF  A CARDINAL.  Life-size,  seated, 
seen  to  the  waist;  he  wears  a red  robe  beneath  a white 
surplice  and  on  his  head  is  a red  biretta. 

H.  28^  in.  W.  22I  in.  Canvas. 

Gift  of  Stanford  White,  1906. 

CERMAK,  Jaroslav.  Hungarian;  born  1831  at  Prague;  died 
1878  at  Paris.  Pupil  of  Prague  Academy;  of  Wappers 
and  of  Gallait  in  Belgium. 

C331-1  THE  SLAVE.  Life-size  figure  of  an  oriental  woman, seen 
to  the  knees;  she  is  standing  against  a red  curtain  and 
looks  out  of  a window  at  the  right;  her  left  hand 
rests  upon  a cross  which  hangs  about  her  neck; 
she  wears  a black  shawl  over  her  head,  a brown  cloak,  and 
a wide  jeweled  girdle. 

H.  57J  in.  W.  38J  in.  Canvas.  Signed:  Jaroslav  Cer- 
mak  Paris  1878. 

Bequest  of  Henry  H.  Cook,  1905. 

CEULEN.  See  Janssens  van  Ceulen. 

CEZANNE,  Paul.  French;  born  1839  at  Aix-en-Provence;  died 
there  1906.  Studied  at  the  Academie  Suisse  in  Paris. 
Early  work  influenced  by  Manet  and  the  impressionists. 

C332-1  THE  POORHOUSE  ON  THE  HILL.  La  Colline 
Gallery  des  Pauvres.  A scene  in  southern  France  with  wooded 
21  hills;  on  the  nearest  hillside  at  the  left  of  the  center  is  a 
group  of  buildings;  brilliant  sunlight. 

H.  25  in.  W.  32  in.  Canvas.  Signed:  P.  Cezanne. 
Bulletin,  1913,  p.  108,  ill. 

Purchase,  Wolfe  Fund,  1913. 

CHAPLIN,  Charles.  French;  born  1825  at  Les  Andelys; 

died  1891  at  Paris.  Pupil  of  Drolling  at  the  Ecole  des 
Beaux-Arts  in  Paris. 

C36-1  HAIDEE.  (The  heroine  of  Byron’s  Don  Juan.)  Life- 
Gallery  size  figure  of  a young  woman,  seen  to  the  waist;  a tam- 
18  bourine  is  held  In  her  right  hand. 

H.4oJin.  W.  25|in.  Canvas.  Signed:  Ch.  Chaplin  1873. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


43 


CHAPMAN  — CHASE 

CHAPMAN,  Charles  S.  American;  born  1879.  Pupil  of  Wil- 
liam M.  Chase  and  W.  Appleton  Clark. 

C361-1  IN  THE  DEEP  WOODS.  A forest  with  rocks  and  huge 
Gallery  trees,  in  winter;  woodmen  with  a horse  sledge  are  in  the 
1 5 foreground. 

H.  6oj  in.  W.  36  in.  Canvas.  Signed:  Charles  S. 
Chapman,  1917. 

Purchase,  Hearn  Fund,  1917. 

CHARDIN,  Jean  Baptiste  Simeon.  French;  born  1699  at 
Paris;  died  there  1779.  Pupil  of  Pierre  Jacques  Cazes 
and  later  of  Noel  Coypel.  Painted  still  life,  interiors, 
and  portraits. 

C37-1  PREPARATIONS  FOR  A BREAKFAST.  Les  Ap- 

Gallery  prets  d'un  Dejeuner.  On  a stone  shelf  are  a slice  of 
20  meat  on  a pewter  plate,  a wine  bottle,  a silver  mug, 
and  part  of  a loaf  of  bread  with  a knife  sticking  in  it. 

H.  26^  in.  W.  22f  in.  Canvas.  Bulletin,  1912,  p.  229,  ill. 
Purchase,  Wolfe  Fund,  1912. 

C37-2  YOUNG  WOMAN  KNITTING.  A young  woman  in 
a striped  blue  dress,  a white  apron  checked  with  blue  lines, 
a pink  and  white  neckerchief,  and  white  cap  sits  by  a 
table  on  which  are  a work-basket  and  a slice  of  bread. 
The  authorities  who  attribute  this  picture  to  Chardin 
consider  it  a very  early  work. 

H.  36I  in.  W.  28^  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

CH.ASE,  William  M.  American;  born  1849  at  Franklin,  Ind.; 

lived  chiefly  in  New  York  City,  where  he  died  1916.  Pupil 
of  B.  F.  Hayes  in  Indianapolis;  J.  O.  Eaton  in  New  York; 
Wagner  and  Piloty  in  Munich.  Portraits,  still  life,  and 
landscapes. 

C38-1  PORTRAIT  OF  A LADY  IN  BLACK.  An  interior 
Gallery  with  a life-size,  full-length,  standing  figure;  her  left 
12  hand  is  on  her  hip  and  the  right  rests  on  a mahogany 

table  near  a pink  rose. 

H.  74  in.  W.  36  in.  Canvas.  Signed:  Wm.  M.  Chase. 
Gift  of  Mrs.  William  M.  Chase,  1891. 

C38-2  CARMENCITA.  Full-length  figure,  dancing  with  cas- 
tanets; black  gown  trimmed  with  yellow  bands. 

H.  70  in.  W.  40J  in.  Canvas.  Signed:  W.  M.  Chase. 
Gift  of  Sir  William  Van  Horne,  1906. 


44 


CHASE  — CHURCH 

C38-3  SEVENTEENTH  CENTURY  LADY.  About  half 
Gallery  life-size,  full-length’  figure,  standing  in  front  of  a closed 
15  curtain  with  her  back  toward  the  spectator;  she  wears 
a low-necked  white  satin  gown. 

H.  365  in.  W.  24  in.  Canvas.  Signed:  Wm.  M.  Chase. 
Purchase,  Hearn  Fund,  1907. 

C38-4  STILL  LIFE.  Three  fish  partly  lying  on  a platter. 

Gallery  on  which  is  a red  apple;  two  green  peppers,  a bright  red 

15  bowl,  and  a tall  copper  vessel  are  on  the  dark  green 
table. 

H.  40J  in.  W.  45  in.  Canvas.  Signed:  Wm.  M.  Chase. 
Purchase,  Hearn  Fund,  1908. 

C38-5  THE  HALL  AT  SHINNECOCK.  An  interior  with  a 
Gallery  lady  (Mrs.  Chase)  seated  on  a sofa  near  a window  at  the 
12  right;  she  is  sewing  and  wears  a pink  bodice  and  white 
skirt. 

H.4o|in.  W.  35in.  Canvas.  Signed:  Wm.  M.  Chase. 
Purchase,  Lazarus  Fund,  1917. 

C38-6  JAMES  A.  McNEILL  WHISTLER.  (American  painter; 
Gallery  see  Whistler.)  Under  life-size,  standing  with  left  hand 

12  daintily  resting  on  a delicate  stick.  His  hair  is  black 

but  for  his  noted  white  lock  and  he  wears  a black  frock 
coat;  brown  background  and  floor. 

H.  74f  in.  W.  365  in.  Canvas.  Signed:  To  my  friend 
Whistler  Wm.  M.  CHASE  London  1885. 

Bequest  of  William  H.  Walker,  1918. 

CHAVET,  Victor.  French;  born  1822  at  Aix;  died  1906.  Pupil 
of  Revoil  and  Roqueplan. 

C39-1  IN  FULL  DRESS.  Small  figure  of  a lady  in  a white 
Gallery  dress  seated  on  a red  sofa. 

18  H.  gi  in.  W.  7!  in.  Canvas.  Signed:  V.  Chavet-73. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

CHRISTOPHSEN,  Pieter.  See  Cristus,  Petrus. 

CHURCH,  Frederic  E.  American;  born  1826  at  Hartford, 
Conn.;  died  1900  at  New  York  City.  Pupil  of  Thomas 
Cole  at  Catskill,  N.  Y.  Imaginary  landscapes. 

C47-1  THE  AEGEAN  SEA.  A high  cliff  is  at  the  left  with 

Gallery  a temple  built  in  the  rock;  a ruined  temple  is  on  the 

16  shore  near  the  sea;  in  the  middle  distance  is  an  island 

with  ruined  classic  buildings  and  above  it  a double 


45 


CHURCH 

rainbow;  in  the  distance  at  the  right  is  an  oriental  city. 
The  Parthenon,  Golden  Horn,  and  Rock  Temple  are 
suggested. 

H.  54j  in.  W.  8af  in.  Canvas.  Signed:  F.  E. 
CHURCH. 

Bequest  of  Mrs.  William  H.  Osborn  through  William 
Church  Osborn  and  Henry  F.  Osborn,  1902. 

C47-2  HEART  OF  THE  ANDES.  A stream  flows  from  the 
Gallery  mountains  toward  the  foreground;  at  the  right  is  a mass 
16  of  trees  and  at  the  left,'  in  a level  spot  surrounded  by 
trees,  is  a grave  with  a cross;  a mountain  fills  the  middle 
distance  and  beyond  at  the  left,  range  after  range  of 
snow-capped  mountains  rise  against  the  sky. 

H.  66|  in.  W.  ii9|in.  Canvas.  Signed:  1859  F.  E. 
CHURCH.  Bulletin,  1909,  p.  70. 

Bequest  of  Mrs.  Margaret  Dows,  1909. 

C47-3  THE  PARTHENON.  This  temple  to  the  goddess 
Gallery  Athena  was  erected  at  Athens  about  450  B.C.;  was  used 
16  as  a Christian  church  from  the  sixth  to  the  fifteenth 
century,  when  it  was  captured  by  the  Turks  and  by 
them  turned  into  a mosque;  and  was  partly  destroyed  in 
1687,  when  the  Venetians  bombarded  the  Akropolis  and 
exploded  a powder  magazine  which  the  Turks  had  stored 
there.  The  remains  of  the  sculptures  were  removed 
early  in  the  nineteenth  century  and  are  now  in  the 
British  Museum,  London. 

H.  44j\  in.  W.  72I  in.  Canvas.  Signed:  F E 
CHURCH  1871.  Bulletin,  1915,  p.  66,  ill. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

CHURCH,  Frederick  S.  American;  born  1842  at  Grand  Rapids, 
Mich.;  lives  in  New  York  City.  Studied  at  the  Academy 
of  Design  in  Chicago  under  Walter  Shirlaw,  and  at  the 
National  Academy  in  New  York  City  under  L.  E.  Wil- 
marth. 

C471-1  MOONRISE.  A nude  woman  with  auburn  hair  is 
Gallery  partly  seen  through  rolling  green  waves;  back  of  her,  in 
13  the  water,  is  a crescent. 

H.  26  in.  W.  22  in.  Canvas,  oval.  Signed:  F.  S. 

CHURCH,  N Y 1902. 

Purchase,  George  A.  Hearn  Fund,  1913. 

46 


CIMA  — CLAUDE  LORRAINE 

CIMA,  Giovanni  Battista;  also  known  as  II  Conegliano.  Italian 
(Venetian);  born  at  Conegliano  about  1460;  died  after 
1517.  Settled  in  Venice;  a pupil  of  Alvise  Vivarini; 
strongly  influenced  by  Giovanni  Bellini. 

C49-1  SAINT  ROCH,  SAINT  ANTHONY,  AND  SAINT 

Gallery  LUCY.  Three  full-length,  standing  figures;  St.  An- 
30  thony  in  brown  with  a blue  cope,  St.  Roch  in  yellow  tunic 
and  blue  hose  with  a brown  cloak,  St.  Lucy  in  a green 
robe  with  a red  cloak.  Painted  by  an  imitator  of  Cima. 
H.5o|in.  W.  48yVIn.  Canvas.  Bulletin,  1907,  p.  172,  ill. 
Purchase,  Rogers  Fund,  1907. 

CLAIRIN,  Georges  Jules  Victor.  French;  born  1843 

Paris;  lives  there.  Pupil  of  Ecole  des  Beaux-Arts 
under  Picot  and  Pils. 

C52-1  MOORISH  SENTINEL.  A Moor,  wearing  an  orange- 
brown  robe,  a dark  brown  cloak,  and  a white  turban, 
holds  a long  gun  across  his  shoulders;  he  stands  in  front 
of  a carved  doorway,  before  which  hangs  a red  rug; 
there  is  a glimpse  beyond  of  people  in  an  inner  court. 

H.  27I  in.  W.  19I  in.  Canvas.  Signed:  G.  Clairin. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

CLAUDE  LORRAINE;  real  name  Claude  Gellee,  also  known  as  Le 
Lorrain.  French;  born  1600  at  the  Chateau  deChamagne 
near  Charmes;  died  1682  at  Rome.  Pupil  of  Agostino 
Tassi  in  Rome;  of  Deruet  at  Nancy.  Landscapes. 

C57-1  A SEAPORT.  To  the  right  is  the  corner  of  a building 

Gallery  with  two  large  columns;  in  the  foreground  men  are 

14  fishing  on  the  beach;  at  the  left  are  the  towers  of  a 

city  and  vessels  at  anchor  near  shore.  Attributed  to 
Claude. 

H.  385  in.  W.  48^^%  in.  Canvas. 

Gift  of  George  A.  Hearn,  1905. 

C57-2  DAVID  AT  THE  CAVE  OFADULLAM.  David  and 

Gallery  his  followers,  dressed  in  Roman  togas  and  armor,  stand  at 

20  the  entrance  of  the  cave;  to  them  comes  the  man  who  has 

risked  his  life  in  the  enemy’s  country,  bearing  the  bowl 
of  water  for  which  David  had  sighed.  At  the  left  is  a 
fanciful  fortified  town  beside  a wandering  river.  In  the 
background,  a wide  and  distant  landscape. 

H.  45f  in.  W.  76  in.  Canvas. 

Purchase,  Kretschmar  Fund,  1921. 


47 


CLAYS  — COHEN 


CLAYS,  Paul  Jean.  Belgian;  born  1819  at  Bruges;  died  1900  at 
Brussels.  Pupil  of  Suisse  and  of  Gudin  in  Paris;  settled 
in  Brussels  in  1852.  Marines. 

C571-1  CELEBRATION  OF  THE  FREEDOM  OF  THE 
PORT  OF  ANTWERP,  1863.  At  right  and  left  are 
numerous  large  and  small  craft  with  flags  flying;  in  the 
middle  of  the  river  is  a white  float  carrying  a statue  of 
Liberty  holding  a scroll  inscribed  Scheldt  Vry;  in  the 
distance  is  the  city  of  Antwerp  with  its  cathedral  tower 
silhouetted  against  sunlit  clouds. 

H.  48!  in.  W.  79  in.  Canvas.  Signed:  P.  J.  Clays. 
Gift  of  the  artist  and  of  several  gentlemen,  1881. 

COCK,  Cesar  De.  Belgian;  born  1823  at  Ghent;  died  there  1904. 

Pupil  of  the  Academy  of  Ghent  and  of  De  Notre.  Land- 
scapes. 

C64-1  LANDSCAPE;  SPRING.  Through  the  center  of  the  pic- 
Gallery  ture  flows  a stream  which  reflects  grassy  banks  and  green 
18  trees;  on  the  near  shore  a little  boy  is  seated  fishing. 

H.  34§  in.  W.  52!  in.  Canvas.  Signed:  Cesar  De 
Cock.  1878. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

COCK,  Xavier  de.  Belgian;  born  1818;  died  1896  at  Deurne, 
Belgium. 

C641-1  CHILDREN  CALLING  TO  THE  COWS. 

H.  22j  in.  W.  32^  in.  Canvas. 

Bequest  of  Eliza  W.  Howland,  1917. 


COFFIN,  William  A.  American;  born  1855  at  Allegheny,  Pa.; 


lives  at  Jennerstown,  Pa.  Pupil  of  Bonnat  in 
Landscapes. 

Paris. 

C65-I 

THE  RAIN.  A green  hillside  with  scattered 

trees; 

Gallery 

storm  clouds  are  at  the  left. 

12 

H.  30  in.  W.  40I  in.  Canvas.  Signed:  Wm.  A.  Coffin. 
.Gift  of  several  gentlemen,  1892. 

C65-2 

A DECEMBER  NIGHT. 

Gallery 

H.  25i  in.  W.  30  in.  Signed:  Wm.  A.  Coffin. 

12 

Purchase,  Hearn  Fund,  1919. 

COHEN,  Lewis.  American;  born  1858,  at  London;  died  August 
4,  1915,  at  New  York  City.  Pupil  of  Alphonse  Legros, 
J.  Watson  Nicholl,  and  A.  S.  Cope. 

48 


COHEN  — COLE 

C66-I  PUENTE  SAN  MARTIN,  TOLEDO.  The  bridge  ex- 
tends diagonally  across  the  picture;  the  city  in  sunlight 
is  shown  on  the  farther  bank  and  the  foreground  is  in 
shadow. 

H.  28  in.  W.  36J  in.  ‘ Canvas.  Signed:  Lewis  Cohen. 
Gift  of  Stanley  A.  Cohen,  1918. 

COLE,  Thomas.  American;  born  1801  at  Bolton  le  Moor,  Eng- 
land; died  1848  near  Catskill,  N.  Y.  Settled  in  Ohio; 
studied  in  England,  France,  and  Italy,  but  lived  the 
greater  part  of  his  life  in  New  York  City. 

C672-1  IN  THE  CATSKILLS.  Woods  in  the  foreground, 
farm  lands  beyond,  and  a range  of  the  Catskill  Mountains 
in  the  distance. 

H.  39  in.  W.  63  in.  Canvas.  Signed:  Cole  1837. 
Gift,  in  memory  of  Jonathan  Sturges,  by  his  children, 
1895. 

C672-2  VALLEY  OF  THE  VAUCLUSE.  In  the  middle  dis- 
tance  at  the  right  are  cliffs  with  an  old  castle;  sunny 
foreground  with  broken  rocks  and  a bent  pine  which 
overhangs  the  rushing  water. 

H.  69  in.  W.  49I  in.  Canvas.  Signed:  T.  Cole  Roma  1841. 
Gift  of  William  E.  Dodge,  1903. 

C672-3  ROMAN  AQUEDUCT.  In  the  foreground  is  a mass 
of  masonry  with  ruins  of  giant  piers  and  vaulted  roofs 
at  the  right;  diagonally  across  the  middle  distance  is  a 
series  of  broken  aqueduct  arches;  beyond,  the  Campagna 
stretches  to  the  foothills  of  the  Alban  mountains,  which 
are  partly  enveloped  in  mist. 

H.  14J  in.  W.  23J  in.  Canvas.  Signed  on  the  back: 
T.  Cole,  Florence,  1832;  inscribed:  Presented  to  W.  A. 
Adams  by  T.  Cole  1834. 

Purchase,  Rogers  Fund,  1903. 

C672-4  THE  TITAN’S  GOBLET.  A landscape  of  mountains 
Gallery  and  sunset  sky  forms  the  background  for  an  enormous 
16  goblet  symbolic  of  the  Norse  legend  of  the  Tree  of  Life. 

The  stem  of  the  goblet  is  a massive  tree  trunk,  the  out- 
spread branches  of  which  hold  an  ocean  dotted  with 
sails  and  surrounded  by  forests  and  plains  in  which  appear 
Greek  ruins  and  modern  Italian  buildings,  typical  of 
ancient  and  modern  civilization. 

H.  19!  in.  W.  16J  in.  Canvas.  Signed:  T.  Cole  1833. 
Gift  of  Mrs.  Samuel  P.  Avery,  1904. 


49 


COLE  — COLMAN 

C672-5  OXBOW.  (The  picture  shows  the  Connecticut  River 
near  Northampton.)  In  the  foreground  is  a rocky  hilltop 
with  bare  trees  at  the  left  and  near  the  center  an  artist 
is  sketching;  in  the  middle  distance  at  the  right  a plain 
with  a winding  river  stretches  to  the  distant  hills; 
storm  clouds  are  at  the  left. 

H.  5iiin.  W.  76  in.  Canvas.  Signed:  T Cole  1836. 
Bulletin,  1908,  p.  229. 

Gift  of  Mrs.  Russell  Sage,  1908. 

C672-6  THE  MOUNTAIN  FORD.  An  imaginary  landscape 
with  a gnarled  tree  at  the  right,  a rocky  ledge  in  the 
foreground  where  a rider  on  a white  horse  is  fording  a 
rushing  river,  and  in  the  distance  a steep  crag. 

H.  28j  in.  W.  40^V  iri-  Canvas.  Signed:  T COLE 
5846.  Bulletin,  1915,  p.  64;  ill.  p.  69. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

COLLINS,  Alfred  Q.  American;  born  1855  at  Portland,  Me.; 

died  1903  at  Cambridge,  Mass.  Pupil  of  Bonnat  in 
Paris. 

C69-1  THE  ARTIST'S  WIFE.  Life-size  portrait,  seen  to 

Gallery  the  waist;  she  wears  a sage-green  low-necked  dress; 
12  gray-green  background. 

H.27in.  W.  22yV  in.  Canvas.  Bulletin,  1905,  p.  10,  ill. 
Gift  of  friends  of  the  artist,  1905. 

COLMAN,  Samuel.  American;  born  1832  at  Portland,  Me.; 

died  1920  at  New  York  City.  Studied  in  Paris  and  Madrid. 

C71-1  VENICE;  MOONRISE.  In  the  foreground  are  the 

waters  of  the  Giudecca  with  shipping;  above  the  line  of 
buildings  at  the  left  rise  the  Campanile  and  the  domes  of 
Santa  Maria  della  Salute;  in  the  distance  at  the  right  are 
San  Giorgio  Maggiore  and  the  entrance  to  the  Grand 
Canal.  The  sunset  glow  blends  with  the  full  moon. 

H.  23!  in.  W.  30  in.  Canvas.  Signed:  Samuel  Colman  1886. 
Gift  of  George  I.  Seney,  1888. 

C71-2  SPANISH  PEAKS;  SOUTHERN  CALIFORNIA. 

Arid  plains  with  a stream  of  water  running  through  the 
center  of  the  picture  toward  the  right;  in  the  middle 
distance  are  limestone  rocks  which  appear  like  castle 
towers;  in  the  distance  the  Spanish  Peaks  are  seen 
against  a late  afternoon  sky. 


50 


COLMAN  — CONDER 

H.  31J  in.  W.  72j  in.  Canvas.  Signed:  Samuel  Col- 
man  1887. 

Gift  of  H.  O.  Havemeyer,  1893. 

COMAN,  Charlotte  B.  American;  born  1833  at  Waterville, 
N.  Y.;  lives  in  New  York  City.  Pupil  of  James  R. 
Brevoort  in  New  York;  Harry  Thompson  and  Emile 
Vernier  in  Paris.  Landscapes. 

C73-1  CLEARING  OFF.  A broad  expanse  of  rolling  country 
with  a narrow  road ’winding  toward  the  foreground  at 
the  left;  the  distant  blue  hills  are  partly  hidden  by  rain 
clouds. 

H.  27!  in.  W.  36}  in.  Canvas.  Signed:  C.  B.  Coman. 
Gift  of  friends  of  the  artist  through  Mrs.  H.  Butterworth, 
1912. 

COMTE,  Pierre  Charles.  French;  born  1823  at  Lyons;  died 
1895  at  Paris.  Pupil  of  Delaroche,  Horace  Vernet,  and 
Robert-Fleury.  Genre. 

C731-1  LADY  AT  HER  TOILET.  She  wears  a red  dress  in 
S.  W.  the  sixteenth  century  style,  and  is  seated  arranging 
Stairway  jewels  in  her  hair. 

H.  i7yV  in.  W.  13  in.  Wood.  Signed:  P.  C.  Comte. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

CONANT,  Alban  Jasper.  American;  born  1821  at  Chelsea, 
Vt.;  died  1915  in  New  York  City.  Portraits. 

C74-1  DR.  JAMES  Me  COSH.  (181 1-1894;  President  of  Prince- 
ton College,  1868-1888.)  Life-size  figure,  seen  to  below 
the  knees;  he  is  seated  in  a red  upholstered  chair  and 
holds  a book  on  his  lap;  he  has  white  hair  and  side 
whiskers. 

H.48^Vin.  W.  36J  in.  Canvas.  Signed:  A.  J.  Conant  1891. 
Gift  of  Mrs.  William  H.  Bliss,  1910. 

CONDER,  Charles.  British  (English);  born  1868  in  London; 
died  there  1909.  Pupil  of  Julian  Academy  in  Paris. 

C75-1  THE  SPANISH  PIAZZA.  Painting  for  a fan.  At  the 
left,  a woman  is  dancing  and  a man  stands  back  of  her; 
three  women  are  at  the  right;  in  the  center,  above  a 
classical  building,  is  a cartouche  with  landscape. 

H.  5f  in.  W.  19!  in.  (size  of  mount).  Silk.  Signed: 
CONDER.  Bulletin,  1912,  p.  57,  ill. 

Purchase,  Rogers  Fund,  1911. 


51 


CONEGLIANO  — CONSTABLE 

CONEGLIANO.  See  Cima. 

CONINCK,  Pierre  Louis  Joseph  de.  French;  born  1828  at 
Meteren;  died  there  1910.  Pupil  of  Cogniet  at  Ecole 
des  Beaux-Arts  in  Paris. 

C76-1  ITALIAN  CHILDREN  AT  A WELL.  Life-size  figures 
S.  W.  of  two  little  girls;  one  holds  a distaff,  the  other  leans  over 
Stairway  the  well-curb,  and  plays  with  a lizard. 

H.  59f  in.  W.  42j  in.  Canvas.  Signed:  P.  de  Coninck. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

CONRAD  VON  CREUZNACH;  see  Faber,  Conrad. 

CONSTABLE,  John.  British  (English);  born  1776  at  East  Berg- 
holt;  died  1837  at  London.  Copied  drawings  of  Girtin; 
studied  at  the  Royal  Academy  Schools.  Landscapes 
and  portraits. 

C762-1  BRIDGE  ON  THE  STOUR.  An  arched  brick  bridge. 

Gallery  resting  in  part  on  an  island,  stretches  across  the  middle 

14  distance  and  is  reflected  in  the  river;  a rustic  fence  and 
shrubbery  are  in  the  foreground  at  the  right  and  cattle 
are  grazing  beyond. 

H.  25!  in.  W.  32!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1897. 

C762-2  MRS.  PULHAM.  Life-size  portrait  of  an  elderly  lady. 
Gallery  seen  to  below  the  waist;  she  wears  a black  dress  with 
14  the  collar  faced  in  blue  and  a black  bonnet  trimmed  with 
blue. 

H.  29!  in.  W.  24^^  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

C762-3  TOTTENHAM  CHURCH.  A wide  expanse  of  green 
Gallery  lawn  with  the  church  and  its  tower  in  the  middle  dis- 
24  tance.  Constable  lived  in  the  Tottenham  section  of 
' London  from  1823  until  his  death. 

H.  2o|  in.  W.  i8|  in.  Canvas.  Bulletin,  1915,  p. 
88;  ill.  p.  93. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

C762-4  GLEBE  FARM  WITH  A VIEW  OF  LANGHAM 
Gallery  CHURCH.  The  farm  is  on  the  high  bank  of  a brook 

24  at  the  right;  beyond  it  a church  tower  and  trees.  Trees 

are  on  the  opposite  bank  in  the  left  foreground;  heavy 
cumulous  clouds  and  strong  blue  sky.  A cow  is  drinking 


52 


IHE  SLEEP  OF  DIANA 
BY  JEAN  BAPTISTE  CAMILLE  COROT 


PI  ETA 

BY  CARLO  CRIVELLI 


CONSTABLE  — CORNEILLE  DE  LYON 

from  the  brook  at  the  right.  A picture  of  similar  subject 
and  composition  is  in  the  National  Gallery  at  London 
(No.  1274). 

H.  24i  in.  W.  31J  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

CONSTANT.  See  Benjamin-Constant. 

COPLEY,  John  Singleton.  American;  born  1737  at  Boston; 

died  1815  at  London  where  he  went  in  1774.  Chiefly 
self-taught.  Portraits  and  historical  subjects. 

C79-1  MARY  STORER  GREEN.  (Mary  Storer  was  born 
Gallery  1736  or  1737  in  Boston;  married  in  1757  Edward  Green, 
16  1733-1790:  married  a second  time  in  1791  to  Benjamin 

Hall.)  Life-size,  seen  almost  to  the  waist;  she  wears  a 
low-necked  blue  dress  with  white  lace  and  a pink  rose  is 
at  her  breast;  three  strings  of  pearls  are  about  her  neck. 
H.  23  in.  W.  I7§  in.  Pastel.  Signed:  John  S.  Copley 
fee.  1765.  Bulletin,  1908,  p.  37,  ill. 

Purchase,  Curtis  Fund,  1908. 

C79-2  MARY  SHERBURNE  BOWERS.  (Mary  Sherburne, 
Gallery  born  about  1739,  was  the  daughter  of  Joseph  Sherburne 
16  of  Boston  and  married  Jerathmel  Bowers,  whose  home 
was  in  Rhode  Island.  The  portrait  came  direct  from  the 
family.)  Life-size  figure  seated  on  a bench  in  front  of  a 
tree;  she  wears  a low-necked,  white  satin  dress  with  an 
over-dress  of  royal  purple  silk  edged  with  gilt  braid;  a pink 
rose  is  at  her  breast,  a string  of  pearls  is  about  her  neck, 
and  pearls  are  twined  in  her  hair;  the  left  hand  rests  on  the 
arm  of  the  seat  and  the  right  holds  a Blenheim  spaniel 
that  lies  in  her  lap. 

H.  49J  in.  W.39f  in.  Canvas.  Bulletin,  1916,  p.  21 ; ill.  p.  i. 
Purchase,  Rogers  Fund,  1915. 

C79-51  REVEREND  WILLIAM  SMITH.  (Of  Weymouth, 
Mass.)  Life-size  portrait  of  an  old  man,  seen  almost  to  the 
waist;  he  wears  a white  wig  and  black  surplice. 

H.  23y\  in.  W.  i8f  in.  Pastel. 

Lent  by  Richard  C.  Greenleaf,  1913. 

CORNEILL  DE  LYON  (Claude).  French;  died  after  1576; 

influenced  by  the  Franco-Flemish  portraitists  of  the  court 
of  Francis  I. 


53 


CORNEILLE  DE  LYON  — COROT 

C8-I  PORTRAIT  OF  A MAN  IN  WHITE  FUR  COAT 
AND  CAP  WITH  FEATHER.  An  unfinished  por- 
trait (only  the  under  painting  in  brown  and  black  being 
done)  of  a young  man  with  slight  moustache  and  beard; 
he  wears  a black  hat  with  a feather  and  a fur  coat  over 
a tight-fitting  doublet. 

H.  7 in.  W.  5I  in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1917. 

COROT,  Jean  Baptiste  Camille.  French  (Barbizon);  born 
1796  at  Paris;  died  1875  at  Ville  d’Avray.  Pupil  of 
Michallon  and  of  Bertin  in  Paris.  Landscapes  and 
figure  subjects. 

C81-1  VILLE  D’AVRAY.  (Near  Paris.)  A pond  seen  through 
Gallery  light  foliage;  in  the  foreground  is  a peasant  woman, 
17  half  kneeling;  in  the  distance  are  several  villas. 

H.  2 if  in.  W.  31^  in.  Canvas.  Signed:  COROT. 
Recorded  in  Robaut,  No.  2003,  under  the  title,  L’Etang 
vu  k travers  la  feuillee. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

C81-2  THE  SLEEP  OF  DIANA.  A wooded  hill  at  the  left, 
Gallery  a few  tall  trees  at  right,  and  water  in  the  distance;  in 
17  the  foreground  a partly  nude  female  figure  lies  on  the 
ground  with  a red  drapery  beneath  her  and  two  cupids 
holding  a filmy  drapery  above  her;  the  moon  lights  the 
distant  river  and  hills.  Painted  in  1865  but  retouched 
in  1868  and  the  date  altered. 

H.  78  in.  W.  53f  in.  Canvas.  Signed:  COROT  1868. 
Bulletin,  1909,  p.  27,  ill.  Recorded  in  Robaut,  No.  1633B. 
Purchase,  Wolfe  Fund,  1908. 

C81-3  A RIVER  SCENE.  La  Riviere  a la  Tour  Lointaine. 
Gallery  The  river  flows  at  the  right;  near  the  shore  is  a man  in 
21  a small  boat;  in  the  foreground  at  the  left  two  women 
and  a child  stand  beside  a tree;  in  the  distance  a square 
tower  is  silhouetted  against  the  evening  sky. 

H.  21^  in.  W.  30I  in.  Canvas.  Signed:  C.  COROT. 
Bulletin,  191 1,  p.  98,  ill.  Recorded  in  Robaut,  No.  1700. 
Bequest  of  Robert  G.  Dun,  191 1. 

C81-4  SOUVENIR  OF  NORMANDY.  Marshy  foreground 
Gallery  where  a woman,  wearing  a white  hood,  is  gathering 
21  flowers;  in  the  middle  distance  are  two  pollard  willows 
and  others  are  on  the  shore  at  the  right;  beyond  is  a 
group  of  red-roofed  huts  near  which  is  a small  boat  with 
furled  sail;  the  river  is  at  the  left. 


54 


COROT 

H.  i6|  in.  W.  25 iV  in.  Canvas.  Signed:  COROT. 
Recorded  in  Robaut,  No.  1687,  under  the  title  L’Etang 
Picard. 

Bequest  of  Benjamin  Altman,  1913. 

C81-5  THE  FERRYMAN.  In  the  foreground  at  the  right,  a 
Gallery  bark  with  the  ferryman  and  two  peasant  women  is  being 
2 1 pushed  off  from  the  shore,  where  there  is  a large  tree  with 
sparse  foliage;  at  the  left  is  the  river  and  in  the  dis- 
tance a village  is  seen  on  high  ground. 

H.  26j\  in.  W.  19Ttt  in.  Canvas.  Signed:  COROT. 
Bulletin,  1914,  p.  252,  ill.  Recorded  in  Robaut,  No. 
1728,  under  the  title,  Passeur  atterrissant  avec  deux 
paysannes  dans  sa  barque. 

Bequest  of  Benjamin  Altman,  1913. 

C81-6  A LANE  THROUGH  THE  TREES.  A woman  and  a 
Gallery  child  are  in  the  foreground  at  the  left  and  in  the  distance 
21  a woman  is  walking  toward  the  opening  between  the  two 
lines  of  trees;  sunlight  strikes  through  the  branches;  a 
river  is  at  the  right. 

H.  24  in.  W.  18  in.  Canvas.  Signed:  COROT.  Bul- 
letin, 1914,  p.  253,  ill.  Recorded  in  Robaut,  No.  2103, 
under  the  title,  Alice  sous  bois. 

Bequest  of  Benjamin  Altman,  1913. 

C81-7  EVENING  ON  THE  RIVER.  Trees  are  on  the  shore 
at  the  right  and  a single  tree  stands  on  a point  of  land 
at  the  left;  near  the  center  of  the  stream  is  a boat  with  a 
figure  wearing  a red  cap. 

H.  14!  in.  W.  20yV  iri-  Canvas.  Signed:  COROT. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

C81-8  VILLE  D’AVRAY;  WOODED  BANKS  OF  THE  POOL 
Gallery  WITH  A WOMAN  GATHERING  FAGOTS.  The 
21  pool  is  seen  between  the  leafy  branches  of  the  trees  that 
border  its  near  bank;  the  woman  wears  a blue  blouse  and 
a brown  skirt.  Buildings  show  on  the  wooded  hills  of 
the  opposite  bank.  The  same  place  is  represented  in 
C81-1  of  the  Wolfe  Collection.  This  picture  dates  from 
the  period  1871-74.  Robaut’s  catalogue,  number  2097, 
H.  28|  in.  W.  22 J in.  Canvas.  Signed:  COROT. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 


55 


COROT  — COSIMO  DI  MARIANO 

C81-9  TWO  MEN  IN  A SKIFF.  A narrow  stream  bordered 
Gallery  with  willows;  the  skiff  is  in  the  foreground;  a church  . 
21  tower  in  the  distance;  a silvery  gray  color  over  all. 

Robaut’s  catalogue,  number  2241.  About  1872. 

H.  16  in.  W.  I2|  in.  Canvas.  Signed:  COROT. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

C81-10  THE  BOHEMIANS.  A clump  of  trees  occupies  the 
Gallery  center  and  left  of  the  canvas;  a single  tree  trunk  at  the 
21  right;  between  are  two  groups  of  figures — a bearded  man 
pointing  out  a neighboring  house  to  a young  girl  and  a 
boy,  and  two  women  sitting  in  the  shrubbery  near  their 
camp-fire,  the  glow  of  which  begins  to  be  evident  in  the 
evening  light.  The  sun  has  set,  but  some  clouds  still  hold 
its  last  brilliance.  Robaut’s  catalogue,  number  2216. 

H.  2if  in.  W.  31J  in.  Canvas.  Signed:  COROT  1872. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

C81-11  A WHEELWRIGHTS  YARD  ON  THE  BANKS  OF 
Gallery  THE  SEINE.  At  the  left  two  men  workover  a log  under 
21  trees,  another  man  goes  off  toward  the  river  with  a fishing 
pole;  at  the  right  the  workshop  and  the  end  of  a red  brick 
house  are  seen.  Recorded  in  Robaut,  No.  1460. 

H.  i8|  in.  W.  21J  in.  Canvas.  Signed:  Corot. 
Bequest  of  Eloise  Lawrence  Breese  Norrie,  1921. 

CORREGGIO;  real  name  Antonio  Allegri.  Italian;  born  1494 
at  Correggio,  a small  town  near  Modena;  died  there  1534. 

C811-2  FOUR  SAINTS.  Full-length,  life-size  figures,  standing 
Gallery  near  a group  of  trees.  At  the  left,  St.  Peter,  with  key  and 
29  book,  wears  a blue  robe  and  yellow  mantle;  St.  Martha, 
dressed  in  green,  has  her  foot  on  the  head  of  a dragon; 
Mary  Magdalen  wears  a yellow  robe  and  red  cloak 
and  holds  her  jar  of  ointment;  at  the  extreme  right  St. 
Leonard,  in  a , monk’s  brown  habit,  holds  his  prison 
fetters.  An  early  work  painted  about  1515.  Known  as 
the  Ashburton  altarpiece. 

H.  87^  in.  W.  63J  in.  Canvas.  Bulletin,  1913,  p.  26,  ill. 
Purchase,  Kennedy  Fund,  1912. 

COSIMO.  See  Piero  di  Cosimo. 

COSIMO  DI  MARIANO,  Angelo.  See  Bronzino. 

56 


COSTA  — COURBET 

COSTA,  Lorenzo.  Italian  (Ferrarese-Bolognese);  born  about 

1460  at  Ferrara;  died  1535  at  Mantua.  Supposed  to 
have  been  a pupil  of  Cosimo  Tura  and  of  Francesco 
Cossa. 

C82-1  THREE  SAINTS.  Life-size,  full-length  figures;  St. 

Francis  in  the  center,  at  the  right  St.  Ursula,  and  at  the 
left  St.  Catherine. 

H.  85!  in.  W.  68J  in.  Tempera  on  wood.  Signed: 
-L-COSTA-F. 

Gift  of  Rodman  Wanamaker,  1907. 

COT,  P.  A.  French;  born  1837  at  Bedarieux;  died  1883  at  Paris. 
Pupil  of  Cabanel,  Cogniet,  and  Bouguereau  in  Paris. 

C821-1  THE  STORM.  A youth,  with  an  animal’s  skin  about 
Gallery  his  loins,  and  a girl,  in  diaphanous  white  drapery,  are 

18  running  down  a hill  before  a coming  storm. 

H.  92j  in.  W.  61 J in.  Canvas.  Signed:  P+A+COT, 
1880. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

COTMAN,  John  Sell.  British  (Norwich);  born  1782  at  Nor- 
wich; died  1842  at  London.  Studied  architecture  in 
London;  also  etching.  Landscapes. 

C822-1  ENGLISH  VILLAGE.  A country  road  with  a row 
Gallery  of  thatched  cottages  at  the  right;  low  bushes  at  the  left. 
14  H.  i5fin.  W.  19!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

C822-2  WORCESTER  CATHEDRAL.  The  River  Severn 
Gallery  is  at  the  right;  on  the  shore  in  the  foreground  at  the 
14  left  are  a number  of  people;  the  cathedral  and  town  are 
on  the  far  bank;  cloudy  sky. 

H.  27I  in.  W.  35I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1912. 

COURBET,  Gustave.  French;  born  1819  at  Ornans;  died  1877 
at  La-Tour-de-Peiltz,  near  Vevey,  Switzerland.  Pupil 
of  Steuben  and  of  Hesse  in  Paris,  where  the  greater  part 
of  his  life  was  spent. 

C83-1  COAST  SCENE.  A desolate  beach  with  a fishing-boat 
Gallery  with  bedraggled  sails  lying  among  scattered  boulders; 
21  choppy  green  sea  at  the  left. 

H.  25J  in.  W.  32  in.  Canvas.  Signed:  Gustave  Courbet. 
Gift  of  Mrs.  Mary  Goldenberg,  1899. 


57 


COU  R B ET—  COU  TU  R E 


C83-2  SNOW  SCENE.  Effet  de  Neige.  A mass  of  rocks  is  at 
Gallery  the  left  and  in  the  shadow  a doe  and  a fawn;  groups  of. 
2 1 trees  with  reddish  leaves  are  lightly  covered  with  snow;  in 
the  foreground  at  the  right  is  a frozen  pool. 

H.  20^  in.  W.  24^  in.  Canvas.  Signed:  G.  Courbet. 
Purchase,  Rogers  Fund,  1906. 

C83-3  GUEYMARD  IN  THE  RSLE  OF  ROBERT  LE 
Gallery  DIABLE.  Gueymard,  a famous  tenor  of  the  Paris 
21  Opera,  in  a red,  gold-trimmed  tunic  over  a suit  of  chain 
mail,  sits  on  the  corner  of  the  table  holding  aloft  a dice 
box.  It  is  at  the  moment  in  the  first  act  when  he  sings, 
“Oui,  Tor  est  une  chimere.”  Two  knights  lean  over  the 
table  to  watch  the  throw;  in  the  background  at  the  right 
is  the  sinister  figure  of  Bertram,  his  evil  genius. 

H.  58^  in.  W.  42  in.  Canvas.  Signed:  G.  Courbet. 
Bulletin,  1919,  p.  1 12,  ill. 

Gift  of  Mrs.  Elizabeth  Milbank  Anderson,  1919. 

C83-51  WOMAN  WITH  A PARROT.  Life-size,  full-length. 
Gallery  nude  figure  of  a woman,  lying  on  a couch  with  a green 
parrot  resting  on  her  raised  left  hand. 

H.5i|Vin.  W.  77I  in.  Canvas.  Signed:  66 -Gustave 
Courbet. 

Lent  anonymously,  1909. 

LES  DEMOISELLES  DE  VILLAGE.  The  three  sisters 
of  the  artist  are  seen  in  a meadow;  one  of  them  gives  a 
piece  of  cake  to  a peasant  girl;  their  small  black  and  white 
dog  barks  at  two  young  heifers  across  a brook. 

H.  76!  in.  W.  i02f  in.  Canvas.  Signed:  G.  Courbet. 
Lent  by  Mrs.  Harry  Payne  Bingham,  1920. 

COUSE,  E.  Irving.  American;  born  1866.  Pupil  of  National  Acad- 
emy of  Design  in  New  York;  Bouguereau  and  Robert- 
Fleury  in  Paris. 

C831-1  THE  PEACE  PIPE  Three  Indians,  two  almost  nude, 
Gallery  the  other  with  a full  feather  head-dress  and  blanket,  are 
16  crouched  about  a little  fire.  The  pipe  is  held  by  the  nude 
man  with  his  back  to  the  spectator:  brown  woods  in  the 
background. 

H.  26  in.  W.  32  in.  Canvas.  Signed:  E.  I.  Couse. 

Gift  of  Mrs.  Clara  B.  Obrig,  in  memory  of  her  husband, 
Adolph  Obrig,  1917. 

COUTURE,  Thomas.  French;  born  1815  at  Senlis;  died  1879 
at  Villiers-le-Bel.  Pupil  of  Gros  and  Delaroche  in  Paris. 
History  and  genre. 


21 


C83-52 

Gallery 

21 


58 


COUTU  RE  — CRANACH 

C832-1  DAY  DREAMS.  A boy,  about  ten  years  of  age, 
Gallery  dressed  in  black  velvet,  lolls  in  an  upholstered  chair 
17  watching  soap  bubbles  that  he  has  just  blown;  at  his 
right  is  a table  with  a glass  of  soapy  water,  books,  a 
top,  etc.  A laurel  wreath  hangs  on  the  wall  above  the 
boy’s  head. 

H.  5i§  in.  W.  38I  in.  Canvas.  Initialed:  T.  C. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

COX,  Kenyon.  American;  born  1856  at  Warren,  O.;  died  1919 
at  New  York  City.  Pupil  of  McMicken  School  in  Cin- 
cinnati; Pennsylvania  Academy  of  the  Fine  Arts  in  Phil- 
adelphia; Ecole'des  Beaux-Arts  in  Paris  under  Gerome. 

C833-1  AUGUSTUS  SAINT-GAUDENS.  (1848-1907;  Amer- 
Gallery  ican  sculptor.)  Life-size,  seen  to  the  waist ; he  is  standing 
13  in  his  studio  at  work.  The  original  portrait,  painted 
in  1887,  was  burned  in  the  sculptor’s  studio  at  Windsor, 
Vt.,  in  1904;  this  replica  was  painted  in  1908  from  studies 
in  the  possession  of  the  painter. 

H.  33J  in.  W.  46I  in.  Canvas.  Signed:  KENYON 

COX  - 1908. 

Gift  of  friends  of  the  sculptor  through  A.  F.  Jaccaci,  1908. 

C833-2  THE  HARP  PLAYER.  An  interior  with  a young 

Gallery  woman  in  a red  dress  seated  at  a harp. 

12  H.  30  in.  W.  18  in.  Canvas.  Signed:  KENYON 

COX-1888.  Bulletin,  1912,  p.  102,  ill. 

Purchase,  Rogers  Fund,  1912. 

COYPEL,  Noel  Nicolas.  French;  born  1692  at  Paris;  died  there 
1734.  Pupil  of  his  father,  Noel  Coypel,  and  of  his 
mother,  Franfoise  Perrin. 

C834-1  VENUS  WITH  SEA  NYMPHS  AND  AMOURS. 

Gallery  Venus,  seated  upon  a huge  sea-shell,  is  upheld  by  sea 

20  gods,  nymphs,  and  dolphins;  above  are  cupids  bearing 

flowers  and  zephyrs  receiving  two  white  doves  that  have 
been  brought  by  Love  in  a golden  chariot. 

H.  32!  in.  W.  26J  in.  Canvas. 

Gift  of  Mrs.  Elizabeth  W.  Chapman,  1903. 

CRANACH,  Lucas,  the  Elder;  real  name,  Lucas  Sunder.  Ger- 
man (Saxon);  born  1472  at  Kronach,  Bavaria;  died 
1553  at  Weimar.  Pupil  of  his  father;  influenced  by 
Albrecht  Diirer  and  probably  by  Griinewald.  After  1508 


59 


CRANACH— CRANE 

he  used  a small  winged  serpent  as  signature.  Portraits, 
biblical  and  mythological  subjects;  was  also  an  en- 
graver. 

C85-2  PORTRAIT  OF  A MAN.  (Probably  an  Electoral  Duke 
Gallery  of  Saxony.)  He  is  seen  to  below  the  waist;  the  left 
34  hand  grasps  the  hilt  of  a sword  or  dagger  and  the  right 
rests  upon  the  pommel;  he  wears  a black  velvet  biretta 
with  jeweled  plume  and  a black  velvet  doublet  over  a 
gathered  white  shirt  with  lace  collar;  scarlet  background 
close  to  the  head. 

H.  25!  in.  W.  lyf  in.  Wood.  Bulletin,  1908,  p.  88,  ill. 
Purchase,  Rogers  Fund,  1908. 

C85-3  JUDITH  WITH  THE  HEAD  OF  HOLOFERNES. 
Gallery  (The  Book  of  Judith,  one  of  the  apocryphal  books  of  the 
34  Old  Testament  dating  from  the  Maccabean  period,  about 
129  B.  C.,  tells  how  Judith,  in  order  to  deliver  her  native 
city  which  was  being  besieged  by  the  Assyrians,  gained 
admission  to  the  tent  of  the  Assyrian  general,  Holofernes, 
and  slew  him  in  his  drunken  sleep.)  Life-size  figure  of 
Judith,  standing  back  of  a table  on  which  lies  the 
head  of  Holofernes;  she  is  elaborately  dressed  and 
holds  a sword  in  her  raised  right  hand. 

H.  35i  in.  W.  24!  in.  Wood.  Signed  with  the  winged 
serpent.  Bulletin,  1911,  p.  124,  ill. 

Purchase,  Rogers  Fund,  1911. 

CRANACH,  Lucas,  the  Younger.  German;  born  1515  at 
Wittenberg;  died  1586  at  Weimar.  Pupil  of  his  father, 
Lucas  Cranach  the  Elder;  influenced  by  Albrecht  Diirer. 
C851-1  MADONNA  AND  CHILD.  Half-length  figure  of 
the  Madonna,  seated  and  suckling  the  nude  Child;  she 
wears  a black  bodice  and  a red  mantle;  two  cherubs 
hold  a black  drapery  which  forms  the  background. 
Attributed  to  Cranach  the  Younger. 

H.  19!  in.  W.  13I  in.  Wood. 

Gift  of  Louis  Ehrich,  1895. 

CRANE,  Bruce.  American;  born  1857  at  New  York  City;  lives 
there.  Pupil  of  A.  H.  Wyant;  also  studied  in  Europe. 
Landscapes. 

C853-1  AUTUMN  UPLANDS.  A group  of  trees  on  a hill- 
Gallery  side  at  the  right;  in  the  foreground  a pile  of  cut  logs. 

13  H.  27  in.  W.  41  in.  Canvas.  Signed:  Bruce  Crane. 
Bulletin,  1909,  p.  1 1 5,  ill. 

Gift  of  George  A.  Hearn,  1909. 

60 


CREDI  — CRIVELLI 

CREDI,  Lorenzo  di.  Italian  (Florentine);  born  1459  at  Florence; 

died  there  1537.  Pupil  of  his  father,  Andrea  di  Credi, 
a goldsmith;  assistant  to  Verrocchio. 

C86-1  MADONNA  ADORING  THE  CHILD.  Full-length, 

Gallery  kneeling  figure  of  the  Madonna,  wearing  a violet  robe 
30  and  a blue  mantle  lined  with  yellow;  her  hands  are 
clasped  and  she  looks  down  at  the  nude  Child  who  lies 
on  the  ground  with  a roll  pillow  and  a light  blue  cloth 
beneath  Him;  at  the  left  an  angel  supports  the  nude 
infant  St.  John,  who  kneels  in  adoration.  The  corner 
of  a wall  is  immediately  back  of  the  Madonna;  beyond  is 
a landscape  with  a winding  river  and  distant  blue  hills. 
Circular;  diameter  36  in.  Tempera  on  wood.  Bulletin, 
1909,  p.  186,  ill. 

Purchase,  Rogers  Fund,  1909. 

C86-51  PORTRAIT  OF  A MAN.  Head  and  shoulders  of  an 

Gallery  elderly  man  turned  slightly  to  the  left;  he  wears  a dark 
30  coat  showing  a line  of  white  above  the  collar,  and  a black 
skull  cap  on  his  gray  hair.  He  holds  a book  in  both  hands. 
Dark  wall  background  with  a window  at  the  left  showing 
a landscape  with  distant  blue  hills. 

H.  22§  in.  W.  i5|in.  Wood. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

CRISTUS,  Petrus;  also  known  as  Pieter  Christophsen.  Flemish; 

born  about  1400  at  Baerle  near  Deynze;  became  a 
citizen  of  Bruges  in  1444;  died  after  1472.  Probably 
pupil  of  Jan  Van  Eyck. 

C861-1  THE  DEPOSITION  FROM  THE  CROSS.  The  body 

Gallery  of  Christ  lies  upon  a shroud  on  the  ground;  back  of  it 
34  the  fainting  Virgin  is  upheld  by  St.  John;  at  the  right 

Nicodemus  holds  the  shroud  with  both  hands;  at  the 
left  Joseph  of  Arimathea  supports  the  head  of  Christ 
and  beyond  is  Mary  Magdalen.  In  the  immediate 
foreground  are  the  emblems  of  the  passion;  landscape 
background  with  castles,  villages,  and  distant  blue  hills. 
Formerly  attributed  to  Jan  Van  Eyck. 

H.  10^^^  in.  W.  i4i^^  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1890. 

CRIVELLI,  Carlo.  Italian  (Venetian);  born  i43o(?)  at  Venice(?); 
died  after  1493.  Influenced  by  the  school  of  Padua. 


61 


CRIVELLI  — CROME 

SAINT  GEORGE.  Full-length,  standing  figure  of  a 
youth  in  fantastic  blue  and  yellow  armor;  his  right  hand 
rests  on  his  hip  and  the  left  holds  the  red  and  white 
striped  staff  of  his  broken  lance,  a part  of  which  is 
sticking  in  the  head  of  a green  dragon  that  is  coiled  on 
the  ground  at  his  feet;  gold  background.  This  and  the 
following  were  part  of  the  same  altarpiece. 

H.  38!  in.  W.  I3y\  in.  Tempera  on  wood.  Bulletin, 
1906,  p.  28,  ill. 

Purchase,  Rogers  Fund,  1905. 

SAINT  DOMINIC.  Full-length,  standing  figure  in 
a black  cloak  over  a white  gown;  a lily  branch  is  held  in 
the  right  hand  and  a book  with  a red  clasp  in  the  other; 
gold  background. 

H.  38!  in.  W.  i2|  in.  Tempera  on  wood.  Bulletin, 
1906,  p.  28,  ill. 

Purchase,  Rogers  Fund,  1905. 

PI  ETA.  Probably  the  center  of  the  upper  tier  of  an  an- 
cona.  Half-length  figures;  the  dead  Christ  is  supported 
in  the  tomb  by  the  Virgin  who  is  at  the  left  with  her  arms 
about  His  neck;  her  cloak  and  hood  are  blue  and  her 
dress  is  lavender;  at  the  right  Mary  Magdalen,  in  blue 
dress,  crimson  sleeves,  and  red  cloak  lined  with  green, 
holds  His  left  arm;  the  head  of  Saint  John  appears  back 
of  the  Magdalen;  gold  patterned  background  with  halos 
in  relief. 

H.  28  in.  W.  25!  in.  Tempera  on  wood,  round  top. 
Bulletin,  1913,  p.  262,  ill. 

Purchase,  Kennedy  Fund,  1913. 

CRIVELLI,  Vittorio.  Italian  (Venetian);  latter  part  of  the 
fifteenth  century.  Perhaps  a brother  of  Carlo  Crivelli, 
whom  he  is  supposed  to  have  assisted. 

C863-1  MONK  READING.  Small-size  half-length  of  a Fran- 
ciscan monk;  an  open  book  with  red  binding  is  in  his 
left  hand.  Formerly  ascribed  to  Niccolo  da  Foligno; 
the  present  attribution  is  that  of  Berenson. 

H.  8|  in.  W.  5^  in.  Tempera  on  wood. 

Gift  of  Frederic  Coudert,  1888. 

CROME,  John;  known  as  Old  Crome.  British  (Norwich);  born 
1768  at  Norwich;  died  there  1821.  Influenced  by  Hob- 
bema. Landscapes. 


C862-1 


C862-2 


C862-3 

Gallery 

31 


62 


CROME  — CUSHING 


C88-I  HAUTBOIS  COMMON.  In  the  foreground  is  a grove 
Gallery  of  trees  with  a road  along  which  advances  a cart  drawn 
24  by  two  horses;  two  asses  are  at  the  right;  level  country 
with  trees  in  the  middle  distance;  cottages  to 
the  right  and  cattle  grazing  to  the  left.  The  foreground 
is  in  deep  shadow  and  the  distance  in  sunlight. 

H.  22  in.  W.  35  in.  Canvas  (transferred  from  wood, 
1914). 

Gift  of  Henry  G.  Marquand,  1888. 


C88-2 

Gallery 

14 


C88-3 

Gallery 

14 


I 

I 

C88-4 

Gallery 

24 


OLD  HOUSES  AT  THORPE.  A river’s  edge  with 
houses  at  the  right;  a barge  and  several  small  boats 
are  moored  at  a landing  close  to  the  houses.  At  one 
time  this  picture  was  erroneously  called  The  Landing. 
H.  24J  in.  W.  19I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

LANDSCAPE.  Woodlands  with  a large  oak  occupying 
the  center  of  the  picture;  to  the  left  a wagon  laden  with 
logs  is  being  drawn  by  six  horses,  the  driver  walking  at 
their  side;  cows  are  beneath  the  trees  in  the  distance 
at  the  right. 

H.  48!  in.  W.  675  in.  Canvas. 

Gift  of  George  A.  Hearn,  1909. 

A ROADWAY.  A road  with  rising  ground  at  the  right, 
a stone  fence  at  the  left,  and  trees  in  the  distance;  in  the 
foreground  at  the  right  stand  a man  and  a woman. 

H.  16J  in.  W.  2o|  in.  Canvas.  Bulletin,  1915,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 


CROPSEY,  Jasper  F.  American;  born  1823  at  Rossville,  L.  L, 
N.  Y.;  died  1900  at  Hastings-on-Hudson,  N.  Y.  Pupil 
of  National  Academy  of  Design  in  New  York  City;  trav- 
eled in  Europe.  At  first  an  architect;  later  painted 
landscapes,  chiefly  Hudson  River  scenery. 

C881-1  LANDSCAPE.  Open  country-  with  rocks  and  cattle 
Gallery  in  the  immediate  foreground  and  trees  at  the  left;  farm 
16  lands  and  wooded  hills  beyond  and  a glimpse  of  a river 
in  the  distance;  misty  atmosphere. 

H.  33I  in.  W.  48I  in.  Canvas.  Signed:  J.  F.  Cropsey  1853. 
Bequest  of  Mrs.  Sarah  Ann  Ludlum,  1877. 


CUSHING,  Howard  Gardiner.  American;  born  1869  at  New 
York;  died  1916.  Pupil  of  J.  P.  Laurens,  Benjamin- 
Constant,  and  Doucet. 

65 


CUSHING  — CUYP 

C95-1  MRS.  ETHEL  CUSHING. 

H 84^  in.  W.  42J  in.  Canvas.  Signed:  Howard  G. ' 
Cushing. 

Purchase,  Lazarus  Fund,  1917. 

C95-51  INTERIOR. 

Gallery  H.  30  in.  W.  25  in.  Canvas.  Signed:  Howard  G.  Cush- 
12  ing,  1909. 

Lent  by  Mrs.  Howard  Gardiner  Cushing,  1917. 

CUYP,  Aelbert.  Dutch;  born  1620*  at  Dortrecht;  died  there 
1691.  Pupil  of  his  father,  Jacob  Gerritz  Cuyp.  Chiefly 
cattle  and  landscapes. 

C99-1  LANDSCAPE  WITH  CATTLE.  A meadow  with 

Gallery  four  cows  lying  down  and  four  standing;  a cowherd  and 
1 1 a dog  lie  in  the  foreground;  beyond  is  a river  with  houses 
on  the  far  bank  at  the  right;  a town  is  dimly  seen  in  the 
distance. 

H.  3G  in.  W.  42 j in.  Wood.  Signed:  A:  Cuyp. 

Gift  of  Henry  G.  Marquand,  1890. 

C99-2  A WOMAN  MILKING.  In  the  center,  near  a group 
Gallery  of  trees,  a woman  who  wears  a red  bodice  is  milking  a 
14  cow;  at  her  left  a dog  is  seated  near  a brass  can;  two  cows 
are  lying  down  in  the  foreground  at  the  right;  at  the 
left  is  a stream  with  cows  wading  in  the  middle  distance. 
H.  43^  in.  W.  71I  in.  Canvas.  Signed:  A:  Cuyp. 

Gift  of  George  A.  Hearn,  1906. 

C99-3  YOUNG  HERDSMEN  WITH  COWS.  In  the  fore- 
Gallery  ground  is  a field  with  several  cows  lying  down  and  one 
39  standing;  two  herdsmen  are  talking  with  a woman  whose 
back  is  toward  the  spectator;  a broad  river  is  in  the  valley 
at  the  left,  and  beyond  is  a wide  expanse  of  rolling  country 
with  distant  hills  lost  in  the  golden  afternoon  haze. 

H.  44i  in.  W.’52j  in.  Canvas.  Signed:  A:  Ciiyp. 
Bequest  of  Benjamin  Altman,  1913. 

C99-4  VIEW  ON  THE  MAAS.  A sunset  light  over  the  still 
Gallery  water  on  which  ships  ride  at  anchor;  a rowboat  full  of  men 
26  is  about  to  land  at  the  pier.  At  the  right  is  the  town  of 
Dordrecht  with  its  steep  roofs  and  chimneys  overtopped 
by  the  clock  tower. 

H.  3of  in.  W.  43f  in.  Canvas.  Signed:  A Cuyp. 
Bequest  of  William  K.  Vanderbilt,  1920. 

64 


D 


DA  BO,  Leon.  American;  born  1868  at  Detroit,  Mich.;  lives  in 
New  York  City.  Studied  in  France  and  Italy. 

Dii-i  THE  CLOUD.  Big,  moonlit  clouds  and  gray  water 
Gallery  with  sail-boats. 

12  H.  30  in.  W.  33I  in.  Canvas.  Signed:  LEON  DABO; 
also  mionogrammed. 

Purchase,  Rogers  Fund,  1914. 

DAGNAN-BOUVERET,  Pascal  Adolph  Jean.  French;  born 
1852  at  Paris;  lives  there.  Pupil  of  Gerome. 

D13-1  THE  MADONNA  OF  THE  ROSE.  Life-size,  three- 
Gallery  quarter-length,  seated  figure  of  the  Madonna,  holding 

17  the  Child  in  her  right  arm;  a supernatural  light  emanates 

from  the  Child’s  head  which  is  covered  by  a black  shawl; 
on  a table  at  the  right  is  a vase  with  roses. 

H.  33f  in.  W.  27  in.  Canvas.  Signed:  P-A*J*  Dag- 
nan-B.  Paris  1885. 

Purchase,  Wolfe  Fund,  1906. 

DAINGERFIELD,  Elliott.  American;  born  1859  at  Harper’s 
Ferry,  Va.;  lives  in  New  York  City. 

D14-1  SLUMBERING  FOG.  (Painted  from  the  top  of  the  Blue 
Gallery  Ridge  Mountains  in  North  Carolina.)  Mountain  peaks 
1 5 rise  above  the  mist  that  fills  the  valleys;  in  the  foreground 
is  a bear. 

H.  29I  in.  W.  35J  in.  Canvas.  Signed:  Elliott  Dain- 
gerfield.  Bulletin,  1906,  p.  58. 

Gift  of  George  A.  Hearn,  1906. 

D14-2  CHRIST  STILLING  THE  TEMPEST.  Greenish 

Gallery  waves  with  a rowboat  at  the  left  in  which  stands  the 

13  figure  of  Christ  wearing  a white  robe  and  a red  mantle. 

65 


DAINGERFIELD  — DAUBIGNY 

A dove  flies  near  the  water  and  at  the  horizon  is  the  red 
rim  of  the  setting  sun. 

H.  20  in.  W.  24  in.  Canvas.  Signed:  Elliott  Dainger- 
field.  Bulletin,  1912,  p.  135,  ill. 

Purchase,  Hearn  Fund,  1912. 

DANA,  William  P.  W.  American;  born  1833  at  Boston;  lives  in 
London.  Pupil  of  Ecole  des  Beaux-Arts  in  Paris  under 
Picot  and  Le  Poitevin. 

D19-1  HEARTSEASE.  A little  girl  propped  up  in  bed  with 
loose  pansies  (heartsease)  on  the  sheet. 

H.  37§  in.  W.  47f  in.  Canvas.  Signed:  W.  P.  W.  DANA. 
Gift  of  S.  Howland  Russell,  1891. 

DANNAT,  William  T.  American;  born  1853  New  York  City; 

lives  in  Paris.  Pupil  of  Munich  Academy  and  of  Mun- 
kacsy. 

D23-1  A QUARTETTE.  Four  Spanish  musicians  In  a room. 
Gallery  At  the  left  a large  man,  seated  full  front  on  a wooden 

12  bench,  is  singing;  a young  woman,  dressed  in  black 

with  red  bows,  is  seated  on  the  same  bench,  playing 
the  castanets;  sitting  beside  her,  with  his  back  toward 
the  spectator,  is  a man  who  plays  the  guitar;  near  a 
window  in  the  background  at  the  right  stands  a man 
singing  and  playing  the  mandolin. 

H.  94f  in.  W.  9iJ  in.  Canvas.  Signed:  W.  T.  Dan- 
NAT-/84. 

Gift  of  Mrs.  William  H.  Dannat,  1886. 

D23-2  THEODORE  CHILD.  (1855-1892;  English  writer 
who  lived  much  in  Paris,  traveled  in  Russia  and  the 
East,  and  wrote  on  travel  and  art.)  Life-size,  bust 
portrait  in  profile. 

H.  19I  in.  W.  15!  in.  Canvas.  Signed:  W.  T.  Dan- 
nat. 1889. 

Gift  of  Mrs.  Theodore  Haviland,  1893. 

DAUBIGNY,  Charles  Francois.  French  (Barbizon);  born 
1817  at  Paris;  died  there  1878.  Pupil  of  his  father,  the 
miniature  painter  Edme  Franfois  Daubigny,  and  of 
Delaroche.  Landscapes. 

D26-1  ON  THE  RIVER  OISE;  EVENING.  Cattle  are 
Gallery  wading  in  the  shallow  water  near  the  shore  at  the  right; 
17  beyond  is  a boat  with  two  figures  and  on  the  bank  a wo- 

66 


DAUBIGNY 

man  is  washing;  there  are  figures  beneath  the  trees  at 
the  left;  sunset  sky  with  pinkish  clouds. 

H.  15J  in.  W.  27^^  in.  Wood.  Signed:  Daubigny  1874. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D26-2  ON  THE  SEINE;  MORNING.  At  the  left  is  a group  of 
Gallery  young  trees  and  a woman  is  watching  cows  that  wade  in 
17  the  shallow  water;  ducks  are  in  the  marshy  foreground; 
on  a hill  in  the  middle  distance  is  a village  with  a square 
church  tower. 

H.  i5y\in.  W.  27!  in.  Wood.  Signed:  Daubigny  1871. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D26-3  BOATS  ON  SHORE.  At  the  left  is  a sandy  beacTi 
Gallery  with  fishing  boats  anchored  in  the  shallow  water. 

17  H.  i3§  in.  W.  22|  in.  Wood.  Signed:  Daubigny.  1871. 
Purchase,  Wolfe  Fund,  1903. 

D26-4  LANDSCAPE.  A narrow  stream  which  reflects  the 
trees  on  its  banks,  the  cottages  beyond,  and  a woman 
in  a blue  dress  who  follows  the  footpath  at  the  left; 
fresh  green  foliage. 

H.  25y\  in.  W.  i8f  in.  Canvas.  Signed:  Daubigny. 
Bulletin,  1908,  p.  200,  ill. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory  of 
Josiah  M.  Fiske,  1908. 

D26-5  EVENING.  Farmhouses  stand  at  the  edge  of  a quiet 
Gallery  stream  and  cattle  are  coming  down  a road  to  drink; 
21  the  sunset  sky,  trees,  and  a low  hill  are  reflected  in  the 
water  in  the  foreground. 

H.  22}  in.  W.  36I  in.  Canvas.  Signed:  C.  Daubigny. 
Bulletin,  191 1,  p.  98,  ill. 

Bequest  of  Robert  G.  Dun,  1911. 

D26-6  BANKS  OF  THE  OISE.  The  river  is  in  the  foreground 
Gallery  and  flows  off  toward  the  right;  on  the  far  shore  at  the 
21  left  a woman  kneels  washing  clothes,  and  another  woman, 
in  blue  skirt  and  white  blouse,  stands  a little  higher  up 
on  the  bank;  under  the  trees  nearby  is  a rowboat;  beyond 
is  a village  with  gray-roofed  cottages;  light  blue  sky  with 
pinkish  clouds. 

H.iqlfin.  W.26fin.  Wood.  Signed:  Daubigny.  1863. 
Bequest  of  Benjamin  Altman,  1913. 

D26-7  LANDSCAPE  WITH  STORKS.  Marshy  foreground 
Gallery  with  two  storks  standing  on  a point  of  land;  an  empty 
21  boat  is  at  the  right;  trees  and  shrubbery  in  full  summer 
foliage  form  the  background. 

67 


DAUBIGNY  — DAVID 

H.  in.  W.  Wood.  Signed:  Daubigny 

1864.  Bulletin,  1914,  p.  253;  ill.  p.  255. 

Bequest  of  Benjamin  Altman,  1913. 

D26-8  RIVERSIDE.  The  river  is  in  the  foreground;  on  the 
far  shore  cows  are  wading  at  the  left  and  a woman  is 
washing  in  the  center;  beyond  are  thick  clumps  of  trees 
with  a group  of  taller  ones  at  the  left. 

H.  13!  in.  W.  22I  in.  Wood.  Signed:  Daubigny  1872. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

D26-9  BANKS  OF  THE  OISE;  EARLY  MORNING.  The 
river,  edged  by  shrubbery  and  a clump  of  trees,  fills  the 
foreground;  ducks  are  on  the  water  and  a boat  to  the  left; 
distant  hills  and  luminous  sky. 

H.  14  in.  W.  23  in.  Wood.  Signed:  Daubigny  1875 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

DAUMIER,  Honore.  French;  born  1808  at  Marseilles;  died 
1879  at  Valmondois.  Studied  lithography  with  Ramelet 
in  Paris,  in  which  city  most  of  his  life  was  spent. 
Painted  chiefly  satirical  subjects. 

D261-1  DON  QUIXOTE.  In  the  middle  distance  on  the  ridge 
Gallery  of  a hill  are  Don  Quixote  mounted  on  a white  horse 
20  and  Sancho  Panza  on  his  mule;  they  ride  toward  a dead 
horse  which  lies  on  the  road  in  the  foreground. 

H.9fin.  W.  185  in.  Wood.  Initialed:  H.  D.  Bulletin, 
1910,  p.  23,  ill. 

Purchase,  Wolfe  Fund,  1909. 

DAVID,  Gerard.  Flemish;  born  about  1460  at  Oudewater,  Hol- 
land; died  1 523  at  Bruges.  Was  prominent  as  an  illumina- 
tor and  miniaturist  as  well  as  a painter  of  larger  pictures. 
D28-1  THE  CRUCIFIXION.  Christ  on  the  cross  is  in  the 
Gallery  center;  at  the  left  the  swooning  Virgin  is  held  by  St. 
34  John;  at  the  right  Mary  Magdalen  kneels  with  clasped 
hands  and  behind  her  stands  St.  Jerome.  Landscape 
background  with  a lion  walking  across  the  plains  and 
beyond  buildings  which  form  a hollow  square. 

H.  21  in.  W.  i5iV  In.  Wood. 

Purchase,  Rogers  Fund,  1909. 

D28-2  CHRIST  TAKING  LEAVE  OF  HIS  MOTHER. 
Gallery  Christ  stands  at  the  right,  the  Virgin  and  two  other 
37  Marys  at  the  left.  The  figures  are  shown  about  half- 
length  against  a gold  background. 

68 


DAVID  — DAVIES 

H.  6|  in.  W.  4f  in.  Wood;  circular  top. 

Bequest  of  Benjamin  Altman,  1913. 

, School  of  David. 

D28S-51  MADONNA  FEEDING  THECHILD.  An  interior  with 
Gallery  the  Madonna  at  the  left  of  a table;  she  holds  the  nude 
34  Child  on  her  lap  and  prepares  to  feed  Him  with  a spoon 
held  above  a bowl;  in  the  background  at  the  right  is  a 
window  with  a view  of  a farm-yard.  This  is  one  of 
several  replicas;  the  one  in  the  Traumann  Collection  in 
Madrid  is  probably  the  original  by  David. 

H.  I5i  in.  W.  i2f  in.  Wood. 

Lent  by  Robert  W.  de  Forest,  1907. 

DAVID,  Jacques  Louis.  French;  born  1748  at  Paris,  died  1825. 

Pupil  of  Boucher  and  of  Vien.  Grand  Prix  de  Rome,  1774; 
court  painter  to  Napoleon  1.  Exiled  to  Brussels,  1816. 

D281-11  MLLE.  CHARLOTTE  DU  VAL  D’OGNES.  She  is 
Gallery  seated,  the  figure  in  profile  to  left,  the  head  full-face  look- 

20  ing  out  as  though  making  a sketch  of  David  while  he  was 

painting  her;  her  drawing  portfolio,  held  with  her  left 
hand,  rests  on  her  knees;  in  the  right  she  holds  a crayon. 
She  is  a blonde  about  twenty,  wearing  a short-sleeved, 
high-waisted  white  gown  of  the  fashion  of  the  Directoire 
(1795-1799)  with  a pink  ribbon  about  her  slim  waist 
and  a white  kerchief  about  her  neck.  Her  chair,  uphol- 
stered in  blue,  is  covered  with  a salmon-red  shawl.  The 
background  is  an  austere  gray  wall  with  a window  at  the 
left.  Through  its  panes,  one  of  them  cracked,  one  sees  a 
high  masonry  embankment  where  a gentleman  and  lady 
lean  on  an  iron  railing;  a plain  high  building  beyond.  The 
light  on  the  lady  all  comes  from  the  window,  making  a 
brilliant  rim  to  her  figure  and  a sort  of  halo  about  her 
fluffy  yellow  hair. 

H.  63^  in.  W.  5of  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

DAVIES,  Arthur  B.  American;  born  1862  at  Utica,  N.  Y.; 

Ifves  in  New  York  City.  Pupil  of  Dwight  Williams  at 
Utica;  studied  in  New  York  and  in  Chicago. 

D282-1  DREAM.  (The  motive  of  the  picture  is  a quotation 
Gallery  from  Meredith:  “Huntress  of  things  worth  pursuit  of 
15  souls;  in  our  naming,  dreams.”)  The  nude  figure  of  a 

69 


DAVIES  — DA  WANT 

young  woman  walking  toward  the  left  up  a hill  that  rises 
from  the  sea,  which  appears  at  the  right. 

H.  i8  in.  W.  30  in.  Canvas.  Signed:  A.  B.  Davies. 
Bulletin,  1909,  p.  1 13,  ill. 

Gift  of  George  A.  Hearn,  1909. 

D282-2  THE  GIRDLE  OF  ARES.  (Ares  was  the  Greek  god  of 
Gallery  war.)  Against  a background  of  mountains  and  evening 
15  sky  appears  a level  line  of  struggling  figures  that  fill  the 
lower  part  of  the  picture  from  one  side  of  the  frame  to  the 
other. 

H.26rVin.  W.  40  in.  Canvas.  Signed:  A.  B.  Davies. 
Bulletin,  1914,  p.  76;  ill.  p.  79. 

Purchase,  Hearn  Fund,  1914. 

D282-51  THE  REFLUENT  SEASON.  A slim  nude  figure  of 
Gallery  a woman  holding  a yellow  scarf,  is  walking  to  the  right 

12  on  a terrace;  at  the  right  are  white  columns;  a low  roll- 
ing landscape  in  the  background. 

H.  18  in.  W.  30  in.  Canvas. 

Lent  by  Edward  W.  Root,  1919. 

DAVIS,  Charles  H.  American;  born  1856  at  Amesbury,  Mass.; 

lives  at  Mystic,  Conn.  Pupil  of  Otto  Grundmann  and 
Museum  of  Fine  Arts  School  in  Boston;  Boulanger  and 
Lefebvre  in  Paris.  Landscapes. 

D29-1  EVENING.  A plain  with  a tall  leafless  oak  at 
right  of  center  and  a winding  brook  in  the  foreground. 
The  evening  star  shines  in  a cloudless  greenish  sky. 

H.  38^6^  in.  W.  57I  in.  Canvas.  Signed:  Charles  H. 
Davis  1886. 

Gift  of  George  I.  Seney,  1887. 

D29-2  AUGUST.  A broad  expanse  of  hilly  green  country 
Gallery  with  deep  shadows  from  white  and  gray  clouds. 

13  H.  29  in.  W.  36  in.  Canvas.  Signed:  C.  H.  Davis. 
Bulletin,  1909,  p.  1 14,  ill. 

Gift  of  George  A.  Hearn,  1909. 

DAWANT,  Albert  Pierre.  French;  born  about  i860  at  Paris; 
lives  there.  Pupil  of  Jean  Paul  Laurens. 

D32-1  DEPARTURE  OF  EMIGRANTS  FROM  HAVRE. 

A steamship  lies  at  the  wharf  and  on  the  dock  men, 
women,  and  children  are  huddled  with  their  packages 
and  bundles. 


70 


DAWANT  — DEFRANCE 

H.  ii8  in.  W.  i6i  in.  (sight).  Canvas.  Signed: 
1887  • A - P Dawant. 

Gift  of  Thomas  Achelis,  1897. 

DEARTH,  Henry  Golden.  American;  born  1864  at  Bristol, 
R.  I.;  died  at  his  home  in  New  York  City  1918.  Pupil  of 
Ecole  des  Beaux-Arts,  Hebert  and  Aime  Morot  in  Paris. 

D34-1  CORNELIA.  A young  girl,  wearing  a red  coat  and  a 
Gallery  straw  hat  trimmed  with  flowers,  is  seated  with  her  hands 
15  crossed  in  her  lap;  against  the  white  wall  back  of  her 
hangs  a Japanese  print  and  on  a table  in  front  of  it  stands 
an  Italian  drug-pot;  leather-bound  books  are  on  a stand 
at  the  right. 

H.  25!  in.  W.  3i|in.  Canvas.  Signed:  H.  Dearth. 
Bulletin,  1915,  p.  1 5 1,  ill. 

Purchase,  Hearn  Fund,  1915. 

DECAMPS,  Alexandre  Gabriel.  French;  born  1803  at  Paris; 

died  i860  at  Fontainebleau.  Pupil  of  Abel  de  Pujol, 
David,  and  Ingres. 

D35-1  THE  NIGHT  PATROL  AT  SMYRNA.  A company  of 
Gallery  Turkish  guards,  with  their  officer  mounted  on  a white 
17  horse,  are  dashing  toward  the  left  through  a city  street; 
the  background  consists  of  a plaster  wall  in  brilliant 
sunlight  with  a Moorish  balcony  over  which  hangs  a rug; 
down  a narrow  street  at  the  left  the  blue  sky  is  visible. 
H.  29^^^  in.  W.  36y®5^  in.  Canvas.  Signed:  DECAMPS. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D35-2  ITALIAN  COURTYARD.  Three  children  play  with  a 
small  dog  in  the  court;  to  the  left  a young  girl  watches 
from  the  steps;  at  the  back,  on  a balcony  over  an  arched 
doorway,  a mother  sits  holding  her  child. 

H.24in.  W.  i9|in.  Canvas.  Signed:  DECAMPS  1842. 
Bequest  of  William  H.  Herriman,  1921. 

DEFRANCE,  Leonard,  Belgian;  born  1735  at  Liege;  died  there 
1805.  Pupil  of  Von  Coders;  traveled  in  Italy;  was 
the  first  professor  of  design  in  the  Academy  at  Li^ge. 

D36-1  THE  ROPE  DANCER.  A young  woman  is  balancing 
herself  on  a rope  which  is  stretched  from  the  rudely  con- 
structed stage  at  the  left  to  the  foreground  at  the  right; 
the  audience  is  seated  farther  back  at  the  right  and  in 
the  background  is  a board  fence. 


71 


DEFRANCE  — DESGOFFE 

H.  20  in.  \V.  28J  in.  Wood.  Signed:  L.  Defrance  de 
Liege. 

Purchase,  1871. 

DEFREGGER,  Franz  von.  German  (Bavarian);  born  1835 
at  Dolsach,  Tyrol;  died,  1921,  at  Munich.  Pupil  of  Mu- 
nich Academy  under  Piloty. 

D362-1  GERMAN  PEASANT  GIRL.  Life-size,  almost  to  the 
Gallery  waist;  she  wears  a Bavarian  Tyrol  costume  consisting  of 
18  a striped  brown  blouse  with  red  bodice  and  black  kerchief. 
H.  21^  in.  W.  i6yV  in.  Wood.  Signed:  Defregger.  80. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DELACROIX,  Eugene.  French;  born  1798  at  Charenton- 
Saint-Maurice;  died  1863  at  Paris.  Pupil  of  Pierre 
Guerin  in  Paris;  traveled  in  Spain  and  North  Africa. 
Romantic  and  oriental  subjects. 

D37-1  THE  ABDUCTION  OF  REBECCA.  L’Enlevement 
Gallery  de  Rebecca.  (For  the  incident  see  Sir  Walter  Scott's 
17  novel,  Ivanhoe,  Chapter  31.)  Rebecca  has  been  carried 
from  the  burning  castle  of  Front  de  Boeuf  where  she  has 
been  kept  prisoner  by  Bois  Guilbert.  A retainer  lifts 
her  upon  the  horse  ridden  by  one  of  his  Saracen  slaves; 
at  the  right  the  knight  is  arriving  at  a gallop  from  the 
burning  castle,  which  is  seen  in  the  distance. 

H.  39I  in.  W.  32^-  in.  Canvas.  Signed:  Eug.  Dela- 
croix 1846. 

Purchase,  Wolfe  Fund,  1903. 

DELORT,  Charles  Edouard.  French;  born  1841  at  Nimes; 
died  1895.  Pupil  of  Gleyre  and  Gerome  in  Paris. 

D382-1  THE  CASQUE.  An  interior  with  a man  in  fifteenth 

S.  W.  century  costume  examining  a steel  casque;  on  the  floor 

Stairway  and  on  the  table  against  which  he  leans  are  other  pieces 
of  armor. 

H.  2ii  in.  W.  14!  in.  Canvas.  Signed:  C.  DELORT. 
1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DE  NEUVILLE.  See  Neuville. 

DESGOFFE,  Blaise.  French;  born  1830  at  Paris;  died  there 
1901.  Pupil  of  Flandrin  and  Bouguereau.  Still  life. 
D45-1  OBJECTS  OF  ART.  (The  objects  to  be  painted  were 
S.  W.  selected  by  Miss  Wolfe  from  the  Louvre  Collections.) 
Stairway  An  engraved  rock  crystal  beaker,  mounted  in  gold  with 


72 


DESGOFFE  — DETAILLE 

brilliant  enameling,  and  other  objects  are  grouped 
on  a table  which  is  partly  covered  with  red  drapery. 

H.  285  in.  W.  36j  in.  Canvas.  Signed:  Blaise  Des- 
goflFe  - 74. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D45-2  OBJECTS  OF  ART.  A jeweled  double  cross,  a crystal 
beaker,  and  other  objects  are  on  a table. 

H.  34j  in.  W.  265  in.  Canvas.  Signed:  Blaise  Des- 
goffe,  1880. 

Gift  of  Frau  Rittmeister  Koehler  (Margaret  Conover 
Schaus),  1887. 

DESSAR,  Louis  Paul.  American;  born  1867  at  Indianapolis, 
Ind.;  lives  in  New  York  City.  Pupil  of  National  Acad- 
emy of  Design  in  New  York;  Bouguereau,  Robert- 
Fleury,  and  Ecole  des  Beaux-Arts  in  Paris.  Landscapes. 
D47-1  WOOD-CART.  A cart  filled  with  stripped  tree  trunks 
Gallery  is  being  drawn  across  a stony  field  by  a yoke  of  oxen; 
13  autumn  trees  beyond. 

H.  28  in.  W.  36  in.  Canvas.  Signed:  Dessar.  1908. 
Bulletin,  1909,  p.  1 1 5,  ill. 

Gift  of  George  A.  Hearn,  1909. 

DETAILLE,  Edouard.  French;  born  1848  at  Paris;  died  there 
1912.  Pupil  of  Meissonier.  Military  subjects. 

D48-1  SKIRMISH  BETWEEN  COSSACKS  AND  THE 

Gallery  IMPERIAL  BODYGUARD,  1814.  A squad  of  Na- 

18  poleon’s  Imperial  Guard  is  pursuing  Cossacks  along  a 

wet  road  through  a forest  of  bare  trees. 

H.  39f  in.  W.  32I  in.  Canvas.  Signed:  EDOUARD- 
DETAILLE-1870. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D48-2  FRENCH  CUIRASSIERS.  Mounted  on  a heavy, 

S.  W.  dark  bay  mare,  a cuirassier,  fully  equipped,  stands  at 

Stairway  rest;  a troop  of  cuirassiers  is  in  the  background. 

H.  i3f  in.  W.  9J  in.  Water  color.  Signed:  EDOU- 
ARD-DETA I LLE-i  872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D48-3  THE  DEFENCE  OF  CHAMPIGNY.  (The  incident 

Gallery  depicts  French  foot  soldiers  and  sappers  commanded 

21  by  General  Faron,  who  stands  in  the  center  of  the  pic- 

ture; this  division  having  taken  Champigny,  December 
2,  1870,  is  defending  a chateau  at  the  fork  of  two  roads. 


73 


DETAILLE  — DEWING 

against  a return  attack  of  the  Saxon  and  Wiirtemberg 
divisions  of  the  German  army.)  A wall,  through  which* 
cannon  are  being  fired,  extends  from  the  foreground  at 
the  left  to  the  middle  distance  at  the  right  where  there 
is  a house  which  is  being  shelled  by  the  enemy;  in  the 
immediate  foreground  soldiers  are  crouching  near  broken 
hotbeds  and  two  officers  stand  before  them;  beyond,  four 
officers  question  a peasant. 

H.  48  in.  W.  84I  in.  Canvas.  Signed:  Edouard 

DETAILLE- 1879. 

Gift  of  Henry  Hilton,  1887. 

DEVEDEUX,  Louis.  French;  born  1820  at  Clermont-Ferrand; 
died  1875  at  Paris.  Pupil  of  Delaroche  and  Decamps. 

D49-1  THE  PRIDE  OF  THE  HAREM.  A man  reclines  on  a 

S.  W.  divan  on  the  edge  of  which  a blonde  young  woman  in  a 

Stairway  white  dress  is  playing  the  mandolin;  four  young  girls  are 
strewing  flowers;  in  the  background  a slave  carries  a tray. 
H.32fin.  W.  261V  in.  Canvas.  Signed:  L.  Devedeux. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DEWEY,  Charles  Melville.  American;  born  1849  at  Low- 
ville.  New  York;  lives  in  New  York  City.  Pupil  of 
Carolus-Duran  in  Paris.  Landscapes. 

D51-1  THE  SUN  SHOWER.  A green  landscape  with  a pool 

Gallery  in  the  foreground;  the  sun  is  shining  through  the  thin 
13  rain  clouds. 

H.  36^  in.  W.  52I  in.  Canvas.  Signed:  Charles  Mel- 
ville Dewey. 

Purchase,  Hearn  Fund,  1920. 

DEWING,  Thomas  W.  American;  born  1851  at  Boston;  lives 
in  New  York  City.  Pupil  of  Julian  Academy  in  Paris 
under  Boulanger  and  Lefebvre. 

D511-1  THE  LETTER.  Interior  with  a lady  in  a low-necked 
Gallery  pinkish  gown,  seated  before  an  open  desk,  which  is  at 
12  the  left. 

H.  20  in.  W.  16  in.  Canvas.  Signed:  T.  W.  Dewing. 
Purchase,  Rogers  Fund,  1910. 

D511-2  TOBIT  AND  THE  ANGEL.  The  angel,  in  a golden 
Gallery  garment,  holding  a gold  harp,  walks  through  a meadow 

12  dotted  with  white  flowers;  his  great  white  wings  spread 

wide  and  his  eyes  fixed  in  an  ecstatic  gaze  on  the  sky. 


74 


DEWING  — DE  WIT 


At  the  right  the  youth  follows  him  dragging  a large  fish 
and  carrying  his  net  over  his  shoulder. 

H.  24  in.  W.  40  in.  Canvas.  Signed:  T.W.  Dewing,  1887. 
Gift  of  Edward  D.  Adams,  1919. 

DE  WIT,  Jacob.  Dutch;  born  1695  at  Amsterdam;  died  there 
1754.  Influenced  by  study  of  the  works  of  Rubens  and 
Van  Dyck.  Chiefly  noted  as  a decorator  who  frequently 
used  groups  of  children  at  play  painted  in  monochrome 
simulating  marble  bas  reliefs. 

School  of  De  Wit. 


D5 12S-1 
Wing  H 
Gallery 
18 


E5 12S-2 
Wing  H 
Gallery 
18 


D5 12S-3 
Wing  H 
Gallery 
18 

D512S-4 

Gallery 

8 


D5 12S-5 
Gallery 
8 


D5 12S-6 
Wing  H 
Gallery 
18 


CHILDREN  AT  PLAY.  Six  nude  children  playing 
with  birds  and  soap  bubbles;  one  is  winged  and  flying 
with  a paper  windmill. 

H.  93!  in.  W.  7of  in.  Monochrome  on  canvas. 

Gift  of  Bradley  Martin,  1895. 

HUSBANDRY.  Six  nude  children  gathering  the  har- 
vest; one  plays  she  is  Ceres;  another  has  climbed  a tree 
and  throws  the  fruit  down  at  one  below  who  catches  it 
in  a basket. 

H.  91^  in.  W.  67 J in.  Monochrome  on  canvas. 

Gift  of  Bradley  Martin,  1895. 

LOVES  FORGING  A THUNDERBOLT.  Five  nude 
children  working  about  a forge  near  a rocky  cliff;  one  of 
them  crouches  in  front  holding  thunderbolts  in  his  hand. 
H.  93!  in.  W.  70I  in.  Monochrome  on  canvas. 

Gift  of  Bradley  Martin,  1895. 

YOUNG  FISHERS  AT  THE  FOUNTAIN.  Five 
nude  children  at  a fountain;  one  has  caught  a fish,  the 
others  are  getting  water. 

H.  91I  in.  W.  67!  in.  Monochrome  on  canvas. 

Gift  of  Bradley  Martin,  1895. 

FORGING  LOVE’S  DART.  Eight  nude  children,  some 
of  them  winged,  are  busy  around  a forge  near  a rocky 
cliff. 

H.  47f  in.  W.  6of  in.  Monochrome  on  canvas. 

Gift  of  Bradley  Martin,  1895. 

THE  BIRD’S  NEST.  Six  nude  children  playing  with  a 
bird’s  nest;  in  the  foreground  one  of  the  boys  holds  back 
a dog  to  prevent  it  from  reaching  the  nest  that  lies  on 
the  ground. 

H.  83^  in.  W.  83J  in.  Monochrome  on  canvas. 

Gift  of  Bradley  Martin,  1895. 


75 


DE  WIT— DIAZ  DE  LA  PENA 

D512S-7  THE  DANCE.  Six  nude  children,  three  of  them  danc- 
Wing  H ing  and  the  others  playing  the  fife,  drum,  and  triangle.  - 
Gallery  H.  83I  in.  W.  835  in.  Monochrome  on  canvas. 
i3  Gift  of  Bradley  Martin,  1895. 

D512S-8  ADAM  AND  EVE  IN  THE  GARDEN.  Eve  stands 
Gallery  at  the  left  and  hands  the  apple  to  Adam,  who  is  seated 
9 at  the  foot  of  the  tree;  the  serpent  is  coiled  in  the  branches 
above  and  a lion  crouches  at  the  left. 

H.  94  in.  W.  6gl  in.  Monochrome  on  canvas. 

Gift  of  Bradley  Martin,  1895. 

DIAZ  DE  LA  PENA,  Narciso  Virgilio.  French  (Barbizon); 

born  1807  at  Bordeaux  of  Spanish  parents;  died  1876 
at  Mentone.  Apprenticed  at  fifteen  to  a china  painter 
at  Paris.  Landscapes  and  figure  subjects. 

D54-1  THE  HOLY  FAMILY.  The  Virgin  is  seated  under 
Gallery  a tree;  the  Christ  Child  leans  against  her  knee  at  the 
17  right  and  St.  John  on  the  other  side. 

H.  12I  in.  W.  9J  in.  Wood.  Signed:  N.  Diaz -53. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D54-2  LANDSCAPE.  An  open  field  with  a roadway  and  a 
Gallery  figure;  trees  and  hills  in  the  distance. 

17  H.  9^  in.  W.  13 J in.  Wood.  Signed:  N.  Diaz. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D54-3  STUDY  OF  TREES.  Several  large  tree  trunks  spotted 
Gallery  with  sunlight;  at  the  right  a stooping  figure  wearing  a 
17  red  kerchief. 

H.  14  in.  W.  lof  in.  Wood.  Signed:  N.  Diaz. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D54-4  EDGE  OF  A FOREST.  In  the  distance  is  a clearing 
Gallery  where  the  sun  is  shining;  from  this  a road  leads  into  the 
17  heavy  foliage  in  the  foreground,  and  a bent  figure  is 
just  entering  the  shady  path. 

H.  9^  in.  W.  12  in.  Wood.  Signed:  N.  Diaz. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D54-5  A CLEARING  IN  THE  FOREST  OF  FONTAINE- 
Gallery  BLEAU.  A rocky  hilltop  with  a footpath  across  the 
20  center;  at  the  left  is  the  trunk  of  an  oak  with  one  branch 
in  leaf  and  the  others  broken  off;  beyond  at  right  and 
left  are  trees  in  full  summer  foliage;  blue  sky  with  dark 
clouds  at  the  zenith. 


76 


PARADISE 

BY  GIOVANNI  DI  PAOLO 


DIAZ  DE  LA  PENA  — DIETRICH 

H.  14I  in.  W.  18^  in.  Wood.  Signed:  N.  Diaz-72- 
BuIIetin,  1914,  p.  253,  ill. 

Bequest  of  Benjamin  Altman,  1913. 

D54-6  CHILDREN  AND  LIZARD.  A group  of  five  children, 
wearing  bright-colored  garments,  are  watching  a lizard; 
in  the  background  at  the  right  is  a vine-covered  pergola. 

H.  23J  in.  W.  291^6^  in.  Canvas.  Signed:  N.  Diaz — 
1865. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

D54-7  THE  POOL.  Between  the  small,  marshy  pool  in  the 
foreground  and  the  woods  in  the  distance  is  the  figure  of 
a woman  crossing  a field. 

H.  i2j^g-in.  W.  i6iViri.  Wood.  Signed:  N.  Diaz-73- 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

D54-8  A CLEARING  IN  THE  FOREST;  MARSHY  FORE- 
GROUND. Brown  foliage  which  opens  out  in  the  center 
of  the  canvas,  showing  clumps  of  trees  in  sunlight  and 
blue  and  white  sky. 

H.  i2f  in.  W.  17J  in.  Wood.  Signed:  N.  Diaz ’73. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

D54-9  WOODLAND  POOL  AND  FIGURE.  It  is  clearing 
off  after  a rain  storm;  the  sunlight  catches  the  tops  of 
the  brown  trees  and  a sandy  spot  between  rocks  where  a 
woman  walks  carrying  a load  on  her  back.  The  pool  is 
back  of  her  and  a wide  stretch  of  dark  blue  sky  and  sunlit 
clouds  is  shown  above. 

H.  19!  in.  W.  26  in.  Canvas.  Signed:  N.  Diaz  67. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917 

DIETRICH,  Christian  Wilhelm  Ernst.  German;  born  1712  at 
Weimar;  died  1774  at  Dresden.  Pupil  of  his  father  and 
of  Alexander  Thiele.  In  1746  became  keeper  of  the 
Dresden  Gallery.  Imitated  Dutch  and  French  masters. 

D561-1  SURPRISED;  or  Infidelity  Found  Out.  At  the  left 
a man  and  a woman  are  seated  on  the  ground  in  the  shade 
of  a group  of  trees  and  a Love  is  near  them;  at  the  right 
stand  several  ladies  and  gentlemen  who  are  preceded  by 
Cupid,  who  bears  a flaming  torch. 


77 


DIETRICH  - DOU 

H.  28f  in.  W.  in.  Canvas.  Inscribed:  Feint 

par  C.  E.  Dietrich. 

Purchase,  1871. 

D561-2  CHRIST  HEALING  THE  SICK.  Standing  in  the 
porch  of  the  Temple,  the  Christ  extends  his  arm  toward 
a man  who  lies  in  the  foreground;  at  the  right  are 
apostles  and  elders  and  at  the  left  are  the  sick  and 
maimed. 

H.  35 J in.  W.  4ii^^  in.  Canvas.  Signed:  Dietricy 
pinxt  1742. 

Gift  of  William  H.  Webb,  1885. 

DOMINGO,  Francisco.  Spanish;  born  1843  at  Valencia;  has 
lived  at  Paris  since  1878.  Pupil  of  Royal  Academies 
of  San  Carlos  at  Valencia  and  San  Fernando  at  Madrid; 
studied  in  Rome. 

D711-1  INTERIOR  WITH  FIGURES.  A number  of  soldiers 
Gallery  are  playing  cards  and  drinking. 

18  H.  6J  in.  W.  8y\  in.  Wood.  Signed:  1881-Domingo. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DONOHO,  Ruger.  American;  born  1857  at  Churchill,  Miss.; 

died  1916  in  New  York  City.  Pupil  of  Art  Students’ 
League  and  R.  Swain  Gifford  in  New  York;  Julian 
Academy  in  Paris.  Chiefly  landscape  painter. 

D715-1  WINDFLOWERS.  Masses  of  pink  blossoms  in  the 
foreground;  fields  beyond  with  tree  trunks  and  a stone 
wall  in  the  middle  distance. 

H.  30  in.  W.  36  in.  Canvas.  Signed:  Ruger  Donoho 
1912. 

Purchase,  Rogers  Fund,  1917. 

DORE,  Gustave.  French;  born  1833  at  Strasburg;  died  1883 
at  Paris.  Chiefly  illustrator. 

D73-1  THE  RETREAT  FROM  MOSCOW.  A wagon  load 
S.  W.  of  Napoleon’s  soldiers  is  followed  by  a squad  of  Russian 
Stairway  cavalry;  at  the  left  are  dead  horses  and  an  overturned 
army  wagon;  in  the  middle  distance  are  Russian  soldiers. 
H.  28^  in.  W.  375  in.  Gouache  in  black  and  white  on 
gray  paper.  Signed:  G'^®  Dore  1865. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DOU  (or  Dow),  Gerard.  Dutch;  born  1613  at  Leyden;  died 
there  1675.  At  first  apprenticed  to  an  engraver,  in  1628 

78 


DOU  — DOUGHTY 

he  entered  the  studio  of  Rembrandt,  where  he  remained 
two  years  and  was  influenced  by  the  master’s  early 
manner. 

D741-1  PORTRAIT  OF  THE  ARTIST.  The  painter  when 
Gallery  about  forty  years  of  age;  he  is  shown  standing  back  of  a 
39  window,  holding  his  palette  and  brushes  in  his  left  hand, 
and  with  his  right  turning  the  leaves  of  a book  which 
rests  on  the  sill;  a striped  scarf  hangs  over  the  window 
ledge,  partly  covering  a panel  in  low  relief;  a vase  with  a 
plant  is  at  the  left  and  at  the  right  a vine  and  a bird-cage. 
H.  igj  in.  W.  15!  in.  Wood.  Signed:  G.  Dou. 
Bequest  of  Benjamin 'Altman,  1913. 

DOUGHERTY,  Paul.  American;  born  1877  at  Brooklyn,  N.  Y.; 

lives  in  New  York  City.  Studied  in  Paris,  London, 
Florence,  Venice,  and  Munich.  Marines. 


D742-1 

Gallery 

15 


D742-2 


D742-3 


OCTOBER  SEAS.  Rocks  are  in  the  foreground  and  at 
the  left;  breakers  beyond. 

H.  36I  in.  W.  48 J in.  Canvas.  Signed:  Paul  Dough- 
erty-1910. 

Purchase,  Hearn  Fund,  1911. 

SUN  AND  SHADOW,  LAKE  LOUISE.  (A  Canadian 
lake  near  the  foot  of  the  glacier-covered  Mount  Vic- 
toria.) Distant  snow-capped  mountains  seen  between 
two  green  mountain  sides  that  slope  down  to  the  lake  in 
the  foreground. 

H.  13J  in.  W.  I9§  in.  Water  color.  Signed:  Paul 

Dougherty. 

Purchase,  Lazarus  Fund,  1917. 

THE  ROAD  TO  CAYEZ,  PORTO  RICO.  Hilly,  trop- 
ical country  with  the  road  partly  hidden  in  a valley. 

H.  i3§  in.  W.  19!  in.  Water  color.  Signed:  Paul 

Dougherty. 

Purchase,  Lazarus  Fund,  1917. 


DOUGHTY,  Thomas.  American;  born  1793  at  Philadelphia; 
died  1856  in  New  York  City.  Landscapes. 

D743-1  ON  THE  HUDSON.  Rocks  are  in  the  foreground,  trees 
Gallery  and  shrubbery  at  the  right,  the  Hudson  River  is  in  the 
16  middle  distance,  and  beyond  are  the  hills  nearWest  Point. 
H.  14!  in.  W.  2ijin.  Canvas.  Signed:  T.  Doughty. 
Gift  of  Samuel  P.  Avery,  1891. 


79 


DOUGHTY  — DRUMMOND 

D743-2  A RIVER  GLIMPSE.  A wooded  landscape  with  a path 
in  the  foreground  and  the  Hudson  River  in  the  middle- 
distance. 

H.  3oJ  in.  W.  25  in.  Canvas.  Signed:  T.  Doughty. 
Gift  of  Samuel  P.  Avery,  1895. 

D743-3  LANDSCAPE.  A valley  with  a river  at  the  right,  and 
trees  at  the  left;  distant  hills. 

H.  43!  in.  W.  62yY  in.  Canvas.  Signed:  T.  Doughty. 
Gift  of  George  F.  Shelton  and  Mrs.  F.  H.  Markoe,  in 
memory  of  their  father,  Theodore  B.  Shelton,  1917. 

DROUAIS,  Francois  Hubert.  - French;  born  1727  at  Paris, 
died  there,  1775.  Pupil  of  his  father,  Hubert  Drouais; 
and  of  Carle  van  Loo,  Natoire,  and  Boucher.  Portraits. 

D831-1  EMPEROR  JOSEPH  II  OF  AUSTRIA.  (1741-1790; 
Gallery  son  of  Francis  I and  Maria  Theresa;  succeeded  his  father 
20  in  1765.)  Life-size,  full-length  figure,  standing  near  a 
gilt  table  with  a marble  top;  he  wears  a scarlet  velvet 
coat  and  knee  breeches  and  a white  silk  waistcoat  em- 
broidered with  gold;  a brown  and  white  terrier  is  in  the 
foreground. 

H.  97I  in.  W.  69!  in.  Canvas.  Signature  indistinct. 
Purchase,  Rogers  Fund,  1903. 

D831-2  MADAME  FAVART.  (1727-1772;  a popular  opera 
Gallery  singer,  later  the  wife  of  Charles-Simon  Favart,  dramatist.) 
20  She  is  shown  three-quarters  length,  seated  profile  to  right, 
looking  at  the  spectator,  and  playing  on  a double-banked 
harpsichord.  She  has  powdered  hair  and  wears  a low- 
cut  blue  dress  trimmed  with  lace;  blue  ribbons  around  her 
neck  and  in  her  hair.  Gray  background. 

H.  31^  in.  \V.  25Tg-  in.  Canvas.  Signed:  DROUAIS 
Le  Fils  1757. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

DRUMMOND,  Samuel.  British;  born  1763  in  London;  died 
there  1844.  Portrait  and  historical  painter;  curator  of 
the  Royal  Academy  schools  in  London. 

D84-1  ALEXANDER  REA.  (1782-1820;  an  actor.)  The 
figure  is  seen  to  the  waist  with  the  head  three-quarters 
to  the  right;  he  wears  a black  velvet  coat  the  collar  of 
which  is  edged  with  fur,  and  a full  white  neck-cloth. 

H.  30  in.  W.  24I  in.  Canvas. 

Bequest  of  Emil  C.  Bondy,  1915. 


80 


DU  BOIS— DUGHET 

DU  BOIS,  Guy  Pene.  American;  born  1884  at  Brooklyn.  Pupil 
of  Chase,  Du  Mond,  and  Henri. 

D85-1  THE  DOLL  AND  THE  MONSTER.  A disagreeably 
Gallery  gross  man  in  evening  clothes  stands  looking  at  a yellow- 
1 2 haired  girl  in  a white  dress  and  a yellow  sash.  Blue  back- 
ground. 

H.  20  in.  W.  15  in.  Canvas.  Signed:  Guy  Pene  du  Bois 
1914. 

Gift  of  Mrs.  Harry  Payne  Whitney,  1921. 

DUCCIO  DI  BUONINSEGNA.  Italian  (Sienese);  active  1279  to 
his  death  in  1319.  Heir  to  the  best  traditions  of  Byzan- 
tine art. 

Follower  of  Duccio.  , 

D851S-1  MADONNA  AND  CHILD;  THE  ANNUNCIATION; 
Gallery  THE  NATIVITY.  The  Madonna  in  a dark  cloak  trim- 
33  med  with  gold  holds  the  Child,  who  wears  a red  drapery; 
he  holds  a white  rose  and  plays  with  his  mother’s  veil. 
Below  at  the  left,  the  Virgin  stands  in  a chamber  and 
receives  the  message  from  a kneeling  angel  outside.  Be- 
low at  the  right,  the  Madonna  lies  on  the  ground,  Joseph 
sits  beside  her,  behind  in  a cave  the  Child  lies  in  a manger 
with  the  ox  looking  at  him  and  three  angels  singing. 
In  the  foreground  are  two  shepherds  with  sheep  and  a dog. 
Ornamented  gold  backgrounds. 

H.  12  in.  W.  8J  in.  Wood. 

Purchase,  Marquand  Fund,  1920. 

DUEZ,  Ernest  Ange.  French;  born  1843  Paris;  died  1896  in 
the  forest  of  St.  Germain.  Pupil  of  Pils. 

D861-1  THE  BOUQUET.  Standing  figure  of  a young  lady  in 
Gallery  a dark  blue  walking  dress,  holding  a bouquet  and  a 
18  shawl  in  her  left  hand. 

H.  12J  in.  W.  8f  in.  Water  color.  Signed:  E.  Duez. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DUGHET,  Gaspard;  known  as  Gaspard  Poussin.  French;  born 
1613  at  Rome,  Italy,  of  French  parents;  died  1675 
at  Rome.  Pupil  of  Nicolas  Poussin,  whose  name  he 
adopted.  Landscapes. 

D87-3  landscape  with  figures.  High  trees  are  at 
Gallery  the  left  and  in  front  of  them  is  a fountain  with  nude 
14  • figures  bathing  in  the  marble  pool;  in  the  center  of  the 
foreground  is  a road  where  two  partly  nude  men  are 
81 


DUGHET— DUPLESSIS 

throwing  a stone  at  a hissing  snake;  clumps  of  trees 
and  several  buildings  are  in  the  middle  distance  with 
mountains  beyond. 

H.  36j  in.  W.  58I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

D87-4  LANDSCAPE.  Wild  country  with  groups  of  trees  on 
Gallery  each  side;  mountains  are  in  the  distance  and  a stream 
20  falls  in  two  cascades  toward  the  foreground  where  there 
is  a road  with  several  mythological  figures. 

H.  37J  in.  W.  60J  in.  Canvas.  Bulletin,  1908,  p. 
209. 

Purchase,  Rogers  Fund,  1908. 

DUNLAP,  William.  American;  born  1766  at  Perth  Amboy, 
N.  J.;  died  1839  at  New  York  City.  Studied  painting 
with  Benjamin  West  in  London;  upon  his  return  to  New 
York  went  into  business  with  his  father  and  throughout 
his  life  alternated  between  painting,  managing  a theatre, 
and  writing  books.  He  is  best  known  as  the  author  of 
The  History  of  the  Arts  of  Design  in  the  United  States, 
published  1834. 

D92-1  JOHN  A.  CONANT.  (John  Adams  Conant  of  Brandon, 
Vt.;  1800-1886.)  Life-size  figure  seen  almost  to  the 
waist;  he  wears  a high  collar  and  white  stock. 

H.3o|in.  W.  25in.  Wood.  Signed:  W.  Dunlap  1829. 
Gift  of  John  A.  Church,  1913. 

D92-2  MRS.  JOHN  A.  CONANT.  (Caroline  D.  Holton,  wife 
of  John  A.  Conant  of  Brandon,  Vt.)  Life-size  figure  seen 
to  the  waist;  her  hair  is  parted  in  the  middle  and  waved; 
she  wears  a low-necked  dress  edged  with  lace  and  a gold 
chain  is  about  her  neck  and  falls  across  her  bodice. 
H.3o|in.  W.  25in.  Wood.  Signed  indistinctly:  Dunlap. 
Gift  of  John  A.  Church,  1913. 

DUPLESSIS,  Joseph  Silfrede.  French;  born  1725  at  Carpentras; 

died  1802  at  Versailles  where  he  was  Curator  of  the 
Museum.  Pupil  of  Imbert  and  Subleyras.  Chiefly 
portraits. 

D921-1  BENJAMIN  FRANKLIN.  (1706-1790;  American 
Gallery  philosopher,  statesman,  diplomat,  and  author.)  Life- 

20  size,  to  the  waist;  he  wears  a red  coat  with  brown  fur 

collar.  One  of  several  replicas. 

H.  27!  in.  W.  22j  in.  Canvas,  oval.  Inscribed  on 

back  of  canvas,  possibly  by  the  artist:  Peint  par 

82 


DUPLESSIS— DURAND 

Duplessis,  pour  obliger  le  Vicomte  De  Ruissy. 

Gift  of  George  A.  Lucas,  1895. 

DUPRE,  Jules.  French  (Barbizon);  born  1811  at  Nantes;  died 
1889  at  rislc-Adam,  near  Paris.  As  a youth  he  was  a 
decorator  in  a porcelain  factory.  Studied  painting  under 
Laugee  and  Pils  in  Paris.  Landscapes. 

D922-1  THE  OLD  OAK.  The  tree  is  at  the  right  near  a dark 
Gallery  pool  of  water;  beyond  are  meadow  lands  where  two  cows 
18  are  grazing. 

H.  32  in.  W.  25!  in.  Canvas.  Signed:  Jules  Dupre. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D922-2  THE  HAY  WAGON.  The  wagon,  with  a woman  and 
Gallery  child  seated  on  the  hay,  is  being  drawn  over  a sandy  hill 
17  by  a team  of  horses  and  a man  is  pushing  the  wagon; 
another  man  walks  at  the  side  of  the  team;  stormy  sky. 
H.  iqi  in.  W.  18J  in.  Canvas.  Signed:  Jules  Dupre. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DUPRE,  JuLiEN.  French;  born  1851  at  Paris;  died  there  1910. 
Pupil  of  Pils,  Laugee,  and  Lehmann. 

D923-1  THE  BALLOON.  French  peasants  have  stopped  haying 
to  look  at  a balloon  floating  in  the  sky;  in  the  center 
stands  a woman  with  a rake  in  her  hands,  and  at  the 
right  is  an  old  woman  with  a red  kerchief  on  her  head. 
H.  961  in.  W.  78I  in.  Canvas.  Signed:  JULIEN 
DUPRE  1886. 

Gift  of  George  I.  Seney,  1887. 

DURAND,  Asher  B.  American;  born  1796  at  Jefferson  Village, 
N.  J.;  died  there  1886.  Self-taught.  At  first  an  en- 
graver but  after  1835  devoted  himself  entirely  to 
landscape  painting. 

D93-1  LANDSCAPE.  A stream  runs  in  the  foreground  with 
figures  on  the  shore  at  the  right  and  cattle  grazing  at 
the  left;  groups  of  trees  beyond  and  mountains  in  the 
distance. 

H.  32!  in.  W.  47I  in.  Canvas.  Signed:  A.  B.  Durand 
1853. 

Bequest  of  Mrs.  Sarah  Ann  Ludlum,  1877. 

D93-2  JUDGMENT  OF  GOG.  (Fulfilment  of  the  prediction 
according  to  Ezekiel,  xxxix,  4.)  The  valley  of  Hamon- 
Gog,  where  the  troops  of  Gog,  the  prince  of  Rosh,  Mes- 
hech  and  Thubal,  are  being  overthrown. 

83 


DURAND  — DURER 

H.  6o|  in.  W.  5of  in.  Canvas. 

Gift  in  memory  of  Jonathan  Sturges  by  his  children,*; 
1895. 

D93“3  in  the  woods.  A brook  winds  between  birches. 

H.  60J  in.  W.  48!  in.  Canvas.  Signed:  A.  B.  Durand, 
1855.^ 

Gift  in  memory  of  Jonathan  Sturges  by  his  children, 
1895. 

D93-4  ARIADNE.  (A  copy  after  the  large  painting  by  Van- 
Gallery  derlyn  which  is  in  the  Pennsylvania  Academy  of  the 
16  Fine  Arts  in  Philadelphia.  This  copy  was  made  by 
Durand  before  executing  the  etching.)  Full-length,  nude, 
lying  on  the  ground  with  a white  and  red  drapery  beneath 
her;  landscape  and  sea  in  the  background. 

H.  lyi  in.  W.  ipf  in.  Canvas. 

Gift  of  Samuel  P.  Avery,  1897. 

D93-5  IMAGINARY  LANDSCAPE.  At  the  right  are  trees 
with  high  mountain  peaks  beyond;  at  the  left  is  a valley 
with  a winding  river  in  the  distance  and  at  flock  of  sheep 
coming  toward  the  foreground. 

H.  39i  in.  W.  61  in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1911. 

D93-6  THE  BEECHES.  In  the  foreground  at  the  left  is  a 
group  of  beeches;  a road  winds  through  the  picture  and 
in  the  middle  distance  are  a flock  of  sheep  and  the  shep- 
herd; a lake  is  beyond. 

H.  6of  in.  W.  48I  in.  Canvas.  Signed:  A B DU- 
RAND 1845.  Bulletin,  1915,  p.  64;  ill.  p.  65. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

D93-7  SUMMER  AFTERNOON.  In  the  foreground  at  the 
Gallery  left  is  a lake;  on  the  far  bank  at  the  right  are  large  trees 
16  beneath  which  cattle  are  grazing;  two  cows  wade  in  the 
water. 

H.  22J  in.  W.  35  in.  Canvas.  Signed:  A B Durand 
1865.  Bulletin,  191 5,  p.  64;  ill.  p.  66. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

DURER,  Albrecht.  German;  born  1471  at  Nuremberg;  died 
there  1528.  He  was  apprenticed  in  i486  to  Michel 
Wolgemuth.  Painted  portraits  and  devotional  pictures 
and  is  also  noted  as  an  engraver  and  etcher. 

84 


DURER  — DYCK 

D931-1  MADONNA  AND  CHILD  WITH  SAINT  ANNE.  St. 
Gallery  Anne,  with  fixed  look,  her  head  and  chin  covered  with  a 
37  white  drapery,  holds  the  sleeping  Christ  Child  on  her  lap 
and  rests  her  left  hand  on  the  Virgin’s  shoulder;  Mary, 
her  head  lower  than  St.  Anne’s,  with  half-closed  eyes  and 
joined  hands,  adores  the  Child.  Several  similar  com- 
positions by  Diirer  exist;  Waagen  mentions  ten.  An 
exact  study  for  this  St.  Anne  is  in  the  Albertina  at  Vienna. 
In  the  middle  of  the  nineteenth  century  this  picture  was 
the  subject  of  discussions  as  to  its  authenticity;  it  is 
listed  as  by  Diirer  in  the  monograph  on  this  artist  by 
Moritz  Thausing,  who  reports  the  arguments. 

H.  23!  in.  W.  19IJ  in.  Wood.  Monogrammed:  AD 
1519. 

Bequest  of  Benjamin  Altman,  1913. 

D931-2  VIRGIN  AND  CHILD.  The  Virgin  is  blonde  and 
Gallery  rather  fat;  the  nude  Child  crouches  on  her  lap^  holding 
34  her  left  thumb  in  His  right  hand.  She  leans  over  Him 
and  lifts  with  her  right  hand  the  white  cloth  on  which  He 
sits.  Her  dress  and  shawl  are  both  salmon  colored;  a 
white  chemisette  shows  at  her  throat;  brown  back- 
ground with  delicate  yellow  rays  from  the  Virgin’s  head. 
H.  iiin.  W.  814  in.  Wood.  Signed:  1516  AD. 

Gift  of  J.  Pierpont  Morgan,  1917. 

DUTCH  SCHOOL;  Seventeenth  Century. 

DU95S-1  A BURGOMASTER.  Life-size  figure,  seen  to  the  knees. 
Gallery  seated  at  a table,  writing;  he  has  gray  hair,  beard,  and 
26  moustache,  and  wears  a narrow  white  ruff  and  a dark  coat 
with  leopard  skin  collar;  his  gloves  are  in  his  left  hand. 
H.  42I  in.  W.  30 in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

DUVERGER,  Theophile  Emmanuel.  French;  born  1821  at 
Bordeaux;  died  1901  (?). 

D951-1  FEEDING  THE  BIRD.  A kitchen  with  a little  girl 
S.  W.  kneeling  on  the  red  tiled  floor  beside  a large  bird  cage; 
Stairway  a woman  is  seated  at  the  right,  sewing. 

H.  12J  in.  W.  9f  in.  Wood.  Signed:  Duverger 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DYCK,  Anthony  Van.  See  Van  Dyck. 


85 


E 


EAKINS,  Thomas.  American;  born  1844  at  Philadelphia;  died 
there  1916.^  Pupil  of  the  Pennsylvania  Academy  of  the 
Fine  Arts;  Ecole  des  Beaux-Arts  in  Paris  under  Gerome 
and  Bonnat. 

Ea^-i  THE  CHESS  PLAYERS.  An  interior  with  two  men 
Gallery  seated  at  a table;  a third  stands  watching  the  game. 

12  H.  lijin.  W.  i6f  in.  Wood.  Inscribed:  benjamini 

EAKINS,  FILIUS,  PINXIT,  1876. 

Gift  of  the  artist,  1881. 

Ea5~2  PUSHING  FOR  RAIL.  (The  name  given  by  sports- 
Gallery  men  to  a method  of  hunting  rail,  a kind  of  water-bird, 
12  whereby  the  hunter  is  punted  along  the  shallow  waters 
of  marshy  streams  and  shoots  the  birds  as  they  fly  on 
being  disturbed.)  Three  hunters,  each  with  his  boat- 
man, are  in  three  boats  which  are  hidden  by  weeds. 

H.  13  in.  W.  30 iV  in.  Canvas.  Signed:  EAKINS  74. 
Purchase,  Arthur  Hoppock  Hearn  Fund,  1916. 

Ea5-3  THE  WRITING  MASTER.  Portrait  of  the  artist’s 
Gallery  father,  engrossing  a parchment  diploma  on  a table,  the 
12  top  of  which  shows  at  the  lower  edge  of  the  canvas.  He 
is  a man  of  about  seventy  with  bald  forehead,  thin  white 
hair,  and  white  chin  beard;  he  has  strong  wrinkled  hands, 
capable  of  sensitive  and  most  delicate  work.  His  coat 
is  black  and  the  background  is  dark. 

H.  30  in.  W.  34j  in.  Canvas.  Signed:  EAKINS  82. 
Bulletin,  1917,  p.  218,  ill.;  1918,  p.  25. 

Purchase,  Kennedy  Fund,  1917. 

Ea  5-4  THE  THINKER.  Life-size,  full-length,  standing  figure 
Gallery  of  a nervous  man  of  about  forty.  He  is  clean  shaven,  has 
12  black  hair,  and  wears  glasses.  He  stands  three-quarters 
to  right,  with  feet  apart,  head  tipped  somewhat  for- 


86 


EAKINS  — ELLIOTT 

ward,  and  his  hands  in  his  trousers  pockets — the  attitude 
of  one  lost  in  thought.  His  black  clothes  fit  him  loosely; 
the  background  is  light. 

H.  82  in.  W.  42  in.  Canvas.  Signed:  Eakins  1900, 
Bulletin,  1917,  p.  218,  ill.;  1918,  p.  25. 

Purchase,  Kennedy  Fund,  1917. 

EARLE,  Ralph.  American;  born  1751  in  Worcester  County, 
Mass.;  died  1801  at  Bolton,  Conn.  At  first  an  itiner- 
ant portrait  painter;  after  the  War  of  the  Revolution  went 
to  London  returning  to  the  United  States  probably  in  1 786. 
Signed  sometimes  Earl  but  more  frequently  Earle. 

Ea7-i  LADY  WILLIAMS.  Life-size,  seated  portrait,  seen 
Gallery  to  below  the  knees;  she  is  dressed  in  white  and  holds  a 
16  baby  girl  on  her  lap;  the  child  has  a blue  sash  and  blue 
ribbons  on  her  cap;  at  the  left  is  a mahogany  table  with 
an  inkstand. 

H.  50J  in.  W.  39J  in.  Canvas.  Signed:  R Earl  Pinxit 
1783. (?)  Bulletin,  1906,  p.  83,  ill. 

Purchase,  Rogers  Fund,  1906. 

EECKHOUT,  Gerbrandt  van  den.  Dutch;  born  1621  at  Amster- 
dam; died  there  1674.  Pupil  and  imitator  of  Rembrandt. 

Eei-i  DESTRUCTION  OF  SODOM  AND  GOMORRAH. 
Gallery  Clouds  of  smoke  rise  to  right  and  left;  between  are  seen 
14  the  burning  cities  and  panic-stricken  people;  in  the  fore- 
ground Lot  is  escaping  accompanied  by  two  angels  and 
behind  him  are  his  wife  and  her  attendants. 

H.  14  in.  W.  2o^V  Wood. 

Gift  of  George  A.  Hearn,  1906. 

EKSERGIAN,  Carnig.  Armenian;  born  1859  at  Constantinople; 
studied  there  and  in  Paris;  lives  in  New  York. 

Eky-i  ISAAC  D.  FLETCHER.  (1844-1917.)  Standing,  three- 
quarters  length,  full-face.  Mr.  Fletcher  is  shown  at  the 
age  of  seventy;  he  wears  a black  coat  and  tie. 

H.qoin.  W.  3oin.  Canvas.  Signed:  C.  Eksergian  1914. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

ELLIOTT,  Charles  L.  American;  born  1812  at  Scipio,  N.  Y.; 

died  1868  at  Albany,  N.  Y.  Pupil  of  Trumbull  and 
Quidor;  spent  the  greater  part  of  his  life  in  New  York 
City.  Portraits. 


87 


ELLIOTT  — EMMET 

EI5-1  PORTRAIT  OF  THE  ARTIST.  Life-size,  bust;  he 
has  dark  hair,  falling  nearly  to  the  shoulders,  and  a full  * 
beard. 

H.  3oJ  in.  W.  24j  in.  Canvas. 

Gift  of  Robert  Hoe,  1888. 

EI5-2  M.  B.  BRADY.  ( ? -1896;  historical  photographer.) 

Life-size,  to  the  waist;  he  has  dark  hair  and  beard. 
Painted  in  1857. 

H.  24  in.  W.  20  in.  Canvas. 

Gift  of  friends  of  Mr.  Brady,  1896. 

EI5-3  CALEB  GASPER.  (1790-1877;  of  Marcellus,  N.  Y.) 
Gallery  Life-size  figure,  seated  in  a red  chair  and  seen  to  the 
16  waist;  his  hair  is  slightly  gray. 

H.  33I  in.  W.  25  in.  Canvas,  oval.  Signed:  C.  L. 
Elliott  1852. 

Gift  of  Mrs.  Henry  Marquand,  1897'. 

EI5-4  MRS.  JAMES  CLINTON  GRISWOLD.  (1830-1897; 

she  was  Laura  Gasper,  daughter  of  Caleb  Gasper.) 
Life-size  figure,  seen  to  the  knees;  she  is  seated  on  a red 
drapery  and  dark  trees  form  the  background;  she  wears 
a thin  white  dress  and  her  hair  is  parted  and  drawn  back. 
H.  36J  in.  W.  29I  in.  Canvas.  Signed:  Elliott  1854. 
Gift  of  Mrs.  Henry  Marquand,  1897. 

ELTEN,  Kruseman  van.  See  Kruseman. 

EMMET,  Ellen  G.  (Mrs.  William  Blanchard  Rand.)  Ameri- 
can; born  1876  in  San  Francisco;  lives  in  New  York 
City.  Studied  in  New  York  and  Paris.  Portraits. 

Em6-i  AUGUSTUS  SAINT-GAUDENS.  (1848-1907;  American 
Gallery  sculptor.)  Life-size,  seated,  seen  to  below  the  knees; 

12  the  face  is  in  profile,  the  left  elbow  rests  on  the  arm  of  the 
chair,  and  the  raised  left  hand  holds  the  eyeglasses. 

H.  38I  in.  W.  30  in.  Canvas. 

Purchase,  Rogers  Fund,  1904. 

Em6-2  BENJAMIN  ALTMAN.  (1840-1913;  New  York  mer- 
Gallery  chant,  art  collector,  and  philanthropist.  He  bequeathed 
38  his  art  collection  to  the  Museum.)  Life-size,  full-length, 
seated  figure. 

H.  44J  in.  W.  33j  in.  Canvas.  Signed:  Ellen  Emmet 
Rand,  1914. 

Gift  of  the  Executors  of  the  Estate  of  Benjamin  Altman, 
1914. 


88 


ENGELBRECHTSEN  — ESCALLIER 

ENGELBRECHTSEN,  Cornelis.  Dutch;  born  i468(?)  at  Ley- 
den; died  there  1533. 

En3“i  CRUCIFIXION.  Christ  is  on  the  cross  in  the  center 
of  the  picture  with  three  angels,  represented  in  blue 
monochrome,  holding  chalices  to  catch  the  blood  from 
His  wounds;  at  the  right  and  left  are  the  crucified  thieves. 
In  the  foreground  at  the  left  stand  the  Virgin  in  a black 
robe  and  St.  Peter  in  a gray  robe  and  green  mantle; 
at  the  right  stand  St.  John  in  red  and  St.  Margaret  in 
yellow  with  the  dragon  at  her  feet.  In  the  immediate 
foreground  the  donors  are  kneeling  at  prie-dieux;  the 
man,  wearing  a black  fur-lined  robe  with  red  undersleeves, 
is  at  the  left;  the  woman,  attired  in  the  garb  of  a nun,  is 
on  the  opposite  side.  Landscape  background  with  a 
river  and  blue  hills  in  the  distance. 

H.  24 J in.  W.  35  /g-  in.  Wood. 

Gift  of  Frederic  Coudert,  1888. 

School  of  Engelbrechtsen. 

En3S-i  ECCE  HOMO.  A city  square  with  a raised  platform 
at  the  left  where  Christ  stands  with  hands  bound  and 
wearing  the  crown  of  thorns;  in  the  foreground  at  the 
right  are  soldiers  and  other  men.  This  and  the  following 
panel  were  originally  part  of  the  same  altarpiece;  on  the 
back  of  each  a single  figure  is  painted  in  grisaille. 

H.  i6J  in.  W.  8J  in.  Wood. 

Gift  of  Ferdinand  Hermann,  1911. 

En3S-2  DESPOILMENT  OF  CHRIST.  In  the  foreground  a 
man  is  removing  Christ’s  cloak;  at  the  left  the  Virgin 
is  supported  by  St.  John;  landscape  background  with 
towers  of  a castle  on  a hill  in  the  distance. 

H.  i6J  in.  W.  8J  in.  Wood. 

Gift  of  Ferdinand  Hermann,  1911. 

ESCALLIER,  Eleonore.  French;  born  at  Poligny;  died  1888 
in  Paris.  Pupil  of  Ziegler;  she  was  a flower  painter  at 
the  government  porcelain  factory  at  Sevres. 

Esi-i  a basket  of  flowers.  In  a basket  and  on  the 

S.  W.  ground  are  pink  roses  and  other  cut  flowers. 

Stairway  H.  2gi  in.  W.  23 J in.  Canvas.  Signed:  E.  Escallier. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Esi-2  chrysanthemums.  Long  stalks  of  white  and 
pink  chrysanthemums  in  a dark  blue  vase  are  placed  in 

89 


ESCALLIER— EYCK 

S.  W.  front  of  a black  and  gold  lacquered  box;  a red  drapery 
Stairway  is  at  the  left;  two  birds  peck  the  flower  stems. 

H.  28I  in.  W.  23^  in.  Canvas.  Signed:  E.  Escallier. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ESCOSURA,  Leon  Y.  Spanish;  born  1834  at  Oviedo;  died 
1901  at  Toledo.  Pupil  of  the  Royal  Museum  at  Madrid; 
Gerome  in  Paris. 

Esii-i  AUCTION  SALE  IN  CLINTON  HALL,  NEW  YORK 
CITY,  1876.  A sale  of  bric-k-brac  is  being  held. 

H.  22y\  in.  W.  3 if  in.  Canvas.  Signed:  Leon  Y Es- 
cosura  1876. 

Gift  of  the  artist,  1883. 

ETTY,  William.  British  (English);  born  1787  at  York;  died 
there  1849.  Pupil  of  the  Schools  of  the  Royal  Academy 
in  London  and  of  Sir  Thomas  Lawrence. 

Ety-i  THE  THREE  GRACES.  A study  of  three,  partly 
Gallery  nude,  standing  female  figures. 

24  H.  22f  in.  W.  i8f  in.  Cardboard.  Bulletin,  1906,  p.  65. 
Purchase,  Rogers  Fund,  1906. 

EYCK,  Jan  Van.  See  Van  Eyck. 


90 


F 


FABER,  CONRAD;  known  as  Conrad  von  Creuznach,  also  as 
Master  of  the  Holzhausen  Portraits.  German;  born  prob- 
ably at  Creuznach.  Worked  at  Frankfort  from  1525  to 
1551,  where  he  was  the  portrait  painter  of  the  patricians 
of  the  town.  Usually  signed  C v C. 

Fi-i  PORTRAIT  OF  A MAN.  (According  to  Friedlander 
Gallery  this  is  a portrait  of  George  von  Rhein  zum  Mohren. 
34  The  St.  George  on  the  dagger  and  the  Moor  on  the  ring 

gave  the  clue.)  Standing  figure,  seen  to  the  waist;  the 
left  hand,  on  which  are  two  rings,  holds  the  handle 
of  a dagger  which  has  a gold  inlay  showing  St. 
George  and  the  Dragon;  he  has  a square-cut,  brown 
beard;  he  wears  a black  cap  over  a yellow  skull  cap,  a 
gathered  white  shirt  with  gilt  collar,  and  a gold  link 
chain  which  falls  inside  his  coat.  Landscape  background 
with  towns  and  vineyards  carefully  drawn  and  the  Rhine 
beyond  with  distant  hills  crowned  with  castles. 

H.2o|in.  W.  I4i\  in.  Wood.  Bulletin,  1912,  p.  136,  ill. 
Purchase,  Kennedy  Fund,  1912. 

FAES,  Peter  van  der.  See  Lely. 

FALERO,  Luis.  Spanish;  born  1851  at  Granada;  died  1896  at 
London.  Studied  in  Paris. 

F18-1  TWIN  STARS.  Two  female  figures  in  diaphanous 
S.  W.  black  drapery  cling  to  each  other  in  mid  air  and  point 
Stairway  to  two  stars  above  them;  dark  blue  night  sky. 

H.  i6J  in.  W.  8§  in.  Water  color.  Signed:  Falero. 
-Paris  1881. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

FANTIN-LATOUR,  Ignace  Henri  Jean  Theodore.  French; 

born  1836  at  Grenoble;  died  1904  at  Buve.  Pupil  of  his 


9 


FANTIN-LATOUR  — FIORENZO  DI  LORENZO  , 

father,  Theodore  Fantin  la  Tour,  and  of  Lecoq  de  Bois-.- 
baudran. 

F21-1  PORTRAIT  OF  A LADY.  Life-size,  seated,  seen  to 
Gallery  below  the  knees;  she  is  dressed  in  black  and  wears 
17  turquoise  jewels. 

H.  39^  in.  W.  32  in.  Canvas.  Signed:  Fantin.  85. 
Bulletin,  1910,  p.  123,  ill. 

Purchase,  Wolfe  Fund,  1910. 

F21-2  AN  ATELIER  AT  BATIGNOLLES.  (Sketch  for  the 

picture  in  the  Luxembourg  Museum.)  Manet  at  the 
easel  is  painting  the  portrait  of  the  poet  Astruc,  sur- 
rounded by  his  friends,  Monet,  Renoir,  Bazille,  and 
others. 

H.  1 in.  W.  1 5J  in.  Charcoal  and  oil  paint  on  paper. 
Signed:  Fantin.  Bulletin,  1919,  p.  138. 

Gift  of  Mrs.  Helena  M.  Loewel  in  memory  of  Charles 
W.  Kraushaar,  1919. 

FICHEL,  Benjamin  Eugene.  French;  born  1826  at  Paris;  died 
there  1895.  Pupil  of  Paul  Delaroche. 

F44-1  A VIOLIN  PLAYER.  Standing  figure  of  a man  in  a 
red  coat. 

H.  8^5- in.  W.  4J  in.  Wood.  Signed:  E.  FICHEL. 
1871. 

Bequest  of  Stephen  Whitney  Phoenix,  1881. 

F44-2  AWAITING  AN  AUDIENCE.  The  reception  room 

S.  W.  of  a palace  with  a cardinal  and  many  courtiers  in  the 

Stairway  costume  of  the  end  of  the  eighteenth  century. 

H.  igi  in.  W.  31 J in.  Wood.  Signed:  E.  FICHEL. 
1873- 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

FIESOLE,  Giovanni  da.  See  Angelico. 

FILIPEPI,  Sandro.  See  Botticelli. 

FIORENZO  DI  LORENZO.  Italian  (Umbrian);  born  about  the 
middle  of  the  fifteenth  century  at  Perugia;  died  after 
1521.  Pupil  of  Mezzastris  and  Bonfigli;  influenced  by 
Benozzo  Gozzoli,  Antonio  Pollaiuolo,  and  Verrocchio. 

F51-1  THE  NATIVITY.  The  Child  lies  on  the  ground  while 
Gallery  the  Virgin  kneels  at  the  right  and  St.  Joseph  at  the  left; 
30  immediately  behind  the  group  is  a grotto  within  which 


92 


FIORENZO  DI  LORENZO  — FLAGG 

are  the  ox  and  the  ass  and  above  it  are  two  small  angels 
kneeling  on  a cloud  and  holding  a scroll;  landscape  back- 
ground. 

H.  Ilf  in.  W.  265  in.  Tempera  on  wood.  Bulletin, 
1907,  p.  24,  ill. 

Purchase,  Rogers  Fund,  1906. 

FIRMIN-GIRARD,  Marie  pRANgois.  French;  born  1838  at 
Poncin,  Ain;  lives  in  Paris.  Pupil  of  Gleyre. 

F511-1  A RAINY  <DAY  IN  PARIS.  Two  ladies  are  walking 
under  an  open  umbrella  near  the  book-stalls  which  line 
the  quays  beside  the  Seine. 

H.9§in.  W.yjin.  Wood.  Signed:  FIRMIN-GIRARD. 
1879. 

Bequest  of  Thomas  P.  Salter,  1907. 

FITZ,  Rutherford  Benjamin.  American;  born  1855  at  New 
York  City;  died  there  1891.  Studied  at  the  National 
Academy  of  Design  in  New  York;  also  in  Munich. 

F57-1  MARIE.  Life-size,  almost  to  the  waist;  a yellow  scarf 
is  draped  about  her  shoulders. 

H.  23  in.  W.  ibt'ir  in.  Canvas.  Signed:  Fitz. 

Gift  of  several  gentlemen,  1892. 

FLAGG,  Charles  Noel.  American;  born  1848  at  Brooklyn,  New 
York;  died  1916  at  Hartford,  Conn.  Pupil  of  L.  Jaques- 
son  de  la  Chevreuse  in  Paris. 

F59-1  MARK  TWAIN.  (Samuel  L.  Clemens,  1835-1910; 
American  author.) 

H.  4oJ  in.  W.  32!  in.  Canvas.  Signed:  Charles  NoH 
Flagg  1890. 

Gift  of  Miss  Ellen  Earle  Flagg,  1917. 

FLAGG,  Montague.  American;  born  1842  at  Hartford,  Conn.; 

died  1915  in  New  York  City.  Pupil  of  Jacquesson  de 
la  Chevreuse  in  Paris;  most  of  his  professional  life  was 
spent  in  New  York. 

F591-1  PORTRAIT  OF  MY  WIFE.  The  figure  is  seen  to  the 

Gallery  waist;  her  hair  is  parted  and  drawn  over  the  ears;  she 
12  wears  a simple  black  dress,  slightly  open  at  the  throat. 

H.  26J  in.  W.  22  in.  Canvas.  Signed:  MONTAGUE 
FLAGG. 

Gift  of  Charles  Noel  Flagg,  A.  N.  A.,  through  his  daughter, 
Ellen  Earle  Flagg,  1917. 


93 


FLAGG  — FLEMISH  SCHOOL 

F591-2  CHARLES  FOSTER.  The  figure  is  seated  to  the  right 
and  seen  to  the  waist.  He  has  reddish  brown  hair  parted 
in  the  middle  and  moustache  and  imperial;  his  hands  are 
clasped  on  his  lap. 

H.  32  in.  W.  25f  in.  Canvas.  Signed:  Montague 
Flagg,  1882. 

Gift  of  Charles  Foster,  1919. 


FLEMISH  SCHOOL. 

FI62S-1  TEMPTATION  OF  SAINT  ANTHONY.  Fantastic 
landscape  with  small  figures.  St.  Anthony  is  reading  at  a 
desk;  about  him  are  witches,  devils,  and  grotesque 
animals.  Previously  attributed  to  Pieter  Bruegel  the 
Younger.  Seventeenth-century  work. 

H.  22  in.  W.  i6f  in.  Wood. 

Gift  of  Edward  Robinson,  1874. 

FI62S-5  SCENES  FROM  THE  LIFE  OF  A SAINT.  At  the 
Gallery  left  a youth  stands  in  the  choir  of  a partially  finished 
34  church  where  there  are  three  priests  and  several  choir 
boys.  In  the  background  at  the  right,  the  same  young 
man  is  in  the  street,  distributing  alms.  Previously 
attributed  to  Henricus  Blesius.  Early  sixteenth-century 
work;  Antwerp  school  (?). 

H.  33iV  iri-  23  in.  Wood.  Bulletin,  1909,  p.  25,  ill. 
Purchase,  Rogers  Fund,  1908. 


FI62S-6  PORTRAIT  OF  A MAN.  (According  to  tradition  this 
Gallery  is  a portrait  of  John  Lilburne,  the  English  political 
26  agitator;  i6i4(?)-i657.)  Life-size,  seen  to  the  waist;  his 
dark  brown  hair  falls  over  a broad,  flat  white  linen  collar. 
Seventeenth-century  work. 

H.  in.  W.  21^  in.  Canvas.  Bulletin,  1909,  p.  10. 
Gift  of  Mrs.  Wheeler  Smith,  1908. 

FI62S-7  LIFE  OF  SAINT  GODELIEVE.  A polyptych.  (Ac- 
Gallery  cording  to  the  legend,  Godelieve,  a pious  young  maiden, 
34  became  the  wife  of  Bertolf,  who  lived  at  Ghisteles, 
Flanders,  from  1067  to  1070;  he  soon  tired  of  her  and 
although  she  bore  his  maltreatment  and  that  of  her 
mother-in-law  with  Christian  fortitude,  he  had  her  put 
to  death.  She  was  canonized  in  1084.  The  name 
Godelieve  in  Flemish  means  Love  of  God.)  When  open, 
the  five  panels  illustrate  her  life.  At  the  left  she  is 
playing  with  two  young  girls  and  her  parents  are  in  the 
background;  next  she  is  giving  alms;  the  central  panel 


94 


FLEMISH  SCHOOL 

shows  a feast  being  prepared  by  angels,  the  marriage 
ceremony,  and  her  preparation  for  a religious  life;  in 
the  right-hand  panels  she  is  being  strangled  by  her 
husband’s  hirelings  and  thrown  into  a well.  When  closed, 
the  doors  show  the  donor  and  several  saints.  Painted  to- 
ward end  of  fifteenth  century. 

H.  44  in.  W.  central  panels  57  in.;  wings  each  loj  in. 
Wood.  Bulletin,  1912,  p.  126,  ill. 

Purchase,  Kennedy  Fund,  1912. 

FI62S-8  THE  LAST  SUPPER;  THE  FALLING  OF  MANNA. 
Gallery  MELCHIZEDEK  AND  ABRAHAM.  A triptych; 
34  The  central  panel  depicts  the  Last  Supper  as  taking 
place  in  a Flemish  church.  On  the  right  is  a landscape 
with  Moses  directing  the  gathering  of  the  manna.  At 
the  left,  Melchizedek  is  giving  bread  and  wine  to  Abraham. 
On  the  outside  of  the  wings  are  single  figures  of  Adam 
and  Eve.  Previously  attributed  to  Herri  met  de  Bles. 
Early  sixteenth-century  work. 

Center  panel:  H.  4i§  in.  W.  28  in.  Side  panels  each: 
H.  4ijin.  W.  12  in.  (sight)  Wood.  Bulletin,  1909,  p.  154. 
Gift  of  J.  Pierpont  Morgan,  1917. 

FI62S-10  TRIPTYCH— MASS  OF  SAINT  GREGORY;  SAINT 
Gallery  MICHAEL;  SAINT  JEROME.  St.  Gregory  kneels  at  the 
34  altar  with  three  priests  in  attendance;  on  the  altar  the 
figure  of  Christ  holds  his  side  in  pain,  and  about  him  are 
the  symbols  of  the  passion.  St.  Michael  in  armor  and  a red 
cloak  tramples  on  the  devil;  he  holds  an  archbishop’s 
crosier  in  the  right  hand  and  the  scales  of  judgment  in 
the  left.  Blue  landscape  background.  St.  Jerome  in  a red 
cloak  holds  the  crosier  and  reaches  down  to  the  lion  on 
his  left,  who  holds  up  his  paw  with  a thorn  sticking  in  it. 
Landscape  background.  Fourteenth-century  work; 
school  of  Bruges. 

Center  panel:  H.  6|  in.  W.  3J  in.  Left  panel:  H.  6j  in. 
W.  3J  in.  Right  panel:  H.  6J  in.  W.  3J  in.  Wood. 
Bequest  of  William  H.  Herriman,  1921. 

FI62S-1 1 ADORATION  OF  THE  MAGI.  The  Madonna  is 
Gallery  seated  in  the  center  holding  the  Child,  who  reaches  for 
34  the  gold  vessel  offered  by  the  kneeling  old  king.  To  the 
left  the  negro  king  stands;  at  the  right  the  third  king  is 
about  to  kneel.  A landscape  background  in  which  the 
cavalcade  of  the  kings  is  being  unladen  and  given  drink. 
Attributed  to  Herri  met  de  Bles. 

H.  27J  in.  W.  21  Jin.  Wood. 


95 


FLEMISH  SCHOOL  — FOSTER 

Bequest  of  Mrs.  Helen  L.  Bullard,  in  memory  of  Harold 
C.  Bullard,  1921. 

FLORIAN,  Walter.  American;  born  1878  at  New  York  City; 

died  there  1909.  Pupil  of  Metropolitan  Museum  Art 
School  under  Twachtman  and  Herbert  Morgan;  Art 
Students’  League  of  New  York;  Julian  and  Colarossi 
Academies  in  Paris;  studied  in  Spain  and  Holland. 

F66-1  JOZEF  ISRAELS.  (Dutch  painter;  see  Israels.)  Life-size, 
N.  E.  seated  figure,  with  palette  and  brushes  held  in  his  left 
Stairway  hand;  a characteristic  pose,  painted  in  Israel’s  studio. 

H.  40  in.  W.  30I  in.  Canvas.  Signed:  Walter  Florian 
Holland-1903. 

Gift  of  Julian  Florian,  1911. 

FORTUNY,  Mariano.  Spanish;  born  1838  at  Reus  in  Catalonia; 

died  1874  at  Rome,  Italy.  Studied  at  the  Academy  of 
Barcelona;  traveled  in  Morocco  and  the  East. 

F77-1  CAMELS  REPOSING;  TANGIERS.  Four  camels  and 
Gallery  their  keeper;  a wall  forms  the  background. 

18  H.  7J  in.  W.  i4iV  in.  Water  color.  Signed:  Fortuny 
Tanger  1865. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

F77-2  A SPANISH  LADY.  Life-size,  standing  figure,  seen 

Gallery  to  the  knees;  the  right  hand  holds  the  folds  of  her  black 

19  silk  dress;  dark  greenish  background. 

H.  54  in.  W.  39^  in.  Canvas.  Signed:  M.  Fortuny 
Roma  1865. 

Gift  of  Alfred  Corning  Clark,  1889. 

F77-3  MOORS  ON  HORSEBACK.  Three  figures. 

H.  2 in.  W.  6in.  Water  color.  Stamped:  Eortuny  with- 
in a circle. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

FOSTER,  Ben.  American;  born  1852  at  North  Anson,  Me.; 

lives  in  New  York  City.  Pupil  of  Abbott  H.  Thayer  in 
New  York;  Morot  and  Merson  in  Paris.  Landscapes. 

F81-1  IN  THE  CONNECTICUT  HILLS.  In  the  foreground  a 
Gallery  hillside  with  bare  tree  trunks;  in  the  middle  distance 
15  a cottage  (the  painter’s  home)  nearly  hidden  by  trees;  a 
hill  forms  the  background. 

96 


FOSTER  — FRANCI A 

H.  4i|  in.  W.  47J  in.  Canvas.  Signed:  Ben  Foster. 
Bulletin,  1914,  p.  151,  ill. 

Purchase,  Hearn  Fund,  1914. 

F81-2  LATE  SUMMER  MOONRISE.  There  are  pastures 

Gallery  divided  by  stone  walls  in  a rolling  country  with  a wood  at 
15  the  left  and  an  orchard  below.  Hills  beyond,  over  which 
the  moon  is  painted  emerging  from  a blue  cloud-bank. 
Weeds  in  the  foreground. 

H.42jin.  W.  48^  in.  Canvas.  Signed:  Ben  Foster. 
Purchase,  Arthur  Hoppock  Hearn  Fund,  1917. 

FRAN^AIS,  Francois  Louis.  French;  born  1814  at  Plombieres; 

died  1897  at  Paris.  Pupil  of  Gigoux  and  Corot.  Land- 
scapes. 

F841-1  GATHERING  OLIVES.  In  the  foreground  is  a tall 
tree  from  which  a boy  with  a long  pole  is  threshing  olives; 
three  girls  are  below  at  the  left,  gathering  the  fruit; 
in  the  distance  are  the  heights  and  waterfalls  of  Tivoli. 
H.  83!  in.  W.  52!  in.  Canvas.  Signed:  Fran^ais.  68 
Gift  of  J.  Montaignac,  1897. 

FRANCESCHINI,  Baldassare.  See  Volterrano. 

FRANCI  A;  real  name  Francesco  di  Marco  di  Giacomo  Raibolini; 

generally  known  as  II  Francia.  Italian  (Bolognese);  born 
about  1448  at  Bologna;  died  there  1517.  Apprenticed- 
at  first  to  a goldsmith,  he  was  a successful  die  cutter, 
worker  in  niello,  and  engraver;  in  1508  was  Director  of 
the  Mint.  His  painting  was  influenced  by  Lorenzo  Costa, 
who  worked  in  partnership  with  him. 

F844-1  FEDERIGO  GONZAGA.  (1500-1540;  son  of  Gian 

Gallery  Francesco  Gonzaga,  Marquis  of  Mantua,  and  Isabella 
37  d’Este;  became  Duke  of  Mantua  1530  and  ruler  of 
Montferrat  1536.)  Head  and  shoulders  of  a young  boy 
who  stands  back  of  a window  ledge  and  holds  a dagger 
in  his  right  hand;  he  has  long  brown  hair  and  wears  a 
black  cap,  a black  doublet,  and  a jeweled  chain  with  pearl 
pendant;  landscape  background.  The  portrait  was 
painted  for  the  boy’s  mother  and,  according  to  the 
correspondence  of  Isabella  d’Este  with  Francia,  it  was 
begun  July  29,  1510,  and  finished  before  August  loth;  it 
was  painted  at  Bologna  when  the  young  prince  visited 
his  father  in  that  city  before  going  to  Rome  as  a hostage 
to  the  Pope. 


97 


FRANCIA  — FRERE 

FI.  in.  W.  14  in.  Tempera  on  canvas,  transferred 
from  wood. 

Bequest  of  Benjamin  Altman,  1913. 

F844-52  SAINT  BARBARA.  A round-faced  young  girl  in  a red 
Gallery  gown  and  a blue  cloak  lined  with  green  standing  behind  a 
30  parapet,  holds  the  arrow  of  her  martyrdom  in  her  right 
hand,  and  in  her  left  the  tower  with  three  windows  sym- 
bolizing her  faith.  Landscape  background. 

H.  25I  in.  W.  i8|  in.  Wood.  Signed:  francia  aurifex. 
Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

FRENCH  SCHOOL;  Seventeenth  Century. 

Fr88S-i  DUCHESSE  DE  MAZARIN.  (1640-1699;  Hortense 
Mancini,  niece  of  Cardinal  Mazarin,  who  inherited  his 
wealth  and  titles.)  A standing  figure,  seen  to  the  knees; 
she  wears  an  elaborate,  low-necked  dress  of  white  satin  em- 
broidered with  yellow  and  a red  cloak  which  she  holds  with 
both  hands;  in  her  hair  are  red  and  white  feathers  caught 
with  pearls.  At  one  time  attributed  to  Nicolaes  Maes. 

H.  481%  in.  W.  34f  in.  Canvas. 

Purchase,  1871. 

FRERE,  Charles  Theodore.  French,  born  1815  at  Paris: 
died  there  1888.  Pupil  of  Cogniet  and  Roqueplan. 

F89-1  DEPARTURE  FROM  JERUSALEM  FOR  JAFFA. 
At  the  right  a group  of  camels;  a city  is  In  the  distance. 
H.  ii^in.  W.  lyiin.  Wood.  Signed:  TH.  FRERE. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

F89-2  CAIRO;  EVENING.  The  bank  of  a narrow  river  with 
Gallery  Egyptian  women  filling  their  water  jars;  at  the  left  a 
18  drove  of  camels  comes  in  single  file  across  a bridge 

in  the  middle  distance;  tall  palm  trees,  a mosque,  and 
the  city  in  the  distance  are  pink  In  the  sunset  light. 
H.29fin.  W.  43^in.  Canvas.  Signed:  TH.  FRERE - 
AU  CAIRE,  EGYPTE. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

F89-3  JERUSALEM  FROM  THE  ENVIRONS.  In  the 
Gallery  foreground  is  an  Arab  encampment  with  tents,  camels, 
18  and  numerous  figures;  rolling  hills  are  beyond  with 
the  city  of  Jerusalem  in  the  distance. 

H.  29I  in.  W.  43§  in.  Canvas.  Signed:  TH.  FRFRE- 
JERUSALEM  TERRE  SAINTE. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

98 


FRERE  — FULLER 

FRERE,  Pierre  Edouard.  French;  born  1819  at  Paris;  died 
1886  at  Ecouen,  where  he  had  lived  for  forty  years. 
Pupil  of  Delaroche  and  of  the  Ecole  des  Beaux-Arts. 

F891-1  VISIT  OF  A SISTER  OF  CHARITY.  A room  in  a 
Gallery  cottage  with  a nun  holding  a child  on  her  lap;  the  mother 
18  is  kneeling  and  a little  girl  stands  at  the  left. 

H.2oin.  W.  \6\  in.  Wood.  Signed:  P.  Edouard  Fr^re  1877. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

FRIESEKE,  Frederick  Carl.  American;  born  1 874  at  Owosso, 
Mich.;  lives  in  Paris.  Pupil  of  the  Art  Institute  of  Chi- 
cago; Benjamin-Constant,  Laurens,  and  Whistler  in  Paris. 

F91-1  THE  TOILET.  Life-size  figure  of  a young  woman,  partly 
Gallery  dressed,  seen  to  below  the  waist ; she  stands  before  a mirror 
12  with  a handglass  in  her  right  hand;  a blue  bowl  with  red 
and  purple  flowers  is  on  the  dressing  table  at  the  right. 
H.  31I  in.  W.  31J  in.  Canvas.  Signed:  F.  C.  Frieseke. 
Gift  of  Rodman  Wanamaker,  1912. 

FROMENTIN,  Eugene.  French;  born  1820  at  La  Rochelle; 

died  1876  at  St.  Maurice  near  La  Rochelle.  Pupil  of 
Cabat;  influenced  by  Marilhat;  traveled  in  Algiers. 

F92-1  ARABS  CROSSING  A FORD.  A white  horse  with  its 

Gallery  rider  is  stepping  out  of  a stream  to  the  left  bank  where 
17  there  are  other  mounted  Arabs;  rocky  shores  with  a few 
trees. 

H.  20  in.  W.  24J  in.  Wood.  Signed:  Eug.  Fromentin-73. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

FULLER,  George.  American;  born  1822  at  Deerfield,  Mass.; 

died  1884  Brookline,  Mass.  Pupil  of  H.  K.  Brown 
in  Albany,  N.  Y.;  studied  in  Boston;  traveled,  painting 
portraits;  ideal  work  done  during  the  later  part  of  his  life. 

NYDIA.  (The  blind  girl  in  Bulwer-Lytton’s  Last 
Days  of  Pompeii.)  Life-size,  standing  figure,  seen  to  the 
knees;  she  is  enveloped  in  a thin  white  drapery  which 
is  held  with  both  hands. 

H.  50  in.  W.  32J  in.  Canvas.  Signed:  G.  Fuller. 

Gift  of  George  I.  Seney,  1887. 

HEAD  OF  A BOY.  (Portrait  of  his  eldest  son.)  Life- 
size  head;  the  figure  is  lost  in  the  brown  background. 

H.  27j  in.  W.  22  in.  Canvas. 

Gift  of  George  I.  Seney,  1887. 


F95-1 

Gallery 

16 


F95-2 

Gallery 

12 


99 


FULLER  — FYT 

F95-3  AND  SHE  WAS  A WITCH.  (Suggestion  of  the  title 
Gallery  taken  from  Shakespeare.)  At  the  left  a young  woman,  • 
16  with  one  hand  on  the  knob  of  the  door  of  a cottage,  turns 
with  a startled  look;  three  figures  are  at  the  extreme 
right;  beyond  the  house  are  trees  and  beneath  them  stands 
an  old  woman  who  watches  the  figure  in  the  doorway. 
Hazy  atmosphere  and  sunset  sky. 

H.  30  in.  W.  40  in.  Canvas.  Signed:  G.  Fuller. 

Gift  of  George  I.  Seney,  1887. 

F95-4  THE  QUADROON.  Life-size  figure  of  a young  girl, 
Gallery  seated  in  a cotton  field  with  an  overturned  basket  at 
13  her  side;  fields  beyond  with  several  women  bending  over 
as  they  pick. 

H.  50J  in.  W.  40^  in.  Canvas.  Signed:  G.  Fuller. 

Bulletin,  1910,  p.  108,  ill. 

Gift  of  George  A.  Hearn,  1910. 

FYT,  Jan.  Flemish;  born  1611  at  Antwerp;  died  there  i66j. 
Pupil  of  Frans  Snyders.  Animal  and  still  life. 

F99-1  DEAD  GAME.  Partridges  and  woodcock  are  lying 

Gallery  on  the  ground;  a wicker  basket  is  seen  in  the  back- 
27  ground. 

H.  23!  in.  W.  30J-  in.  Canvas. 

Purchase,  1871. 

F99“2  dead  hare  and  BIRDS.  Dead  game  on  a flat 
Gallery  basket;  two  woodcocks  hang  against  the  wall. 

27  H.  23J  in.  W.  31  in.  Canvas. 

Purchase,  1871. 

F99-3  DEAD  PARTRIDGES.  Dead  game  lying  on  the  ground 
Gallery  at  the  foot  of  an  old  tree. 

27  H.  i8y\  in.  W.  i4iV  in.  Canvas.  Signed:  Joannes 
Fyt. 

Purchase,  1871. 


100 


G 


GADDI,  Taddeo.  Italian  (Florentine);  born  about  1300  at  Flor- 
ence, died  there  after  1366.  Pupil  of  his  father,  Gad- 
do  Gaddi,  and  of  Giotto,  whom  he  assisted  for  twenty- 
four  years. 

Gii-i  MADONNA  AND  CHILD  WITH  SAINTS.  An 

Gallery  altarpiece  in  five  panels.  In  the  center  the  Madonna, 
33  wearing  a blue  mantle,  is  seated  on  a white  marble  throne 
and  the  cloth  of  honor  is  upheld  by  two  angels;  the 
Child  is  seated  on  her  knee  and  wears  a red  dress  and 
yellow  cloak.  Full-length,  standing  figures  of  St.  John 
the  Baptist  and  of  St.  Lawrence  are  at  the  left;  at  the 
right,  are  those  of  St.  James  Major  and  of  St.  Stephen; 
each  of  the  four  panels  has  gold  ground  and  ends  in  a 
pointed  Gothic  arch;  the  panels  are  separated  by  painted 
pilasters;  in  the  spandrels  are  figures  of  the  Evangelists; 
these  were  added  toward  the  end  of  the  fifteenth  century. 
The  name  of  each  saint  is  inscribed  on  the  base  which 
extends  across  all  the  panels. 

H.  64I  in.  W.  1 13  in.  over  all.  Tempera  on  wood. 
Bulletin,  1910,  p.  252,  ill. 

Purchase,  Rogers  Fund,  1910. 

GAINSBOROUGH,  Thomas.  British  (English);  born  1727  at 
Sudbury  in  Suffolk;  died  1788  at  London,  where  he 
had  lived  since  1774.  Studied  drawing  with  the  engraver 
Hubert  Gravelot  and  painting  with  Francis  Hayman. 
Portrait  painter;  also  landscapes. 

G12-1  A CHILD  WITH  A CAT.  (The  child  is  supposed  to 

Gallery  be  Jack  Hill,  the  son  of  a woodman  whom  Gainsborough, 
24  toward  the  latter  part  of  his  life,  took  into  his 
home,  and  frequently  used  as  a model.)  Full-length  figure, 
standing  at  the  edge  of  a pool;  back  of  the  child  is  a 

lOI 


GAINSBOROUGH 

wooden  fence;  the  cat  is  in  the  foreground  at  the  left  and 
a red  cloak  lies  on  the  ground.  Attributed  by  Roger  Fry  * 
to  Gainsborough  Dupont;  Armstrong  lists  it  as  by 
Thomas  Gainsborough. 

H.  59J  in.  W.  47^  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

G12-2  THE  REVEREND  HUMPHREY  BURROUGHS. 
Gallery  (Gainsborough’s  mother  was  a Miss  Burroughs  and  this 
14  is  a portrait  of  her  brother,  who  was  master  of  the  school 
at  Sudbury  which  Gainsborough  attended  from  his 
tenth  to  his  fourteenth  year.)  Life-size  figure,  seen  to 
the  waist;  his  hair  is  powdered  and  he  wears  a blue  coat 
trimmed  with  gold  braid.  Painted  within  an  oval. 
H.  29J  in.  W.  25  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

G12-3  ENGLISH  LANDSCAPE.  Hilly  country  with  a road 
Gallery  in  the  center  along  which  a wagon  and  men  are  approach- 
14  ing;  at  the  left  a hill  with  sheep  grazing  on  the  slope  and 
three  cows  standing  on  the  crest;  in  the  foreground  at 
the  right  is  a stream  on  the  far  bank  of  which  are  several 
asses;  a cottage  and  a square  tower  are  in  the  middle 
distance;  bare  mountains  beyond. 

11.47!  in.  W.  58!  in.  Canvas.  Bulletin,  1914,  p.  5,  ill. 
Gift  of  George  A.  Hearn,  1906. 

G12-4  PORTRAIT  OF  A MAN.  Life-size,  seen  almost  to 
Gallery  the  waist;  the  arms  are  folded  and  the  face  is  nearly 
24  in  profile  to  the  left.  P'ormerly  incorrectly  called  a por- 
trait of  Gainsborough. 

H.  28!  in.  W.  24!  in.  Canvas.  Bulletin,  1906,  p.  48,  ill. 
Gift,  1906,  of  William  T.  Blodgett  and  his  sister,  Eleanor 
Blodgett,  in  memory  of  their  father,  William  T.  Blodgett, 
one  of  the  founders  of  the  Museum. 

G12-5  THE  PAINTER’S  DAUGHTER,  MARGARET.  Head 
Gallery  and  shoulders  of  a young  girl  with  the  head  three-quarters 
24  to  the  right;  her  hair  is  drawn  back  and  held  with  a black 
velvet  ribbon  tied  on  top  with  flowers;  square-cut,  low- 
necked  dress.  This  head  of  Gainsborough’s  elder  daugh- 
ter, Margaret  (Peggy),  is  either  a study  for,  or  a replica 
of,  one  of  the  figures  in  the  double  portrait  of  his  daughters 
in  the  Albert  and  Victoria  Museum  (South  Kensington). 
London;  painted  about  1757-58. 

H.  181%  in.  W.  14}  I in.  Canvas.  Bulletin,  1915,  p. 
94,  ill. 


102 


GAINSBOROUGH  — GAROFALO 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

MISS  SPARROW.  Life-size  bust  in  an  oval,  three- 
quarters  to  the  left.  Her  hair  is  powdered  and  piled 
high  on  the  top  of  her  head,  but  two  curls  hang  down, 
one  on  each  shoulder.  She  wears  a low-cut  white  corsage 
with  a brooch  and  pendent  jewel  and  blue  sleeves  with 
an  ermine  trimming  over  the  shoulders. 

H.  30  in.  W.  25  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

WOODLAND  SCENE.  A woodman  has  unhitched 
his  horse,  shown  standing  behind  the  cart;  brown  foliage 
about  them  and  a pool  in  the  right  foreground. 

H.  9j  in.  W.  in.  Water  color.  Signed:  T.  G.  in 
monogram. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

MRS.  GRACE  DALRYMPLE  ELLIOTT.  Full-length, 
standing  figure  facing  the  right;  she  wears  a gold  and 
white  satin  gown,  the  train  of  which  she  has  caught  up 
over  her  left  arm.  The  waist  is  tight  fitting  and  cut 
square  at  the  neck;  she  wears  a narrow  black  ribbon  tied 
around  her  throat.  Her  hair  is  powdered  and  dressed 
high  in  the  fashion  of  the  time. 

H.  92I  in.  W.  60J  in.  Canvas. 

Bequest  of  William  K.  Vanderbilt,  1920. 

GALLAIT,  Louis.  Belgian;  born  1810  at  Tournai;  died  1887 
at  Brussels.  Pupil  of  the  Tournai  Academy  under 
Hennequin. 

G13-1  THE  MINSTREL  BOY.  An  old  man  in  a ragged  green 
Gallery  coat,  seated,  and  seen  to  below  the  knees,  holds  on 
18  his  lap  a half-clad  boy  whose  head  is  bandaged;  a violin 
rests  against  the  boy’s  knee  and  a dog  licks  his  hand. 
H.  i8i^|r  in.  W.  14!  in.  Wood.  Signed:  Louis  Gallait 
1867. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

GAROFALO;  real  name  Benvenuto  Tisio.  Italian  (Ferrarese); 

born  1481  at  Ferrara;  died  there  1559.  Studied  with 
Domenico  Panetti  at  Ferrara,  with  Boccaccino  at  Cremona, 
and  with  Giovanni  Baldini  in  Rome;  strongly  influenced 
by  Lorenzo  Costa  with  whom  he  worked  in  Bologna,  by 


G12-7 

Gallery 

24 


G12-8 


G 12-9 
Gallery 
24 


103 


GAROFALO  — GAY 

the  brothers  Dossi  in  Ferrara,  and  by  Raphael  whom 
he  met  in  Rome. 

Gig-i  SAINT  NICHOLAS  ASKED  TO  REVIVE  A DEAD 
Gallery  CHILD.  St.  Nicholas  of  Tolentino  (i246?-i3o6)  stands 
30  at  the  right  in  the  doorway  of  a monastery;  before  him 
kneels  a woman  with  a dead  child  in  her  arms;  behind 
her  stand  a number  of  men  and  women. 

H.  13  in.  W.  26  in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 

G19-2  SAINT  NICHOLAS  REVIVING  THE  BIRDS.  A 
Gallery  room  with  the  Saint  lying  in  a bed  which  has  a red  cover- 
30  let;  at  the  right  two  monks  are  carrying  dishes  and  one 
of  them  holds  out  a bowl  with  two  birds  which  are  being 
restored  to  life  by  the  Saint’s  benediction;  at  the  left 
are  four  other  monks  of  the  order. 

H.  13  in.  W.  26  in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 

GAUGENGIGL,  Ignaz  Marcel.  American;  born  1855  in 
Bavaria;  lives  in  Boston.  Pupil  of  Munich  Academy. 

G23-1  A DIFFICULT  QUESTION.  An  interior  with  two 
men  in  seventeenth  century  costumes  examining  an 
object  of  art  and  consulting  books.  Inscribed:  une 

QUESTION  DIFFICILE. 

H.  i2in.  W.  16  in.  Wood.  Signed:  I.  M. GAUGENGIGL 
1883. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory 
of  Josiah  M.  Fiske,  1908. 

GAY,  Edward.  American;  born  1837  Dublin,  Ireland;  came 
to  the  United  States  in  1848  and  settled  at  Albany,  N.  Y.; 
lives  at  Mount  Vernon,  N.  Y.  Pupil  of  James  M.  Hart 
at  Albany,  N.  Y.  ; Schirmer  and  Lessing  at  Karlsruhe, 
Germany.  Landscapes. 

G25-1  BROAD  ACRES.  A field  of  ripe  grain  with  a narrow 
stream  flowing  at  the  right  toward  the  foreground; 
in  the  distance  at  the  left  is  a road  and  on  a hill  beyond 
is  a white  house. 

H.48|in.  W.  72in.  Canvas.  Signed:  EDWARD  GAY-87 
Gift  of  a group  of  gentlemen,  1887. 

GAY,  Walter.  American;  born  1856  at  Hingham,  Mass.;  lives 
in  Paris.  Pupil  of  Bonnat  in  Paris. 


104 


GAY  — GENTH 

G251-1  THE  SPINNERS.  Les  Fileuses.  A kitchen  with  two 
old  women  in  dull  blue  dresses,  sitting  near  a fireplace; 
one  is  spinning. 

H.  42J  in.  W.  4i|in.  Canvas.  Signed:  Walter  Gay  85. 
Gift  of  a friend,  1889. 

G251-2  WILLIAM  HENRY  HUNTINGTON.  (1820-1885;  phil- 
Gallery  anthropist,  born  at  Norwich,  Conn.,  but  spent  the  latter 
22  part  of  his  life  in  Paris.  He  bequeathed  to  the  Museum 
a collection  of  miniatures,  bronzes,  and  engravings  of 
Washington,  Franklin,  and  Lafayette.)  Bust  portrait 
with  heavy  brown  hair  and  a full  brown  beard. 

H.  8f  in.  W.  5J  in.  Wood;  carved  frame  with  stand. 
Signed:  Walter  Gay. 

Gift  of  George  A.  Lucas,  1911. 

G251-3  GREEN  SALON.  Boiseries  Vertes.  An  alcove  in 
Gallery  the  Louis  XV  style  with  green  walls  paneled  with 
12  gilt  mouldings;  there  is  a commode  of  the  period  on 

which  stands  a terracotta  group  of  two  cupids  playing 
and  on  each  side  is  a figurine  in  faience.  It  is  a room 
in  the  artist’s  home,  the  Chateau  de  Brian,  near  Melun. 
H.  25y^^  in.  W.  2iJ  in.  Canvas.  Signed:  Walter  Gay. 
Bulletin,  1912,  p.  229. 

Purchase,  Rogers  Fund,  1912. 

GELDER,  Aert  de.  Dutch;  born  1645  at  Dordrecht;  died  there 
1727.  Pupil  of  Samuel  van  Hoogstraten  and,  about 
1660,  of  Rembrandt  in  Amsterdam. 

G28-1  PORTRAIT  OF  A MAN.  Life-size,  seated  figure,  seen 
Gallery  almost  to  the  knees;  he  wears  a scarlet  coat  and  steel 
26  breastplate  and  helmet;  his  right  hand  grasps  the  arm 
of  the  chair;  a wooden  arm  and  hook  are  attached  to 
the  stump  of  his  left  arm.  Attributed  to  Ferdinand  Bol 
by  Bredius. 

H.  40i^|-  in.  W.  35f  in.  Canvas. 

Purchase,  1871. 

GELLEE,  Claude.  See  Claude  Lorraine. 

GENTH,  Lillian.  American;  born  at  Philadelphia;  lives  in  New 
York  City.  Pupil  of  Elliott  Daingerfield  at  Philadel- 
phia School  of  Design  for  Women;  Whistler  in  Paris. 
G281-1  SPRINGTIME.  Landscape  with  a young  woman  who 
Gallery  drops  her  white  drapery  as  she  steps  from  a ledge  of 
15  rock  into  a pool  at  the  right  of  the  picture;  her  extended 
arm  rests  on  the  branch  of  a tree. 


105 


GENTH  — GEROME 

H.  39  in.  W.  30  in.  Canvas.  Signed:  L.  M.  Genth.  . 
Gift  of  George  A.  Hearn,  1910. 

GERICAULT,  Jean  Louis  Andre  Theodore.  French;  born 
1791  at  Rouen;  died  1824  at  Paris.  Studied  with  Carle 
Vernet  and  with  Pierre  Guerin;  influenced  by  Gros. 
At  first  painted  animals;  later  romantic  subjects. 

G3-1  THE  RAFT  OF  THE  MEDUSA.  (The  frigate  Medusa 

Gallery  sailed  from  France  on  June  17,  1816,  for  St.  Louis, 
17  Senegal;  on  July  2,  the  vessel  was  wrecked  and  fifty-nine 
persons  sought  refuge  on  a raft;  on  the  twelfth  day  the 
fifteen  who  were  still  living  were  picked  up  by  the  bark 
Argus.)  This  picture  is  a study  for  G^ricault’s  master- 
piece, thelarge  painting  Le  Radeau  de  la  Meduse, exhibited 
at  the  Salon  in  1819,  and  now  in  the  Louvre  at  Paris. 
H.  19  in.  W.  23!  in.  Canvas. 

Purchase,  Wolfe  Fund,  1909. 

GERMAN  SCHOOL;  Sixteenth  Century. 

G31S-13  PORTRAITOF  AN  ELECTOR  OF  SAXONY.  Stand- 
ing figure,  seen  to  below  the  knees;  he  wears  a long  red 
cloak  lined  with  brown  fur,  over  golden  armor,  and  an 
embroidered  yellow  cap;  below  his  long  white  beard  a 
miniature  of  the  Madonna  and  Child  and  the  Order 
of  the  Eagle  hang  from  a broad  linked  chain. 

H.  30j  in.  W.  22|  in.  Canvas. 

Gift  of  Mrs.  Laura  Wolcott  Lowndes  in  memory  of 
her  father,  Lucius  Tuckerman,  1907. 

G31S-14  PORTRAIT  OF  AN  ELECTRESS  OF  SAXONY. 

Standing  figure,  seen  to  below  the  knees  and  holding  a 
rosary;  she  wears  a yellow  brocaded  cloak  trimmed  with 
brown  fur;  the  sleeves  of  the  under  dress  are  red  and  a 
dark  blue  apron  shows  in  front;  her  headdress  is  white 
and  gold;  about  her  shoulders  is  a broad  linked  chain  from 
which  hang  a miniature  of  the  Madonna  and  Child  and 
the  Order  of  the  Eagle. 

H.  30I  in.  W.  225  in.  Canvas. 

Gift  of  Mrs.  Laura  Wolcott  Lowndes  in  memory  of  her 
father,  Lucius  Tuckerman,  1907. 

GEROME,  Jean  Leon.  French;  born  1824  at  Vesoul;  died  1904 
at  Paris.  Pupil  of  Paul  Delaroche  whom  he  accompanied 
to  Rome  in  1844,  and  of  Gleyre  in  Paris.  Sculptor 
as  well  as  painter. 

106 


GfiROME  — GIAMBONO 

G311-1  BOY  OF  THE  BISCHARI  TRIBE.  A side  view  of  a 
Gallery  nude  dark-skinned  figure,  seen  to  the  waist;  his  right 

17  arm  is  thrown  over  a polished  steel  shield  and  the  left 
hand  grasps  the  cross-hilt  of  a sword. 

H.  Ilf  in.  W.  8f  in.  Canvas.  Signed:  J.  L.  GEROME. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

G311-2  PRAYER  IN  THE  MOSQUE  OF  AMROU;  OLD 
Gallery  CAIRO.  (This  mosque  is  the  oldest  religious  edifice 

18  in  Cairo,  having  been  built  by  the  Mohammedans  in 
the  first  century  of  the  Hegira,  about  622  A.  D.)  Nu- 
merous Mohammedans  in  brightly  colored  robes  and 
turbans  stand  in  two  long  rows  and  all  face  to  the  left 
with  hands  raised  in  prayer;  in  the  foreground  at  the 
right  a Mussulman,  dressed  in  red  velvet  and  yellow 
silk,  stands  on  a rug  and  behind  him  are  two  attendants. 
H.  35  in.  W.  29!  in.  Canvas.  Signed:].  L.  GEROME. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

G311-3  COFFEE-HOUSE  AT  CAIRO.  An  interior  with  two 
men  near  a stone  stove  at  the  left;  a man  seated  on  a 
wicker  basket  is  preparing  to  smoke  a hooka;  a dervish 
is  dancing  and  several  men  are  seated  against  the  wall 
in  the  background. 

H.  21J  in.  W.  24J  in.  Canvas.  Signed:  J L GEROME. 
Bequest  of  Henry  H.  Cook,  1905. 

G311-4  FIGURES  IN  A MOSQUE.  Two  female  figures  are 
kneeling  on  the  tiled  floor;  a manservant  dressed  in 
red  and  blue  stands  behind  them;  all  are  in  oriental 
costume. 

H.  15  in.  W.  lof  in.  Wood.  Signed:]  L GEROME. 
Bequest  of  Martha  T.  Fiske  Collord  in  memory  of 
]osiah  M.  Fiske,  1908. 

GIAMBONO;  real  name  Michele  Giovanni  Boni.  Italian 
(Venetian);  born  at  Venice,  the  first  mention  of 
him  being  in  1420  and  the  last  in  1462.  A follower 
of  Gentile  da  Fabriano,  and  influenced  by  ]acopo  Bellini 
and  Antonio  Vivarini. 

G34-1  CHRIST  RISING  FROM  THE  TOMB.  Nude  figure. 
Gallery  seen  to  the  waist  standing  in  the  tomb  over  the  front  of 
33  which  hangs  an  embroidered  white  shroud;  behind  Him, 
at  the  left,  kneels  St.  Francis  receiving  the  stigmata.  A 
similar  picture  is  in  the  Padua  Museum. 

H.  2 if  in.  W.  in.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1906. 


107 


GIANPIETRINO  — GIFFORD 

GIANPIETRINO.  Italian  (School  of  Milan);  beginning  of  the 
sixteenth  century.  Imitator  of  Leonardo  da  Vinci. 

G341-51  MADONNA  AND  CHILD.  The  Madonna,  in  a red 
Gallery  gown  and  a green  cloak  lined  with  orange,  holds  the  nude 
30  Child  in  her  arms;  He  plays  with  a red  apple.  Her  brown 
hair  is  loose  and  she  tilts  her  head  to  the  left  with  a 
Leonardesque  smile.  Trees  in  the  background  and  dis- 
tant blue  mountains. 

H.27fin.  W.2iiin.  Wood. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father,  James 
Stillman,  1921. 

GIFFORD,  R.  Swain.  American;  born  1840  at  Buzzards  Bay, 
Mass.;  died  1905  at  New  York  City,  where  he  had  lived 
since  1866.  Pupil  of  Albert  van  Beest  in  Holland. 

G36-1  NEAR  THE  COAST.  At  the  right  is  a half-dead  wil- 
low; brownish  brakes  and  ferns  in  the  foreground;  the 
sea  beyond  with  a ray  of  sunlight. 

H.  32I  in.  W.  5i|in.  Canvas.  Signed:  R.  Swain  Gifford. 
Gift  of  a group  of  gentlemen,  1885. 

GIFFORD,  Sandford  R.  American;  born  1823  at  Greenfield, 
N.  Y.;  died  1880  at  New  York  City,  which  had  been  his 
home  since  1844.  Pupil-of  J.  R.  Smith  and  the  National 
Academy  of  Design  in  New  York;  studied  in  Paris  and 
Rome;  traveled  in  Italy,  Greece,  Egypt,  and  the  Rocky 
Mountains.  Landscapes. 

G361-1  NEAR  PALERMO.  At  the  right  is  the  bay;  at  the 
left  a broad  white  road  follows  the  curve  of  the  shore 
to  the  city  of  Palermo  which  is  in  the  distance  at  the 
foot  of  the  mountains. 

H.. 8|  in.  W.  15I  in.  Canvas.  Signed:  S.  R.  Gifford 
•73- 

Bequest  of  Thomas  P.  Salter,  1907. 

G361-2  TIVOLI.  A bread  expanse  of  country  with  a stream 
Gallery  running  through  the  valley  toward  the  foreground; 

16  woods  are  at  the  right  with  a road  in  the  foreground 

where  there  are  several  peasants;  buildings  are  on  the 
heights  at  the  left  and  water  falls  over  numerous  ledges; 
hazy  autumn  light  throughout. 

H.  26I  in.  W.  50I  in.  Canvas.  Signed:  S.  R.  Gifford 
1879. 

Gift  of  Robert  Gordon,  1912. 

108 


GIFFORD  — GIORGIO 

G361-3  KAATERSKILL  CLOVE.  A view  in  the  Catskill 
Mountains  with  a steep  crag  at  the  left,  water  in  the 
valley,  and  mountains  in  the  distance. 

H.  48  in.  W.  39I  in.  Canvas.  Signed:  S R Gifford 
1862.  Bulletin,  1915,  p.  67;  ill.  p.  68. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

G361-4  LAKE  MAGGIORE.  The  lake  is  bathed  in  sunset 
light;  the  little  boats,  the  rocky  shore  and  islands  are 
reflected  in  the  still  water.  The  distant  mountains  dis- 
appear in  the  evening  mists. 

H.  20J  in.  W.  36  in.  Canvas.  Signed  on  back:  S.  R. 
Gifford  pinxit  1871. 

Gift  of  Colonel  C.  A.  Fowler,  1921. 

GIORDANO,  Luca.  Italian  (Neapolitan);  born  1632  at  Naples; 

died  there  in  1705.  Pupil  of  Ribera;  in  Rome  copied 
the  works  of  Raphael,  Michaelangelo,  and  Caravaggio, 
and  assisted  Pietro  da  Cortona.  From  the  rapidity 
with  which  he  worked  he  was  known  as  Fa  Presto  (Does 
Quickly). 

G43-1  THE  NATIVITY.  In  the  foreground  several  women 

Gallery  attend  the  Child,  who  is  held  by  one  seated  wo- 
29  man  while  an  elderly  priest  in  rich  vestments  leans 

over  and  caresses  the  Child's  right  hand;  beyond 
is  a balustrade  behind  which  at  the  left  the  Mother  is  re- 
clining on  a bed  surrounded  by  attending  women;  a 
building  and  sky  form  the  background  at  the  right. 

H.  80J  in.  W.  67!  in.  Canvas.  Bulletin,  1906,  p.  72. 
Purchase,  Rogers  Fund,  1906. 

GIORGIO,  Francesco  di.  Italian  (Sienese);  born  1439  at  Siena; 

died  there  1502.  Pupil  of  Vecchietta.  Served  Count 
Federigo  of  Urbino  as  architect  and  engineer. 

G431-1  A TRIUMPH.  A lady  wearing  a brocaded  gown  the 

Gallery  color  of  tarnished  silver  is  seated  on  a golden  chariot 
31  drawn  by  two  griffins  and  followed  by  two  others.  A 

chorus  of  blonde  ladies  clothed  in  brocades  of  dull  metallic 
colors  sing  beside  her  car;  some  wear  pearl  necklaces  and 
carry  gloves.  The  background  is  a hilly  landscape. 

H.  i5^in.  W.  i7i\in.  Wood. 

Purchase,  Marquand  Fund,  1920. 


109 


GIORGIONE  — GIOVANNI  DA  MILANO 

GIORGIONE;  Giorgio  Barbarelli,  usually  known  as  Giorgione. 

Italian  (Venetian);  born  about  1478,  probably  at  Castel-  • 
franco;  died  1510  (?)  at  Venice.  Pupil  of  Giovanni 
Bellini. 

G432-1  PORTRAIT  OF  A MAN.  Head  and  shoulders  of  a 
Gallery  man  with  long  hair  and  full  beard;  the  face  is  three- 
37  quarters  to  the  right;  the  hands  are  raised  in  the  act  of 
pulling  off  the  right  glove. 

H.  19I  in.  W.  i7yV  in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

GIOTTO  DI  BON  DONE.  Italian  (Florentine);  born  probably 
in  1266  at  Colie,  near  Florence;  died  1336  at  Florence. 
Tradition  states  that  he  was  a pupil  of  Cimabue. 

School  of  Giotto. 

G433S-1  THE  EPIPHANY.  Mary,  wearing  a dark  blue  mantle 
Gallery  reclines  beneath  a thatched  shed  in  the  center  of  the 
33  picture;  in  the  immediate  foreground  are  the  kings,  two 
of  whom  stand  at  the  right  while  the  old  King  kneels  in 
the  center  and  lifts  the  Child  from  the  manger;  St.  Joseph 
stands  at  the  left  with  a sheep  and  two  goats  at  his  feet. 
Beyond  the  shed,  at  the  left,  are  two  shepherds  who  look 
toward  four  angels  and  the  star  of  the  annunciation.  Gold 
background.  Attributed  by  J.  P.  Richter,  Osvald  Siren, 
and  others  to  Giotto.  Companion  pieces  are  in  Munich 
and  in  the  Gardner  and  Berenson  collections. 

H.  17!  in.  W.  17I  in.  Tempera  on  wood.  Bulletin, 
191 1,  p.  216,  ill. 

Purchase,  Rogers  Fund,  1911. 

GIOVANNI  DA  MILANO;  real  name  Giovanni  Jacobi.  Italian 
(Florentine);  born  about  1300;  died  at  an  advanced  age, 
but  date  uncertain;  was  in  Rome^  after  1369.  Worked 
in  the  studio  of  Taddeo  Gaddi  in  Florence. 

G433-1  VIRGIN  AND  CHILD  WITH  DONORS.  The  Child, 
dressed  In  light  red,  stands  on  a ledge  behind  which  is 
the  Virgin,  who  wears  a draped  blue  mantle  and  holds  a 
lily  in  her  right  hand;  small  figures  of  the  donor  and  his 
wife  kneel  at  the  right  and  left  respectively.  Formerly 
attributed  to  Stamina. 

H.  27I  in.  W.  56!  in.  Tempera  on  wood;  semicir- 
cular. Bulletin,  1908,  p.  ii. 

Purchase,  Rogers  Fund,  1907. 


10 


GIOVANNI  DI  PAOLO  — GIROLAMO  DAI  LIBRI 

GIOVANNI  DI  PAOLO.  Italian  (Sienese);  born  about  1403 
at  Siena;  died  after  1482.  Probably  a pupil  of  Paolo 
di  Giovanni  Fei  and  a close  follower  of  Sassetta;  in- 
fluenced by  Fra  Angelico. 

G434-1  SAINT  MATTHEW  AND  SAINT  FRANCIS.  Part 

Gallery  of  an  altarpiece.  Two  full-length  figures,  standing  on  a 
31  red  carpet;  St.  Francis,  at  the  right,  wears  a white 
habit  and  St.  Matthew,  at  the  left,  has  a yellow  cloak 
over  a blue  robe. 

H.  53f  in.  W.  33!  in.  Tempera  on  wood. 

Gift  of  Frederic  Coudert,  1888. 

G434-2  PARADISE.  The  picture  represents  newly  arrived 

Gallery  souls  greeted  by  those  in  Paradise.  On  a hillside,  men 
31  and  women  in  fashionable  Italian  costumes  of  the  fif- 
teenth century  and  ecclesiastics  in  their  robes,  are  being 
guided  by  angels  toward  the  golden  rays  at  the  right, 
which  evidently  come  from  the  Gate  Beautiful.  This 
picture  closely  resembles  one  panel  of  a predella,  painted 
by  Giovanni  di  Paolo  in  1445,  which  is  now  in  the 
Academy  at  Siena.  The  picture  in  the  Museum  ap- 
pears to  be  a fragment;  the  other  half  probably  repre- 
sented condemned  souls. 

H.  18J  in.  W.  15I  in.  Tempera  on  wood  transferred  to 
canvas.  Bulletin,  1906,  p.  165. 

Purchase,  Rogers  Fund,  1906. 

GIOVANNI  DI  PIETRO.  See  Spagna. 

GIROLAMO  DAI  LIBRI.  Italian  (School  of  Verona);  born  1474 
at  Verona;  died  there  1556.  Pupil  of  Domenico  Morone, 
influenced  by  Mantegna  and  Montagna. 

G44-1  MADONNA  AND  CHILD  WITH  SAINTS.  The 

Gallery  Madonna  is  enthroned  with  the  Child  standing  in  her  lap 
30  beneath  a tall  laurel  tree.  In  front  of  them  crouch  three 
musical  angels;  at  the  right  stand  St.  Apollonia  with  palm 
and  pincers  and  St.  Augustine  in  ecclesiastical  robes  hold- 
ing a book  and  crosier.  At  the  left  are  St.  Leonard  with 
book  and  fetters  and  Saint  Catherine  with  palm  and  book; 
a piece  of  her  wheel  is  on  the  ground  beside  her.  In  the 
background  a peacock,  representing  the  resurrection, 
sits  on  a dead  tree;  to  the  left  is  a castle  built  on  a high 
cliff;  on  the  right  blue  mountains  with  a river  and  towns 
beneath. 

H.  13  ft.,  I in.  W.  6 ft.,  9I  in.  Canvas. 

Purchase,  Kretchmar  Fund,  1920. 


GLACKENS  — GOYA 

GLACKENS,  William  J.  American;  born  1870  at  Philadelphia. 

Studied  at  the  Pennsylvania  Academy  of  Fine  Arts  and  in 
Europe. 

G45-1  CENTRAL  PARK — WINTER.  A curving  path  from 
Gallery  which  children  slide  on  sleds  into  a hollow  at  the  right. 
12  Various  people  are  sitting  on  benches  and  walking  about. 
The  snow  shows  blue  through  the  bare  trees  on  the  hill  in 
the  background  and  white  in  the  hollow. 

H.  25  in.  W.  30  in.  Canvas.  Signed:  W.  Glackens. 
Purchase,  Hearn  Fund,  1921. 

GLAIZE,  Leon.  French;  born  1842  at  Paris;  lives  there.  Pupil 
of  his  father,  Auguste  Bartelemy  Glaize,  and  of  Gerome. 

G451-1  BEFORE  THE  MIRROR.  Full-length  figure  of  a 

S.  W.  lady,  standing  before  a cheval  glass;  she  holds  a fur- 

Stairway  trimmed,  gray  silk  wrap  about  her. 

H.  39f  in.  W.  29} f in.  Canvas.  Signed:  1873  P.  P. 
. Leon  Glaize. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

GOSSAERT,  Jan.  See  Mabuse. 

GOYA,  Francisco  Jose.  Spanish;  born  1746  at  Fuentetodos 
near  Saragoza;  died  1828  at  Bordeaux,  France.  Pupil 
of  Jose  Martinez;  studied  at  Rome;  settled  at  Madrid, 
where  he  spent  the  greater  part  of  his  life.  Painter 
chiefly  of  portraits  and  fantastic  subjects;  also  etcher. 

G74-1  A JEWESS  OF  TANGIERS.  A small,  full-length,  stand- 
Gallery  ing  figure,  wearing  an  elaborate  green  and  gold  brocaded 
28  robe  with  chains  and  jeweled  headdress;  she  holds  a 
fan  in  her  left  hand. 

H.  2of  in.  W.  13!  in.  Canvas. 

Purchase,  1871. 

G74-2  THE  TRIAL;  A SCENE  OF  SORCERY.  (This  is 
Gallery  a sketch  for  the  etching,  Ensayos  [The  Trial],  which  is 
28  No.  60  in  the  collected  etchings  by  Goya  published 
in  1799  under  the  title  of  Caprichos.)  At  the  right 
a nude  witch  has  her  hands  on  the  head  of  a nude  man 
whom  she  is  teaching  to  fly;  in  his  right  hand  he  holds  a 
flying  bat;  an  enormous  goat  is  nearby  and  in  the  fore- 
ground are  two  cats,  a jug,  and  a skull. 

H.  i2i^g  in.  W.  io|  in.  Copper.  Numbered:  60. 

Gift  of  Samuel  P.  Avery,  1894. 


GOYA  — GOYEN 

G74-3  DON  SEBASTIAN  MARTINEZ.  (A  lawyer  and  art- 
Gallery  patron  of  Cadiz.)  Life-size,  seated,  seen  to.  below  the 
28  knees  with  hands  crossed;  he  wears  a blue-gray  silk  coat. 
H.  36I  in.  W.  26J  in.  Canvas.  Inscribed:  D".  Se- 

bastian Martinez  Per  su  Amigo  Goya  - 1792.  Bulletin, 
1906,  p.  73,  ill. 

Purchase,  Rogers  Fund,  1906. 

G74-54  DONNA  JOSEFA  DE  GARCINI.  Life-size  figure  seen 
Gallery  to  the  knees,  seated  on  a red  plush  couch;  she  wears  a 
28  high-waisted  white  dress  cut  round  at  the  neck  and  with 
small  puff  sleeves.  Her  hands  are  folded  in  front  of  her 
holding  a small  fan.  Her  red  hair  is  loose  and  hangs 
about  her  shoulders. 

H.  41  in.  W.  32j  in.  Canvas.  Inscribed:  D^  Josefa 

Castilla  y Garcini.  Pr  Goya  1804 

Lent  by  Mrs.  Harry  Payne  Bingham,  1920. 

G74-55  DON  IGNACIO  GARCINI.  Three-quarters  length. 
Gallery  standing  figure  turned  slightly  to  the  left;  he  wears  an 
28  engineer’s  uniform  of  black  with  red  cuffs  and  collar  trim- 
med with  gold  braid,  and  white  breeches.  On  his  coat  is 
pinned  the  cross  of  Santiago.  His  left  hand  rests  on  the 
hilt  of  his  sword. 

H.  41  in,  W.  32j  in.  Canvas.  Inscribed:  D"  Ignacio 
Garcini  Per  Goya  1804. 

Lent  by  Mrs.  Harry  Payne  Bingham,  1920. 

GOYEN,  Jan  van.  Dutch;  born  1596  at  Leyden;  died  1656  at 
The  Hague,  where  he  had  lived  since  1634.  Studied 
under  Esaias  van  de  Velde;  traveled  in  France. 

G741-1  THE  MOERDYCK.  Quiet  water  reflecting  the  blue 

Gallery  sky  and  white  clouds;  in  the  foreground  a line  of  shore 

26  with  fishermen  and  two  boats;  a town  is  seen  at  the 

horizon. 

H.  15  in.  W.  24I  in.  Canvas.  Monogram:  VG  1654. 
Purchase,  1871. 

G741-2  PANORAMIC  VIEW  OF  THE  ENVIRONS  OF 

Gallery  HAARLEM.  Stretches  of  water  and  flat  lands,  with 

26  windmills,  houses,  and  haystacks;  in  the  foreground  at 

the  left  are  two  small  seated  figures. 

H.  13!  in.  W.  19!  in.  Wood.  Monogram:  VG  1646. 
Purchase,  1871. 

G741-3  A VIEW  OF  RHENEN.  In  the  foreground  is  a wind- 
Gallery  ing  road  in  sunlight  with  peasants  and  a cart;  at  the  right 
26  cattle  are  near  a pool;  on  a hill  in  the  middle  distance  is 


113 


GOYEN  — GOZZOLI 

the  walled  town  with  a tall  tower  rising  in  the  center  and 
a windmill  in  the  distance  at  the  right;  at  the  left  is  the* 
river  with  flat  country  beyond. 

H.  39f  in.  W.  53!  in.  Canvas.  Signed:  . V Goyen. 
1636.  Bulletin,  1906,  p.  73. 

Purchase,  Rogers  Fund,  1906. 


GOZZOLI,  Benozzo;  real  name  Benozzo  di  Lese.  Italian  (Floren- 
tine); born  1420  at  Florence;  died  1498  at  Pisa.  Pupil 
possibly  of  Giuliano  Pesello  and  of  the  Bicci;  assistant 
and  follower  of  Fra  Angelico. 

G742-1  SAINT  PETER,  SAINT  PAUL,  SAINT  ZENOBIUS, 

Gallery  AND  SAINT  BENEDICT.  Four  panels,  originally 
33  forming  a small  altarpiece  or  retable,  which  was  painted 
for  the  chapel  of  the  Alessandri  family  in  the  church  of 
San  Pier  Maggiore  in  Florence.  Ascribed  by  Vasari  to 
Pesello,  but  Crowe  and  Cavalcaselle  and  subsequent 
authorities  attribute  them  to  Gozzoli;  painted  between 
1461  and  1463.  Bulletin,  1915,  p.  224;  ill.  pp.  227,229. 

G742-ia  Saint  Peter.  The  fall  of  Simon  Magus  as  told  in  the 
Golden  Legend.  At  the  left  St.  Paul  kneels  in  prayer 
and  St.  Peter  stands  with  his  hand  raised  and  looking  at 
Simon  Magus,  who  is  borne  up  by  devils  above  the 
tower  from  which  he  made  his  flight;  the  appeal  of  St. 
Peter  is  answered  by  the  fall  of  Simon  Magus,  who  lies 
dead  in  the  foreground;  Nero  is  seated  on  a throne  at  the 
right  with  a councilor  and  soldiers  beside  him;  back  of 
the  Saints  is  the  Roman  populace. 

H.  15J  in.  W.  i7|-f  in.  Tempera  on  wood. 

G742-ib  Saint  Paul.  The  Saint’s  conversion  as  told  in  the  ninth 
chapter  of  the  Acts  of  the  Apostles.  St.  Paul  is  in  the 
center  of  a landscape  and  the  Holy  Spirit  descends  from 
a group  of  angels;  soldiers,  mounted  and  on  foot,  flee  in 
terror  from  the  scene. 

H.  15J  in.  W.  18  in.  Tempera  on  wood. 

G742-IC  Saint  Zenobius.  The  Saint  resuscitates  a child  who  has 
been  crushed  by  a wagon.  St.  Zenobius  kneels  at  the 
left  and  the  mother  at  the  right;  between  them  lies  the 
dead  body  of  the  child,  who  is  also  shown  resuscitated. 
The  scene  takes  place  in  a Florentine  street  with  nu- 
merous spectators. 

H.  I5  i 6 in.  W.  18  in.  Tempera  on  wood. 

G742-id  Saint  Benedict.  Totila,  a king  of  the  Goths  who  dev- 
astated Italy  in  the  sixth  century,  visits  St.  Benedict, 
114 


THH  MHRRY  COMPANY 
BY  FRANS  HALS 


GOZZOLI— GRECO 

who  reprimands  him  for  his  misdeeds.  The  Saint  is  seated 
at  the  right  surrounded  by  monks  of  his  order;  Totila 
kneels  in  the.  foreground  and  at  the  left  are  his  followers. 
H.  15!  in.  W.  17I  in.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1915. 

GRAEB,  Carl.  German;  born  1816  at  Berlin,  died  there  1884. 

Pupil  of  Gerst  and  Berlin  Academy.  Architectural  sub- 
jects and  landscapes. 

G75-1  INTERIOR  OF  THE  CATHEDRAL  OF  FREIBURG, 
S.  W.  GERMANY. 

Stairway  H.  31J  in.  W.  41  in.  Canvas.  Signed:  Carl  Graeb- 
Berlin-  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

GRAY,  Henry  Peters.  American;  born  1819  at  New  York  City; 

died  there  1877.  Pupil  of  Huntington  in  New  York; 
traveled  in  Italy. 

G79-1  WAGES  OF  WAR.  In  the  center  lies  a wounded  Roman 
soldier  with  a broken  sword;  at  the  right  is  a soldier  with 
a woman  clinging  to  him;  at  the  left  a woman  is  leaning 
over  a sarcophagus  and  a nude  child  stands  at  her  side. 
H.  485  in.  W.  76j  in.  Canvas.  Signed:  Henry  Peters 
Gray.  N.  Y.  i84-(5?) 

Gift  of  several  gentlemen,  1874. 

G79-2  CLEOPATRA  DISSOLVING  THE  PEARL.  Stand- 
ing figure,  seen  to  below  the  waist;  with  bare  arms  raised 
she  is  dropping  the  pearl  into  a metal  dish;  she  wears  a 
turban,  red  robe,  and  heavy  pearl  ornaments. 

H.  40y\  in.  W.  28|  in.  Canvas.  Signed:  FP.  Gray  '68  N.Y. 
Gift  of  Cortland  de  Peyster  Field,  in  memory  of  his 
father,  Benjamin  Hazard  Field,  1894. 

G79-3  GREEK  LOVERS.  At  the  right  a young  woman  is 
Gallery  seated  on  a stone  step  against  which  she  rests  a lute; 
16  a young  man  stands  in  front  of  her;  both  wear  classic 
drapery;  shrubbery  is  at  the  left  and  hills  beyond. 

H.  40t^  in.  W.  51I  in.  Canvas.  Signed:  GI^Y  1846. 
Gift  of  William  Church  Osborn,  1902. 

GRECO,  EL;  real  name  Domenico  Theotocopuli.  Spanish;  born 
about  1548  at  Candia,  Crete;  died  1614  at  Toledo. 
Influenced  by  Titian  and  Tintoretto  and  the  Bassani; 
went  to  Rome  in  1570  and  settled  in  Toledo  shortly 
before  1577. 


115 


GRECO— G ROLL 

G8-I  THE  NATIVITY.  Within  a vaulted  porch  the  nude 
Gallery  Child  lies  on  a white  cloth  one  corner  of  which  is  held  ' 
28  by  the  Madonna;  St.  Joseph  is  at  the  right  and  adoring 
shepherds  are  grouped  at  the  left;  above,  three  flying 
cherubs  hold  a scroll  inscribed:  • lavdamvs  • te  • bene- 
DiciMus  • GLORIA  • IN  • EXCELSis  * DEO.  The  light  ema- 
nates from  the  Child;  beyond  the  arch  is  a dark  landscape. 
H.  64!  in.  W.  42j  in.  Canvas. 

Purchase,  Rogers  Fund,  1905. 

GREUZE,  Jean  Baptiste.  French;  born  1725  at  Tournus,  near 
Macon;  died  1805  at  Paris.  Pupil  at  Lyons  of  Grandon; 
studied  also  in  Paris  and  Rome.  Genre  and  portraits. 

STUDY  OF  A GIRL’S  HEAD.  Life-size,  nearly  to  the 
waist;  the  face  is  upturned;  she  wears  a brown  blouse,  a 
white  kerchief,  a dark  blue  apron  bib,  and  a white  cap. 
H.  i8§  in.  W.  15J  in.  Canvas. 

Gift  of  Ernest  Gimpel,  1903. 

VOLUPTE.  Head  and  shoulders  of  a young  woman. 
Attributed  to  Greuze. 

H.  8^  in.  W.  63^^  in.  Canvas. 

Purchase,  Rogers  Fund,  1904. 

DANAE.  The  head  and  bust  of  a girl  wearing  a white 
dress  which  partly  covers  her.  She  leans  back  on  rose- 
colored  draperies  and  looks  up  with  limpid  eyes. 

H.  22f  in.  W.  i8f  in.  Canvas;  oval. 

Bequest  of  William  K.  Vanderbilt,  1920. 

CEUFS  CASSES.  A peasant  interior  where  a young  girl 
is  sitting  sulkily  beside  a basket  of  broken  eggs,  while  an 
apologetic  young  man  is  restraining  the  angry  mother.  A 
little  boy  at  the  right  tries  to  mend  one  of  the  broken  eggs. 
H.  28J  in.  W.  37  in.  Canvas.  Signed:  Greuze  f.  Roma 
'756. 

Bequest  of  William  K.  Vanderbilt,  1920. 

GROLL,  Albert  L.  American;  born  1866  in  New  York  City; 

lives  there.  Pupil  of  Gysis  and  Loeflftz  in  Munich. 
Landscapes,  especially  Western  scenes. 

G89-1  SILVER  CLOUDS,  ARIZONA.  Broad  stretch  of  open 
country,  low  horizon  with  rising  ground  at  each  side. 
Gallery  H.  39!  in.  W.  50!  in.  Canvas.  Signed:  A.  L.  GroII. 

15  Bulletin,  1914,  p.  150,  ill. 

Purchase,  Hearn  Fund,  1914. 

116 


G861-3 

Gallery 

20 


G861— 4 


G861-6. 

Gallery 

20 


G861-7 

Gallery 


20 


GROLLERON  — GYSIS 

GROLLERON,  Paul.  French;  born  18483!  Seignelay;  died  1901 
at  Paris.  Pupil  of  Bonnat.  Military  subjects. 

G891-1  SOLDIER  AT  REST.  He  stands  in  an  open  road  with 
his  knapsack  on  his  back  and  both  hands  on  the  muzzle 
of  his  gun. 

H.  8f  in.  W.  6 in.  Wood.  Signed:  P.  Grolleron. 
Bequest  of  Thomas  P.  Salter,  1907.  . 

GUARDI,  Francesco.  Italian  (Venetian);  born  1712  at  Venice; 

died  there  1793.  Pupil  of  Canaletto.  Painted  chiefly 
views  of  Venice. 

G93-1  THE  RIALTO.  A view  of  the  Grand  Canal,  Venice, 
Gallery  taken  from  behind  the  Fondaco  de’  Tedeschi;  the  bridge 
1 1 of  the  Rialto  is  in  the  middle  distance. 

H.  21  in.  W.  33J  in.  Canvas. 

Purchase,  1871. 

G93-2  SANTA  MARIA  DELLA  SALUTE,  VENICE.  A 
Gallery  view  across  the  Grand  Canal  with  the  church  of  La 
II  Salute  on  the  far  shore;  a portion  of  the  Dogana  appears 
at  the  left. 

H.  21  in.  W.  33^1  in.  Canvas. 

Purchase,  1871. 

G93-3  FETE  ON ‘the  GRAND  CANAL,  VENICE.  A view 
Gallery  of  the  Grand  Canal  with  many  decorated  gondolas; 
29  people  are  crowded  on  the  banks  and  on  the  bridge  of 
the  Rialto,  which  is  in  the  middle  distance. 

H.  30I  in.  W.  49  in.  Canvas.  Bulletin,  1906,  p.  72. 
Purchase,  Rogers  Fund,  1906. 

GUY,  Seymour  J.  American;  born  1824  at  Greenwich,  England; 

died  1910  in  New  York  City,  where  he  had  lived  since  1854. 
Pupil  of  Ambrosino  Jerome  in  London. 

G99-1  CHARLES  LORING  ELLIOTT.  (Portrait  painter;  see 
Elliott.)  Bust;  his  heavy  hair  and  full  beard  are 
black,  slightly  mixed  with  gray;  a painting  on  an  easel 
is  in  the  background  at  the  left. 

H.  12J  in.  W.  loin.  Canvas.  Signed:  SJ Guy- 1868. 
Gift  of  Mrs.  Robert  W.  de  Forest,  1903. 

GYSIS,  Nicolas.  Greek;  born  1842  on  the  Island  of  Tinos, 
Greece;  died  1901  at  Munich.  Pupil  of  the  School 
of  Arts  at  Athens;  Munich  Academy  under  Piloty. 


GYSIS 

G991-1  CHARITY.  An  interior  with  a young  woman  nursing 
a child  while  a little  girl  stands  on  a chair  at  her  side  and 
a poor  woman  is  seated  opposite. 

H.  4i-j\  in.  W.  28^1  in.  Canvas.  Signed:  N.  Cysis 
Munchen.^ 

Cift  of  E.  A.  Fleischmann,  1884. 


1 18 


H 


HABERMANN,  Hugo  von.  German;  born  1849  in  Dillingen; 

lives  in  Munich.  Pupil  of  Munich  Academy  under 
Piloty. 

Hii-i  PORTRAIT  OF  A LADY.  An  interior  with  the  lady 
Gallery  seated  and  seen  to  below  the  waist;  she  wears  a white 
19  dress,  a green  hat  is  perched  on  the  top  of  her  head,  and  a 
brown  fur  neckpiece  hangs  over  her  outstretched  left 
arm. 

H.  32y\  in.  W.  24!  in.  Canvas.  Signed:  Habermann 
1904. 

Gift  of  Hugo  Reisinger,  1912. 

Hi  1-2  IN  THE  STUDIO.  A young  woman  in  a low-cut  pink 
Gallery  bodice  and  blue  skirt  stands  in  front  of  a table  by  a 
19  window;  the  painter,  seated  at  the  left,  is  partly  hidden 
by  his  easel. 

H.  39f  in.  W.  37I  in.  Canvas.  Signed:  Habermann/ 
1885;  inscribed  on  the  back:  H Habermann/  Fecit. 
Purchase,  Reisinger  Fund,  1916. 

HAGHE,  Louis.  Belgian;  born  1806  at  Tournai;  died  1885  at 
Stockwell,  England.  Pupil  of  De  La  Barriere;  settled 
in  England  about  1832.  Also  lithographer. 

Hi 2-1  GUARD- ROOM;  THE  TOAST.  A group  of  men 

S.  W.  seated  around  a table;  one  stands  in  front  of  the  fire- 

Stairway  place  with  a glass  in  his  raised  right  hand;  a guard  is  in 
the  doorway  at  the  left;  seventeenth  century  costumes. 
H.  i6J  in.  W.  22  in.  Wood. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HALL,  George  Henry.  American;  born  1825  at  Boston;  died 
1913  at  New  York  City  where  he  had  lived  since  1852. 
Studied  in  Dusseldorf,  Paris,  and  Rome. 


119 


HALL— HALS 

H14-1  BAZAAR  SCENE  IN  CAIRO.  At  the  right  is  a shop 
near  which  a native  descends  steps;  at  the  left  an  * 
archway  with  a court  beyond. 

H.  35yV  in.  W.  47f  in.  Canvas.  Signed:  George  Henry 
Hall  1877. 

Bequest  of  Henry  H.  Cook,  1905. 

HALS,  Frans.  Dutch;  born  i584(?)  at  Antwerp;  died  1666  at 
Haarlem,  where  he  had  settled  in  1604.  Pupil  of  Karel 
van  Mander.  Painted  chiefly  portraits. 

H16-1  THE  SMOKER.  Life-size  head  and  shoulders  of  a 
Gallery  young  man  who  is  laughing  and  smoking;  at  the  left, 
26  a young  woman,  laughing,  has  both  her  hands  on  his 
shoulders;  in  the  background  at  the  right  is  the  head  of 
another  woman  who  holds  a stein.  Moes,  in  his  list 
of  works  by  Frans  Hals,  calls  this  (No.  212)  a replica  of 
the  painting  in  the  Museum  at  Konigsberg. 

H.  i8f  in.  W.  19!  in.  Wood; octagonal. 

Gift  of  Henry  G.  Marquand,  1888. 

H16-2  PORTRAIT  OF  A MAN.  Life-size,  standing  figure,  seen 
Gallery  to  the  knees;  he  is  dressed  in  black,  a black  cloak  hangs 
1 1 over  his  left  arm,  and  he  holds  a broad-brimmed,  high- 
crowned  black  felt  hat  in  his  left  hand;  his  right  hand 
rests  on  his  hip. 

H.  43^  in.  W.  34  in.  Canvas.  Monogrammed:  EH. 
Gift  of  Henry  G.  Marquand,  1890. 

H16-3  PORTRAIT  OF  A WOMAN.  Life-size,  seated  figure, 
Gallery  seen  to  the  knees;  her  hands  are  clasped  on  her  lap  and 
II  hold  a closed  fan;  she  wears  a black  silk  dress  with  a 
pink  underskirt  showing  in  front;  her  broad  white  collar 
and  cuffs  are  edged  with  lace;  two  columns  are  back  of 
the  figure  at  the  left,  and  at  the  right,  in  the  distance, 
tall  spires  show  against  a sunset  sky.  Erroneously  called 
Wife  of  the  Artist. 

H.  38!  in.  W.  31J  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1890. 

H16-4  THE  MERRY  COMPANY.  A man  with  a flushed 
Gallery  face,  wearing  about  his  neck  a string  of  sausages,  pig’s 
39  feet,  etc.,  sits  close  to  a gaily  dressed  young  woman 
before  a table  on  which  are  bagpipes,  a stein,  and  various 
edibles;  back  of  them  stand  two  men;  the  one  at  the 
right,  in  a gray  cloak  and  red  cap,  leers  down  at  the 
woman;  the  other  is  yawning  and  has  his  left  hand  to  his 
face. 


120 


HALS  — HALS 

H.  5iyJ  in.  W.  39J  in.  Canvas.  Monogrammed:  F H 
(Gothic  letters). 

Bequest  of  Benjamin  Altman,  1913. 

H16-5  YONKER  RAMP  AND  HIS  SWEETHEART.  Life- 
Gallery  size,  half-length,  standing  figures;  at  the  left  is  Yonker 
39  (Lord)  Ramp,  wearing  a gray  doublet  with  blue  sleeves 
and  a large  gray  felt  hat;  he  holds  a wine-glass  in  his 
right  hand,  fondles  a dog  with  his  left,  and  is  shouting 
or  singing;  the  young  woman,  in  a black  dress  with  a 
broad  white  linen  collar,  is  at  his  left  and  has  her  arms 
about  him;  back  of  them  is  a dark  curtain  and  in  a room 
beyond  stands  a man  carrying  a dish. 

H.qiyin.  W.  31-i^in.  Wood.  Signed:  F Hals  1623. 
Bequest  of  Benjamin  Altman,  1913.  , 

H 16-6  A YOUTH  WITH  A LUTE.  Life-size  figure  of  a boy, 
Gallerv  seen  to  the  waist,  back  of  a table;  he  wears  a black  cap 
39  on  his  rumpled  brown  hair  and  a black  velvet  cloak  with 
red  sleeves  showing;  in  his  right  hand  he  holds  a green 
glass,  inverted,  which  he  flicks  with  his  left  thumb;  a 
lute,  held  in  his  arm,  rests  on  the  table,  on  which  there 
is  an  orange;  a gray-green  drapery  forms  the  background. 
Also  known  as  Le  rubis  sur  I’ongle — The  Ruby  (last  drop 
of  wine)  on  the  Finger  Nail. 

H.  28f  in.  W.  23!  in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

H16-7  PORTRAIT  OF  A MAN.  Life-size  figure  of  a man 
seen  to  the  waist  with  the  head  turned  slightly  to  the 
right;  he  has  a gray  beard  and  wears  a broad-brimmed 
black  hat  and  a black  coat  with  white  ruff;  his  right 
hand  rests  on  the  left,  which  holds  a stick.  Attributed 
to  Frans  Hals. 

H.  3of  in.  W.  24}-^  in.  Canvas.  Inscribed: /ETA  SV/E 
66  AN°.  1633  F H (monogram).  Bulletin,  1915,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

HALS,  Frans,  The  Younger.  Dutch;  born  between  1617  and 
1623;  died  after  1669.  Pupil  of  his  father,  Frans  Hals 
the  Elder,  whose  works  he  frequently  copied.  Portraits 
and  figure  subjects. 

H161-1  HILLE  BABBE.  (Hille  Babbe,  sometimes  spelt  Bobbe, 

Gallery  was  a fishmonger  of  Haarlem  who  was  used  several 

26  times  as  a model  by  various  members  of  the  Hals  family.) 


12 


HALS  — HANS  MALER  ZU  SCHWAZ 

Life-size  figure  of  an  old  woman,  seen  to  the  waist;  she  is 
seated  and  leans  forward  with  her  folded  hands  resting  on  • 
the  corner  of  a table;  she  wears  a brown  blouse,  a soiled 
white  collar,  and  a close-fitting  white  cap;  a screech-owl 
stands  upon  her  right  shoulder.  There  are  three  examples 
of  this  subject:  the  one  in  the  Kaiser  Friedrich  Museum, 
Berlin,  very  similar  to  the  Museum’s  picture  but  with 
a mug  on  the  table,  is  undoubtedly  by  Frans  Hals  the 
Elder;  the  other  is  in  the  Museum  at  Lille.  Most 
authorities,  including  Bode  and  de  Groot,  consider 
the  Museum’s  picture  the  work  of  some  one  close  to 
Hals,  probably  Frans  Hals  the  Younger;  Moes  lists  all 
three  under  the  elder  Frans  Hals. 

H.  2gi  in.  W.  24^^  in.  Canvas.  Monogrammed:  FH. 
Purchase,  1871. 

HALS,  Frans,  the  younger  (?)  and  Dirck  Hals  (?). 

H162-1  MEETING  OF  THE  TRAINED  BANDS  TO  CELE- 
BRATE THE  CONCLUSION  OF  THE  PEACE  OF 
MUNSTER.  (The  Peace  of  Munster,  which  ended  the 
Thirty  Years’  War,  was  signed  Oct.  24,  1648.) 

H.  26|  in.  W.  40  in.  Canvas. 

Purchase,  1871. 

HAMILTON,  James.  American;  born  1819  in  Ireland;  died 
1878.  Studied  in  Philadelphia,  where  he  spent  his 
professional  life. 

H17-1  ON  HAMPSTEAD  HEATH.  A barren  foreground 
with  figures  disappearing  at  the  left;  in  the  distance  at 
the  right  are  the  domes  of  London,  including  St.  Paul’s. 

H.  14  m.  W.  2oin.  Canvas.  Signed:  Jas.  Hamilton  1856. 
Gift  of  William  Sartain,  1912. 

HAMON,  Jean  Louis.  French;  born  1821  at  St.  Loup  near 
Plouha;  died  1874  at  St.  Raphael.  Pupil  of  Delaroche 
and  G ley  re  in  Paris. 

H18-2  AN  ETRUSCAN  VASE  SELLER.  The  wares  are 

Gallery  displayed  on  a counter  behind  which  stands  the  mer- 
17  chant;  in  front  of  the  counter  are  two  women. 

H.  20j  in.  W.  17  in.  Canvas.  Signed:  J.  L.  HAMON. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HANS  MALER  ZU  SCHWAZ.  Austrian  (Tyrolese);  work  dated 
1 5 19  to  1 529.  Little  is  known  about  this  artist,  who  was 
influenced  by  Strigel,  Schaiifelin,  and  Amberger.  See 


122 


HANS  MALER  ZU  SCHWAZ  — HARRISON 

article  by  Max  J.  Friedlander  in  Repertorium  fur  Kunst- 
wissenschaft,  1895. 

H19-1  ULRICH  FUGGER.  (1490-1525;  banker  of  Augsburg.) 
Gallery  Head  and  shoulders  of  a man  with  a high  forehead  and 
37  square-cut  beard;  he  wears  a small,  black  cap,  em- 
broidered with  gold,  and  a black  cloak  with  white  shirt 
open  at  the  neck. 

H.  12J  in.  W.  15I  in.  Wood.  Inscribed  on  the  back: 

DOMINI  MDXXV  ANNO  CVRENTE  XXXV  ETATIS. 

Bequest  of  Benjamin  Altman,  1913. 

HARDING,  Chester.  American;  born  1792  at  Conway,  Mas- 
sachusetts; died  1 866  at  Boston.  He  was  self-taught; 
began  as  an  itinerant  jack-of-all-trades  and  became  the 
fashionable  portrait  painter  of  Boston. 

H21-1  MRS.  THOMAS  BREWSTER  COOLIDGE  (Clarissa 
Gallery  Baldwin).  Half-length  figure  turned  slightly  to  the  right; 
16  she  wears  an  ermine-lined  gray  silk  cloak  which  she  holds 
together  with  her  yellow-gloved  hand.  The  large  black 
hat  is  laden  with  drooping  black  plumes  and  worn  with  a 
white  lace  scarf  underneath  her  chin. 

H.  36J  in.  W.  28  in.  Canvas. 

Purchase,  Rogers  Fund,  1920. 

HARLOW,  George  H.  British  (English);  born  1787  at  London; 

died  there  1819.  Pupil  of  Drummond  and  of  Sir  Thomas 
Lawrence,  whom  he  served  as  assistant.  Portraits. 

H22-1  PORTRAIT  OF  THE  ARTIST.  Life-size,  seated 
Gallery  figure,  seen  to  the  waist;  a letter  is  held  in  his  left  hand; 
14  he  wears  a black  cape  over  a red  coat;  a red  curtain  is 

draped  at  the  left  near  an  open  window  through  which  a 
landscape  is  seen. 

H.  30  in.  W.  25  in.  Canvas. 

Gift  of  George  A.  Hearn,  1905. 

HARPIGNIES,  Henri.  French;  born  1819  at  Valenciennes; 

died  1916  at  St.  Prive,  near  Paris.  Pupil  of  Achard  and  of 
Corot  in  Paris;  studied  also  in  Rome.  Landscapes. 

H23-1  MOONRISE.  Landscape  with  a quiet  stream  in  which 
the  moon  is  reflected. 

H.34i  in.  W.64^  in.  Canvas.  Signed:  H Harpignies  1885. 
Gift  of  Arnold  and  Tripp,  1886. 

HARRISON,  Thomas  Alexander.  American;  born  1853 

Philadelphia;  lives  in  Paris.  Pupil  of  the  Pennsylvania 


123 


HARRISON  — HASSAM 

Academy  of  the  Fine  Arts  in  Philadelphia;  Ecole  des 
Beaux-Arts,  Bastien-Lepage,  and  Ger6me  in  Paris. 
H24-1  CASTLES  IN  SPAIN.  A little  boy  lies  full  length  on 
a sandy  beach  with  one  hand  under  his  head  and  the 
other  holding  the  end  of  a long  blade  of  grass  which  he  is 
chewing;  at  the  left  lies  his  blue  cap  and  in  the  immediate 
foreground  is  a castle  built  of  shells  and  sand;  beyond, 
a steep  bank  rises  at  the  right  and  a greenish  sea  is  at 
the  left. 

H.  37i  in.  W.  73!  in.  Canvas.  Signed:  Alex  Harrison. 
Gift,  anonymous,  1912. 

HART,  James  McDougal.  American;  born  1828  at  Kilmarnock, 
Scotland;  died  1901.  Studied  in  Diisseldorf,  Germany; 
worked  with  his  brother  William  Hart. 

H25-2  PASTURE  SCENE.  Some  cows  are  drinking  at  a brook 
in  the  foreground;  in  the  field  beyond,  men  are  loading  a 
grain  wagon.  Late  afternoon  light. 

H.  20  in.  W.  34  in.  Canvas.  Signed:  James  M.  Hart 
1876. 

Gift  of  Colonel  C.  A.  Fowler,  1921. 

HART,  William.  American;  born  1823  at  Paisley,  Scotland; 

died  1894  at  Mt.  Vernon,  N.  Y.  Worked  chiefly  in  New 
York  City.  Landscapes  with  cattle. 

H251-1  SCENE  AT  NAPANOCH.  At  the  right,  cattle  stand 
near  some  tall  trees  on  the  bank  of  a stream. 

H.  23J  in.  W.  33f  in.  Canvas.  Signed:  Wm.  HART- 
1883. 

Gift  of  the  children  and  grandchildren  of  the  artist,  1897. 
H251-2  SEASHORE— MORNING.  Tall  cliffs  are  at  the  left; 
near  the  rocky  shore  is  a deserted  yacht. 

H.  23  in.  W.  41  in.  Canvas.  Signed:  Wm.  Hart. 
Bulletin,  1910,  p.  46,  ill. 

Gift  of  the  sons  of  William  Paton,  1909. 

HASSAM,  Childe.  American;  born  1859  Boston;  lives  in 
New  York  City;  pupil  of  Boulanger  and  Lefebvre  in  Paris. 
H27-1  ISLES  OF  SHOALS.  Rocks  in  the  foreground  with 
Gallery  water  rushing  through  a crevasse;  the  blue  sea  is  beyond 
15  with  a rocky  point  of  land  jutting  out  across  the  middle 
distance. 

H.  25  in.  W.  30  in.  Canvas.  Signed:  Childe  Hassam 
1901. 

Gift  of  George  A.  Hearn,  1909. 


124 


HASSAM  — HAYDON 

H27-2  GOLDEN  AFTERNOON,  OREGON.  Level  fields  in 
the  foreground  with  tall  poplars  to  right  and  left;  a 
hill  beyond;  clear  blue  sky. 

H.  30  in.  W.  40  in.  Canvas.  Signed:  Childe  Hassam 
1908. 

Purchase,  Rogers  Fund,  191 1. 

H27-3  THE  BRUSH  HOUSE.  This  house  is  a landmark  at 
Cos  Cob,  Conn.,  having  been  built  by  the  Dutch  set- 
tlers about  1690. 

H.  15!  in.  W.  22f  in.  Water  color. 

Purchase,  Rogers  Fund,  1917. 

H27-4  STREET  IN  PORTSMOUTH.  In  the  foreground  at 
the  left  is  a tree  which  throws  its  shadow  on  one  of  the 
. two  houses  that  border  the  street;  between  the  houses 
is  a view  of  the  higher  part  of  the  town  with  a church 
spire. 

H.  15J  in.  W.  22  in.  Water  color.  Signed:  Childe 
Hassam  Portsmouth  1916. 

Purchase,  Rogers  Fund,  1917. 

HAVERMAN,  Margareta.  Dutch;  eighteenth  century.  A 
well-known  painter  of  flowers,  by  the  same  name,  was 
born  1720  and  died  1795.  As  the  signature  and  date 
on  this  picture  seem  authentic,  it  is  probably  by  an  older 
member  of  the  same  family. 

H29-1  A VASE  OF  FLOWERS.  Tulips  and  roses  are  the 
Wing  J most  prominent  flowers. 

Gallery  H.  3ii  in.  W.  23 J in.  Canvas.  Signed:  Margareta 
13  Haverman  fecit  A.  1716. 

Purchase,  1871. 

HAWTHORNE,  Charles  W.  American;  born  1872  in  Maine; 

lives  at  Provincetown,  Cape  Cod,  Mass.  Pupil  of  Mow- 
bray and  Chase  in  New  York  City. 

H31-1  THE  TROUSSEAU.  An  interior  with  the  standing 
Gallery  figure  of  a young  girl  in  a white  chemise  being  fitted  by 
15  an  elderly  woman;  a woman  sewing  is  seated  behind  a 
table  at  the  left.  Awarded  the  Thomas  B.  Clarke 
prize  at  the  National  Academy  of  Design,  191 1. 

H.  40  in.  W.  40  in.  Canvas  on  wood.  Signed: 
C.  W.  Hawthorne. 

Purchase,  Hearn  Fund,  1911. 

HAYDON,  Benjamin  R.  British;  born  1786  at  Plymouth;  died 
1846  at  London.  Pupil  of  the  Royal  Academy  in  Lon- 
don. Portraits  and  historical  subjects. 


125 


HAYDON  — HEEM 

H32  NAPOLEON  AT  ST.  HELENA.  Full-length,  life-size 
figure  of  Napoleon,  in  the  uniform  worn  at  the  battle  of 
Waterloo,  standing  near  the  edge  of  a cliff  overlooking 
the  ocean;  his  arms  are  folded  across  his  breast  and  he 
faces  away  from  the  spectator. 

H.  108  in.  W.  96  in.  Canvas.  Dated:  1831. 

Gift  of  J.  Pierpont  Morgan,  1900. 

HEALY,  George  Peter  Alexander.  American;  born  1813 
at  Boston;  died  1894  at  Chicago.  Studied  in  Paris; 
■ lived  for  some  time  in  Rome.  Portraits. 

H34-1  PORTRAIT  OF  THE  ARTIST.  Head  and  shoulders; 
Gallery  he  has  a moustache  and  chin-tuft. 

16  H.  24^  in.  W.  2oi  in.  Canvas.  Initialed:  G.  H.  1851. 
Gift  of  Samuel  P.  Avery,  1891. 

HEBERT,  Ernest.  French;  born  1817  at  Grenoble;  died  1908 
at  La  Touche  near  Grenoble.  Pupil  of  David  d’Angers 
and  Delaroche.  Director  of  French  Academy  at  Rome. 
H35-1  A GIRL’S  HEAD.  The  head  is  in  profile  against  a 
Gallery  background  of  green  foliage;  in  her  raised  left  hand 
18  she  holds  a flower. 

H.  i8i  in.  W.  14  in.  Canvas. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HEEM,  Jan  Davidsz.  De.  Dutch;  born  1606  at  Utrecht;  died 
in  the  winter  of  1683-4  at  Antwerp.  Pupil  of  his  father, 
David  De  Heem.  Still  life. 

H36-1  STILL  LIFE.  A large  wine  glass  with  lemon  peel 
Gallery  hanging  over  the  edge,  shell  fish,  a piece  of  lemon,  and 
26  white  grapes  are  on  a table  which  is  partly  covered  with 
a dark  green  cloth. 

H.  9J  in.  W.  7§  in.  Wood.  Signed:  J.  De  Heem. 
Purchase,  1871. 

H36-2  STILL  LIFE.  On  a stone  ledge  over  which  hang  a white 
Gallery  napkin  and  a brown  velvet  cover,  are  numerous  objects, 
26  including  a tall  gold  vessel,  a gold  dish  lying  on  its 
side,  a blue  and  white  bowl  with  grapes  and  peaches,  a 
large  glass  goblet,  a knife,  cut  fruit,  etc.  In  the  im- 
mediate foreground  are  a silver  urn  and  salver. 

H.  37f  in.  W.  51!  in.  Canvas. 

Purchase,  1871. 

H36-3  STILL  LIFE.  A boiled  lobster,  a basket  of  fruit, 
a brass  covered  beaker,  a lute,  a silver  tankard,  and  other 
objects  are  on  a white  cloth  which  partly  covers  the  green 

126 


I 

h 

i 

I 


I 

! 


MARGARET  WYATT,  LADY  LEE 
BY  HANS  HOLBEIN 


I 

i 


BY  WINSLOW  HOMFR 


HEEM-HELLQUIST 

velvet  table  top;  in  the  foreground  at  the  right  is  a 
chair  on  which  rest  a brass  ewer  and  tray;  at  the  left 
there  is  a glimpse  of  landscape  beyond  a column. 

H.  53i  in.  W.  73  in.  Canvas.  Signed:  De  Heem  Fc. 
and  monogrammed:  D H.  Bulletin,  1912,  p.  229. 
Purchase,  Curtis  Fund,  1912. 

HEEMSKERCK,  Marten  van;  real  name  Marten  van  Veen. 

Dutch;  born  1498  at  Heemskerck;  died  1574  at  Haarlem. 
Pupil  of  Jan  van  Scorel  at  Haarlem;  traveled  in  Italy. 

H361-1  JACOB  WILLEMZ  VAN  VEEN.  (The  artist’s  father.) 
Gallery  Life-size,  bust  portrait;  his  habit  is  black  and  he  wears  a 
34  soft  black  hat.  On  the  base  is  an  inscription  in  old 
Dutch  which,  freely  translated,  is:  My  son  has  here  por- 
trayed me  when  I had  lived  75  years,  1532.  M. 

H.  20J  in.  W.  13J  in.  Wood. 

Purchase,  1871. 

HEERE,  Lucas  de  (?)  Flemish;  born  1534  at  Ghent;  died  1584. 

Pupil  of  his  father,  the  architect,  Jan  de  Heere;  also 
pupil  of  Frans  Floris,  whom  he  assisted. 

H362-1  QUEEN  ELIZABETH  (?)  (1533-1603;  daughter  of 

Gallery  Henry  VIII  and  Anne  Boleyn;  ascended  the  throne  of 
34  England  in  1558.)  Life-size,  standing  figure,  seen  to 
below  the  waist;  her  long  pointed  white  bodice  is 
elaborately  trimmed  with  red  and  yellow  rosettes  and 
pearls;  she  wears  a high  neck  ruff  and  collar. 

H.  44i  in.  W.  34!  in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1911. 

HELLQUIST,  Carl  Gustav.  Swedish;  born  1851  at  Kungsor; 

died  1890  in  the  Bavarian  Highlands.  Pupil  of  the 
Royal  Academy  in  Stockholm;  Royal  Academy  in 
Munich  under  Diez.  Historical  and  genre  subjects. 

H363-1  PETER  SONNAVATER’S  AND  MASTER  KNUT'S 
OPPROBRIOUS  ENTRY  INTO  STOCKHOLM,  IN 
1526.  (These  two  Swedish  Bishops  had  sought  refuge 
after  their  unsuccessful  rebellion  against  Gustavus  I, 
with  the  Archbishop  Olaf  in  Tronheim;  the  latter 
betrayed  them  to  the  king’s  followers  who,  dressing 
them  in  rags  and  putting  a crown  of  straw  on  Sonna- 
vater’s  head  and  a mitre  of  birch-bark  on  Knut’s,  mounted 
them  on  starving  horses  and  took  them  to  Stockholm  in 
a procession  amidst  jeers  and  insults.  They  were  led 
to  the  market-place  and,  after  drinking  the  executioner’s 


127 


HELLQUIST  — HENNER 

health,  were  broken  on  the  wheel.)  The  procession  is 
passing  through  a street  of  Stockholm. 

H.  67  in.  W.  92JI  in.  Canvas.  Signed:  C.  G.  Hellquist 
Miinchen  1879. 

Gift  of  William  H.  Osborn,  1880. 

HELST,  Bartholomeus  van  der.  Dutch;  born  1613  at  Haarlem; 

died  1670  at  Amsterdam.  Pupil  of  Nicolas  Elias;  in- 
fluenced by  Van  Dyck.  Portraits. 

H364-1  A DUTCH  BURGOMASTER.  Life-size,  bust  por- 
Gallery  trait  of  a thick-set  man;  his  hair  is  dark  brown  and  the 
26  moustache  and  chin-tuft  are  slightly  gray;  he  wears  a 
closely  buttoned  black  coat  and  a broad  white  turned- 
down  neck-band;  gray  background.  Inscribed:  /Eta.  62. 
H.26I  in.  W.  2if  in.  Wood;  oval.  Signed:  B.  vander. 
heist  1647. 

Purchase,  1871. 

H 364-2  THE  MUSICIAN.  A lady,  in  a low-necked  blue  gown 
Gallery  with  loose  white  undersleeves,  stands  behind  a table 
26  tuning  a lute;  on  the  table  are  a violoncello,  sheets  of 
music,  books,  and  a red  velvet  cushion. 

H.  54I  in.  W.  43 J in.  Canvas.  Signed:  B.  vander- 

helst  1662. 

Purchase,  1872. 

H364-3  JEAN  VAN  MALE.  (A  nobleman  of  Bruges  who 
Gallery  married  Josine  de  But  in  1637.)  Life-size,  standing 

26  figure  of  a man,  seen  to  the  knees;  his  right  hand  rests 

on  a table  and  holds  the  chain  of  a watch,  while  in  his 
left  hand  is  a pair  of  brown  gloves;  architectural  and 
landscape  background. 

H.  50J  in.  W.  41  in.  Canvas.  Signed:  B.  vander. 

heist  1654. 

Gift  of  Henry  G.  Marquand,  1900. 

HENNER,  Jean  Jacques.  French;  born  1829  at  Bernwiller; 

died  1905  at  Paris.  Pupil  of  Drolling  and  Picot.  Figure 
subjects. 

H38-1  A BATHER.  In  the  foreground  a nude  woman  with 
Gallery  auburn  hair  is  seated  on  the  grass  at  the  shore  of  a 
17  lake;  her  back  is  toward  the  spectator;  dark  green  trees 
form  the  background. 

H.  38^  in.  W.  27!  in.  Canvas.  Signed:  J J Henner. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

128 


HENNER  — HENRY 

H38-2  MARY  MAGDALEN  AT  THE  TOMB  OF  THE 
SAVIOUR.  Life-size,  partly  nude  figure,  seen  in  profile  to 
the  left;  she  is  seated  on  the  ground  leaning  against  a 
rock;  blue  drapery  below  the  waist;  dark  background. 
H.  48J  in.  W.  39  in.  Canvas.  Signed:  J J HENNER, 
1880. 

Bequest  of  Sarah  M.  Hitchcock,  1891. 

HENNINGS,  Johann  Friedrich.  German  (Munich);  born  1839 
at  Bremen;  died  1899  at  Munich,  where  he  had  lived 
since  1857.  Pupil  of  Oswald  Achenbach. 

H39-1  HEIDELBERG  B*Y  MOONLIGHT.  The  river  is  in 

Gallery  the  foreground;  the  castle  is  in  the  distance  at  the 

18  left. 

H.  40J  in.  W.  yij  in.  Canvas.  Signed:  J.  F.  Hen- 
nings. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HENRI,  Robert.  American;  born  1865  at  Cincinnati,  O.;  lives 
in  New  York  City.  Pupil  of  the  Pennsylvania  Academy 
of  the  Fine  Arts;  Julian  School  and  Ecole  des  Beaux-Arts 
in  Paris. 

H391-1  THE  SPANISH  GYPSY.  Life-size,  seated  figure,  seen 

Gallery  to  below  the  knees,  her  right  elbow  on  the  arm  of  the 

1 5 chair  and  her  left  hand  on  her  hip;  she  wears  a red  dress 
and  pink  kerchief. 

H.  4oJf  in.  W.  32 in.  Canvas.  Signed:  Robert 
Henri.  Bulletin,  1914,  p.  166,  ill. 

Purchase,  Hearn  Fund,  1914. 

HENRY,  Edward  L.  American;  born  1841  at  Charleston,  S.  C.; 

died  1919  at  New  York  City.  Pupil  of  the  Pennsylvania 
Academy  of  the  Fine  Arts  and  of  F.  Weber  in  Philadel- 
phia; Suisse,  Gleyer,  and  Courbet  in  Paris.  Pictures  of 
early  nineteenth-century  American  life  with  correct 
representation  of  architecture,  dress,  and  customs  of  the 
time. 

H392-1  OLD  NORTH  DUTCH  CHURCH.  This  church  stood 
Gallery  at  the  corner  of  Fulton  and  William  Streets,  New  York; 

16  it  was  built  in  1760  and  demolished  in  1874. 

H.  18  in.  W.  14  in.  Millboard.  Signed:  E.  L.  Henry 
1869.  Bulletin,  1915,  p.  67;  ill.  p.  63. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 


129 


HERTER  — HOECKE 

HERTER,  Albert.  American;  born  1871  in  New  York  City; 

lives  there.  Pupil  of  Art  Students’  League  in  New 
York;  Laurens  and  Cormon  in  Paris. 

H44-1  TWO  BOYS.  Two  youths  in  white  shirts  and  trousers 
lie  back  to  back  on  a couch  reading;  the  one  at  the  right 
holds  a pipe  and  the  other  fondles  a kitten;  behind  them 
are  numerous  peacock-blue  and  green  cushions  and  the 
lower  part  of  a curtained  window. 

H.  32I  in.  W.  85!  in.  Canvas.  Signed:  ALBERT 
HERTER. 

Gift  of  V.  Everit  Macy,  1912. 

HICKS,  Thomas.  American;  born  1823,  at  Newtown,  Pa.,  died 
1890.  Studied  at  the  Pennsylvania  Academy,  at  the 
National  Academy  of  Design,  New  York,  and  in  Europe. 

H52-1  MRS.  ANGIE  KING  HICKS.  (Wife  of  the  artist; 
1834-1917.) 

H.  46  in.  W.  29  in.  Canvas.  Signed  (twice):  T. 
HICKS  N.  A. 

Bequest  of  Angie  King  Hicks,  1917 

HITCHCOCK,  George.  American;  born  1850  at  Providence, 
R.  L;  died  in  Holland,  1913.  Pupil  of  Boulanger  and 
Lefebvre. 

H63-1  VESPERS.  A Dutch  girl  going  to  church  in  the  after- 
Gallery  noon  across  a field  that  is  sprinkled  with  dead  leaves. 
12  She  is  shown  half-length  seen  from  the  back,  and  wears  a 
blue  skirt  and  an  embroidered  white  cape. 

H.  44!  in.  W.  35J  in.  Canvas.  Signed:  G.  Hitchcock. 
Gift  of  Edward  Drummond  Libbey,  1917. 

HOBBEMA,  Meindert.  Dutch;  born  1638  at  Amsterdam;  died 
there  1709.  Influenced  by  Jacob  van  Ruisdael.  Wooded 
landscapes. 

H65-1  ENTRANCE  TO  A VILLAGE.  Winding  roads  beneath 
Gallery  large  trees  lead  to  farmhouses  at  the  left  and  a church 
39  in  the  middle  distance  at  the  right;  in  the  foreground  two 
men  stand  near  a seated  woman  and  there  are  several 
figures  in  the  roads. 

H.  301”^  in.  W.  43f  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

HOECKE,  Jan  van  den.  Flemish;  born  1611  at  Antwerp; 

died  there  1651.  Pupil  of  his  father,  Kasper  van  den 
Hoecke,  and  of  Rubens;  studied  also  in  Rome. 


130 


HOECKE  — HOLBEIN 

THE  GREEN  GROCER.  With  Frans  Snyders;  see 
Sn9“2  for  description. 

HOGARTH,  William.  British  (English);  born  1697  at  London; 

died  there  1764.  Pupil  of  Sir  James  Thornhill.  En- 
graver and  painter  of  satirical  subjects;  also  portraits. 

H67-1  PEG  WOFFINGTON.  (1714-1760;  Margaret  Woffing- 

Gallery  ton,  a prominent  Irish  actress  closely  associated  with 
14  Garrick.)  Life-size  portrait,  seen  to  the  waist;  she  wears 
a low-necked  white  satin  dress  with  a fichu  held  in  place 
by  a string  of  pearls,  and  a white  cap  edged  with  lace. 
Painted  within  an  oval. 

H.  30  in.  W.  24J  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

H67-2  THE  PRICE  FAMILY.  Members  of  the  family  are 

Gallery  grouped  about  the  landing-steps  on  the  Price  estate  at 
24  Foxley  in  Herefordshire.  Uvedale  Tomkyns  Price  helps 
his  cousin  Miss  Rodd  alight  from  a boat.  He  wears  a 
gray  coat  and  she  a black  silk  dress.  To  the  left,  his  son 
Robert  converses  with  Miss  Greville,  another  cousin; 
Esther  Greville  feeds  swans;  other  members  of  the  family 
stand  and  sit  in  the  park  and  in  the  boat. 

H.  40I  in.  W.  625  in.  Canvas. 

Purchase,  Rogers  Fund,  1920. 

HOLBEIN,  Hans,  the  Younger.  German;  born  1497  Augs- 
burg, Bavaria;  died  1543  at  London.  Pupil  of  his  father, 
Hans  Holbein  the  Elder,  and  of  Hans  Burgkmair. 
About  1516  settled  at  Basle;  went  to  England  and 
about  1536  became  court  painter  to  Henry  VI 1 1. 

H69-1  PORTRAIT  OF  A MAN.  (Probably  Benedikt  von 

Gallery  Hertenstein,  oldest  son  of  Jakob  von  Hertenstein,  bailiff 
34  of  Lucerne.)  The  figure  is  seen  to  the  waist;  he  wears  a 
black  and  scarlet  biretta,  a full-sleeved  red  doublet 
trimmed  with  black  braid,  and  a black  cape  lined  with 
green  and  edged  with  crimson;  about  his  neck  is  a heavy 
gold  chain  which  falls  over  the  low-cut  white  linen  shirt 
and  drops  inside  his  black  waistcoat.  The  background 
shows  the  angle  of  a room  with  a frieze  in  low  relief 
and  below  this  at  the  left  is  the  inscription. 

H.  20J  in.  W.  15^  in.  Paper  mounted  on  wood.  In- 
scribed: DA  • ICH  • HET  • DIE  * GESTALT  ‘ WAS  ’ ICH* 
22  • JAR  • ALT  • 1 5 1 7 • H • H : PINGEBAT-  (When  I had 
this  figure  I was  22  years  old.  1517.  H.  H.  painted  it.) 


HOLBEIN 

Bulletin,  1906,  p.  150,  ill. 

Purchase,  Rogers  Fund,  aided  by  subscribers,  1906. 
H69-2  LADY  RICH.  (Elizabeth,  daughter  of  William  Jenks, 
Gallery  married  in  1535  Richard  Rich,  a lawyer  who  later  became 

37  Lord  Chancellor  of  England;  she  died  in  1558.)  She  is 

shown  to  the  waist  with  the  left  hand  cut  by  the  frame; 
the  head  is  three-quarters  to  the  left;  she  wears  the 
English  hood  of  the  time  and  a black  dress  with  flaring 
collar,  faced  with  white;  this  is  held  by  a gold  medallion 
decorated  with  figures  of  a man  and  a woman  standing 
by  a dead  body. 

H.  ijj\  in.  W.  13!  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

H69-3  MARGARET  WYATT,  LADY  LEE.  (Probably  a 
Gallery  sister  of  Sir  Thomas  Wyatt,  courtier  and  writer  of  the 
37  time  of  Henry  VI 11.)  She  is  shown  to  below  the  waist 
with  hands  clasped;  the  head  is  turned  to  the  left,  nearly 
in  profile;  she  wears  a dress  of  brown  damask  tufted  with 
gold  tags;  a black  velvet  bonnet  decorated  with  gold 
filigree  and  pearls  almost  hides  her  reddish  hair;  at  her 
breast  is  a Tudor  rose  in  red  enamel;  a gold  medallion 
with  the  figure  of  Lucrece  hangs  from  a ribbon  at  her 
waist.  Inscribed:  -etatis  -sv/e  .34* 

H.  16J  in.  W.  i2|  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

H69-4  LADY  GUILDFORD.  Half-length  standing  figure  turned 
Gallery  partly  to  the  left;  she  wears  a dark  dress  cut  square  at  the 
34  neck  and  trimmed  with  gold  chains;  the  sleeves  are  brown 
silk,  ruffled  and  puffed  with  white.  Covering  her  hair  is  a 
dark  triangular  headdress  trimmed  with  gold.  She 
holds  a book  and  a red  rosary  in  her  hands.  Blue  back- 
ground with  a spray  of  grape  vine,  and  to  the  left.  Ren- 
aissance columns. 

H.  i7fin.  W.iyfin.  Wood.  Inscribed:  ANNO  MDXVI F 
AETATIS  SVAE  27. 

Bequest  of  William  K.  Vanderbilt,  1920. 

School  of  Hans  Holbein;  possibly  English. 

H69S-1  ARCHBISHOP  CRANMER  (?)  (1489-1556;  English 
Gallery  prelate  and  Archbishop  of  Canterbury.)  Life-size 
34  figure,  standing  back  of  a table;  his  hair  and  long  forked 
beard  are  brownish  gray;  he  wears  a black  gown  trimmed 
with  brown  fur,  and  a three-cornered  black  hat.  The 
table  is  covered  with  a green  cloth  and  on  it  are  an  hour 
glass,  a quill  pen,  a book,  a sheet  of  inscribed  paper,  and 


132 


HOLBEIN— HOMER 

a seal;  a green  brocaded  curtain  forms  the  background. 
It  has  been  considered  that  the  armorial  bearings  on  the 
seal  are  those  of  Cranmer  impaling  the  Episcopal  arms 
of  the  See  of  Canterbury,  but  this  can  not  be  proved. 
H.  47J  in.  W.  34!  in.  Wood.  Dated:  A.  D.  1539. 
Gift  of  Henry  G.  Marquand,  1890. 

HOMER,  Winslow.  American;  born  1836  at  Boston;  died  1910  at 
Scarboro,  Maine.  Apprenticed  to  a lithographer  in 
Boston;  studied  at  the  National  Academy  of  Design, 
New  York  City,  and  with  Frederic  Rondel;  was  war 
correspondent  for  Harper’s  Weekly;  began  painting  in 
1862  in  New  York  City,  where  he  lived  many  years. 

H75-1  THE  GULF  STREAM;  A sail-boat  with  broken  mast 
Gallery  is  in  the  trough  of  the  waves,  while  on  its  deck  lies  a 
20  half-nude  negro;  sharks  are  in  the  immediate  foreground; 
in  the  distance  at  the  right  is  a waterspout;  a sailing 
vessel  is  on  the  horizon  at  the  left;  the  sea  is  blue-green 
and  the  sky  pale  copper-color. 

H.  285  in.  W.  49i  in.  Canvas.  Signed:  HOMER  1899. 
Bulletin,  1907,  p.  14. 

Purchase,  Wolfe  Fund,  1906. 

H75-2  SEARCHLIGHT,  HARBOR  ENTRANCE,  SANTIAGO 
Gallery  DE  CUBA.  In  the  foreground  is  the  terrace  of  an  old 
15  fort,  with  two  mounted  cannon  and  a turret;  a search- 
light shines  with  great  brilliancy  on  the  rampart,  and  an- 
other illuminates  sea,  sky,  and  a point  of  land  at  the  right; 
the  half-moon  is  shown  at  the  left,  near  a mass  of  clouds. 
H.  3of  in.  W.  50J  in.  Canvas.  Signed:  W.  HOMER. 
Bulletin,  1906,  p.  54,  ill. 

Gift  of  George  A.  Hearn,  1906. 

H75-3  CANNON  ROCK.  Dark  brown  rocks  are  in  the  fore- 
Gallery  ground  on  both  sides  of  the  picture  and  from  the  mass 
15  at  the  right  juts  the  cannon-shaped  point  from  which 
the  locality  (in  Maine)  takes  its  name.  At  the  left 
foam  trickles  over  the  rocks,  and  beyond  is  the  grayish 
sea  with  a wave  breaking  in  the  middle  distance. 

H-  39tV  Iri.  W.  39J  in.  Canvas.  Signed:  HOMER. 
1895.  Bulletin,  1906,  p.  54,  ill. 

Gift  of  George  A.  Hearn,  1906. 

H75-4  HARVEST  SCENE.  An  orchard  with  a hay  wagon 
Gallery  at  the  right;  a farmhouse  is  in  the  distance  at  the  left. 

15  H.  16  in.  W.  24  in.  Canvas.  Signed:  Winslow  Homer. 
Purchase,  Hearn  Fund,  1909. 


133 


HOMER 

H75-5  NORTHEASTER.  At  the  right  a great  wave  is  just 

Gallery  beginning  to  break;  at  the  left  a mass  of  spray  dashes  • 
1 5 up  against  a ledge  of  brown-black  rocks  in  the  foreground; 
farther  out  the  crests  of  two  waves  show  against  the  fog. 
H.  34f  in.  W.  50I  in.  Canvas.  Signed:  HOMER 
1895.  Bulletin,  1908,  p.  100;  1910,  p.  255,  ill.;  1914,  p.  8, 
ill. 

Gift  of  George  A.  Hearn,  1910. 


H75-6 

NATURAL  BRIDGE,  NASSAU. 

H.  i4§  in.  W.  21  in.  Water  color  on  paper. 

H75-7 

PALM  TREE,  NASSAU. 

H.  23I  in.  W.  15  in.  Water  color  on  paper. 
HOMER.  Bulletin,  I9ii,p.  17,  ill. 

Signed: 

H75-8 

TORNADO,  BAHAMAS. 

H.  14J  in.  W.  21  in.  Water  color  on  paper. 

H75-9 

A WALL,  NASSAU. 

H.  14}  in.  W.  21^  in.  Water  color  on  paper. 
HOMER  Dec.  31st.  1898. 

Signed: 

H75-IO 

BERMUDA. 

H.  15  in.  W.  2if  in.  Water  color  on  paper. 
HOMER  Jan.  ist.  1899. 

Signed: 

H75-i> 

FLOWER  GARDEN  AND  BUNGALOW,  BERMUDA. 
H.  14  in.  W.  21  in.  Water  color  on  paper.  Signed: 
Winslow  Homer  Bermuda  1899. 

H75-12 

SHORE  AND  SURF,  NASSAU. 

H.  15  in.  W.  21  in.  Water  color  on  paper. 
HOMER — Nassau  99. 

Signed: 

H75-13 

THE  BATHER. 

H.  i4j  in.  W.  21  in.  Water  color  on  paper. 
HOMER  99  Nassau. 

Signed : 

H75-14 

SLOOP,  BERMUDA. 

H.  15  in.  W.  21J  in.  Water  color  on  paper. 

H75-I5 

THE  PIONEER. 

H.  13I  in.  W.  21  in.  Water  color  on  paper. 
HOMER  1900. 

Signed: 

H75-16 

TAKING  ON  WET  PROVISIONS. 

H.  14  in.  W.  2 1 i in.  Water  color  on  paper. 
W.  H.;  inscribed:  Key  West  1903. 

Initialed: 

04 


H75-I7 


H75->8 

Gallery 

20 


H75-19 

Gallery 

15 


H75-20 

Gallery 

15 


H75-21 


HOMER  — HONDECOETER 

FISHING  BOATS,  KEY  WEST. 

H.  14  in.  W.  21J  in.  Water  color  on  paper.  Signed: 
HOMER  1903  andinitialed:  W.  H.  Bulletin,  191  i,p.  18, ill. 
The  water  colors,  Nos.  6 to  17,  were  shown  in  the 
Winslow  Homer  Memorial  Exhibition  in  1910,  and  pur- 
chased from  the  estate  of  the  artist.  Bulletin,  1910,  p.  43. 
Purchase,  Lazarus  Fund,  1910. 

SHOOTING  THE  RAPIDS,  SAGUENAY  RIVER. 
Three  men  in  a birch-bark  canoe  are  in  the  foreground; 
immediately  back  of  them  rises  yellow  spray;  a steep 
hill,  on  the  farther  side  of  the  river,  slopes  down  at  the 
right,  showing  a second  hill  beyond.  This  unfinished 
picture  was  in  the  artist’s  studio  at  Prout’s  Neck  at  the 
time  of  his  death. 

H.3oin.  W.  485  in.  Canvas.  Bulletin,  191 1,  p.  66,  ill. 
Gift  of  Charles  S.  Homer,  191 1. 

MAINE  COAST.  Foaming  water  from  a receding 
wave  rushes  between  the  dark  rocks  in  the  foreground; 
an  approaching  green  wave  breaks  at  the  left,  throwing 
spray;  beyond,  other  waves  emerge  from  the  mist. 

H.  30J  in.  W.  44J  in.  Canvas.  Signed:  Homer  1895. 
Bulletin,  191 1,  p.  147,  ill. 

Gift  of  George  A.  Hearn,  in  memory  of  Arthur  Hoppock 
Hearn,  1911. 

MOONLIGHT,  WOOD’S  ISLAND  LIGHT.  In  the 
foreground  a blue  wave  breaks  against  the  rocks  at  the 
left;  on  the  horizon  at  the  right  there  are  lights  on  a 
line  of  shore  and  the  red  glow  of  the  lighthouse  lamp 
shines  on  the  point  of  land  near  the  center  of  the  pic- 
ture;thelightofthe unseen  moon  is  on  the  water  at  the  left. 
H.  30J  in.  W.  4oJ  in.  Canvas.  Initialed:  W H 1894. 
Bulletin,  1908,  p.  100;  1911,  p.  145,  ill. 

Gift  of  George  A.  Hearn,  in  memory  of  Arthur  Hoppock 
Hearn,  1911. 

TWO  LADIES.  They  are  dressed  in  white  and  seated 
on  a sofa. 

H.  6yf  in.  W.  7II  in.  Water  color.  Signed: 
HOMER  1880. 

Gift  of  the  Estate  of  Florence  Baird  Meyer  in  memory 
of  Florence  Baird  Meyer,  1918. 


HONDECOETER,  Gijsbert  Gillesz.  d’.  Flemish;  born  in 
1604,  probably  at  Utrecht;  died  in  that  city  in  1653. 


*35 


HONDECOETER  — HOOCH 

Pupil  of  his  father,  Gilles  d’Hondecoeter.  Painted 
chiefly  birds. 

H751-1  HAWK  ATTACKING  PIGEONS.  A farmyard  with 
a hawk  holding  in  his  claws  a flying  pigeon;  another 
pigeon  is  flying  toward  the  left;  a brown  rooster  and  a 
white  hen  are  running  away. 

H.  49I  in.  W.  42!  in.  Canvas. 

Purchase,  1871. 

HONDECOETER,  Melchior  d’.  Dutch;  born  1636  at  Utrecht; 

died  1695  at  Amsterdam,  where  he  had  settled  in  1663. 
Pupil  of  his  father,  Gijsbert  d’Hondecoeter,  and  of  his 
uncle,  Jan  Baptiste  Weenix.  Painted  chiefly  birds. 
H752-1  THE  BARNYARD.  In  the  foreground  are  a peacock, 
a turkey,  a pheasant,  and  several  chickens;  there  is 
water  at  the  left  and  on  the  far  shore  is  a house  with  a 
formal  garden.  Attributed  to  Melchior  d’Hondecoeter. 
H.  39I  in.  W.  46^  in.  Canvas. 

Gift  of  Henry  Bedlow,  1897. 

HOOCH,  Pieter  de.  Dutch;  born  1629  at  Rotterdam;  died 
after  1677  at  Amsterdam.  Perhaps  a pupil  of  Nicolaes 
Berchem;  influenced  by  Karel  Fabritius.  Figure  subjects. 
H76-1  DUTCH  INTERIOR.  A woman  peeling  vegetables  is 

Gallery  seated  at  the  right  near  an  open  window;  at  the  left  a 

14  little  girl  and  a dog  stand  near  an  open  door,  through 

which  is  a view  of  a garden  and  houses  in  bright  sunlight. 
H.2iyV  in.  W.  26 in.  Canvas. 

Gift  of  George  A.  Hearn,  1893. 

H76-2  INTERIOR  WITH  A YOUNG  COUPLE.  A young 

Gallery  woman  stands  near  an  open  window;  back  of  her  and  in 

39  front  of  a bed  sits  a man  who  snaps  his  fingers  to  call 

a little  dog;  through  an  open  door  is  seen  a room  with 
leather  hangings. 

H.  2if  in.  W.  24!  in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

H76-3  SCENE  IN  A COURTYARD.  A paved  courtyard  in 
Gallery  which  the  mistress  directs  the  maid  in  the  washing  of  food. 
36  Beside  her  a little  girl  pats  a hound;  a man  looks  out  from 
the  adjoining  house  at  the  left  and  a boy  enters  the  court 
door  from  a covered  passage  at  the  back.  Over  the  wall, 
trees  and  the  roof  of  another  house  are  seen. 

H.22yin.  W.  32!  in.  Canvas. 

Bequest  of  William  K.  Vanderbilt,  1920. 

136 


BY  GEORGE  INNESS 


BOY  WITH  A SWORD 
BY  EDOUARD  MANET 


HOOGSTRATEN  — HOPPNER 

HOOGSTRATEN,  Samuel  van.  Dutch;  born  1627  at  Dordrecht; 

died  there  1678.  Pupil  of  his  father,  Dirk  van  Hoogstra- 
ten,  and  of  Rembrandt. 

H76i-i  portrait  OF  A LADY  AND  A GENTLEMAN. 

Gallery  Life-size  figures,  seated  at  a table,  which  is  covered  with  a 

26  red  rug;  the  man  is  at  the  right  and  his  right  hand  rests 

on  the  table  and  holds  a string  of  beads.  The  lady  is 
seated  behind  the  table  and  holds  with  both  hands  a book 
which  rests  on  the  table.  Attributed  to  Hoogstraten. 
H.  47j  in.  W.  36J  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

HOPPNER,  John.  British  (English);  born  1758  at  London; 

died  there  1810.  Pupil  of  the  Royal  Academy.  Por- 
traits. 

H77-1  LADY  WITH  A CORAL  NECKLACE.  Life-size, 

Gallery  seated  figure,  seen  to  below  the  waist;  she  wears  a short- 

14  waisted,  low-necked  white  gown  and  a dark  red  coral 

necklace;  a white  drapery  is  about  her  head  and  shoulders 
and  a black  lace  scarf  is  thrown  over  her  left  arm. 

H.  29J  in.  W.  24!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

H77-2  MRS.  BACHE.  (Sarah  Franklin  Bache,  only  daughter 

Gallery  of  Benjamin  Franklin,  was  born  in  1744,  married  Richard 
24  Bache  in  1767,  and  died  in  1808;  her  husband  was  the 
first  Postmaster-General  of  the  United  States,  having 
succeeded  Benjamin  Franklin,  who  occupied  the  post 
during  colonial  days.)  Life-size,  seated  figure,  seen  to  the 
waist;  she  has  blond  hair  mixed  with  gray  and  wears 
a white  headdress  and  a broad  white  fichu;  a dark  wrap 
lined  with  white  falls  about  her  arms. 

H.  30I  in.  W.  24I  in.  Canvas. 

Purchase,  Wolfe  Fund,  1901. 

H77-3  MRS.  GARDINER  AND  HER  CHILDREN.  Life- 

Gallery  size,  seated  figure  of  a lady,  dressed  in  white,  who  holds 
24  a little  girl  on  her  lap;  another  child  stands  at  her  side; 
the  background  consists  of  a draped  red  curtain  at  the 
left  and  sky  at  the  right. 

H.  50yV  in.  W.  39} I in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

H77-4  PORTRAIT  OF  A LADY.  Life-size,  almost  full-face 
portrait  of  a young  lady  with  dark  brown  hair  seen  to 


137 


HOPPNER  — HOVENDEN 

below  the  waist;  she  wears  a white  turban  and  a white  - 
high-waisted  dress;  dark  background. 

H.  30  in.  W.  24I  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

HOREMANS,  Jan  Jozef,  the  Younger.  Flemish;  born  1714 
at  Antwerp;  died  there  after  1790.  Pupil  of  his  father. 


H78-I 

AUTUMN. 

H.  ii3iin.  W. byJin.  Canvas.  Signed:  J.  Horemans. 
1762. 

H78-2 

WINTER. 

H.  1 135  in.  W.  67J  in.  Canvas.  Signed:  J.  Horemans 
1761. 

H78-3 

SPRING. 

H.  ii3j  in.  W.  73J  in.  Canvas. 

H78-4 

SUMMER. 

H.  ii3i  in.  W.  71 J in.  Canvas. 

H78-5 

THE  HORSE  POND. 

H.  6o|  in.  W.  46I  in.  Canvas. 

H78-6 

A LANDLORD  AND  HIS  TENANT. 

H.  62J  in.  W.  39  in.  Canvas.  Signed:  J.  Horemans 
1764  and  initialed:  A D H. 

H78-7 

RETURNING  FROM  THE  HUNT. 

H.  ii3|in.  W.  100  in.  Canvas.  Signed:  J.  Horemans 
1761. 

THE  FISH  MARKET. 

H.  ii3iin.  W.  109J  in.  Canvas.  Signed:  J Hore- 

mans 1762. 

H78-8 

H78^ 

RESTING  AFTER  HUNTING. 

H.  33I  in.  W.  64!  in.  Canvas.  Signed:  J Horemans. 
A series  of  nine  decorative  panels. 

Purchase,  1871. 

HOVENDEN,  Thomas.  American;  born  1840  at  Dunmanway, 
County  Cork,  Ireland;  died  1895  at  Plymouth  Meeting, 
Pennsylvania.  Studied  at  the  Cork  School  of  Design; 
came  to  New  York  in  1863  and  entered  the  school  of 
the  National  Academy  of  Design;  studied  in  Paris 
under  Cabanel. 

H82-1 

JERUSALEM  THE  GOLDEN.  Lamplight  falls  on 
a convalescent  young  woman  who  reclines  in  a large 
chair  at  the  left;  a young  man  is  seated  at  her  side,  while 

138 

HOVENDEN  — HUNT 

in  the  deep  shadow  at  the  right  a young  girl  is  playing  the 
hymn  which  gives  the  title  to  the  picture. 

H.  30  in.  W.  40  in.  Canvas. 

Gift  of  Mrs.  Helen  C.  Hovenden,  1895. 

H82-2  LAST  MOMENTS  OF  JOHN  BROWN.  (1800-1859; 

American  abolitionist  hanged  by  the  Commonwealth  of 
Virginia.  His  armed  party  had  seized  by  force  the  arsenal 
at  Harper’s  Ferry.)  The  artist  has  depicted  the  traditional 
incident  of  a colored  child’s  being  held  up  for  John  Brown 
to  kiss,  as  he  descends  the  courthouse  steps  on  his  way  to 
the  gallows. 

H.  77f  in.  W.  63 J in.  Canvas.  Inscribed:  Copyright 
Hovenden  1881. 

Gift  of  Carl  Stoeckel  and  his  wife,  1897. 

HUBBARD,  Richard  W.  American;  born  1816;  died  1888. 
Landscapes. 

H86-1  SUNRISE  ON  THE  MOUNTAIN.  A cedar  growing 
among  rocks  catches  the  sunlight  on  the  mountain  top. 
In  the  far  distance  the  valleys  and  lower  hills  are  still  in 
mist.  H.  i4i  in.  W.  I2f  in.  Canvas.  Signed:  R.  W. 
H.  LVl. 

Gift  of  Samuel  P.  Avery,  1920. 

HUGHTENBURGH,  Jan  Van.  Dutch;  born  1646  at  Haarlem; 

died  1733  at  Amsterdam.  Painted  landscapes,  hunts, 
and  battle  scenes. 

H87-2  REPOSE  AFTER  THE  HUNT.  In  the  foreground  at 
the  right  three  horses  are  held  by  a groom;  beyond, 
people  are  dancing  and  eating;  in  the  distance  are  fields 
of  ripe  grain  and  distant  hills. 

H.  21  in.  W.  26f  in.  Canvas.  Signed:  Hughtenburgh. 
Purchase,  1871. 

HUNT,  William  Morris.  American;  born  1824  at  Brattleboro, 
Vt.;  buried  there  1879.  Studied  at  Diisseldorf;  pupil  of 
Couture  in  Paris;  influenced  by  Millet  and  the  Barbizon 
School.  In  1862  settled  in  Boston,  where  he  spent  most 
of  his  life.  Portraits,  genre,  and  mural  decorations. 

H91-1  LANDSCAPE.  A field  with  boulders  and  trees;  in 
Gallery  the  center  of  the  picture  stands  a boy  wearing  a blue 
16  blouse;  a white  dog  sits  beside  him. 

H.  I2f  in.  W.  19J  in.  Canvas.  Bulletin,  1906,  p.  I3i,ill. 
Purchase,  Rogers  Fund,  1906. 


139 


HUNT 

H91-2  GIRL  AT  A FOUNTAIN.  Life-size  figure  of  a young. 
Gallery  girl,  seen  from  the  back  to  below  the  knees;  her  left** 

16  hand  rests  against  a stone  wall  and  the  right  holds  a 

brown  jug  to  catch  the  water  flowing  from  a lion’s  head 
in  the  wall;  she  wears  a brown  dress  trimmed  with  dark 
red  braid  and  a close-fitting  white  cap;  at  the  left  there 
is  a low  stone  wall  with  trees  and  a hill  beyond. 

H.  46  in.  W.  35i  in.  Canvas.  Signed:  W.  M.  HVNT. 
Bulletin,  1908,  p.  119,  ill. 

Bequest  of  Jane  Hunt,  1908. 

H91-3  A BOY.  Standing  figure,  seen  to  below  the  knees  with 
Gallery  his  back  against  a stone  wall;  his  arms  are  folded  and  a 
16  whip  is  in  his  left  hand;  he  wears  an  Italian  costume. 

H.  i6|  in.  W.  8f  in.  Canvas.  Monogrammed:  WMH 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

H91-4  A GIRL.  Full-length,  seated  figure  of  a girl  in  Italian 
Gallery  dress;  a bright  red  cloak  hangs  over  the  back  of  her  chair. 

16  H.  i6|  in.  W.  8f  in.  Canvas.  Signed:  WM  (en- 

twined) Hunt  1867. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

H91-5  NIGHT.  (Sketch  for  the  principal  figure  of  one  of  the 
Gallery  mural  decorations  executed  in  1878  in  the  State  Capitol 
16  at  Albany,  N.  Y.,  but  since  ruined.)  A female  figure 
seated  on  the  crescent  moon;  drapery  falls  over  her  knees. 
H.  37  in.  W.  25^  in.  Cardboard.  Bulletin,  1911,  p. 
100. 

Purchase,  Rogers  Fund,  1911. 

H91-6  FORTUNE.  (Sketch  for  one  of  the  figures  in  The  Dis- 
Gallery  coverer,  one  of  the  ruined  mural  decorations  in  the 
16  State  Capitol  at  Albany.)  A winged  female  figure,  stand- 
ing with  drapery  about  her  raised  right  arm;  the  left 
hand  holds  the  tiller  of  the  boat  in  which  Columbus  stands. 
H.  37  in.  W.  25^  in.  Cardboard.  Bulletin,  1911,  p. 
100. 

Purchase,  Rogers  Fund,  1911. 

H91-51  CHARLES  SUMNER.  (1811-1874;  American  states- 
Gallery  man,  1861-1871.)  Life-size  bust,  almost  profile  to  left. 

16  He  has  bushy  iron-gray  hair  and  side  whiskers,  and  wears 
a black  coat  and  black  tie;  red  background. 

H.27in.  W.  22in.  Canvas.  Signed:  Monogram  W M H. 
Lent  by  Mrs.  E.  Hunt  Slater,  1918. 


140 


HUNT— HUNTINGTON 

H91-52  ABRAHAM  LINCOLN.  (1809-1865;  sixteenth  Presi- 
Gallery  dent  of  the  United  States,  1861-1865.)  Life-size  bust 

16  three-quarters  to  right;  the  hair  and  short  chin  beard 
are  black,  and  he  wears  a black  coat  and  necktie;  light 
gray  background.  This  is  a second  version  of  the  head 
in  the  full-length  portrait,  painted  in  1865  and  destroyed 
by  fire  in  1872. 

H.  27I  in.  W.  22j  in.  Canvas.  Signed:  Monogram 

WMH 

1866 

Lent  by  Mrs.  E.  Hunt  Slater,  1918. 

HUNTINGTON,  Daniel.  American;  born  1816  at  New  York  City; 

died  there  1906.  Pupil  of  S.  F.  B.  Morse  and  of  Inman 
in  New  York;  of  G.  P.  Ferrero  in  Rome.  President  of 
National  Academy  of  Design  1862  to  1869  and  1877  to 
1891.  Portraits. 

H92-1  JOHN  DAVID  WOLFE.  (1792-1872;  a New  York 

Gallery  merchant;  father  of  Catharine  Lorillard  Wolfe.)  Life- 

17  size,  seated  figure,  seen  to  the  knees;  an  open  book  is 
held  in  his  right  hand;  he  wears  the  conventional  black 
clothes  and  a cape  lined  with  black  satin. 

H.  43i  in.  W.  37I  in.  Canvas.  Signed:  D.  Hunting- 
ton  1871. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

H92-2  WILLIAM  C.  PRIME.  (1825-1905;  a New  York 

Gallery  merchant;  vice-president  of  the  Museum  from  1874 
16  to  1892.)  Life-size,  seated  figure,  seen  to  below  the  knees; 
his  right  hand  turns  the  leaves  of  an  open  book  that 
rests  on  top  of  another  volume  on  a table  at  the  left; 
his  thin  hair  and  long  beard  are  gray;  he  wears  a brown 
velveteen  jacket  and  dark  gray  trousers. 

H.  54j  in.  W.  44J  in.  Canvas.  Signed:  D.  Hunting- 
ton  1892. 

Gift  of  the  Trustees,  1892. 

H92-3  MERCY’S  DREAM.  The  subject  is  taken  from 

Bunyan’s  Pilgrim’s  Progress.  “Methought  I looked  up 
and  saw  one  coming  with  wings  toward  me.  . . . 

and  he  put  a beautiful  crown  upon  my  head.  Then  he 
took  me  by  the  hand  and  said  ‘Mercy,  come  after  me.’  ” 
H.  84  in.  W.  66j  in.  Canvas.  Signed:  D.  Hunting- 
ton  1858. 

Gift  of  the  artist,  1897. 


HUNTINGTON  — HUYSMANS 

H92-4  ELLA  VIRGINIA  DERING.  (Daughter  of  Willis  Bris- 
tol of  New  Haven,  Conn.,  and  wife  of  Sylvester  Dering  of* 
Utica,  N.  Y.)  The  figure  is  seen  to  below  the  waist;  she 
wears  a white  silk  gown  trimmed  with  lace,  a string 
of  pearls  is  about  her  neck,  and  her  left  hand  rests  on  a 
bunch  of  yellow  roses  at  her  breast. 

H.  30J  in.  W.  25  in.  Canvas.  Signed:  D.  Huntington. 
Gift  of  Sylvester  Dering,  1916. 

H92-5  NICOLL  HAVENS  DERING.  (1865-1869;  son  of 
Gallery  Sylvester  and  Ella  V.  Dering.)  A little  boy  dressed  in 

16  blue  and  holding  a toy  dog  under  his  left  arm,  is  seen  to 

the  knees  standing  in  a landscape. 

H.  30  in.  W.  25  in.  Canvas.  Signed:  D.  Huntington. 
Gift  of  Sylvester  Dering,  1916. 

HUYSMANS,  CoRNELis;  called  Huysmans  of  Mechlin.  Flemish; 

born  1648  at  Antwerp;  died  1727  at  Mechlin.  Pupil 
of  Gaspar  de  Witte  at  Antwerp  and  of  Jacques  van 
Artois  at  Brussels,  whence  he  went  to  Mechlin.  Land- 
scapes. 

H98-1  ITALIAN  LANDSCAPE.  A valley  with  peasants  and 
Gallery  cattle  in  the  foreground;  trees  to  the  left  and  mountains 
26  in  the  distance;  sunset  sky. 

H.  25!  in.  W.  31I  in.  Canvas. 

Purchase,  1871. 

H98-4  LANDSCAPE  WITH  FIGURES.  A view  of  a valley 
Gallery  in  a mountainous  country,  with  dark  trees  at  the  right 

14  and  left;  in  the  foreground  are  figures  and  cattle  and  in 

the  distance  a river  and  snow-capped  mountains  in 
sunlight. 

H.  22§  in.  W.  31J  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 


142 


I 


INGHAM,  Charles  C.  American;  born  1796  at  Dublin,  Ireland; 

died  1863  at  New  York  City.  Pupil  of  Dublin  Academy. 

In4-i  THE  FLOWER  GIRL.  Standing  figure,  seen  to  below 
the  knees;  she  wears  a yellowish  dress  and  a black  hood; 
she  carries  a pot  of  fuchsias  and  a basket  of  flowers. 

H.  36  in.  W.  28J  in.  Wood.  Signed:  C C Ingham 
1846.  Gift  of  William  Church  Osborn,  1902. 

INGRES,  Jean  Auguste  Dominique.  French;  born  1780  at 
Montauban;  died  1867  at  Paris.  Pupil  of  David;  in- 
fluenced somewhat  by  the  early  Italians  and  to  a greater 
degree  by  Raphael.  Portraits,  historical  and  classical 
subjects,  and  decorations. 

In  41-1  PORTRAIT  OF  M.  LEBLANC.  Seated  figure  to  the 

Gallery  left  seen  to  below  the  knees;  he  holds  a book  in  his  right 
20  hand  and  his  left  elbow  rests  on  a table  over  which  is  a 
red  figured  cover.  His  black  coat  is  open  in  front 
showing  a white  shirt  and  striped  waistcoat. 

H.  47!  in.  W.  37  in.  Canvas.  Signed:  Ingres  Pinx. 
Bulletin,  1919,  p.  133,  ill. 

Purchase,  Wolfe  Fund,  1918. 

In  41-2  PORTRAIT  OF  MME.  LEBLANC.  Seated  figure  to 

Gallery  the  right  seen  to  the  knees,  wearing  a low-necked  black 

20  silk  dress.  Her  right  hand  rests  on  the  back  of  the 

chair  and  her  left  lies  in  her  lap.  A heavy  gold  chain 
is  about  her  neck  and  is  fastened  at  her  belt.  An  Indian 
shawl  is  thrown  over  the  arm  of  her  chair;  flowers  in  a 
vase  are  on  the  table  at  the  right. 

H.  47  in.  W.  36J  in.  Canvas.  Signed:  Ingres  P.  flor. 
1823.  Bulletin,  1919,  pp.  133-134,  ill 
Purchase,  Wolfe  Fund,  1918. 

M3 


INMAN -INNESS 

INMAN,  Henry.  American;  born  i8oi(?)  at  Utica,  New  York; 


died  1846  at  New  York  City. 
Portraits. 


Pupil  of  John  W.  Jarvis. 


In5-i 

Gallery 

16 


In  5-2 
Gallery 
16 


In  5-3 
Gallery 
16 


MARTIN  VAN  BUREN.  (1782-1862;  the  eighth  preS' 
ident  of  the  United  States.)  Nearly  life-size  figure,  seen 
to  the  waist;  he  has  light  brown  hair  and  side  whiskers 
and  wears  a black  coat  and  high  black  stock. 

H.  3of  in.  W.  25§  in.  Canvas. 

Gift  of  Mrs.  Jacob,  H.  Lazarus,  1893. 

THE  YOUNG  FISHERMAN.  The  full-length  figure 
of  a barefooted  boy,  standing  under  a tree  with  his 
left  hand  raised  hofding  a branch;  a fishing  pole  is  over 
his  left  shoulder^ 

H.  13!  in.  W.  9f^  in.  Wood. 

Gift  of  Samuel  P.  Avery,  1895. 

WILLIAM  C.  MACREADY.  (1793-1873;  a prominent 
English  tragedian.)  Life-size  portrait,  seen  almost  to 
the  waist;  the  neck  is  bare  and  a white  tunic  shows 
above  a dark  garment;  a brown  fur  cloak  is  over  his 
left  shoulder.  He  is  posed  in  the  character  of  William 
Tell. 

H.  3oi  in.  W.  25  in.  Canvas.  Bulletin,  1906,  p.  105. 
Purchase,  Rogers  Fund,  1906. 


INNESS,  George.  American;  born  1825  at  Newburgh,  N.  Y.; 

died  1894  while  traveling  in  Scotland.  Apprenticed  to 
a map  engraver;  studied  painting  with  Regis  Gignoux; 
visited  Europe.  The  greater  part  of  his  working  life 
was  spent  in  the  neighborhood  of  New.  York  City.  Land- 
scapes. 

In6-i  AUTUMN  OAKS.  A group  of  oaks  in  red,  brown,  and 

Gallery  yellow  foliage  fills  the  middle  distance  to  the  right  of  the 
16  center;  in  the  dark  shadow  that  crosses  the  foreground, 
a cow  is  following  the  path  toward  a group  of  cattle 
that  are  in  the  sunlight  at  the  left;  beyond  are  open 
fields  and  wooded  groves  with  a glimpse  of  water  in  the 
distance;  heavy  clouds  with  blue  shadows. 

H.  2i|  in.  W.  30J  in.  Canvas.  Signed:  G.  Inness. 
Gift  of  George  I.  Seney,  1887. 

In6-2  EVENING.  Large  oak  trees  are  at  the  left  and  open 
fields  at  the  right  with  a farmhouse  and  blue  hills  beyond; 
in  the  foreground  sheep  and  a cow  are  being  driven 
home  and  a man  is  piling  logs. 


144 


INNESS 

H.48Jin.  W.  785  in.  Canvas.  Signed:  Geo.  Inness  1868. 
Gift  of  George  I.  Seney,  1887. 

In6-3  PEACE  AND  PLENTY.  A broad  expanse  of  country 

Gallery  with  hills  in  the  distance  and  a narrow  stream  winding 

13  through  the  valley;  in  the  foreground  a field  of  grain 

is  being  harvested;  at  the  left  in  the  middle  distance 

a group  of  elms  is  silhouetted  against  a golden  sunset  sky. 
Painted  from  studies  made  at  Medfield,  Mass. 

H.  77!  in.  W.  ii2fin.  Canvas.  Signed:  Geo  Inness 
1865.  Bulletin,  1914,  p.  4,  ill. 

Gift  of  George  A.  Hearn,  1894. 

In6-4  PINE  GROVE  OF  THE  BARBERINI  VILLA, 
Gallery  ALBANO,  ITALY. 

12  H.  76J  in.  W.  ii8f  in.  Canvas.  Signed: G Inness  — 
1876. 

Gift  of  Lyman  G.  Bloomingdale,  1898. 

In6-5  DELAWARE  VALLEY.  The  winding  Delaware  River 
Gallery  flows  through  a valley  dotted  with  trees,  cultivated 
16  fields,  and  farm  buildings;  at  the  left  a wagon  load  of 
hay  is  being  drawn  by  horses  along  a road  toward  the 
foreground;  in  the  distance  the  hilltops  are  partly 
hidden  by  rain  clouds. 

H.  22  in.  W.  30  in.  Canvas.  Signed:  G Inness  1865. 
Gift  of  several  gentlemen,  1899. 

In6-6  EVENING  AT  MEDFIELD,  MASS.  A dump  of 
Gallery  trees  at  the  left  and  a stone  wall  at  the  right  stand  out 

13  against  a deep  yellow  sunset  sky;  near  the  center  a man 
leans  over  the  pasture  bars;  in  the  foreground  at  the 
left  are  two  tree  trunks  beyond  which  two  cows  come  down 
a path  that  winds  around  a pollard  willow  at  the  right. 

H.  38  in.  W.  63!  in.  Canvas.  Signed:  G.  Inness  — 
1875.  Bulletin,  1910,  p.  107,  ill. 

Gift  of  George  A.  Hearn,  1910. 

In6“7  SPRING  BLOSSOMS.  An  orchard  in  blossom  is  in 
Gallery  the  middle  distance;  beyond  at  the  left  is  a farmhouse. 
13  H.  3oJ  in.  W.  45f  in.  Canvas.  Signed:  Geo.  Inness 

1889.  Bulletin,  1911,  p.  149,  ill. 

Gift  of  George  A.  Hearn,  in  memory  of  Arthur  Hoppock 
Hearn,  191 1. 

ln6-8  COAST  SCENE.  The  sunset  breaks  through  clouds 
Gallery  over  a dark  sea  and  coast ; low  headland  to  the  left. 

12  H.  22j  in.  W.  3oJ  in.  Canvas. 

Bequest  of  Eliza  W.  Howland,  1917. 


145 


INNESS— ISENBRANT 

INNESS,  George,  Jr.  American;  born  1853  at  Paris,  France; 

lives  in  New  York  City.  Pupil  of  his  father,  George  Inness.  . 
In6i-i  SHEPHERD  AND  SHEEP.  They  are  moving  away 
from  the  spectator;  bushes  and  low  trees  are  at  the  left. 

H.  10  in.  W.  15^  in.  Wood.  Signed:  Geo.  Inness  Jr.  1876. 
Bequest  of  Henry  H.  Cook,  1905. 

IRWIN,  Benoni.  American;  born  1840  at  Newmarket,  Canada; 

died  1896  at  South  Coventry,  Conn.  Pupil  of  National 
Academy  of  Design  in  New  York;  Carolus  Duran  in 
Paris. 

Ir9-i  CHARLES  H.  FARNHAM.  (Born  1841;  lives  at  New- 
burgh, N.  Y.  Author.)  Life-size,  bust  portrait  in  pro- 
file toward  the  left. 

H.  24I  in.  W.  18  in.  Canvas.  Signed:  Benoni  Irwin — 
1882. 

Gift  of  Mrs.  Benoni  Irwin,  1897. 

ISABEY,  Eugene.  French;  born  1803  at  Paris;  died  there  1886. 

Pupil  of  his  father,  Jean  Baptiste  Isabey.  Landscapes 
and  marines. 

Isi-i  A BANQUET  HALL.  A sumptuous  dining  hall 
Gallery  with  many  people  dressed  in  richly  colored  seventeenth 
17  century  costumes;  some  are  seated  at  the  long  table, 
drinking,  while  others  stand  in  groups  about  the  room; 
a number  are  gathered  on  the  steps  at  the  right  beyond 
which  the  sunlight  streams  through  a window. 

H.  27I  in.  W.  361V  in.  Canvas.  Signed:  E.  Isabey — 73. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ISENBRANT,  Adrian.  Flemish;  born  in  the  fifteenth  century; 

died  1557.  Settled  at  Bruges  in  1510  and  worked  under 
Gerard  David. 

Is2-i  ECCE  HOMO— MATER  DOLOROSA.  Life-size  fig- 
Gallery  ures,  seen  almost  to  the  knees,  of  Christ  and  the  Virgin 
34  standing  side  by  side  in  the  opening  of  a bay  consisting 
of  a double  arch.  Christ  is  at  the  left  with  a dark  green 
robe  hanging  upon  His  shoulders,  the  chest  bare,  and  the 
hands  bound  in  a crossed  position  so  that  the  right  hand 
holds  the  reed  on  the  left  side.  Mary  is  at  the  right  with 
bowed  head  and  hands  crossed  on  her  breast;  she  wears 
a white  wimple  and  a dark  mantle.  Formerly  attrib- 
uted to  Mostaert. 

H.  41^  in.  W.  36^'^^  in.  Canvas,  transferred  from  wood. 
Purchase,  Rogers  Fund,  1904. 

146 


ISENBRANT— ISHAM 

Is2-2  a.  THE  NATIVITY.  Triptych.  (Central  panel.)  Mary, 

Gallery  in  a dark  blue  robe  and  brown  cloak,  and  Joseph  in  a 

34  red  robe,  kneel  respectively  at  left  and  right  of  a straw 

filled  basket  on  which  the  Infant  is  lying;  just  beyond  is 
an  arched  stone  porch  beneath  which  are  the  ox  and  ass, 
and  at  the  left  are  two  adoring  shepherds;  landscape 
background  with  trees,  cottages,  shepherds,  and  blue  hills. 

ls2-2  b.  ADORATION  OF  THE  KINGS.  (Left  wing.)  Un- 
der a porch  similar  tothat  shown  in  the  central  panel,  Mary 
is  seated  at  the  right  holding  the  Child  on  her  lap;  two  of 
the  kings,  one  wearing  a red  robe  and  the  other  in  yellow 
brocade,  kneel  before  the  Infant;  the  Moor,  in  a dull 
green  robe  and  jeweled  turban,  stands  at  the  left  holding 
a gold  vessel;  landscape  background. 

Is2-2  c.  FLIGHT  INTO  EGYPT.  (Right  wing.)  The  Ma- 
donna, with  the  Child  held  in  her  left  arm,  rides  on  the  ass 
which  is  moving  toward  the  left;  Joseph,  in  a red  cloak, 
black  hood,  and  straw  hat,  stands  on  the  far  side  of  the 
animal  and  holds  its  bridle.  Across  the  three  panels  is  a 
landscape  background  consisting  of  a broad  valley  in  the 
center  and  at  right  and  left  wooded  hills  and  steep  rocks 
with  castles  on  their  summits. 

Is2-2  d.  THE  ANNUNCIATION.  (Painted  in  grisaille 
on  the  back  of  the  Adoration  of  the  Kings.)  A late 
Gothic  doorway  forms  the  background  for  the  Virgin 
and  the  angel. 

Is2-2  e.  THE  VISITATION.  (Painted  in  grisaille  on  the 
back  of  the  Flight  into  Egypt.)  A Gothic  doorway, 
similar  to  that  of  the  opposite  wing,  forms  the  background 
for  the  Virgin  and  Saint  Elizabeth. 

Center,  H.  9J  in.  W.  6|  in.;  each  side,  H.  loj  in. 
W.  3tV  in-  Wood.  Bulletin, 1913,  p.  67,  ill. 

Purchase,  Hewitt  Fund,  1913. 

ISHAM,  Samuel.  American;  born  1855  at  New  York  City;  died 
1914  at  Easthampton,  N.  Y.  Pupil  of  Jacquesson  de  la 
Chevreuse,  Boulanger,  and  Lefebvre.  Author  of  A 
History  of  American  Painting. 

IS3-1  LA  MARQUISE  DE  CARABAS.  Life-size,  seated 

Gallery  figure  of  a young  girl  seen  to  the  knees;  she  wears  a fancy 
12  costume  of  brocaded  silk  and  a string  of  pearls  about 
her  neck;  her  raised  left  hand  rests  on  a standard;  there 
is  a fanciful  coat  of  arms  on  a column  in  the  background 
at  the  left. 


147 


ISHAM  — ITALIAN  SCHOOL 

H.  39f  in.  W.  32  in.  Canvas.  Signed:  S.  Isham,  96. 
Bulletin,  1915,  p.  ii;  ill.  p.  13. 

Gift  from  the  estate  of  the  artist,  in  accordance  with  his 
wishes,  1914. 

ISRAELS,  JozEF.  Dutch;  born  1824  at  Groningen;  died  1911 
at  The  Hague.  Pupil  of  J.  A.  Kruseman  at  Amsterdam; 
Picot  and  Delaroche  at  Paris.  Peasant  subjects. 

Isy-i  THE  BASHFUL  SUITOR.  A youth  and  a young  girl 

Gallery  are  walking  toward  the  left  across  flat  meadows;  in  the 

19  fields  beyond  is  a herd  of  black  and  white  cattle. 

H.  46  in.  W.  67!  in.  Canvas.  Signed:  Jozef  Israels. 
Gift  of  George  I.  Seney,  1887. 

Is7~2  EXPECTATION.  An  interior  with  the  full-length, 

Gallery  seated  figure  of  a young  Dutch  peasant  woman  who  is 

19  sewing;  she  is  making  a baby’s  cap  and  her  sewing 

materials  are  on  a willow  cradle  at  the  left;  on  a table 
at  the  right  is  a pot  of  flowers  in  blossom. 

H.  71J  in.  W.  54  in.  Canvas.  Signed:  Jozef  Israels. 
Gift  of  George  I.  Seney,  1887. 

IS7-3  WAITING  FOR  PAPA.  A humble  Dutch  home  with  a 
girl  and  a boy  standing  at  an  open  window  and  looking 
out  across  sand  dunes. 

H.  2if  in.  W.  14!  in.  Wood.  Signed:  Jozef  Israels. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

IS7-4  THE  DUNES.  A girl  sits  at  the  right  looking  out  to 
sea,  where  a fishing  boat  is  shown. 

H.  i2|  in.  W.  17!  in.  Water  color.  Signed:  Jozef 
Israels. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

Is7-5  GRANDMOTHER’S  TREASURE.  A dutiful  little 
child  reads  to  her  sick  grandmother. 

H.  27  in.  W.  35f  in.  Canvas.  Signed:  Jozef  Israels. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,.  1917. 

ITALIAN  SCHOOL. 

It5S-4  CROWNING  OF  THE  VIRGIN.  The  Virgin,  in  a 
white  robe,  is  seated  at  the  left,  and  Christ,  wearing  a 
red  robe  and  a dark  blue  mantle,  is  placing  the  crown 

148 


It5S-5 


It5S-6 


It5S-i6 

Gallery 

33 


It5S-i7 

Gallery 

33 


ITALIAN  SCHOOL 

upon  her  head;  back  of  the  figures  is  a red  and  gold  canopy 
which  is  supported  at  each  side  by  an  angel.  Formerly 
attributed  to  Stamina.  Fifteenth-century  work. 

H.  13y'V  in.  W.  io|f  in.  Wood. 

Gift  of  Frederic  Coudert,  1888. 

VIRGIN  AND  CHILD.  The  Virgin,  in  a white  mantle 
lined  with  green,  is  standing  and  seen  to  the  knees;  the 
Child,  swathed  in  a white  and  yellow  striped  cloth,  is 
held  upright  with  His  feet  resting  in  the  Virgin’s  right 
hand;  gold  background  with  halos  in  relief.  Inscribed 
below  on  a red  ground:  benedictvs  . sit  • nomen. 

DOMINI  JHVXRI  ET  • NOMEN  • MATRIS  • EIVS  • GLORIOSE- 

viRGiN.  Fourteenth-century  work. 

H.  32I  in.  W.  18J  in.  Tempera  on  wood;  pointed 
arched  top. 

Gift  of  Frederic  Coudert,  1888. 

ENTOMBMENT.  The  nude  figure  of  the  dead  Christ  is 
supported  on  the  edge  of  the  tomb  by  the  Virgin  at  the 
left  and  St.  John  at  the  right;  gold  background.  The 
picture  came  under  the  name  of  Gio.  Batta;  it  is  fifteenth- 
century  work. 

H.  7Jin.  W.  9iin.  Wood. 

Gift  of  Frederic  Coudert,  1888. 

MADONNA  AND  CHILD.  A half-length  of  the 
Madonna  with  the  Child  standing  on  her  lap;  she  wears  a 
purple  robe,  white  scarf,  and  black  mantle;  the  Child 
is  dressed  in  red  and  His  right  hand  caresses  the  face  of 
the  Madonna;  dark  background  with  fruit  and  leaves; 
imitation  Cufic  inscription  on  halos.  At  one  time 
attributed  to  Pisanello.  North  (?)  Italian  work  of  the 
third  quarter  of  the  fifteenth  century. 

H.  25f  in.  W.  14J  in.  Tempera  on  wood. 

Gift  of  Baron  Lazzaroni,  1906. 

SAINT  MICHAEL  AND  THE  DRAGON.  The  Saint 
stands  with  his  sword  raised  in  the  act  of  slaying  a mon- 
ster which  has  one  large  and  numerous  small  heads, 
several  of  which  have  been  cut  off.  The  Saint  has  parti- 
colored wings  and  wears  Renaissance  armor  and  a red 
doublet  embroidered  with  gold;  gold  tooled  background. 
Fifteenth-century  work. 

H.  42j  in.  W.  41 J in.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1912. 


149 


It5S-Fi 


It5S-F2 

Gallery 

33 


It5S-F3 

Gallery 

31 


It5S-F4 

Gallery 

31 


ITALIAN  SCHOOL 

Florentine. 

ST.  ANTHONY.  The  head  of  an  old  man  in  a brown 
monk’s  habit.  Formerly  attributed  to  Ghirlandaio; 
fifteenth-century  work. 

H.  20y\  in.  W.  14^  in.  Fresco  on  plaster. 

Gift  of  Cornelius  Vanderbilt,  1880. 

A MAN  AND  A WOMAN  AT  A CASEMENT.  A 
woman,  seen  to  below  the  waist,  stands  in  the  corner  of  a 
room  facing  a window  at  the  left  where  a man,  who  is 
outside  the  house,  leans  on  the  sill  with  both  hands  crossed 
on  the  ledge  over  which  hangs  a cloth  bearing  the  Scolari 
arms;  beyond  the  woman’s  head  is  another  window 
through  which  there  is  a view  of  a town  street  and  a land- 
scape. Formerly  attributed  to  Masaccio;  Berenson  con- 
siders it  an  early  work  of  Paolo  Uccello.  Painted  in  the 
second  quarter  of  the  fifteenth  century. 

H.  25y\  in.  W.  i6f  in.  Tempera  on  wood. 

Gift  of  Henry  G.  Marquand,  1888. 

THE  WAR  OF  CHARLES  OF  DURAZZO  AGAINST 
OTTO  OF  BRUNSWICK.  (A  cassone  [chest]  front 
in  three  octagonal  panels  with  ornamental  borders  and 
spandrels  decorated  with  the  coat  of  arms  of  the  Kingdom 
of  Sicily  and  Jerusalem.)  In  the  right.-hand  panel,  the 
army  of  Charles  of  Durazzo,  under  the  banners  of  Sicily 
and  Jerusalem,  of  the  Pope  and  of  Hungary,  attacks  the 
army  of  Otto  of  Brunswick  who  carry  the  Brunswick 
arms.  In  the  central  panel  Charles  receives  the  submis- 
sion of  Otto.  In  the  panel  at  the  left  Charles  and  his 
army  enter  the  city  of  Naples.  The  colors  are  sombre 
— Charles  in  each  panel  is  dressed  in  black  and  gold  and 
is  mounted  on  a white  horse.  The  sky  is  gold-leaf. 
Florentine,  about  1400. 

H.  19^  in.  W.  50 jj  in.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1906. 

CASSONE;  UNKNOWN  SUBJECT.  A prince  with  his 
party  arrives  at  the  left:  back  of  them  are  Florentine 
buildings — the  Riccardi  palace,  then  the  Medici  palace, 
and  the  Cathedral  and  Campanile.  At  the  right  is  a log- 
gia with  nine  ladies  at  dinner.  A page  steps  from  the 
loggia  to  welcome  the  party.  The  prince  is  shown  again 
at  the  right,  choosing  one  of  the  ladies,  and  once  more  as 
he  and  the  lady  are  being  married;  an  elderly  gentleman 
is  blessing  their  union  and  a gentleman  behind  the  corner 
column,  eavesdropping.  Many  of  the  costumes  are  in 


150 


It5S-Li 


It5S-Si 

Gallery 

33 


It5S-S2 

Gallery 

33 


ITALIAN  SCHOOL 

gold-leaf.  The  name  of  the  artist  is  unknown;  two  works 
by  him  are  in  American  collections,  both  showing  Solo- 
mon and  the  Queen  of  Sheba;  one  in  the  Boston  Museum, 
and  one  in  the  Jarves  collection  at  Yale  University. 
About  1450. 

H.  i7j  in.  W.  55§  in.  Tempera  on  wood.  Bulletin, 
1919,  p.  6,  ill. 

Purchase,  Rogers  Fund,  1918. 

Lombard. 

MADONNA  AND  CHILD.  The  Madonna  embraces  the 
Child,  who  is  nude  except  for  his  legs,  which  are  wrapped 
in  swaddling  clothes.  His  arms  are  around  her  neck; 
they  do  not  look  at  each  other  but  smile  at  the  spectator. 
Early  sixteenth-century  work. 

H.  22j  in.  W.  14!  in.  Tempera  on  plaster. 

Bequest  of  William  H.  Herriman,  1921. 

Sienese. 

THE  HOLY  VIRGIN  AND  SAVIOUR.  A triptych. 
The  central  panel  shows  the  Virgin  enthroned  with  the 
Child  on  her  lap  and  seven  angels  grouped  around  the 
throne;  in  the  right-hand  panel  St.  Peter  is  in  the  fore- 
ground and  there  are  four  other  standing  figures;  in 
the  left-hand  panel  there  are  also  five  figures,  St.  Paul 
being  in  the  foreground.  In  the  points  at  the  top  of  the 
panels  the  Crucifixion  is  in  the  center,  the  Virgin  in 
prayer  at  the  right,  and  the  Angel  of  the  Annunciation  at 
the  left.  Gold  background  throughout.  Fifteenth 
century;  influenced  by  Taddeo  di  Bartolo. 

H.  i8J  in.  W.  171^6^  in.  Tempera  on  wood. 

Gift  of  Frederic  Coudert,  1888. 

THE  LIFE  OF  CHRIST.  A triptych,  divided  into 
sixteen  scenes  by  means  of  bands  of  pattern  stamped  in 
the  gold  ground.  The  subjects  are  as  follows:  Right 
panel:  1.  Annunciation;  2.  Nativity;  3.  Adoration  , of 
the  Magi;  4.  Presentation  in  the  Temple.  Left  panel: 
5.  Flight  into  Egypt;  6.  Christ  Among  the  Doctors; 
7.  The  Last  Supper;  8.  The  Agony  in  the  Garden.  Cen- 
tral panel  beginning  at  the  upper  left:  9.  St.  John  the 
Baptist;  10.  The  Trinity;  1 1.  St.  Michael;  12.  The  Scourg- 
ing of  Christ;  13.  The  Crucifixion;  14.  Christ  Carrying 
the  Cross;  15,  The  Pieta;  16.  Christ  in  the  Tomb. 
Painted  in  the  first  half  of  the  fifteenth  century. 


ITALIAN  SCHOOL 

Central  panel,  H.  20J  in.  W.  14!  in.  Sides,  each,  . 
H.  21^  in.  W.  in.  Wood.  Bulletin,  1909,  p.  88. 
Purchase,  Rogers  Fund,  1909. 

Tuscan. 

lt5S-Ti  ST.  GILES;  MISSION  OF  THE  APOSTLES;  CHRIST 
Gallery  TRIUMPHANT  OVER  SATAN.  A polyptych.  The 
33  right-hand  panel  shows  a full-length  standing  figure  of 
St.  Giles,  in  the  black  habit  of  a Benedictine  monk.  The 
left  half  is  divided  into  two  sections;  in  the  lower  part, 
Christ  is  addressing  the  twelve  apostles,  and  above  Christ 
stands  on  clouds  with  angels,  four  of  whom  drive  away 
devils.  On  scrolls  are  printed  ISTI  EST  DOMINUS 
REX  GLORIAE  (This  is  the  Lord,  the  King  of  Glory) 
and  ET  DOMINUS  FIRTIS  IN  PROELIO  (even  the 
Lord  mighty  in  battle).  Berenson  attributes  this  work 
to  Tuscan  origin;  Fry  considers  that  the  types  are  non- 
Italian,  though  the  painting  shows  Sienese  influence; 
it  was  previously  catalogued  as  early  French,  School  of 
Avignon.  Probably  painted  in  the  early  part  of  the 
fifteenth  century. 

H.  59I  in.  W.  39§  in.  Tempera  on  wood. 

Gift  of  J.  Bruyn  .Andrews,  1876. 

Umbrian. 

It5S-Ui  SCENES  FROM  THE  LIFE  OF  KING  NEBU- 
CHADNEZZAR. (The  dream  of  King  Nebuchadnezzar 
and  its  interpretation  are  given  in  the  Bible  in  the  Book 
of  Daniel,  chapter  IV.)  A cassone  (chest)  front  with 
three  sunken  panels;  the  borders  of  the  panels  are  carved 
and  the  ground  is  gilded.  In  the  panel  at  the  left,  Daniel 
is  interpreting  the  dream  of  Nebuchadnezzar.  In  the 
central  panel,  Nebuchadnezzar  is  being  driven  from  the 
palace  as  predicted  by  Daniel.  In  the  panel  at  the  right 
the  King  is  eating  grass  “as  oxen”  in  accordance  with  the 
interpretation  of  the  dream.  Painted  toward  the  end  of 
. the  fifteenth  century. 

H.  21  }|  in.  W.  65  in.  Tempera  on  wood.  Bulletin, 
1908,  p.  189,  ill. 

Gift  of  James  Loeb,  1908. 


152 


HARP  OF  THE  WINDS:  A VIEW  ON  THE  SEINE 


ALX)RATION  OF  THE  KINGS 
BY  QUENTIN  MASSYS 


J 

JACOBI,  Giovanni.  See  Giovanni  da  Milano. 

JACOPI,  Bernardino.  See  Butinone. 

JACQUE,  Charles  Emile.  French  (Barbizon);  born  1813  at 
Paris;  died  there  1894.  Studied  geographical  engraving; 
worked  in  England;  later  settled  at  Barbizon,  where  he 
painted  landscapes  and  animals. 

J16-1  THE  SHEEPFOLD.  The  interior  of  a barn  with  sheep; 

Gallery  a boy  in  a blue  blouse  is  putting  a bundle  of  hay  into  a 

17  rack;  bright  sunlight  enters  through  a crudely  latticed 

door  at  the  left  and  falls  on  the  straw  with  which  the 
floor  is  covered;  four  chickens  are  near  a tub  in  the 
foreground. 

H.  18J  in.  W.  365  in.  Wood.  Signed:  Ch.  Jacque- 
1857. 

Purchase,  Wolfe  Fund,  1897. 

J16-2  LANDSCAPE  WITH  SHEEP.  A flock  of  sheep 

nibbling  grass  followed  by  a black  collie  and  a shep- 
herd who  wears  a blue  blouse;  a hill  and  a grove  of  oaks 
are  beyond. 

H.  i3f  in.  W.  loi  in.  Wood.  Signed:  Ch.  Jacque. 
Gift  of  Mrs.  Mary  Goldenberg,  1899. 

J16-3  SHEEP.  Two  sheep  in  a pasture. 

H.  5I  in.  W.  8J  in.  Wood.  Signed:  Jacque. 

Bequest  of  Thomas  P.  Salter,  1907. 

JACQUET,  Gustave.  French;  born  1846  at  Paris;  died  there 
1909.  Pupil  of  Bouguereau.  Figure  subjects. 

J 162-1  FEMALE  HEAD.  Life-size,  bust;  a white  lace  scarf 
S.  W.  is  draped  over  the  bare  shoulders  and  knotted  in  front. 
Stairway  H.  2i|  in.  W.  i8|  in.  Canvas.  Signed:  G.  Jacquet. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

153 


JACQUET  — JARVIS 

J 162-2  REVERIE.  Figure  of  a young  girl,  seen  almost  to  the 
waist;  she  wears  a low-necked  gray  bodice,  laced  in- 
front,  with  rosettes  on  the  shoulders  and  a yellow  ribbon 
about  her  neck. 

H.  12JI  in.  W.  9I  in.  Wood.  Signed:  G.  Jacquet. 
Bequest  of  Thomas  P.  Salter,  1907. 

JANSSENS  VAN  CEULEN,  Cornelis;  or  Janson  or  Jonson 
van  Ceulen.  Flemish;  born  1593  at  London,  England, 
of  Flemish  parents;  died  i664(?)  at  Utrecht.  Influenced 
by  Van  Dyck  with  whom  he  worked  for  eight  years  at 
the  Court  of  Charles  I.  In  1648  settled  at  Utrecht. 
Portraits. 

J262-1  PORTRAIT  OF  A LADY.  Life-size,  to  the  waist; 
Gallery  her  brown  hair  is  drawn  back  and  hangs  in  ringlets  caught 
26  with  pearls;  a double  row  of  pearls  is  about  her  bare  neck; 
she  wears  a black  satin  dress  with  close-fitting  white 
lace  yoke  that  comes  down  over  the  shoulders  and  is 
held  in  front  by  a large  black  enameled  brooch. 

H.  31^  in.  W.  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

J262-2  LADY  TOWNSHEND.  (Mary,  daughter  of  Edward 
Kewknor  of  Denham,  England,  married  in  1658  Sir 
Horace  Townshend,  who  in  1660  went  to  The  Hague  as 
one  of  the  deputation  to  invite  Charles  11  to  return  to 
England;  this  portrait  was  probably  painted  during  that 
visit.  Lady  Mary  Townshend  died  1673.)  Life-size 
figure,  seen  to  the  waist  with  the  head  three-quarters  to 
the  left;  she  wears  a large  black  hat,  and  a black  dress 
with  deep,  square  white  yoke  edged  with  wide,  pointed 
lace. 

H.  30I  in.  W.  24!  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

JARVIS,  John  W.  American;  born  1780  at  South  Shields-on- 
the-Tyne,  England;  died  1834  at  New  York  City. 
Chiefly  self-taught;  worked  in  Philadelphia  and  New 
York.  Portraits. 

J291-1  PORTRAIT  OF  A MAN.  Life-size,  seen  almost  to 
the  waist;  he  wears  a black  coat  and  a white  frilled  stock. 
H.  29I  in.  W.  25  in.  Canvas. 

Gift  of  A.  W.  Classon,  1875. 


'54 


JARVIS  — JOHN 

J291-2  ALEXANDER  ANDERSON.  (1775-1870;  the  pioneer 
Gallery  American  wood-engraver;  at  first  a physician,  but  after 
16  about  1798  he  devoted  his  attention  exclusively  to 
wood-engraving;  lived  in  New  York  City.)  Life-size 
figure,  standing  behind  a brown  chair  with  both  hands 
resting  on  the  chair-back. 

H.  34  in.  W.  27  in.  Canvas. 

Gift  of  Robert  Hoe,  Jr.,  1881. 

JEFFERSON,  Joseph.  American;  born  1829  at  Philadelphia; 

died  1905  at  Palm  Beach,  Fla.  He  was  best  known  as 
an  actor. 

J35-2  MASSACHUSETTS  BAY.  A marine  with  the  sea 
dashing  against  the  barren  shore  at  the  right;  stormy  sky. 
H.  29J  in.  W.  42§  in.  Canvas.  Signed:  J Jefferson. 
Gift  of  Mrs.  Joseph  Jefferson,  1906. 

JETTEL,  EugIne.  Austrian;  born  1845  at  Johnsdorf;  died  1901 
at  Trieste.  Pupil  of  Albert  Zimmerman  and  of  Petten- 
kofen  at  Vienna. 

J51-1  A MARSH  IN  NORTH  HOLLAND.  Pools  of  water 
in  the  foreground;  trees  and  a white  cottage  beyond  with 
flat  lands  in  the  distance  and  windmills  against  the  horizon. 
H.  32!  in.  W.  481^^  in.  Canvas.  Signed:  Eugene  Jettel 
Paris  1877. 

Gift  of  Charles  Sedelmeyer,  1883. 

JEWETT,  William.  American;  born  1795  at  East  Haddam,  Conn.; 

died  1873  at  Bayonne,  N.  J.  Assistant  of  Samuel  L. 
Waldo,  in  New  York  City,  with  whom  he  collaborated  in 
painting  portraits  during  eighteen  years. 

The  following  portraits  were  painted  by  Waldo  and  Jewett. 
See  descriptions  under  Waldo. 

Edward  Kellogg. 

Mrs.  Edward  Kellogg. 

Rev.  Gardiner  Spring. 

JOHN,  Augustus  Edwin.  British;  born  1879. 

J62-51  THE  WAY  DOWN  TO  THE  SEA.  A nude  baby  and 
Gallery  four  young  women,  in  simple  dresses  of  blue,  violet,  and 
19  yellow,  stand  on  a cliff  against  the  blue  sky  and  the  blue 
sea;  the  foremost  woman  holds  a vermilion  ball  above  the 
child’s  head. 


155 


JOHN  — JOHNSON 

H.  79  in.  W.  66J  in.  Canvas.  Bulletin,  1915,  p.  75. 
Lent  by  John  Quinn,  1915. 

JOHNSON,  David.  American;  born  1827  at  New  York  City;  died 
1908  at  Walden,  N.  Y.  Studied  with  J.  F.  Cropsey  but 
chiefly  self-taught.  Landscapes. 

J63-1  THE  GIANT  OF  THE  MEADOW.  A grove  of  large 
trees  beneath  which  cattle  are  giazing;  at  the  left  a 
narrow  stream  winds  through  the  landscape  to  the 
foreground. 

H.  18  in.  W.  26J  in.  Canvas.  Signed  on  back:  David 
Johnson- 1 888-9. 

Bequest  of  Thomas  P.  Salter,  1907. 

J63-2  BAYSIDE,  NEW  ROCHELLE.  A large  oak  in  full 
leaf  is  on  a point  of  land  which  juts  out  into  the  inlet;  in 
the  immediate  foreground  at  the  left  an  old  man  is  seated 
on  the  ground  with  his  dog  at  his  side. 

H.  19I  in.  W.  24  in.  Canvas.  Monogrammed:  DJ. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

J63-3  NEAR  SQUAM  LAKE,  NEW  HAMPSHIRE.  A view 
of  a valley  with  clumps  of  trees  and  hills,  and  mountains 
beyond  in  yellowish  late  afternoon  light;  the  end  of  the 
lake  shows  at  the  left.  On  the  road  in  the  center  fore- 
ground is  a man  in  a red  vest  who  drives  a white  cow. 
H.  i8yf  in.  W.  28  in.  Canvas.  Signed:  D.  Johnson, 
1856.  Inscribed  on  back:  Scene  near  Squam  Lake 
N.H.  D.  Johnson  1856. 

Purchase,  Rogers  Fund,  1917. 

JOHNSON,  Eastman.  American;  born  1824  at  Lovell,  Me.; 

died  1906  at  New  York  City.  Studied  at  Diisseldorf  and 
at  The  Hague;  settled  in  New  York  in  i860. 

J631-1  SANDFORD  R.  GIFFORD.  (Landscape  painter;  see 
Gifford.)  Life-size,  bust;  he  has  brown  hair,  moustache, 
and  beard. 

H.  26f  in.  W.  22J  in.  Millboard.  Signed:  E.  John- 
son 1880. 

Gift  of  Richard  Butler,  1888. 

J631-2  TWO  MEN.  (The  one  at  the  right  is  Samuel  W.  Rowse, 
Gallery  1822-1901,  noted  for  his  crayon  portraits  of  children; 
16  the  other  is  Robert  W.  Rutherfurd.)  A room  with  the 

156 


JOHNSON— JONGERS 

two  life-size,  seated  figures  facing  each  other  and  talking. 
H.6ojin.  W.  ySJ  in.  Canvas.  Signed:  E Johnson  i88i. 
Gift  of  Robert  Gordon,  1898. 

J631-3  CORN  HUSKING  AT  NANTUCKET.  A field  with 
Gallery  two  long  lines  of  men  and  women  handling  the  corn; 
16  the  ground  between  them  is  strewn  with  yellow  husks 
some  of  which  have  already  been  stacked;  in  the  fore- 
ground at  the  right  two  men  are  carrying  a basketful  to 
a nearby  farmhouse. 

H.  27!  in.  W.  54I  in.  Canvas.  Signed:  E.  Johnson. 
Purchase,  Rogers  Fund,  1907. 

JONES,  H.  Bolton.  American;  born  1848  at  Baltimore,  Md.; 

lives  in  New  York  City.  Studied  in  Paris.  Landscapes. 

J71-1  SPRING.  In  the  immediate  foreground  is  a stream 

Gallery  which  reflects  the  budding  trees  that  border  its  banks; 
16  meadows  beyond. 

H.  24J  in.  W.  4O1V  in.  Canvas.  Signed:  H.  Bolton 
Jones. 

Gift  of  George  I.  Seney,  1887. 

J71-2  AUTUMN.  Meadows  with  a brook  in  the  foreground 
and  leafless  trees  beyond. 

H.  loin.  W.  i4in.  Canvas.  Signed:  H.  Bolton  Jones. 
Bequest  of  Thomas  P.  Salter,  1907. 

JONGERS,  Alphonse.  American;  born  1872  in  France,  lives 
in  New  York  City.  Pupil  of  the  Ecole  des  Beaux-Arts 
in  Paris  under  Delaunay  and  Gustave  Moreau;  studied 
in  Spain.  Portraits. 

J73-1  LOUISE.  Life-size,  full-length,  standing  figure  of  a 
Gallery  little  girl  in  a white  dress,  wearing  a large  blue  bow 

13  on  her  brown  hair;  in  her  left  hand  she  holds  a broad- 

brimmed  straw  hat  trimmed  with  blue  and  yellow  artifi- 
cial flowers.  A green  and  orange  parrot  is  on  a perch  at 
the  left  and  in  the  foreground  is  a black  French  poodle. 
H.  80  in.  W.  38  in.  Canvas.  Signed:  A.  Jongers. 

Gift  of  George  A.  Hearn,  1910. 

J73-2  ARTHUR  HOPPOCK  HEARN.  (1861-1910;  New  York 
Gallery  merchant;  son  of  George  A.  Hearn.)  Life-size,  standing 

15  portrait,  seen  almost  to  the  knees;  his  right  hand  holds 

a book  which  rests  on  a table. 


157 


JONGERS  — JONGKIND 

H.  42  in.  W.  34  in.  Canvas.  Bulletin,  1911,  p.  146.  ill.  ^ 
Gift  of  George  A.  Hearn  in  memory  of  Arthur  Hoppock 
Hearn,  1911. 

JONGH,  Ludolf  de.  Dutch;  born  1616  at  Overschie;  died  1679 
at  Hillegersberg.  Pupil  of  Cornelius  Saftleven  at  Rotter- 
dam, Palamedes  at  Delft,  and  Jan  van  Bylert  at  Utrecht. 

J731-1  WILD  BOAR  HUNTING.  Dogs  are  attacking  a boar 
which  has  killed  several  of  them;  a cavalier  wearing  a 
red  coat  approaches  on  horseback  at  the  right  near  dense 
woods;  an  open  plain  beyond  with  cliffs  at  the  left. 
Formerly  ascribed  to  Abraham  Hondius. 

H.  i2|  in.  W.  I7x®^  in.  Canvas. 

Purchase,  1871. 

JONGKIND,  Barthold.  Dutch;  born  1819  at  Latdorp  near 
Ootmarsum;  died  1891  at  Cote-Saint-Andre,  Isere, 
France.  Pupil  of  Andreas  Schelfhout  at  The  Hague; 
of  Isabey  at  Paris,  where  he  settled  in  1845.  Marines  and 
landscapes. 

J732-1  SUNSET  ON  THE  SCHELDT.  At  the  left  is  a point 
Gallery  of  low  shore  with  a house  and  two  ragged  trees;  to  the 
14  right,  near  the  farther  bank  of  the  river,  there  are  two 
ships  with  sails  up;  the  sky  is  luminous  and  the  pinkish 
clouds  are  reflected  in  the  wide  river. 

H.  2iJ  in.  W.  28J  in.  Canvas.  Signed:  Jongkind  1865. 
Gift  of  George  A.  Hearn,  1906. 

J732-2  HON  FLEUR.  In  the  foreground  at  the  left  is  a three- 

Gallery  masted  schooner  with  sails  furled;  across  the  horizon 
17  stretches  the  line  of  the  city  and  sail-boats  are  near  the 
shore  at  the  right. 

H.20^in.  W.  32|in.  Canvas.  Signed:  Jongkind  1865. 
Purchase,  Wolfe  Fund,  1916. 

J732-3  DUTCH  FISHING  BOATS.  Three  sail-boats  off  a low 
shore  on  a windy  day. 

H.6|in.  W.  105  in.  Water  color.  Signed:  Jongkind  1870. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

J732-4  LANDSCAPE.  An  effect  of  autumn;  road  with  a wagon 
approaching  at  the  right,  a row  of  trees,  and  sloping  cul- 
tivated ground  at  the  left. 

H.  7 in.  W.  12  in.  Water  color.  Signed:  1885 
Jongkind. 


158 


JONGKIND  — JOUETT 


Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 
Bequest  of  Isaac  D.  Fletcher,  1917. 


JORDAENS,  Jacob.  Flemish;  born  1593  at  Antwerp;  died  there 
1678.  Pupil  of  Adam  Van  Noort;  influenced  by  Ru- 
bens, whom  he  assisted. 

J76-3  SKETCH  FROM  SACRED  HISTORY.  To  the  right 
Gallery  sits  a judge  (or  king)  in  red  robes;  leaning  over  a rail 
27  stand  two  women  and  a man  pleading;  two  children 
stand  at  the  feet  of  the  judge;  other  women  and  children 
kneel  at  the  left. 

H.  10  in.  W.  Ill  in.  Canvas. 

Purchase,  1871. 

J76-4  THE  PHILOSOPHERS— DEMOCRITUS  AND  HERA- 
Gallery  CLITUS.  Life-size  figures  of  two  men,  standing  behind 
27  a large  globe  of  the  world;  the  one  at  the  left  is  richly 
dressed  and  extends  his  right  hand  as  if  in  argument; 
his  companion  wears  a coarse  gray  drapery,  which  only 
partly  covers  his  body,  leans  on  the  globe  and  turns  away 
from  the  other  figure. 

H.  5of  in.  W.  38!  in.  Canvas. 

Gift  of  Mrs.  Jane  L.  Melville,  1884. 

JORIS,  Pio.  Italian;  born  1843  Rome;  lives  there.  Pupil 
of  Academy  of  San  Luca  in  Rome  and  of  Fortuny. 

J761-1  ITALIAN  COURTYARD  AND  FIGURES.  Three 
S.  W.  men  are  sifting  grain  near  the  arched  entrance  to  a 
Stairway  narrow  court;  in  the  foreground  a boy  is  seated  in 
the  sunshine  against  the  wall  of  a house;  in  the  distance, 
at  the  head  of  the  steep  street,  is  a figure. 

H.  20J  in.  W.  i4y\  in.  Water  color.  Signed:  Joris 
Roma. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


JOUETT,  Matthew  Harris.  American;  born  1783  in  Mercer 
Co.,  Ky.;  died  1827  at  Louisville,  Ky.  Studied  paint- 
ing for  a few  months  under  Gilbert  Stuart  in  Boston; 
settled  at  Lexington,  Ky.,  in  1816.  Portraits. 

J82-1  JOHN  GRIMES.  (A  painter  who  died  at  Lexington, 
Gallery  Ky.,  in  1837.)  Life-size  figure,  seen  to  the  waist;  he  has 
16  light  brown  hair  and  wears  a brown  velvet  coat  and  white 
stock. 

H.  28|  in.  W.  2 if  in.  Wood. 

Gift  of  Mrs.  Sarah  Bell  Menefee,  1895. 


159 


K 


KAEMMERER,  Frederik  Hendrik.  Dutch;  born  1839 

The  Hague;  died  1902  at  Paris,  where  he  had  lived  since 
1865.  Pupil  of  the  £cole  des  Beaux-Arts  under  Gerome. 

Kii-i  STUDY  OF  A GIRL’S  HEAD.  The  figure  is  seen 
S.  W.  to  the  waist  with  the  face  in  profile;  a fan  is  in  her 

Stairway  right  hand;  she  wears  a red  velvet  cape  and  a broad- 

brimmed  hat  caught  with  a blue  rosette. 

H.  9f  in.  W.  6J  in.  Canvas.  Signed:  F.  H.  Kaem- 

MERER. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

KALF,  Willem.  Dutch;  born  1621  or  1622  at  Amsterdam;  died 
there  1693.  Pupil  of  Hendrick  Pot.  Still  life  and  interiors. 

K12-1  INTERIOR  OF  A DUTCH  KITCHEN.  An  old 

Gallery  woman,  holding  half  a pumpkin  on  her  lap,  is  seated 

26  with  her  back  toward  a fireplace;  in  the  background, 
at  the  left,  a cow  is  lying  down  and  a man  is  beside  it. 

H.  loi  in.  W.  I2i  in.  Wood.  Signed:  KALF. 
Purchase,  1871. 

KAULBACH,  Friedrich  August  von.  German;  born  1850 
at  Hanover;  has  lived  in  Munich  since  1872.  Pupil 
of  his  father,  Friedrich  Kaulbach;  studied  with  Kreling 
at  Nuremberg. 

K16-1  GIRL’S  HEAD.  Bust;  she  wears  a square-cut  black 

S.  W.  and  white  bodice;  about  her  neck  is  a double  string  of 

Stairway  pearls. 

H.  13  in.  W.  9/g^  in.  Wood.  Signed:  Fritz  Aug  Kaul- 
bach. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

160 


KAULBACH  — KENDALL 

K16-2  ITALIAN  GARDEN.  At  the  right  a gray-walled  house 

Gallery  against  which  are  rose  bushes;  beyond  is  a group  of  tall, 
19  dark  cypress  trees  with  an  opening  through  which  the 
distant  sunlit  lawn  is  seen;  a summer-house  and  shrub- 
bery at  the  left. 

H.  19!  in.  W.  25!  in.  Canvas.  Signed:  F.K  April 
1894.  Bulletin,  1917,  p.  8;  ill.  p.  9. 

Purchase,  Reisinger  Fund,  1916. 

KAULBACH,  Wilhelm  von.  German;  born  1805  at  Arolsen, 
Westphalia;  died  1874  at  Munich,  where  he  had  settled 
in  1825.  Pupil  of  the  Diisseldorf  Academy  under  Cor- 
nelius and  the  Munich  Academy;  worked  in  Rome  and 
in  Berlin. 

K161-1  CRUSADERS  BEFORE  JERUSALEM.  (The  first 

S.  W.  crusade  reached  Jerusalem  June  7,  1099.  The  picture 

Stairway  follows  Tasso’s  description  in  Jerusalem  Delivered.)  In 
the  center  is  a shrine  carried  by  white-robed  acolytes 
preceded  by  priests.  The  commander,  Godefroy  de 
Bouillon,  mounted  on  a white  horse,  offers  the  crown  of 
the  Holy  Land  to  Christ  who  appears  above;  among 
the  crusaders  at  the  right  are  Boemund  and  Tancredi, 
Peter  the  Hermit  kneels  in  the  foreground,  and  at  the 
left  are  Armida  and  her  knight  Rinaldo.  This  picture 
is  a study  (or  replica)  of  one  of  the  six  wall  paintings 
executed  by  Kaulbach  and  his  assistants  for  the  stair- 
case of  the  New  Museum  at  Berlin. 

H.  62!  in.  W.  74^  in.  Canvas.  Signed:  W.  Kaulbach. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

KENDALL,  W.  Sergeant.  American;  born  1869  at  Spuyten 
Duyvil,  N.  Y.;  lives  at  New  Haven,  Conn.  Pupil  of  Penn- 
sylvania Academy  of  the  Fine  Arts  under  Eakins;  Art 
Students’  League  of  New  York;  Ecole  des  Beaux-Arts, 
Julian  Academy,  and  Luc  Olivier  Merson  in  Paris. 
Director,  Yale  School  of  the  Fine  Arts. 

K33-1  THE  SEER.  A lady  dressed  in  black  is  seated  in  a 

Gallery  round-backed  wicker  chair  on  which  stands  a little  girl 
13  who  wears  a white  dress.  The  woman’s  back  is  toward 
the  spectator  and  her  face  in  profile  toward  the  left;  the 
child  has  her  left  arm  about  her  mother’s  neck  and  faces 
toward  the  left  with  a far-away  look. 

H.  37  in.  W.  30  in.  Canvas.  Signed:  Sergeant  Ken- 
dall. Bulletin,  1907,  p.  24,  ill. 

Purchase,  Hearn  Fund,  1907. 

161 


KENDALL  — KENT 

K33-2  PSYCHE.  A little  girl,  partly  nude,  is  seated  on  a bed; 
Gallery  a large  butterfly  rests  on  her  back  and  a smaller ‘one  is* 
13  on  her  brown  hair;  a yellow  drapery  falls  about  her  hips 
and  with  her  right  hand  she  holds  a violet  scarf. 

H.  37tV  in.  W.  29  in.  Canvas;  oval.  Signed:  copyright 
1909  Sergeant  Kendall. 

Purchase,  Hearn  Fund,  1909. 

KENSETT,  John  F.  American;  born  1818  at  Cheshire,  Conn.; 

died  1872  at  New  York  City.  Studied  engraving; 
painted  in  Europe  for  seven  years.  Settled  in  New  York 
in  1848.  Landscapes. 

K41  LANDSCAPES;  thirty-eight,  some  unfinished,  the  last 
summer’s  work  of  the  artist. 

Gift  ot  Thomas  KenseU,  1874. 

K41-39  LANDSC.APE.  A wooded  rocky  glen  occupies  the 
Gallery  foreground  and  the  Hudson  River  winds  through  the 
16  middle  distance;  beyond  rise  Dunderberg  and  Storm 
King  with  the  town  of  Cornwall  at  its  base. 

H.  32  in.  W.  48  in.  Canvas. 

Gift  of  H.  D.  Babcock  in  memory  of  S.  D.  Babcock, 
1907. 

K41-40  LAKE  GEORGE.  The  water  is  in  the  foreground  with 
Gallery  a rocky  shore  at  the  right;  small  islands  are  in  the  middle 
16  distance  and  the  mountainous  shore  beyond. 

H.  44  in.  W.  66j  in.  Canvas.  JVlonogrammed:  JF.K. 
1869.  Bulletin,  1913,  p.  66;  ill.  p.  69. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  jesup,  1915. 

KENT,  Rockwell.  American;  born  1882.  Pupil  of  William  M. 

Chase,  Robert  Henri,  Hayes  Miller,  and  Abbott  Thayer. 

K411-1  WINTER.  A view  at  .Monhegan,  Maine;  snow-covered 
Gallery  ground  in  front  sloping  down  to  a wharf  with  two  fish 
1 5 houses;  beyond  are  a harbor  with  two  men  in  a green  dory, 
a breakwater,  a more  distant  hill,  and  the  open  sea.  It 
is  late  afternoon,  and  the  low  sun  divides  the  scene  into 
bands  of  cold  yellowish  lights  and  deep  blue  shadows. 
The  sky  is  green  fading  into  orange  at  the  horizon. 
1 he  water  is  cold  green  and  blue;  the  effect  is  icy. 

H.  33I  in.  W.  44  in.  Canvas.  Signed:  Rockwell  Kent 
1907. 

Purchase,  Hearn  Fund,  1917. 

162 


KESSEL  — KNELLER 

KESSEL,  Johan  van.  Dutch;  born  1641  (?)  at  Amsterdam;  died 
there  1680.  Pupil  of  Simon  de  Vos;  influenced  by  Jacob 
Ruisdael.  Landscapes. 

K48-1  CANAL  IN  HAARLEM.  A three-arched  bridge  crosses 
a canal;  a row  of  brick  buildings  is  at  the  left;  a church 
spire  rises  into  a sky  filled  with  dark  floating  clouds. 

H.  41J  in.  W.  55J  in.  Canvas.  Signed:  J v Kessel. 
Purchase,  1871. 

KNAUS,  Ludwig.  German;  born  1829  at  Wiesbaden;  died  1910 
at  Berlin,  where  he  had  resided  many  years.  Pupil  of 
the  Dtisseldorf  Academy  under  Sohn  and  Schadow; 
studied  in  Paris,  f igure  subjects. 

f\72-i  THE  HOLY  FAMILY,  fhe  Madonna  is  seated  with 
Gallery  the  Child  on  her  lap;  a cherub  stands  at  her  side  and 
18  others  hover  about  her;  at  the  right  is  St.  Joseph  holding 
an  ass  by  the  bridle;  there  is  a dark  landscape  background 
with  the  crescent  moon  at  the  right. 

H.  44I  in.  W.  31I  in.  Wood.  Signed:  L.  Knaus-1876. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

K72-2  OLD  WOMAN  AND  CATS.  A dimly  lighted  kit- 
Gallery  chen  with  an  old  woman  seated  on  the  hearth  in  front 
18  of  the  fire;  there  is  a cat  on  her  lap,  another  on  her 
shoulder,  and  a cat  and  kittens  are  playing  on  the 
floor. 

H.  265  in.  W.  3of  in.  Canvas.  Signed:  L.  Knaus  1868. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

K72-3  PEACE.  A winged  female  figure,  wearing  white  dra> 
pery,  kneels  on  a cloud  and  scatters  flowers;  below  are 
two  cLipids  who  play  with  the  falling  blossoms.  Com- 
panion piece  to  Victory  by  Richter  (R41-1). 

H.  135  in.  W.  68  in.  Canvas.  Signed:  L.  Knaus. 

Gift  of  Jacob  H.  Schiff,  1888. 

KNELLER,  Sir  Godfrey.  British  (Dutch-English);  born  1646  at 
Liibeck;  died  1723  at  London.  Pupil  of  Ferdinand  Bol  at 
Amsterdam;  Carlo  Maratta  and  Bernini  at  Rome;  went  to 
England  in  1674  and  painted  portraits  at  the  court. 

K73-1  LADY  MARY  BERKELEY.  Life-size,  to  the  waist; 

Gallery  her  low-necked  dress  is  olive  gray  and  trimmed  with 
14  white  lace;  a light  violet  drapery  is  over  her  left  shoulder. 
Painted  within  an  oval.  Inscribed:  Lady  Mary  Berkeley 
Wife  to  Tho.  Chambers  Esq. 

163 


KNELLER—  ROLLER 

H.  29  in.  W.  25  in.  Canvas.  Signed:  G Kneller  ...  1700. 
Gift  of  George  A.  Hearn,  1896. 

KOEKKOEK,  Barend  Cornelis.  Dutch;  born  1803  at  Middel- 
bourg;  died  1862  at  Cleves.  Pupil  of  his  father,  Jan  Her- 
manns Koekkoek,  and  of  Amsterdam  Academy  under 
Schelfhout  and  Van  Os. 

K81-1  WINTER  LANDSCAPE;  HOLLAND.  A frozen  canal 
S.  W.  with  skaters  at  the  right;  at  the  left  a man  and  a woman 
Stairway  are  approaching  on  a snow-covered  road. 

H.  14  in.  W.  i7tV  in.  Wood.  Signed:  B.  C.  Koekkoek 
1833. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

K81-2  SUNSET  ON  THE  RHINE.  The  river  is  at  the  extreme 

S.  W.  right  of  the  picture;  in  the  center  is  a castle  on  a hill; 

Stairway  in  the  foreground  at  the  left  are  trees. 

H.323%  in.  W.42I  in.  Canvas.  Signed:  B.  C.  Koek- 
koek 1852. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

KOFFERMANS  (or  Coflfermans,  or  CoflFermaker),  Marcellius 
(or  Marcellis).  Flemish;  died  i579(?).  Imitated  the  fif- 
teenth-century Flemish  masters. 

K82-1  ADORATION  OF  THE  SHEPHERDS.  The  Child  on 
the  crib,  adored  by  Mary,  Joseph,  and  four  shepherds; 
angels  above,  singing,  and  the  annunciation  to  the 
shepherds  in  the  distance. 

H.  8|  in.  W.  5I  in.  Wood.  Signature  indecipherable. 
Gift  of  J.  Pierpont  Morgan,  1917. 

ROLLER,  Guillaume.  Belgian;  born  1829  at  Vienna;  died  1884 
at  Nancy,  France.  Pupil  of  Vienna  and  Diisseldorf  Acad- 
emies; worked  chiefly  at  Antwerp  and  Brussels. 

K83-1  HUGO  VAN  DER  GOES  PAINTING  THE  POR- 
Gallery  TRAIT  OF  MARY  OF  BURGUNDY.  (Hugo  van 
19  der  Goes,  the  Flemish  painter,  died  about  1482.  Mary 

of  Burgundy  was  the  daughter  of  Charles  the  Bold 
[1433-1477],  Duke  of  Burgundy,  and  his  first  wife, 
Isabella  of  Bourbon.)  A paneled  room  with  tapestries; 
at  the  right  the  painter  sits  at  a high  red  desk;  on  a 
wooden  bench  in  the  center  of  the  picture  a lady,  wear- 
ing a lavender  velvet  gown  trimmed  with  ermine, 
holds  on  her  lap  the  little  girl,  who  wears  an  embroi- 

164 


ROLLER  — KULMBACH 

dered  white  satin  dress  over  a red  slip;  a greyhound  is 
at  the  left  and  a man  leans  over  the  back  of  the  bench. 

H.  23!  in.  W.  34  in.  Wood.  Signed:  G.  Roller. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

KONINCK,  Philips.  Dutch;  born  1619  at  Amsterdam;  died  there 
1688.  Pupil  of  his  brother,  Jacob  Koninck,  at  Rotter- 
dam and  of  Rembrandt  at  Amsterdam.  Also  etcher. 

K831-2  LANDSCAPE.  A bird’s-eye-view  of  a wide  expanse  of 
Gallery  level  country  with  a roadway  coming  toward  the  fore- 
26  ground; . there  is  water  in  the  middle  distance;  heavy 
moving  clouds  with  a break  through  which  the  sun  shines 
across  the  road. 

H.  56!  in.  W.  681  in.  Canvas.  Signed:  P:  Koninck 
1649.  Bulletin,  1912,  p.  ii,  ill. 

Purchase,  Kennedy  Fund,  1911. 

KRONBERG,  Louis.  American;  born  1872  at  Boston,  Mass.; 

lives  in  Boston.  Pupil  of  Boston  Museum  School;  Laurens 
and  Constant  in  Paris. 

THE  PINK  SASH.  A bare  room  with  a girl  in  a white 
ballet  dress  standing  in  front  of  a small  looking  glass;  a 
pink  sash  is  being  tied  about  her  waist  by  an  old  lady  who 
wears  a gray  dress  and  a yellow  bonnet. 

H.  30I  in.  W.  22 J in.  Canvas.  Signed:  L.  Kron- 
BERG  19*13. 

Purchase,  Hearn  Fund,  1913. 

KRUSEMAN  VAN  ELTEN,  Hendrik  Dirk.  American;  born 
1829  at  Alkamaar,  Holland;  died  1904  in  Paris.  Pupil  of 
Liest  at  Haarlem.  Settled  at  New  York  City  in  1865. 
Landscapes. 

K94-1  AUTUMN.  In  the  foreground  a quiet  stream  in  which 
tall  tree-tops  with  scant  foliage  are  reflected;  meadow- 
lands  beyond  with  figures  in  the  distance. 

H.  38  in.  W.  3of  in.  Canvas.  Signed:  Kruseman  van 
Elten,  H 

Gift  of  Mrs.  H.  D.  Kruseman  van  Elten,  1905. 

KULMBACH,  Hans  von  (called  Hans  Suess).  German;  born 
about  1476  in  Kulmbach;  died  1522.  Pupil  of  Jacopo  de 
Barbari;  influenced  by  Diirer. 

K95-1  THE  ASCENSION.  The  Madonna  and  a group  of 
Gallery  apostles,  standing  or  kneeling,  look  up  in  amazement  at 
34  the  ascending  Christ  whose  feet  only  are  showing  with  the 

165 


K92-1 

Gallery 

13 


KULMBACH  — KYLE 

end  of  a red  robe.  This  was  the  usual  way  of  portraying 
the  Ascension  in  miracle  plays  at  that  time. 

H.24|in.  W.  i5|in.  Wood. 

Purchase.  Rogers  Fund,  1921. 

KYLE,  Joseph.  American;  born  1815  in  Ohio;  died  1863  at 
New  York  City.  Studied  in  Philadelphia  with  Thomas 
Sully  and  later  with  Bass  Otis.  Worked  in  Philadelphia 
and  in  New  York,  where  he  settled  about  1848.  Portraits. 

K98-1  PORTRAIT  OF  A LADY.  Bust  portrait;  elderly  lady 
with  dark  hair  parted  and  drawn  over  her  ears;  her  dark 
bodice  is  held  at  the  neck  with  a simple  brooch. 

H.  i2|  in.  W.  II  in.  Canvas. 

Gift  of  William  Magrath,  1895. 

K98-2  PORTRAIT  OF  THE  ARTIST.  Life-size,  bust;  he  has 
Gallery  brown  hair  and  a long  brown  beard. 

16  H.  17  in.  W.  14  in.  Canvas;  oval. 

Gift  of  Louise  Sherman  Kyle,  1906. 


166 


L 

LA  LARGE,  John.  American;  born  1835  at  New  York  City; 

died  1910  at  Providence,  R.  I.  Pupil  of  Couture  in  Paris; 
William  M.  Hunt  in  Boston.  Chiefly  mural  paintings  and 
stained  glass. 

L13-1  THE  MUSE  OF  PAINTING.  Half-life-size,  full- 
Gallery  length  figure  of  a woman,  in  a yellow  robe,  seated  on  a 
16  knoll  and  holding  a tablet;  at  the  right  is  a tree  with  ivy 
hanging  from  its  branches;  a river  flows  across  the  back- 
ground, with  cliffs  on  the  far  bank. 

H.  49i  in.  W.  385  in.  Canvas.  Signed:  LaFarge.  1870. 
Bulletin,  1909,  p.  220,  ill. 

Gift  of  J.  Pierpont  Morgan  and  Henry  Walters,  1909. 

L13-2  THE  STRANGE  THING  LITTLE  KlOSAl  SAW  IN 
THE  RIVER.  “ Kiosai,  the  famous  Japanese  painter, 
when  a child  saw  floating  in  the  river  swollen  by  spring 
tides,  something  he  took  for  the  fairy  tortoise  with  long 
hair  of  his  nursery  stories.  He  caught  it  and  found  it 
to  be  a head  freshly  cut  off — some  political  murder.  He 
brought  it  home  to  draw  from,  then  wrapping  it  in  the 
. written  prayers  for  the  dead,  gave  it  honourable  water- 
burial.” 

H.  i2jin.  W.  i8Jin.  Water  color.  Signed:  J L F 97. 
Purchase,  Rogers  Fund,  1917. 

L13-51  IN  FRONT  OF  OUR  HOUSE,  VAIALA,  SAMOA; 
Gallery  YOUNG  GIRL  WEEDING.  In  the  foreground  a 
16  partly  nude  Samoan  girl  lies  full  length  on  the  grass  in 
the  sunlight;  a grove  of  trees  is  in  the  middle  distance 
with  a thatched  cottage  beyond;  blue  sea  in  the  distance 
at  the  left. 

H.  9 in.  W.  18  in.  Wood.  Signed:  J LaFarge-Samoa 
-1890-Vaiala. 

Lent  by  August  F.  Jaccaci,  1907. 

167 


LA  FAROE  — LARGILLIERE 

L13-52  FOUNTAIN  IN  THE  GARDEN— NI KKO.  Level 

Gallery  foreground  with  a rock  fountain  in  a pool;  beyond  is  a hill 
16  with  shrubbery. 

H.  in.  W.  gi  in.  Wood.  Signed:  LaFarge  nikko 
June  1886. 

Lent  by  Mrs.  Michael  Gavin,  1914. 

LAMBERT,  Louis  EucIne.  French;  born  1825  at  Paris;  died 
there  1900.  Pupil  of  Delacroix.  Still  life  and,  after 
1870,  chiefly  cats. 

L171-1  CAT  AND  KITTENS  An  old  cat  lies  at  full  length 

S.  W.  upon  a red  oriental  rug;  a gray  kitten  and  a white  one 

Stairway  are  in  front  of  her  and  another  peeps  over  the  edge  of  a 
lady’s  sewing-basket. 

H.  35J  in.  W.  29j  in.  Canvas.  Signed:  L.  Eug.  Lam- 
bert. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LAMBINET,  Emile.  French;  born  1815  at  Versailles;  died  1878 
at  Bougival.  Pupil  of  Boisselier,  Drolling,  and  Horace 
Vernet.  Landscapes. 

Li 72-1  LANDSCAPE.  Quiet  water  in  the  foreground,  which 
reflects  groups  of  trees  on  the  far  shore;  near  the  water’s 
edge  are  two  men  and  a small  boat;  farm  buildings  beyond 
with  rolling  country  in  the  distance. 

H.  14  in.  W.  22|  in.  Wood.  Signed:  Emile  Lambinet  71. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

LAM  I,  Louis  EugIne.  French;  born  1800  at  Paris;  died  there 
1890.  Pupil  of  Gros  and  of  Horace  Vernet. 

L18-1  INTERIOR  OF  A MUSEUM.  An  alcove  with  visitors 
S.  W.  looking  at  the  objects. 

Stairway  H.  i2|  in.  W.  19I  in.  Water  color. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LARGILLIERE  (or  Largillierre),  Nicholas  de.  French; 

born  1656  at  Paris;  died  there  1746.  Pupil  of  Antoine 
Goubeau  at  Antwerp;  Lely  in  London.  Portraits. 

L32-2  BARON  DE  PRANG  INS.  Life-size  figure,  front  view. 
Gallery  seen  to  the  knees;  he  wears  a brown  velvet  coat  with  em- 
20  broidered  cuffs,  pockets,  and  vest.  His  face  is  full  and 
florid  and  he  wears  a high  powdered  wig.  He  reaches 

168 


LARGILLlfiRE  — LAWRENCE 

with  a gloved  hand  behind  him  to  a parapet  on  which  is  a 
marble  bust  of  a fat  Diana. 

H.  54j  in.  W.  4if  in.  Canvas. 

Purchase,  Rogers  Fund,  1921. 

L32-3  BARONESS  DE  PRANG  INS.  Life-size  figure,  front 
Gallery  view,  seen  to  the  knees;  she  wears  a low-necked  ivory 
20  satin  dress  trimmed  with  gold  and  red  stones,  and  a girdle 
of  garnet  color.  Her  face  is  full;  her  white  hair  closely 
dressed  with  flowers  and  jewels  in  it.  Background  a dark 
green  curtain  and  the  base  of  a column. 

H.  54!  in.  W.  4ijin.  Canvas. 

Purchase,  Rogers  Fund,  1921. 

LATHROP,  William  L.  American;  born  1859  at  Warren,  111.; 
lives  at  New  Hope,  Pa.  Landscapes. 

L34-1  THE  MEADOWS.  Marshy  foreground  with  cattle 
Gallery  in  the  middle  distance;  at  the  right  near  the  horizon  two 

13  bare  trees  are  silhouetted  against  a luminous  sky. 

H.  i8|in.  W.  261  in.  Canvas.  Signed:  W.  LATHROP. 
97- 

Gift  of  George  A:  Hearn,  191 1. 

LAWRENCE,  Sir  Thomas.  British  (English);  born  1769  at 
Bristol;  died  1830  at  London.  Pupil  of  the  Royal 
Academy  Schools  in  London.  Succeeded  Sir  Joshua 
Reynolds  as  Painter  in  Ordinary  to  the  King;  in  1820, 
was  elected  President  of  the  Royal  Academy.  Portraits. 

L43-1  LADY  ELLEN  BOROUGH.  (Anne  Towry  married 
Gallery  Edward  Law,  who  became  the  first  Baron  of  Ellenborough; 

14  she  died  in  1843.)  Life-size,  seated  figure,  seen  to  below 
the  waist;  her  brown  hair  is  parted  and  falls  in  short 
curls;  she  wears  a low-necked,  high-waisted,  short-sleeved 
white  silk  dress  with  a red  flower  in  her  belt;  she  has  a 
necklace  of  twisted  seed  pearls;  a red  chair-back  shows 
and  a red  curtain  is  draped  at  the  right. 

H.  30I  in.  W.  25!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

L43-2  REV.  WILLIAM  PENNICOTT.  Life-size,  seen  to  the 
Gallery  waist;  he  has  a white  wig  and  wears  a black  coat  and  a 
24  narrow  white  neck-band. 

H.  30  in.  W.  25  in.  Canvas.  Bulletin,  1907,  p.  14,  ill. 
Purchase,  Rogers  Fund,  1906. 

L43-3  MISS  BARING.  (Probably  a daughter  of  Sir  Francis 
Gallery  Baring.)  Life-size,  standing  figure  of  a young  lady,  seen 
14  almost  to  the  knees;  her  brown  hair  is  parted  and  falls 

169 


LAWRENCE  — LAWSON 

in  short  curls;  she  wears  a short-waisted,  low-necked 
white  satin  dress  and  a pink  shawl  hangs  over  her  left 
arm;  there  are  tall  pink  hollyhocks  in  the  foreground  at 
the  left  and  a landscape  beyond. 

H.  50J  in.  W.  40  in.  Canvas. 

Gift  of  George  A.  Hearn,  1910. 

L43-4  JOHN  JULIUS  ANGERSTEIN.  (1735-1823;  an  Eng- 
Gallery  lish  merchant,  philanthropist,  and  art  collector.  In  1824 
24  the  English  Government  purchased  for  £60,000  his  art 
collection,  which  formed  the  nucleus  of  the  National 
Gallery.)  Life-size,  seated  figure,  seen  to  below  the 
knees;  his  left  arm  rests  on  a table  near  an  ink-well  and 
paper;  his  right  hand  is  on  the  arm  of  the  chair  which  is 
upholstered  in  red;  he  wears  a black  coat,  partly  but- 
toned, a yellow  waistcoat,  and  gray  breeches;  a draped 
red  curtain  is  at  the  right. 

H.  5of  in.  W.  40I  in.  Canvas.  Bulletin,  1912,  p.  76,  ill. 
Gift  of  Victor  G.  Fischer,  1912. 

L43-5  LADY  ELIZABETH  WYNDHAM.  (1752-1826; 

Gallery  Elizabeth  Alicia  Maria,  daughter  of  Charles,  second  Earl 
24  of  Egremont,  married  in  1771  Henry  Herbert,  later  Lord 
Porchester  and  Earl  of  Carnarvon.)  Life-size,  seated 
figure  seen  to  below  the  knees;  she  is  seated  against  a tree 
trunk  and  caresses  with  both  hands  a large  dog  who  rests 
his  paw  on  her  lap;  her  low-necked,  short-sleeved,  short- 
waisted  white  dress  is  held  by  a blue  ribbon. 

H.  50  in.  W.  38I  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 


LAWSON,  Cecil  Gordon.  British  (English);  born  1851  at  Wel- 
lington, Shropshire;  died  1882  at  London.  Pupil  of  his 
father,  William  Lawson,  and  of  his  brother,  Wilfred 
Lawson.  Landscapes. 

L44-1  LANDSCAPE.  In  the  foreground  is  a road  with  a young 
Gallery  woman  following  a flock  of  sheep  that  are  passing  through 
14  a rustic  gate  toward  the  right;  at  the  left  is  a single 
tree  with  russet  foliage;  beyond,  a wide  expanse  of  rolling 
country  extends  to  blue  hills  near  the  horizon. 

H.  40^  in.  W.  6o^\  in.  Canvas.  Signed:  Cecil  G.  Law- 
son  1876. 

Gift  of  George  A.  Hearn,  1910. 


LAWSON  — LE  CLERC 

LAWSON,  Ernest.  American;  born  1873  in  California;  lives  in 
New  York  City.  Studied  in  France. 

L441-1  WINTER.  In  the  foreground  is  a stream  partly  choked 
Gallery  with  ice;  in  the  middle  distance  at  the  left  is  the  single 
1 5 span  of  a bridge  which  leads  toward  two  red  houses  which 
are  seen  through  a screen  of  bare  poplars;  the  far  shore  of 
the  stream  and  the  sloping  hillside  beyond  are  covered 
with  snow.  The  picture  was  painted  outdoors  in  the 
winter  of  1914  at  Kingsbridge,  N.  Y.,  and  the  water  is  the 
old  Tibbetts  Creek  which  originally  fed  the  Spuyten 
Duyvil  Creek,  now  the  Harlem  Ship  Canal. 

H.  25  in.  W.  30J  in.  Canvas.  Signed:  E Lawson. 
Bulletin,  1915,  p.  81,  ill. 

Purchase,  Hearn  Fund,  1915. 

LAZARUS,  Jacob  H.  American;  born  1822  at  New  York  City 
died  there  1891.  Pupil  of  Henry  Inman.  Portraits. 

L45-1  HENRY  INMAN.  (American  painter;  see  Inman.) 

Standing  figure,  seen  to  the  waist  with  the  left  elbow 
resting  on  a red  covered  table;  he  wears  a brown  suit 
with  a plaid  waistcoat  and  a dark  blue  tie. 

H.  lOx^^  in.  W.  8J  in.  Canvas.  Signed:].  H.  Lazarus. 
Pinx. 

Gift  of  Mrs.  Jacob  H.  Lazarus,  1893. 

L45-3  JOSEPH  W.  DREXEL.  (1833-1888;  born  in  Phila- 
delphia but  lived  chiefly  in  New  York  City;  banker  and 
philanthropist;  trustee  of  the  Metropolitan  Museum.) 
Life-size,  seated  figure,  seen  to  the  waist. 

H.  30I  in.  W.  25 J in.  Canvas.  Signed:  JHLazarus  1877. 
Gift  of  Mrs.  J.  W.  Drexel,  1896. 

LECLAIRE,  Victor.  French;  born  1830  at  Paris;  died  there 
1885.  Pupil  of  his  brother,  Leon  Louis  Leclaire.  Land- 
scapes and  flowers. 

L491-1  APPLE  BLOSSOMS  IN  A VASE. 

S.  W.  H.  26y\  in.  W.  15^  in.  Wood.  Signed:  V.  Leclaire  1873. 
Stairway  Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LE  CLERC,  Jacques  Sebastian.  French;  born  1734  at  Paris; 

died  there  1785.  Pupil  of  his  father,  the  historical 
painter,  Sebastian  Le  Clerc. 

171 


LE  CLERC— LEIGHTON 

L492-1  THE  FLUTIST.  Two  ladies  and  a gentleman  are  seated. 

under  the  trees  at  the  left  while  before  them  stands  a* 
young  man  playing  the  flute. 

H.  12  in.  W.  9 in.  Wood. 

Purchase,  1871. 

LEFEBVRE,  Jules.  French;  born  1834  at  Tournan;  died  1912 
at  Paris.  Pupil  of  Cogniet  at  Paris.  Figure  subjects. 

L52-2  GRAZIELLA.  (Graziella  was  a girl  of  Capri  and  the 
Gallery  heroine  of  Lamartine’s  story  of  that  name.)  A full- 
17  length  figure,  seated  on  a cliff  at  the  right  with  her  face 
in  profile  against  the  sky;  she  wears  a light  blue  dress 
over  a white  chemisette;  the  Bay  of  Nanles  and  Vesuvius 
are  suggested  in  the  background. 

H.  78^  in.  W.  44i  in.  Canvas.  Signed:  Jules  LeFebvre. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LEGROS,  Alphonse.  British-French;  born  1837  at  Dijon; 

died  1911  at  London,  where  he  had  lived  since  1864. 
Pupil  of  Lecoq  de  Boisbaudran.  Was  decorator,  sculptor, 
and  etcher  as  well  as  painter. 

L521-1  EDGE  OF  THE  WOODS.  A row  of  half-bare  trees 
extends  from  the  foreground  at  the  right  to  the  distance 
at  the  left;  a footpath  is  at  the  left  of  the  line  of  trees 
and  a wooded  hillside  is  beyond  at  the  right;  in  the  fore- 
ground a peasant  bends  over  tying  a bundle  of  twigs; 
hazy  atmosphere  with  the  sun  showing  near  the  horizon. 
H.  H.  W.  68i  in.  Canvas.  Signed:  A.  Legros  1889. 
Bulletin,  1908,  p.  94. 

Purchase,  Rogers  Fund,  1908. 

LEIBL,  Wilhelm.  German;  born  1844  at  Cologne;  died  1900  at 
Wurzburg.  Pupil  of  Arthur  von  Ramberg.  Founder  of 
German  nineteenth-century  realism;  painted  portraits 
and  peasant  genre  subjects. 

L53-1  PEASANT  GIRL  WITH  A WHITE  HEAD-CLOTH. 
Gallery  Head  and  shoulders  of  a young  girl. 

19  H.  9f  in.  W.  9I  in.  Canvas.  Signed:  W.  Leibl  1885. 
Bulletin,  1917,  p.  6;  ill.  p.  7. 

Purchase,  Reisinger  Fund,  1916. 

LEIGHTON,  Frederick,  Lord.  British  (English);  born  1830 
at  Scarborough;  died  1896  at  London.  Studied  drawing 
at  Rome  under  Francesco  Meli;  painting  at  the  Royal 


L53I-I 

Gallery 

18 


L531-2 

Gallery 

18 


LELOIR, 


L532-1 

Gallery 

18 


L532-2 

s.  w. 

Stairway 


L532-3 

s.  w. 

Stairway 


LEIGHTON  — LELOIR 

Academies  of  Berlin,  Florence,  and  Frankfort,  and  with 
Ary  Scheffer  in  Paris.  Also  sculptor. 

LUCIA.  Bust  of  a young  woman  with  the  face  in 
profile  to  the  left;  she  wears  a pale  rose-violet  bodice. 
H.  14J  in.  W.  1 1 in.  Canvas. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LACHRYMAL.  (Lachrymae  is  Latin  for  tears  or  sor- 
row.) A full-length  female  figure,  robed  in  black,  stands 
with  her  head  bowed  against  her  arm  which  rests  on  a 
fluted  white  marble  column;  on  top  of  this  is  a Greek 
mortuary  vase  crowned  with  laurel;  about  the  column  are 
blue  and  purple  scarfs,  and  a reddish  one  is  on  the  white 
marble  terrace  beside  a hydria  (Greek  water  jar)  and  a 
kylix  (drinking  cup);  the  background  consists  of  dark 
shrubbery  and  trees  through  which  a bright  light  ap- 
pears behind  the  head  of  the  figure. 

H.  62  in.  W.  24J  in.  Canvas. 

Purchase,  Wolfe  Fund,  1896. 

Alexandre  Louis.  French;  born  1843  Paris;  died 
there  in  1884.  Pupil  of  his  father,  J.  B.  Auguste  Leloir. 

FEMALE  FIGURE.  She  is  seated  on  the  grass  with  a 
loose  white  drapery  about  her  shoulders;  a red  and  brown 
velvet  robe  is  about  her  lower  limbs. 

H.  i3i  in.  W.  9 in.  Water  color.  Signed:  Louis  Leloir 
1882. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

IN  HIS  CUPS.  A guardsman  is  seated  in  the  courtyard 
of  an  inn  with  one  foot  across  a table;  he  swings  an  empty 
bottle  with  his  right  hand  and  holds  a glass  in  the  other. 
H.  2o|  in.  W.  I3f  in.  Water  color.  Signed:  Louis 
Leloir.“72. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WANDERING  MINSTREL;  OLD  NUREMBERG. 
Before  the  door  of  an  inn,  a man,  wearing  a red  coat, 
a blue  vest,  and  a black  sugar-loaf  hat,  stands  holding  a 
'cello  over  his  shoulder;  he  looks  at  a few  coins  in  his 
outstretched  right  hand. 

H.  iqi  in.  W.  12J  in.  Water  color.  Signed:  Louis 
Leloir.  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

173 


LELOIR  — LELY 

L532-4  CHOOSING  THE  DINNER.  The  courtyard  of  an 
Gallery  old  house  with  the  cook  dressed  in  white  standing  against 

17  the  doorway  and  looking  at  a pheasant  held  out  to  him 
by  the  gamekeeper  who  is  seated  on  the  ground;  on  the 
stone  pavement  are  a dead  duck,  a hare,  and  a heron. 

H.  I2jin.  W.  i8y\in.  Canvas.  Signed:  Louis  Leloir.-’72. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LELOIR,  Maurice.  French;  born  1853  Paris;  lives  there. 

Pupil  of  his  father,  J.  B.  Auguste  Leloir,  and  of  his 
brother,  Louis  Leloir. 

L533-1  THE  DRINK  OF  MILK.  A country  road  with  a 
S.  W.  barn  at  the  left;  an  old  man  holds  an  earthenware  bowl 
Stairway  of  milk  to  the  lips  of  a young  woman  who  wears  a yellow 
dress  and  a black  mantle. 

H.  12J  in.  W.  i8f  in.  Water  color.  Signed:  Maurice 
Leloir  1882. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L533-2  OPPORTUNITY  MAKES  THE  THIEF.  A garden 
Gallery  with  an  old  gentleman  on  a ladder  picking  roses  that 

18  climb  over  a wall  at  the  right;  at  the  foot  of  the  ladder  a 
young  man  has  his  arm  around  the  waist  of  a young  lady, 
and  is  stealing  a kiss;  eighteenth-century  costumes. 

H.  12I  in.  W.  i8J  in.  Water  color.  Signed:  Maurice 
Leloir  1882. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LELY,  Sir  Peter;  real  name,  Peter  van  der  Faes.  British  (Dutch- 
English);  born  1618  at  Soest  in  Westphalia,  of  Dutch 
parents;  died  1680  at  London.  Pupil  of  Pieter  de  Grebber 
in  Haarlem;  influenced  by  Van  Dyck.  In  1641  went  to 
England;  painted  portraits  at  the  court  of  Charles  II. 

L534-2  SIR  WILLIAM  TEMPLE.  (1628-1699;  English  ambas- 
Gallery  sador  at  Brussels  and  at  The  Hague.)  Life-size,  stand- 
14  ing  figure,  seen  to  the  knees;  his  left  elbow  rests  on  a 
balustrade  and  the  right  hand  is  held  in  front  of  him; 
he  wears  a black  coat  with  slashed  sleeves;  a dull  blue 
curtain  forms  the  background  at  the  right. 

H.  47f  in.  W.  38I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1897. 

L534-3  NELL  G WYNNE.  (1650-1687;  a noted  English  actress. 
Gallery  who  became  the  mistress  of  Charles  II.)  Life-size, 
24  bust  portrait;  her  brown  hair  is  parted  in  the  center 

and  waved;  her  dark,  low-necked  dress,  edged  with 

174 


LELY  — LENBACH 

white,  has  slipped  from  the  left  shoulder  disclosing  the 
breast.  Unfinished. 

H.  26^  in.  W.  2iJ  in.  Canvas. 

Purchase,  Rogers  Fund,  1906. 

LEMORDANT,  Jean-Julian.  French;  contemporary.  Mural 
decorations.  He  was  blinded  in  the  World  War. 

L54-1  THE  DANCE.  Sketch  for  the  ceiling  decoration  of  the 
Municipal  Theatre  at  Rennes.  A swinging  procession 
of  dancing  Breton  peasants  in  bright  colored  costumes 
wind  into  the  clouds. 

H.54|in.  W.  59i  in.  Canvas.  Signed:  J-J  Lemordant. 
Gift  of  a group  of  friends  of  the  artist,  1920. 

LE  NAIN,  The  Brothers.  French;  all  three  were  born  at  Laon, 
Aisne,  and  died  at  Paris.  Antoine,  1 588(?)-i648;  Louis, 
called  the  Roman,-  1 593(?)-i648;  Mathieu,  i6o7(?)-i677. 
When  Antoine  settled  in  Paris  his  brothers  followed  him 
and  the  three  worked  together  for  many  years. 

L541-1  MENDICANTS.  A street  scene  with  a gentleman  in 
Gallery  a black  costume  of  the  seventeenth  century,  standing 
20  near  an  archway;  at  the  left  stand  an  old  man,  an  old 

woman  with  a child  strapped  on  her  back,  a girl  and  a boy 
begging;  in  the  foreground  at  the  right  kneels  an  old 
man  with  beads  in  his  outstretched  hands. 

H.  2of  in.  W.  24f  in.  Canvas. 

Purchase,  1871. 

LENBACH,  Franz  von.  German;  born  1836  at  Schrobenhausen 
in  Upper  Bavaria;  died  1904  at  Munich.  Studied  at  the 
Munich  Academy,  and  under  Grafle  and  Piloty;  settled 
in  Munich  about  1875.  Portraits. 

L542-1  EDWIN  EMERSON.  (1823-1907;  born  at  New  York 
Gallery  City;  pastor  of  the  Presbyterian  Church  at  Greencastle, 
18  Pa.,  1849-1861;  professor  of  philosophy  and  English 
literature  at  Troy  University,  1861-1863.)  Life-size, 
seated  figure  of  an  old  man,  seen  to  the  knees,  with  both 
hands  resting  on  his  cane;  he  has  long  white  hair  and 
beard  and  wears  spectacles;  his  black  hat  and  coat  are 
almost  lost  in  the  dark  background. 

H.  43  in.  W.  33I  in.  Canvas.  Signed:  F.  Lenbach 
1894.  Bulletin,  1911,  p.  123,  ill. 

Purchase,  Wolfe  Fund,  1911. 

L542-2  PORTRAIT  OF  A YOUNG  WOMAN.  Life-size,  three- 
quarters  length,  seated  figure,  turned  three-fourths  toward 


175 


LENBACH  — LESLIE 

the  right;  dressed  in  Dutch  costume — a red  skirt  and  blue- 
gray  bodice — and  holding  pieces  of  bread  in  her  hands; 
brown  background. 

H.  29J  in.  W.  23J  in.  Canvas.  Signed:  F.  Lenbach 
1898. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

LEROLLE,  Henry.  French;  born  185 1(?)  at  Paris;  lives  there. 
Pupil  of  Lamothe. 

L56-1  THE  ORGAN  REHEARSAL.  The  interior  of  a church 
with  the  organ  loft  in  the  foreground  at  the  left;  a young 
woman,  wearing  an  olive  green  dress  in  the  style  of  about 
1885,  stands  near  the  choir  railing,  singing;  behind  her  at 
the  left  are  seated  the  organist  and  five  men  and  women 
members  of  the  choir. 

H.  88|  in.  W.  143  in.  Canvas.  Signed:  H Lerolle. 
Gift  of  George  I.  Seney,  1887. 

LE  ROUX,  Hector.  French;  born  1829  at  Verdun;  died  1900 
at  Angers.  Pupil  of  Picot  and  of  the  Ecole  des  Beaux- 
Arts  in  Paris. 

L561-1  ROMAN  LADIES  AT  THE  TOMB  OF  THEIR  AN- 
Gallery  CESTORS.  A crypt  with  two  busts  in  a niche  above 
17  an  altar  at  the  right;  in  front  of  this  tomb  a lady  is 
seated  and  another  lady  stands  behind  her;  in  the  farther 
corner  of  the  vault  a lamp  flickers  and  a pale  light  enters 
from  the  top  of  a flight  of  steps  at  the  left. 

H.  19I  in.  W.  36jV  in.  Canvas.  Signed:  Hector  Le  Roux. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LESLIE,  Charles  Robert.  British  (English,  but  sometimes 
classed  as  an  American);  born  1794  at  Clerkenwell,  Lon- 
don, of  American  parents;  died  1859  in  London.  Edu- 
cated in  Philadelphia;  studied  at  the  Royal  Academy 
Schools  in  London;  was  professor  of  drawing  at  West 
Point  in  1833,  but  spent  most  of  his  life  in  England. 

L562-1  DR.  JOHN  WAKEFIELD  FRANCIS.  (1789-1861; 
Gallery  first  president  of  the  New  York  Academy  of  Medicine 
16  and  author  of  Old  New  York.)  Seated  figure,  seen  to 
below  the  waist;  his  right  hand  rests  on  the  arm  of  his 
red  chair  and  the  left  is  raised  to  his  cheek;  he  is  dressed 
in  black  with  a ruffled  white  shirt. 

H.  i5i  in.  W.  in.  Wood.  Signed:  C.  R.  Leslie. 
Gift  of  John  L.  Cadwalader,  1896. 

176 


LEUTZE  — LHERMITTE 

LEUTZE,  Emanuel.  American;  born  i8i6  at  Gmiinde,  Wiirtem- 
berg,  Germany;  died  1868  at  Washington,  D.  C.  Pupil 
of  John  A.  Smith  in  Philadelphia;  L-essing  in  Diisseldorf; 
studied  in  Munich,  Venice,  and  Rome;  settled  perma- 
nently in  America  in  1859,  and  lived  in  New  York  City 
and  Washington. 

L57-1  WASHINGTON  CROSSING  THE  DELAWARE. 

(December  25,  1776,  the  Commander-in-Chief  of  the 
American  forces  determined  to  surprise  the  1,500  Hessians 
and  the  British  troops  intrenched  at  Trenton.)  It  is  early 
morning  and  the  river  is  packed  with  floating  ice;  in  the 
bow  of  the  foremost  rowboat  stands  George  Washington 
in  yellow  knee-breeches,  high  boots,  a dark  coat  lined  with 
yellow,  a gray  military  cloak  lined  with  red,  and  a black 
cocked  hat;  his  sword  hangs  at  his  side  and  in  his  right 
hand  is  a spy-glass;  two  soldiers  behind  Washington  hold 
an  American  flag  (not  adopted  until  June  14,  1777). 
Beyond  at  the  right  are  other  boats  with  soldiers. 

H.  i49tV  jri*  256^^  in.  Canvas.  Signed:  E Leutze 
Diisseldorf  1851. 

Gift  of  John  S.  Kennedy,  1897. 

L57-2  WORTHINGTON  WHITTREDGE.  (American  land- 
scape painter;  see  Whittredge.)  Life-size,  standing  por- 
trait, seen  to  the  knees;  he  wears  a fancy  costume  with 
a neck  ruff;  a plumed  hat  is  held  at  the  right  hip  and  a 
sword  in  the  left  hand. 

H.57|in.  W.  4o|in.  Canvas.  Signed:  E.  Leutze  1856. 
Gift  of  several  gentlemen,  1903. 

LEYDEN,  Lucas  van.  See  Lucas. 

LHERMITTE,  Leon  Augustin.  French;  born  1844  at  Mont- 
Saint-Pere;  lives  in  Paris.  Pupil  of  Lecoq  de  Boisbau- 
dran.  Peasant  subjects. 

L61-1  THE  VINTAGE.  Three  French  peasants  are  working 
in  a vineyard;  a little  yellow-haired  boy  is  seated  on  the 
ground  eating  grapes. 

H.99in.  W.  82fin.  Canvas.  Signed:  L.  Lhermitte  1884. 
Gift  of  William  Schaus,  1887. 

L61-2  AMONG  THE  LOWLY.  A peasant's  room  with  Christ 

Gallery  standing  back  of  the  table.  His  hand  raised  in  benediction; 

18  at  the  left  the  mother  sits  with  an  infant  in  her  arms  and 
three  children  are  standing  near  her;  beyond,  in  an  open 
doorway,  stands  a man  with  a boy  in  his  arms;  at  the  right 


177 


LHERMITTE  — LINDENSCHMIT 

an  old  couple  is  seated,  a young  girl  stands  behind  them, 
and  in  the  foreground  a child  in  a red  dress  and  gray 
apron  leans  against  the  old  woman’s  knee. 

H.  104J  in.  W.  90  in.  Canvas.  Signed:  L.  Lhermitte 
1905. 

Purchase,  Wolfe  Fund,  1905. 

LIE,  Jo, NAS.  American;  born  1880  in  Norway;  lives  near  New 
York  City.  Pupil  of  National  Academy  of  Design  and 
Art  Students’  League  in  New  York. 

L62-1  THE  CONQUERORS;  CULEBRA  CUT.  A view  of 
Gallery  the  engineering  work  on  the  Panama  Canal.  A steep 

15  cliff  is  at  the  right  with  a line  of  men  working  near  its 

base;  in  the  hollow  of  the  cut  are  numerous  engines  from 
which  rise  two  tall  columns  of  smoke. 

H.  59f  in.  W.  49I  in.  Canvas.  Signed:  Jonas  Lie 
Panama  1913.  Bulletin,  1914,  p.  78,  ill. 

Purchase,  Hearn  Fund,  1914. 

LIEB,  Michael.  See  Munkacsy. 

LIEBERMANN,  Max.  German;  born  1847  at  Berlin;  lives  there. 

Pupil  of  Steffeck  in  Berlin.  The  representative  im- 
pressionist among  German  painters. 

L621-1  THE  ROPEWALK.  A scene  in  Holland.  Men  are 
Gallery  hanging  fibre  on  the  twisting  rope  which  is  stretched 
19  along  a path;  trees  are  at  the  right  and  in  the  bright 
sunlight  at  the  left  is  a green  bank  with  a narrow  stream 
beyond. 

H.  39}J  in.  W.  28  in.  Canvas.  Signed:  M Lieber- 
man  1904.  Bulletin,  1917,  p.  6;  ill.  p.  8. 

Purchase,  Reisinger  Fund,  1916. 

LINDENSCHMIT,  Wilhelm,  the  Younger.  German  (Munich); 

born  1829  at  Munich;  died  there  1895.  Pupil  of  Munich 
Academy,  Stadel  Institution  in  Frankfort,  and  Antwerp 
Academy.  Historical  painter. 

L64-1  THE  PROTEST  OF  LUTHER.  (In  1517  Pope  Leo 
X tried  to  raise  funds  for  the  rebuilding  of  St.  Peter’s 
at  Rome  by  the  sale  of  indulgences.  Luther  protested 
against  this  practice  and  was  excommunicated  from  the 
Catholic  Church.  This  led  to  the  establishment  of  the 
sect  known  as  the  Protestants.)  A church  interior  with 
Luther  ascending  a few  red  carpeted  steps  toward  a 
table  where  monks  are  receiving  gifts  of  money  and  jew- 
elry from  richly  dressed  men  and  women. 

178 


LINDENSCHMIT  — LIPPI 

H.  23  in.  W.  3oJ  in.  Canvas.  Signed:  W.  Linden- 
schmit. 

Gift  of  William  E.  Dodge,  1903. 

LINEN,  George.  American;  born  1802  at  Greenlaw,  Scotland; 

died  1888  at  New  York  City.  Pupil  of  the  Royal  Scot- 
tish Academy  at  Edinburgh;  settled  in  New  York  City 
in  1843.  Portraits. 

L641-1  COLONEL  WILLIAM  POPHAM.  (1752-1847;  born 
Gallery  in  Ireland;  came  to  America  in  1761;  served  as  aide  to 
16  General  Clinton;  elected  President  of  the  Society  of 
Cincinnati  at  the  age  of  ninety-two.)  An  old  man,  seated, 
seen  to  the  knees;  his  spectacles  are  held  in  his  right 
hand  and  the  left  one  rests  on  a white  handkerchief  on  his 
knee;  an  open  book  is  on  a table  at  the  right;  the  Order 
of  Cincinnati  hangs  from  a ribbon  on  the  lapel  of  his  coat. 
H.  12  in.  W.  9J  in.  Canvas. 

Gift  of  Samuel  P.  Avery,  1897. 

LINGELBACH,  Johannes.  Dutch;  born  1622  at  Frankfort- 
on-the-Main;  died  1674  at  Amsterdam,  where  he  had 
settled  about  1650.  Genre  and  military  subjects. 

L642-1  BATTLE  SCENE.  In  the  foreground  is  a cavalry 
charge  where  men  and  horses  are  being  overthrown; 
on  a hill  in  the  middle  distance  is  a round  fort,  and 
beyond,  an  arched  bridge  leading  toward  the  city  at  the 
left.  At  one' time  this  picture  was  erroneously  called 
Sobieski  defeating  the  Turks  before  Vienna,  but  this 
battle  did  not  take  place  until  1683. 

H.  44I  in.  W.  63i^V  in.  Canvas.  Signed:  I.  Ling- 

ELBACH  fe  i67-(?). 

Purchase,  1871. 

L642-2  DANCE  OF  PEASANTS.  In  the  foreground  peasants 
are  dancing  to  the  music  of  a bagpipe;  at  the  left  is 
an  old  house;  the  trunk  of  a large  tree  occupies  the  center 
of  the  canvas;  mountains  are  in  the  distance  at  the  right. 
H.  26j  in.  W.  29J  in.  Canvas.  Signed:  I.  Lingelbach, 
i65-(?). 

Purchase,  1871. 

LIPPI,  Filippino.  Italian  (Florentine);  born  about  1457  at  Flor- 
ence; died  there  1504.  Son  of  Fra  Filippo  Lippi;  pupil 
of  Fra  Diamante  who  had  been  his  father’s  assistant  and 
of  Botticelli. 

179 


I 


LIPPI  — LIPPI 

L66-I  VIRGIN  ANDCHILD  WITH  SAINT  JOSEPH  AND  A 

Gallery  CHILD  ANGEL.  The  Virgin  is  seated  and  holds  the* 
37  partly  nude  Child,  who  stands  on  her  right  knee;  St. 

Joseph  stands  at  the  right  and  a child  angel  at  the  left; 
two  diminutive,  diaphanous  cherubs  hold  a veil  back  of 
the  Virgin’s  head  and  against  the  columns  of  an  arched 
colonnade  through  the  openings  of  which  are  seen  a land- 
scape with  ruins,  rocks,  and  distant  sea  and  hills. 

H.  22  in.  W.  13  in.  Tempera  on  canvas,  transferred 
from  wood. 

Bequest  of  Benjamin  Altman,  1913. 

School  of  Filippino  Lippi. 

L66S-1  DESCENT  FROM  THE  CROSS.  The  body  of  Christ 

Gallery  is  being  taken  down  from  the  cross  by  three  men  who 
30  stand  on  ladders  that  lean  against  the  cross;  Mary  Mag- 
dalen clings  to  the  base  of  the  cross;  at  the  left  the  Virgin 
is  supported  by  three  women;  in  the  immediate  foreground 
the  nails  lie  on  a white  cloth.  The  general  composition 
is  that  of  the  altarpiece  begun  by  Filippino  and  finished 
by  Perugino,  which  is  now  in  the  Florence  Academy. 

H.  22  in.  W.  i6in.  Tempera  on  wood.  Bulletin,  1912, 
p.  216,  ill. 

Purchase,  Kennedy  Fund,  1912. 

LIPPI,  Fra  Filippo.  Italian;  born  1406  (?)  at  Florence;  died  1469. 

Pupil,  perhaps,  of  Lorenzo  Monaco,  influenced  by  Masac- 
cio and  Fra  Angelico.  In  his  eighth  year  he  was  placed 
in  the  convent  of  the  Carmelites,  in  whose  church,  soon 
after  1423,  Masaccio  was  painting  his  renowned  frescoes. 
When  about  twenty-five  he  left  the  convent  so  as  to 
be  free  to  practise  his  art.  In  1454-65  he  painted  his 
great  series  of  frescoes  in  the  cathedral  of  Prato. 

L661-1  FOUR  SAINTS.  The  four  saints  are — below,  kneeling, 

Gallery  St.  Louis  of  Toulouse  at  left  in  pink  cloak,  white  robe,  and 
30  white  and  gold  mitre;  St.  Benedict  at  right  in  gray-black 
habit,  holding  a book  bound  in  red : standing,  St.  Augustine 
at  left  with  a dark  green  cloak  and  white  robe;  and  St. 
Francis  at  the  right  in  a brown  habit.  The  background  is 
lavender  and  the  floor  is  salmon-red.  The  painting  has 
been  much  injured  by  damp  and  heat,  only  the  central  part 
about  ‘the  heads  of  the  two  kneeling  saints  being  in  good 
condition.  The  head  of  St. Francis  has  quite  disappeared. 
It  was  the  right-hand  panel  of  an  unknown  altarpiece 
and  dates,  according  to  Osvald  Sir^n,  from  about  1460. 

180 


LIPPI  — LONGHI 

H.  56}  in.  W.  39J  in.  Tempera  on  wood  transferred  to 
canvas.  Bulletin,  November,  1918,  p.  232,  ill. 

Purchase,  Rogers  Fund,  1917. 

LOCKWOOD,  Wilton.  American;  born  1861  at  Wilton,  Conn.; 

died  1914  at  Boston,  Mass.  Pupil  of  John  La  Farge; 
studied  in  Paris.  Chiefly  portraits. 

L81-1  PEONIES.  Full-blown  pale  pink  flowers  in  a green  bowl. 

Gallery  H.  30  in.  W.  30J  in.  Canvas. 

15  Purchase,  Hearn  Fund,  1911. 

LOEB,  Louis.  American;  born  1866  at  Cleveland,  O.;  died  1909  at 
Canterbury,  N.  H.  Pupil  of  Gerome  in  Paris;  spent  the 
last  ten  years  ofhis  life  in  New  York  City.  Also  illustrator. 

L82-1  THE  TEMPLE  OF  THE  WINDS.  On  the  crest  of  a 
hill  stands  a male  figure  with  swirling  red  drapery; 
two  female  figures  are  at  the  right  and  on  a crag  at  the 
left  are  two  others,  one  of  whom  is  calling  to  a group  of 
people  in  the  distance  at  the  extreme  left;  the  hill  and 
figures  are  aglow  in  the  sunset  light. 

H.  86J  in.  W.  ii8fin.  Canvas.  Signed:  LOUIS 

LOEB  1897-05.  Bulletin,  1906,  p.  24,  ill. 

Gift  of  Daniel  Guggenheim,  1905. 

LONGHI,  Alessandro.  Italian  (Venetian);  born  1733  at  Venice; 

died  1813.  Son  of  the  painter,  Pietro  Longhi;  pupil  of 
Giuseppe  Nogari.  Chiefly  known  as  a portrait  painter 
but  also  an  engraver;  in  1763  published  Lives  of  the 
Modern  Venetian  Artists  with  portraits  which  he  en- 
graved. 

L86-1  COUNT  CARLO  AURELIS  WIDMANN?  (1750-1799; 

Venetian  statesman,  held  offices  in  the  Venetian  navy.) 
Life-size,  full-length,  standing  figure;  he  wears  a scarlet 
coat,  white  waistcoat  embroidered  in  gold,  and  dark  blue 
knee  breeches;  a blue  sash  is  over  his  right  shoulder;  a 
coat  of  arms  is  in  the  lower  right  corner. 

H.  90J  in.  W.  53J  in.  Canvas. 

Gift  of  Henry  W.  Cannon,  1915. 

LONGHI,  Pietro.  Italian  (Venetian);  born  1702  in  Venice;  died 
there  after  1762  (1785?).  At  first  a pupil  of  A.  Balestra, 
later  of  G.  M.  Crespi.  Genre  subjects  and  landscapes. 

L861-1  THE  LETTER.  The  workroom  of  cap-makers  with  the 

Gallery  matron  asleep  in  the  foreground  at  the  left;  a young 
29  woman  is  receiving  a letter  from  an  old  crone  who  stands 
at  her  side  and  a middle-aged  man  is  entering  at  the  right; 

181 


LONGHI  — LOOP 

in  the  foreground  a little  girl  is  dressing  a doll;  on  the 
tables  are  papier-mache  models  of  heads  and  pieces  of 
material  hang  on  a line  stretched  across  the  room.  One 
of  a series  of  nine  pictures  by  Longhi  owned  until  a few 
years  ago  by  the  family  of  Count  Miari  in  Padua. 

H.  in.  W.  19!  in.  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Purchase,  Hewitt  Fund,  1912. 

L861-2  THE  VISIT.  A lady  dressed  in  pink  is  seated  in  the 
Gallery  center  of  a room,  a priest  is  seated  beside  her  at  the  right, 
29  and  at  the  left  in  the  foreground  sits  a young  man  who 
stoops  to  play  with  a little  dog;  two  gentlemen  stand  back 
of  them.  This  belongs  to  the  same  series  as  L861-1. 

H.  24I  in.  W.  19!  in.  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Purchase,  Hewitt  Fund,  1912. 

L861-3  THE  TEMPTATION.  An  interior  with  a gentleman 
Gallery  breakfasting  at  a small  table  at  the  left  with  his  servant 
29  beside  him;  at  the  right  stands  a young  woman  who  seems 
to  have  just  entered  the  room  preceded  by  a man  and 
follow'ed  by  an  old  woman.  One  of  the  same  series  as 
L861-1. 

H.  24I  in.  W-  19-/5-  iri-  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Gift  of  J.  Pierpont  Morgan,  1917. 

L861-51  THE  MEETING.  An  interior  with  a young  lady  in  a 
Gallery  voluminous  yellow  dress  seated  in  the  center  and  a gentle- 
29  man  in  a periwig  bowing  before  her;  a servant  with  keys 
stands  back  of  them;  beyond  at  each  side  is  a masked 
couple.  One  of  the  same  series  as  L861-1 . 

H.  24i\  in.  W.  i9§in.  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Lent  by  Henry  Walters,  1914. 

LOOP,  Henry  A.  American;  born  1831  at  Hillside,  N.  Y.;  died 
1895  at  Lake  George,  N.  Y.  Settled  in  New  York  City 
in  1850;  studied  there  with  Henry  Peters  Gray;  Couture 
in  Paris. 

L87-1  LOVE’S  CROWN.  A female  figure  seated  on  the  bank 
of  a pool  is  being  crowned  with  a wreath  of  flowers  by  a 
nude  child  standing  at  her  side. 

H.  28|  in.  W.  i8f  in.  Canvas.  Signed  (twice);  H.  A. 
Loop  1882. 

Gift  of  Mrs.  Henry  A.  Loop,  1898. 

182 


LORENZETTI -LORENZO  DI  NICCOLO 

LORENZETTI,  Pietro.  Italian  (Sienese);  born  toward  the  end  of 
the  thirteenth  century;  died  1348  (?).  He  was  the  elder 
brother  of  Ambrogio  Lorenzetti.  Pupil  of  Duccio  in 
Siena;  influenced  by  Simone  Martini  and  by  Giovanni 
Pisano. 

L88-1  SAINT  CATHERINE.  Half-length,  standing  figure, 

Gallery  seen  full-face;  she  wears  a robe  of  green  and  gold  brocade 
33  and  a red  mantle  hemmed  with  gold  and  the  neck  edged 
with  a wide  jeweled  band;  gold  background  against  which 
the  crown  and  halo  are  tooled;  in  her  right  hand  is  a palm 
branch  and  the  left  holds  the  edge  of  her  mantle.  Arched 
top  with  the  corners  ornamented  in  red  and  black  on  a 
ground  of  tin-foil;  S.  AGNESE,  inscribed  in  the  center 
above  the  arch,  refers  to  the  figure  which  occupied  the 
compartment  above  this  panel  in  the  unknown  altarpieceof 
which  it  formed  a part.  When  purchased  by  the  Museum, 
the  picture  was  attributed  to  Ambrogio  Lorenzetti, but  has 
since  been  pronounced  by  Bernhard  Berenson  as  by  Pietro. 
H.  26f  in.  W.  in.  Tempera  on  wood.  Bulletin, 
1914,  p.  99;  ill.  p.  85. 

Purchase,  Rogers  Fund,  1913. 

LORENZO  DI  CREDI.  See  Credi. 

LORENZO  DI  NICCOLO.  Italian  (Florentine);  born  1370, 
died  1440.  Son  and  pupil  of  Niccolo  di  Pietro  Gerini. 
Both  were  aids  to  Agnolo  Gaddi  and  to  Spinello  Aretino. 

L881-1  LIFE  OF  ST.  LUCY.  Four  predella  panels.  (St.  Lucy 

Gallery  was  born  in  Syracuse  in  the  fourth  century.  For  the 

31  incidents  of  her  life  see  The  Golden  Legend,  vol.  II,  p. 
130.)  Fourteenth-century  work. 

L881-1  a.  ST.  LUCY  AT  THE  SHRINE  OF  ST.  AGATHA. 

St.  Lucy  in  a blue  dress  and  red  cloak  and  her  mother  in  a 
wine-colored  mantle  are  kneeling  before  the  altar;  St. 
Lucy  has  fallen  asleep  and  St.  Agatha  among  angels  is 
appearing  to  her. 

H.  loi  in.  W.  15J  in.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1912. 

L881-1  b.  ST.  LUCY  GIVING  ALMS.  St.  Lucy,  in  the  blue 
dress  in  which  she  appears  throughout  the  pictures  but 
without  the  red  cloak,  stands  in  a room  with  the  poor 
and  sick  at  the  right;  her  mother  stands  behind  her  at 
the  left. 


.183 


LORENZO  DI  NICCOLO  — LORME 

H.  loin.  W.  I5jin.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1912. 

L881-1  c.  ST.  LUCY  ACCUSED  OF  CHRISTIANITY.  St. 

Lucy  stands  before  Paschasius,  the  governor,  who  is 
seated  on  a throne  at  the  left;  near  the  throne  stands 
her  betrothed  who  has  denounced  St.  Lucy  because  she 
devoted  her  dowry  to  the  poor  and  renounced  mar- 
riage; soldiers  are  behind  her. 

H.  9^  in.  W.  1 5 J in.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1912. 

L881-1  d.  ST.  LUCY  RESISTING  EFFORTS  TO  MOVE  HER. 

Cords  are  bound  about  the  hands,  feet,  and  body  of  St. 
Lucy  and  a double  yoke  of  oxen,  prodded  by  the  soldiers 
and  rabble,  are  trying  to  move  her  but  without  suc- 
cess; behind  her  at  the  left  stand  the  governor  and  soldiers. 
H.  10  in.  W.  15  in.  Tempera  on  wood.  Bulletin,  1912, 
p.  92,  all  four  ill. 

Purchase,  Rogers  Fund,  1912. 

LORENZO,  FIORENZO  DI.  See  Fiorenzo. 

LORENZO  IL  MONACO.  Italian  (Florentine);  born  about 
1370;  died  1425  at  Florence.  Follower  of  Agnolo  Gaddi 
and  the  Sienese. 

L882-1  MADONNA  AND  CHILD.  The  Madonna,  seated  on 
Gallery  a cushion,  holds  the  Child  on  her  left  knee;  she  wears  a 
31  black  mantle  over  a violet  robe  and  a light  blue  scarf 
is  over  her  head  and  shoulders;  the  Child  wears  a light 
blue  dress  almost  hidden  by  a red  cape;  at  each  side  a 
small  angel  with  red  wings  kneels  in  adoration  on  a cloud. 
Gold  background  with  a halo  around  each  head. 

H.  35^  in.  W.  22^  in.  Tempera  on  wood.  Bulletin, 
1909,  p.  141,  ill. 

Purchase,  Rogers  Fund,  1909. 

LORENZO,  Piero  di.  See  Piero  di  Cosimo. 

LORME,  Anton  de.  Dutch;  was  living  at  Rotterdam  about 
1640  and  was  still  alive  in  1660.  Painted  interiors  of 
Dutch  churches;  the  figures  are  often  by  Terborch  and 
other  contemporaries. 

L89-1  INTERIOR  OF  A CHURCH.  The  transept  of  a 
Gallery  Gothic  church  with  people  in  contemporary  dress 
26  listening  to  a preacher  who  stands  in  the  pulpit.  The 
figures  were  painted  by  Gerard  Terborch. 

184 


LORME  — LUCAS  VAN  LEYDEN 

H.  25I  in.  W.  32  in.  Canvas. 

Purchase,  1871. 

LORRAIN,  Claude  le.  See  Claude. 

LOTTO,  Lorenzo.  Italian  (Venetian);  born  about  1480,  prob- 
ably at  Venice;  died  1556  at  Loreto.  Pupil  of  Alvise 
Vivarini;  influenced  by  Giovanni  Bellini  and  Giorgione. 
Portraits  and  altarpieces. 

L91-1  PORTRAIT  OF  A YOUNG  MAN.  Standing  figure. 
Gallery  seen  to  below  the  waist;  both  hands  are  in  front  holding 
30  his  black  coat;  at  the  left  is  a table  with  a blue  cloth 
striped  in  red  and  black,  upon  which  rests  a skull;  a 
draped  green  velvet  curtain  forms  the  background. 

H.  28J  in.  W.  2oJ  in.  Wood.  Bulletin,  1906,  p.  73. 
Purchase,  Rogers  Fund,  1906. 

LOW,  Will  H.  American;  born  1853  at  Albany,  N.  Y.;  lives 
at  Bronxville,  near  New  York  City.  Pupil  of  Lcole 
des  Beaux-Arts  in  Paris  under  Gerome  and  Carolus- 
Duran. 

L95-1  AURORA.  A woman  with  auburn  hair  is  looking  into 
the  pool  of  a marble  fountain;  both  hands  hold  her 
transparent  drapery  on  her  right  shoulder;  shrubbery 
and  a column  form  the  background. 

H.  53  in.  W.  33i  in.  Canvas.  Signed:  1894  WILL 
H LOW. 

Gift  of  William  T.  Evans,  1895. 

LUCAS  VAN  LEYDEN;  real  name  Lucas  Jacobsz.  Dutch; 

born  1494  at  Leyden;  died  there  1533.  Pupil  of  his 
father,  Huygh  Jacobsz,  and  of  Cornelius  Engelbrechtsen. 
Also  engraver. 

L96-1  CHRIST  PRESENTED  TO  THE  PEOPLE.  A public 
square;  at  the  left  is  a raised  platform  where  Christ  is 
seen  with  several  men,  two  of  whom  draw  aside  His 
purple  robe;  in  the  foreground  are  groups  of  people  in 
richly  colored  costumes;  the  windows  of  the  houses 
around  the  square  are  filled  with  spectators.  Attributed 
to  Lucas  van  Leyden. 

H.  II  in.  W.  18  in.  Canvas  on  wood.  Two  wax  seals 
on  the  back  partly  cover  an  old  inscription:  Lucas  van 
Leyden  1530. 

Gift  of  Henry  G.  Marquand,  1888. 

185 


LUCAS  VAN  LEYDEN  — LUKS 

L96-2  JOSEPH  EXPOUNDING  PHARAOH’S  DREAM(?)..- 
Gallery  At  the  right  is  an  ornate  open  porch  with  a niche  where 
34  an  old  man,  holding  a sceptre,  is  seated  on  a throne;  before 
him  stands  a young  man  who  is  talking;  about  these  two 
figures  are  numerous  soldiers  and  courtiers.  According 
' to  tradition  this  picture  is  one  of  a series  of  tempera 
paintings  on  linen,  illustrating  the  story  of  Joseph. 
Formerly  called  Our  Saviour  Carried  Before  Pontius 
Pilate,  and  later  Joseph’s  Coat.  Attributed  to  Lucas 
van  Leyden. 

H.  67I  in.  W.  57^  in.  Water  color  on  linen. 

Gift  of  Henry  G.  Marquand,  1888. 

LUCIANI,  Sebastiano.  See  Sebastiano  del  Piombo. 

LUCY,  Charles.  British  (English);  borii  1814  at  Hereford;  died 
1873  at  London.  Pupil  of  the  Ecole  des  Beaux-Arts  in 
Paris  under  Paul  Delaroche;  later  of  the  Royal  Acad- 
emy Schools  in  London.  Historical  subjects. 

L961-1  LORD  NELSON  IN  THE  CABIN  OF  THE  VICTORY. 

(Horatio  Nelson,  born  in  1785,  was  in  command  at  the 
battle  of  Trafalgar,  the  greatest  British  naval  victory 
of  the  Napoleonic  wars,  and  died  on  board  the  Victory 
during  the  battle,  October  21,  1805.)  Life-size,  full- 
length  figure,  seated  at  a desk  facing  a porthole; 
his  head  rests  on  his  left  hand  and  the  empty  right 
sleeve  is  fastened  across  his  breast;  on  the  desk  are  a 
letter,  writing  materials,  a telescope,  etc.;  his  sword  rests 
against  a chest  in  the  foreground. 

H.  78  in.  W.  6o|  in.  Canvas.  Signed:  C.  Lucy  pt. 
London  1853. 

Gift  of  J.  Pierpont  Morgan,  1900. 

LUKS,  George  Benjamin.  American;  born  1867  at  Williams- 
port, Pa.;  lives  in  New  York  City.  Pupil  of  Pennsylvania 
Academy  of  the  Fine  Arts  and  Diisseldorf  Academy;  studied 
in  Paris  and  London.  Portraits  and  contemporary 
subjects. 

L962-1  THE  OLD  DUCHESS.  Three-quarters  length  figure  in 
Gallery  a brown  shawl  and  veil,  gathering  up  her  full  white  skirts; 
12  her  face  is  flushed  and  her  nose  is  red. 

H.  30  in.  W.  2^  in.  Canvas.  Signed  Geo  B.  Luks 
1905. 

Purchase,  Hearn  Fund,  1921. 

186 


LUKS 

L962-51  THE  PAWNBROKER’S  DAUGHTER.  A girl  with 
Gallery  red  hair,  in  a yellowish  gray  dress,  seen  to  below  the  waist, 
12  holds  with  both  hands  a platter  on  which  stands  a dark 
blue-green  vase. 

H.  30  in.  W.  26^  in.  Canvas.  Signed:  George  Luks. 
Lent  by  Edward  W.  Root,  1919. 


187 


M 


MABUSE,  JAN  GOSSAERT  VAN;  known  also  as  Jean  de  Man- 
beuge,  Malbodius  de  Mauberge,  and  by  his  Latin  signa- 
ture Johannes  Malbodius.  Flemish;  born  about  1470  at 
Mabuse  in  Hainault;  died  1541  at  Antwerp.  Pupil  of 
Quentin  Massys. 

Mi-i  ADAM  AND  EVE.  In  the  foreground  are  two  nude 
Gallery  figures  each  leaning  against  a tree;  foliage  above  and 
34  in  the  distance  a valley  with  a winding  river. 

• H.  18J  in.  W.  12^  in.  Wood.  Bulletin,  1910,  p.  77,  ill. 
Gift  of  Mrs.  Stanford  White,  1910. 

Mi-2  madonna  AND  CHILD.  Seated  figure  of  the  Ma- 
Gallery  donna  seen  to  the  knees;  she  wears  a blue  robe,  and  the 
34  Child,  who  is  seated  on  her  lap,  has  a loose  white  garment. 
H.  i7iin.  W.  13-lin.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1917. 


MacCAMERON,  Robert.  American;  born  1866  at  Chicago;  died 
1912  at  New  York  City.  Pupil  of  Gerome  and  Collin  in 
Paris. 

M12-1  THE  DAUGHTER’S  RETURN.  The  corner  of  a 
restaurant  with  three  figures  seated  at  a table  on  which 
are  two  glasses  and  a pitcher;  the  young  woman  is  at 
the  left  and  her  head  rests  on  her  left  hand;  beyond,  an 
older  woman  sits  with  hands  clasped  on  her  lap;  an  old 
man  is  seated  in  the  foreground  at  the  right  with  both 
hands  on  the  table. 

H.  39J  in.  W.  55  in.  Canvas.  Signed:  R.  M^^CAMERON 
1909. 

Gift  of  Mrs.  Benjamin  S.  Guinness,  1910. 

188 


MacCAMERON  — MADRAZO 

M12-2  AUGUSTE  RODIN.  (Born  1840;  died  1918;  French 
Floor  I sculptor.)  Life-size,  standing  figure,  seen  to  below  the 
Gallery  waist;  in  his  right  hand  he  holds  a bronze  copy  of  his 
13  statue.  The  Thinker;  he  has  a flowing  blond  beard  and 
ruddy  complexion. 

H.  39§  in.  W.  32  in.  Canvas.  Signed:  R.  MacCAM- 
ERON Paris  Sept.  1910. 

Gift  of  J.  Pierpont  Morgan,  1912. 

McENTEE,  Jervis.  American;  born  1828  at  Rondout,  N.  Y.; 

died  there  1891.  Pupil  of  F.  E.  Church;  worked  chiefly 
in  New  York  City.  Landscape  painter. 

AUTUMN  LANDSCAPE  WITH  FIGURES.  Boys 
and  girls  are  playing  beside  a brook  which  flows  across 
the  picture  toward  the  foreground  at  the  left;  dull  gray 
'sky  with  a bright  light  near  the  horizon. 

H.  24J  in.  W.  42^  in.  Canvas.  Signed:  J M Entee 
1875.  Bulletin,  1913,  p.  89,  ill. 

Purchase,  Lazarus  Fund,  1913. 

Mi 5-2  IN  THE  CLOUDS.  A wide  brown  plain  and,  above. 
Gallery  dark  clouds  through  which  the  sun  is  trying  to  break  near 
16  the  horizon. 

H.  485  in.  W.  40J  in.  Canvas.  Signed:  J.  McEntee 
N.  A. 

Bequest  of  Mary  Augusta  Coykendall,  1921. 

MADRAZO,  Raymundo  de.  Spanish;  born  1841  at  Rome;  died 
1920  at  Versailles.  Pupil  of  his  father,  Federico  de 
Madrazo,  who  was  painter  to  the  Court  of  Spain  and 
Curator  of  the  Madrid  Art  Gallery;  studied  also  at  the 
Ecole  des  Beaux-Arts  in  Paris  under  Leon  Cogniet. 

M26-1  GIRLS  AT  A WINDOW.  Two  young  women  leaning 
Gallery  out  of  a window  and  looking  down  to  the  street;  the 
18  costumes  are  of  about  1875. 

H.  28|  in.  W.  23!  in.  Canvas.  Signed:  R.  Madrazo. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M26-3  SAMUEL  P.  AVERY.  (1822-1904;  a trustee  of  the 
Museum  from  1872  until  his  death.)  Life-size,  almost 
to  the  waist;  he  has  a blond  beard. 

H.  24  in.  W.  19^%  in.  Wood.  Inscribed:  a Mr.  Avery 
— R.  Madrazo  1876. 

Gift  of  the  family  of  Samuel  P.  Avery,  1904. 

189 


M 1 5-1 
Gallery 
16 


MAES 

MAES,  Nicolaes.  Dutch;  born  1632  at  Dordrecht;  died  1693  at 
Amsterdam.  Pupil  of  Rembrandt  at  Amsterdam,  where  * 
he  had  settled  in  1673.  Portraits  and  genre. 

M261-1  PORTRAIT  OF  A WOMAN.  Life-size,  seated  figure 
Gallery  of  a Dutch  matron,  seen  to  the  knees;  her  hands  rest 

26  one  upon  the  other,  the  left  one  holding  a closed  fan; 

she  wears  a small  black  cap,  a black  dress  with  white 
linen  collar  fitted  over  the  shoulders,  and  full  white 
undersleeves;  in  the  background  a dark  gray  curtain  is 
drawn  showing  a landscape  through  the  window  at  the 
right. 

II.  44  in.  W.  354  in.  Canvas.  Bulletin,  1906,  p.  7^ 
Purchase,  Rogers  I'und,  1906. 

M261-2  ADMIRAL  JACOB  BINKES.  (A  Dutch  admiral  who 
Gallery  was  killed  in  1676  by  the  explosion  of  a bomb  when  his 
26  vessel  was  in  the  harbor  of  fabago,  Philippine*  Islands.) 

He  is  seen  to  the  waist  and  wears  polished  steel  armor; 
a pistol  is  held  in  his  right  hand  and  the  left  rests  on  his 
casque,  which  has  a red  plume;  in  the  background  at 
the  left  is  a view  of  ships.  In  original  frame,  probably 
by  Jan  Lutma,  Rembrandt’s  framemaker.  Painted 
within  an  oval. 

H.  17^  in.  W.  i2|  in.  Canvas.  Signed:  Maas. 

Gift  of  J.  Pierpont  Morgan,  1911. 

M261-3  THE  BETROTHED  OF  ADMIRAL  BINKFS.  (A 
Gallery  Dutch  inscription  on  the  back  indicates  that  this  is  a 
26  portrait  of  Eugenie  Rotterdam,  betrothed  of  Jacob 
Binkes,  who  was  overtaken  by  death  before  the  marriage; 
she  later  married  Pieter  D’Orvillc  and  died  at  Amster- 
dam, January  20,  1704.)  She  is  seen  to  the  waist  and 
wears  a white  dress  trimmed  with  yellow;  a violet-red 
scarf  is  about  her  shoulders  and  a §tring  of  pearls  is  on 
her  blond  hair;  a tree  is  immediately  behind  the  figure 
and  there  is  a view  of  the  sea  at  the  right.  Painted 
within  an  oval. 

H.  17J  in.  W.  13  in.  Canvas.  Signed:  Macs  1676  (?). 
Gift  of  J.  Pierpont  Morgan,  191 1. 

.M261-4  YOUNG  GIRL  PEELING  APPLES.  In  a bare  room 
Gallery  with  gray  walls  a young  woman,  dressed  in  red,  is  seated 
39  beside  a table,  covered  with  a red  and  black  rug,  on  which 
is  a dish  of  apples;  some  of  the  fruit  is  on  a towel  on  her 
lap  and  at  her  left  is  a pail. 

H.  2 1 2-  in.  W.  18  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 


MAGRATH-MAlTRE  DE  FLEMALLE 

MAGRATH,  William.  American;  born  1838  in  Ireland;  died 
1918.  Genre. 

M27-1  ON  THE  OLD  SOD.  An  Irish  farmer  standing  on  a 
hillside;  his  hands  are  folded  behind  him  and  a stick  is 
under  his  left  arm;  he  smokes  a short  clay  pipe. 

H.  38I  in.  W.  28  in.  Canvas.  Signed:  W.  MAGRATH. 
Gift  of  William  Carr,  1887. 

MAIGNAN,  Albert.  French;  born  1846  at  Beaumont-sur- 
Sarthe;  died  1908  at  Saint-Prix.  Pupil  of  Luminais 
in  Paris.  Historical  and  allegorical  subjects. 

M28-1  L’ATTENTAT  D’ANAGNI.  (Boniface  VIII,  a native 
of  Anagni,  was  elected  Pope  in  1294;  Philip  the  Fair  of 
France  resisted  his  authority  and  compelled  him  to  take 
refuge  in  his  native  town.  The  picture  represents 
the  moment  when  Boniface  says  to  his  assailants:  “Here 
is  my  neck;  here  is  my  head;  strike;  but  1 will  die  Pope.” 
Boniface  was  thrown  into  prison  and,  though  liberated 
by  the  people  of  Anagni,  died  within  a month.)  The 
Pope  in  white  robes  stands  in  front  of  his  throne  at 
the  top  of  a flight  of  red  carpeted  stairs;  a few  steps 
below,  a knight  who  threatens  him  stands  with  his  back 
toward  the  spectator;  in  the  foreground  at  the  foot  of 
the  steps  are  soldiers  and  populace. 

H.  116J  in.  W.  84-4-  in.  Canvas.  Signed:  ALBERT 
MAIGNAN  1877. 

Gift  of  Wallis  and  Son,  1883. 

MAINARDl,  Sebastiano  de  Bartolo.  Italian;  born  about  1450 
at  San  Gimignano;  died  I5i3(?)  probably  in  Florence. 
Pupil  and  assistant  of  his  brother-in-law,  Domenico 
Ghirlandaio. 

M281-1  VIRGIN  AND  CHILD  WITH  ANGELS.  The  Virgin, 

Gallery  wearing  a red  robe  and  blue  cloak,  is  seated  in  the  center 
37  with  head  bowed  and  hands  joined  in  adoration  of  the 
nude  Child,, who  is  seated  on  a red  cushion  on  her  right 
knee;  He  is  supported  by  an  angel  in  a violet  robe  and  at 
the  right  an  angel  in  a yellow  robe  stands  with  arms 
folded;  back  of  the  Madonna  is  a strip  of  red  brocade  and 
on  each  side  are  glimpses  of  landscape. 

Circular;  diameter,  38^  in.  Tempera  on  canvas,  trans- 
ferred from  wood. 

Bequest  of  Benjamin  Altman,  1913. 

MAITRE  de  FLEMALLE.  ROBERT  CAMPIN.  Flemish; 

fifteenth  century.  His  name  comes  from  the  fact  that 


MAlTRE  DE  FLfiMALLE  — MANCINI 

one  of  his  works,  now  at  the  Stadel  Institute  at  FranKfort, 
was  originally  in  the  old  Flemish  Abbey  of  Flemalle;  a- 
contemporary  of  Jan  Van  Eyck,  the  founder  of  the 
school  of  Tournai. 

M282-1  VIRGIN  AND  CHILD  WITH  ANGELS.  The  Virgin 
Gadlery  stands  in  the  apse  of  a Gothic  church  and  suckles  the 
34  Child;  she  wears  a long  white  mantle  over  a blue  tunic; 
on  each  side  is  an  angel  playing  on  a musical  instrument. 
This  composition  is  known  as  the  Virgin  of  Salamanca; 
there  are  several  replicas. 

H.  17J  in.  W.  13^  in.  Canvas,  transferred  from  wood. 
Bulletin,  1906,  p.  28. 

Purchase,  Rogers  Fund,  1906. 

M A KART,  Hans.  Austrian;  born  1840  at  Salzburg;  died  1884 
at  Vienna.  Pupil  of  Vienna  Academy  under  Ruben; 
Munich  Academy  under  Piloty. 

M285-1  THE  DREAM  AFTER  THE  BALL.  Life-size,  full- 
Gallery  length,  seated  figure  of  a woman  with  her  hair  falling 
18  about  her  bare  shoulders;  she  wears  a loose  white  gar- 
ment; in  the  foreground  two  cupids  are  using  arrows  to 
fasten  red  hearts  on  her  green  velvet  gown. 

H.  62!  in.  W.  37i\  in.  Canvas.  Signed:  Hans  Makart. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M285-2  DIANA’S  HUNTING  PARTY.  Diana,  wearing  a 
red  robe,  stands  on  the  shore  of  a lake;  her  raised  right 
arm  holds  a dart  which  she  is  preparing  to  hurl  at  a 
stag  swimming  across  the  water  in  the  foreground;  the 
goddess  is  surrounded  by  nymphs  and  hunting  dogs  and 
behind  them  is  a dense  forest;  in  the  immediate  fore- 
ground are  several  bathers. 

H.  168  in.  W.  372  in.  (sight.)  Canvas.  Signed. 

Gift  of  Mrs.  Ellen  Josephine  Banker,  1888. 

MANCINI,  Antonio.  Italian;  born  1852  at  Narni  in  Umbria; 

lives  in  Rome.  Pupil  of  Domenico  Morelli  and  of 
Stanislao  Lista  at  Naples;  influenced  by  Monticelli. 
Portraits  and  genre. 

M31-1  CIRCUS  BOY.  Life-size,  full-length,  standing  figure. 
Gallery  leaning  against  the  rope  of  a canvas  tent;  he  wears  a 
21  dull  rose  satin  coat,  white  silk  waistcoat,  red  and  black 
checked  trunks,  white  stockings,  and  red  slippers. 
H.59§in.  W.28jin.  Canvas.  Signed:  A.  Mancini  1872. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 


MANET  — MANTEGNA 

MANET, Edouard.  French;born  i832atParis;died there  1883.  Pu- 
pil of  Couture;  influenced  by  Velazquez,  Hals,  and  Goya. 
M311-1  BOY  WITH  A SWORD.  Life-size,  full-length  figure 
Gallery  of  a boy,  walking  toward  the  right,  who  clasps  a large 
21  sword  in  his  arms;  he  wears  a black  suit,  broad  white 
collar,  and  blue  stockings;  brownish  background. 

H.  5 if  in.  W.  36}  in.  Canvas.  Signed:  Manet  1861. 
Gift  of  Erwin  Davis,  1889. 

M3 1 1-2  WOMAN  WITH  A PARROT.  Life-size,  standing 
Gallery  figure  of  a woman,  wearing  a loose  pink  gown;  she 
21  holds  a bunch  of  violets  to  her  face  and  her  left  hand 
plays  with  the  cord  of  a monocle;  a gray-green  parrot 
with  red  tail  feathers  is  on  a perch  at  the  right. 

H.  72j  in.  W.  5of  in.  Canvas.  Signed:  Manet. 

Gift  of  Erwin  Davis,  1889. 

M311-3  THE  FUNERAL.  A view  of  Paris.  In  the  foreground 
Gallery  is  a park  (Montsouris?)  through  which  a funeral  is 
21  passing;  in  the  distance  is  the  hill  of  Sainte  Genevieve 
with  the  Pantheon  and  other  buildings. 

H.  28|  in.  W.  35f  in.  Canvas.  Inscribed:  Certifid 
d’Ed.  Manet -Vve  Manet.  Bulletin,  1910,  p.  123,  ill. 
Purchase,  Wolfe  Fund,  1909. 

M311-51  THE  DEAD  CHRIST  WITH  ANGELS.  Life-size, 
Gallery  nude  figure  of  the  dead  Christ,  seated  on  a white  cloth 
21  and  supported  by  two  angels;  they  have  dull  blue  and 
gray  wings;  the  one  at  the  right  is  dressed  in  yellow  and 
the  other  in  reddish  brown.  Inscribed:  evang.  set.  St. 
Jean  Chap,  xx  v.xii. 

H.  70  in.  W.  58}  in.  Canvas.  Signed:  Manet. 

Lent  anonymously,  1909. 

M311-52  JEANNE — LE  PRINTEMPS.  A young  girl  known 
Gallery  later  in  the  theatre  as  Mile.  Demarsy.  She  is  seen  at 
21  three-quarters  length  in  profile  to  the  left,  against  green 
bushes;  she  wears  a flowered  dress  and  a white  hat  with 
flowers  and  black  ribbons  tied  under  her  chin.  She  car- 
ries a lace  sunshade  over  her  shoulder. 

H.  29J  in.  W.  20§  in.  Canvas.  Signed:  Manet. 

Lent  by  Mrs.  Harry  Payne  Bingham,  1920. 

MANFREDI,  Bartolommeo.  See  Bartolo  di  Fredi. 

MANTEGNA,  Andrea.  Italian  (Paduan);  born  1431  at  or  near 
Vicenza;  died  1506  at  Mantua.  Pupil  and  adopted  son 
of  Squarcione  at  Padua;  influenced  by  study  of  antique 


*93 


MANTEGNA  — MARCHAL 

sculpture/  by  Donatello,  and  by  his  brothers-in-law,  the 
Bellini. 

M3 1 3-1  THE  HOLY  FAMILY.  The  Virgin,  seated  and,  seen 
Gallery  to  the  knees,  holds  the  nude  Child,  who  stands  with  one 
37  foot  on  a white  cushion  on  her  lap;  the  figures  of  St. 
Joseph  at  the  left  and  Mary  Magdalen  at  the  right  are 
cut  by  the  frame;  dark  background  with  yellow  fruit  and 
leaves.  There  is  close  resemblance  between  this  picture 
and  a Mantegna  in  the  Dresden  Gallery,  where  St. 
Elizabeth  takes  the  place  of  the  Magdalen.  Our  picture 
is  perhaps  the  one  mentioned  in  1674  by  Boschini  as  being 
in  the  Hospital  for  Incurables  at  Venice. 

H.  22j  in.  W.  18  in.  Tempera  on  canvas. 

Bequest  of  Benjamin  Altman,  1913. 

MARATTA,  Carlo;  sometimes  spelt  Maratti.  Italian  (Roman); 

born  1625  at  Camurano  in  the  Marches  of  Ancona;  died 
1713  at  Rome.  Pupil  of  Andrea  Sacchi  at  Rome;  influ- 
enced by  Guido  Reni,  the  Carracci,  and  Raphael. 

M32-1  POPE  CLEMENT  IX.  (1600-1669;  Ciulio  Rospigliosi 
Gallery  became  Pope  in  1667  under  the  name  of  Clement  IX.) 
29  Life-size,  standing  figure,  seen  to  the  waist;  his  right 
hand  rests  on  a closed  breviary;  he  wears  a white 
surplice,  a red  velvet  cape  edged  with  ermine,  and  a red 
biretta.  This  portrait  is  a replica  of  a full-length  seated 
portrait  of  Clement  IX  by  Maratta  in  the  Hermitage 
at  St.  Petersburg. 

H.  37^  in.  W.  2gi  in.  Canvas.  , 

Gift  of  Archer  M.  Huntington,  1891. 

MARCHAL,  Charles.  French;  born  1825  at  Paris;  died  there 
1877.  Pupil  of  Drolling  and  F.  Dubois. 

M33-1  EVENING  IN  ALSACE.  An  old  man  is  seated  at  a 

S.  W.  harrow  drawn  by  a yoke  of  oxen  which  are  moving 

Stairway  toward  the  hills  in  the  distance;  in  the  foreground  is  a 
pile  of  burning  brush;  bright  sunset  sky. 

H.  36^  in.  W.  57I  in.  Canvas.  Signed:  Charles  Mar- 
chal  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M33-2  MORNING  IN  ALSACE.  A man  is  ploughing  with  a 

S.  W.  yoke  of  oxen  turned  away  from  the  spectator;  in  the 

Stairway  foreground  there  are  blackbirds  in  the  newly  turned 

furrow. 


194 


MARCHAL— MARIS  . 

H.  36J  in.  W.  57f  in.  Canvas.  Signed:  Charles  Mar- 
chal  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M33-3  THE  GREY  LADY.  Half  life-size  figure  of  a young 
Gallery  lady,  seen  in  profile  to  the  right.  Before  a small  table 
19  on  which  are  skeins  of  yarn  and  knickknacks,  she  stands 
sewing  a piece  of  embroidery;  her  costume  is  of  the 
’seventies:  gray  paneled  wall  for  background. 

H.43I  in.  W.  i9i  in.  Canvas.  Signed:  Charles  Marchal. 
Gift  of  Mrs.  Clara  B.  Obrig,  in  memory  of  her  husband 
Adolph  Obrig,  1917. 

MARCKE,  Emile  van,.  French;  born  1827  at  Sevres;  died  1890 
at  Hy^res.  Pupil  of  Troyon.  Cattle  painter. 

M332-1  THE  MILL.  A landscape  with  an  old  mill  at  the  left 
Gallery  and  trees  at  the  right;  cattle  are  in  the  foreground  with  a 

17  dun  cow  wading  in  the  mill  stream  and  others  grazing 
beyond;  there  are  stormy  gray  clouds. 

H.  59J  in.  W.  79J  in.  Canvas.  Signed:  Em.  Van 
Marcke.  75. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M332-2  LANDSCAPE  WITH  CATTLE.  Two  cows  standing 
in  a shallow  stream;  an  apple  tree  in  blossom  to  the  left. 
H.  29I  in.  W.  36y\  in.  Canvas.  Signed:  Em  van 
Marcke. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

MARIS,  Jacob.  Dutch;  born  1837  at  The  Hague;  died 
1899  at  Carlsbad,  Germany.  Pupil  of  Huib  van  Hove, 
J.  Stroebel,  and  Louis  Meyer;  studied  at  the  Antwerp 
Academy  and  at  the  Ecole  des  Beaux-Arts  in  Paris. 

M335-1  CANAL  IN  HOLLAND.  There  are  houses  at  the  right; 
Gallery  a boat  is  in  the  foreground;  at  the  left  is  a roadway 

18  where  a woman,  carrying  two  pails  on  a yoke,  is  walking 
toward  a bridge  which  spans  the  canal  in  the  middle 
distance;  beyond  at  the  left  are  houses. 

H.  i4i  in.  W.  17I  in.  Water  color.  Signed:  J.  Maris. 
Purchase,  Wolfe  Fund,  1895. 

MARIS,  Matthys.  Dutch;  born  1839  at  The  Hague;  died  at 
London  1917.  Studied  at  The  Hague  Academy,  the 
Antwerp  Academy,  and  in  Paris. 


195 


MARIS  — MARTIN 

M336-1  REVERIE.  A young  girl  with  light  brown  hair  falling 
Gallery  over  her  shoulders  and  wearing  a dull  blue  dress,  is  seated 
20  with  a distaff  on  her  lap;  she  leans  forward  and  looks  at 
a black  and  white  cat  on  the  floor  at  the  left  of  the 
picture. 

H.  i2in.  W.  9jin.  Canvas.  Monogrammed:  MM.  75. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

MARR,  Carl.  American;  born  1858  at  Milwaukee,  Wis.;  lives 
in  Munich,  Germany.  Pupil  of  Weimar  Academy  under 
Schauss;  Berlin  Academy  under  Gussow;  Munich  Academy 
under  O.  Seitz  and  Lindenschmit. 

M34-1  GOSSIP.  Two  young  Bavarian  women,  wearing  blue 
Gallery  and  white  peasant  costumes,  are  seated  in  a room,  spin- 
19  ning  and  talking;  a table  with  a white  cloth  and  blue 
dishes  and  a white  curtained  window  extend  across  the 
picture;  on  the  window  ledge  are  pots  of  flowers. 

H.  41  in.  W.  64!  in.  Canvas.  Signed:  CARL  MARR. 
MUENCHEN.  84. 

Gift  of  George  I.  Seney,  1887. 

MARSHALL,  William  Edgar.  American;  born  1837  New  York 
City;  died  there  1907.  Studied  in  Paris.  Portraits.  Also 
engraver. 

M35-1  THE  ARTIST’S  MOTHER.  (A  Scotchwoman,  daugh- 
Gallery  ter  of  Lady  Charlotte  Gordon.)  Life-size  portrait  of  an 
16  elderly  lady,  seen  to  the  waist;  her  brown  hair  is  parted 
and  drawn  back;  she  wears  a dark  dress  with  a simple 
white  kerchief  about  her  neck. 

H.  27  in.  W.  22  in.  Canvas.  Signed:  William  E.  Mar- 
shall 1865.  Bulletin,  1908,  p.  12,  ill. 

Purchase,  Rogers  Fund,  1907. 

MARTIN,  Homer  D.  American;  born  1836  at  Albany,  N.  Y., 
died  1897  at  St.  Paul,  Minn.  Pupil  of  William  M.  Hart. 
The  greater  part  of  his  life  was  spent  in  New  York  City. 
Landscapes. 

M36-1  THE  WHITE  MOUNTAINS;  ADAMS  AND  JEFFER- 
Gallery  SON.  In  the  foreground  is  the  tree-covered  top  of 
16  Randolph  Hill,  which  is  separated  by  a valley  from 
Mount  Madison;  beyond  are  the  snow-capped  peaks  of 
Adams  and  Jefferson;  cloudy  sky. 

H.  30yV  in.  W.  5oJ  in.  Canvas.  Signed:  H.  D.  Mar- 
tin 1868.  (Repainted  by  Martin  in  his  later  manner.) 
Gift  of  William  T.  Evans,  1891. 

196 


BETROTHAL  OF  SAINT  CATHERINE 
BY  HANS  MEMLING 


\ 


MADONNA  AND  CHILD  ENTHRONED  WITH  ANGELS 
BY  PIETRO  DI  DOMENICO  DA  MONTE PULCIANO 


MARTIN  — MASSYS 

M36-2  HARP  OF  THE  WINDS;AVIEW  ONTHE  SEINE. 
Gallery  A row  of  tall  poplars  on  the  flat  shore  in  the  middle 

12  distance  is  reflected  in  the  river  which  is  in  the  foreground 
at  the  right;  a strip  of  sandy  shore  and  a steep  bank 
are  at  the  left;  in  the  distance  a town  is  at  the  river's 
edge. 

H.  28i  in.  W.  4oJ  in.  Canvas.  Signed:  H D Martin 
1895. 

Gift  of  several  gentlemen,  1897. 

M36-3  SAND  DUNES,  LAKE  ONTARIO.  A sandy  fore- 
Gallery  ground  with  bare  trees  at  the  right;  a brownish  growth 

13  covers  the  level  stretch  of  ground  that  extends  to  the 
water  in  the  middle  distance;  beyond,  at  the  left,  are 
sand  dunes  in  sunlight. 

H.  36  in.  W.  60J  in.  Canvas.  Signed:  Homer  Martin 
1887. 

Gift  of  George  A.  Hearn,  1906. 

M36-4  AUTUMN.  In  the  foreground  is  a field  with  stacks  of 
corn;  beyond  is  a meadow  with  woods  at  the  right;  the 
sea  is  in  the  distance  at  the  left. 

H.  i2f  in.  W.  2of  in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1910. 

MARTINI,  Simone.  Italian  (Sienese);  born  about  1283  at 
Siena;  died  after  1344  at  Avignon,  where  he  went  in 
1339  to  work  for  the  Papal  Court.  Follower  of  Duccio; 
influenced  by  the  Pisani. 

School  of  Simone  Martini. 

M361S-1  SAINT  PAUL.  A standing  figure,  seen  to  below  the 
Gallery  waist;  a sword  is  held  upright  in  his  right  hand  and  the 
33  four  books  of  the  apostles  are  in  his  left;  he  wears  a blue 
robe  and  a dull  violet  cloak;  the  background  is  gold  with 
a trefoil  arch  within  a single  Gothic  arch. 

H.  35  in.  W.  16J  in.  Tempera  on  wood. 

Gift  of  Frederic  Coudert,  1888. 

MASSYS,  Quentin;  also  spelt  Metsys  and  Messys.  Flemish;  born 
1460  or  1466  at  Louvain;  died  1530  at  Antwerp,  where 
he  had  lived  since  about  1490. 

M38-1  ADORATION  OF  THE  KINGS.  The  Madonna. 
Gallery  wearing  a blue-green  mantle  and  white  turban,  is  seated 
1 1 at  the  left  and  holds  the  Child  upon  her  lap;  the  old  king, 
wearing  a yellow  robe  and  a purple  velvet  cloak,  kneels  in 
197 


MASSYS  — MATTEO  DI  GIOVANNI 

the  immediate  foreground;  behind  him  stand  the  other 
two  kings  richly  attired  and  each  holding  a jeweled  vessel;* 
beyond  appear  heads  of  numerous  men  crowded  about 
the  entrance  to  the  open  court  where  the  scene  takes 
place;  the  columns  are  decorated  with  Renaissance 
arabesques. 

H.  4oJ  in.  W.  31J  in.  Wood.  Bulletin,  1911,  p.  228,  ill. 
Purchase,  Kennedy  Fund,  1911. 

SCHOOL  OF  MASSYS. 

M38S-2  MADONNA  AND  CHILD.  The  half-length  figure  of  the 
Gallery  Madonna  in  a dark  gown  and  a red  robe  with  a thin  white 

34  drapery  over  her  reddish  hair;  she  holds  the  nude  Child 

up  to  kiss  him.  The  background  is  a blue-green  land- 
scape  with  a river,  bridge,  and  boats,  a town  on  the  o]> 
posite  bank,  and  mountains  rising  pyramidally  behind 
the  Virgin’s  head. 

H.  i9|in.  W.  i5jin.  Wood. 

Bequest  of  William  H.  Herriman,  1921. 

MASTER  OF  THE  HOLZHAUSEN  PORTRAITS.  See  Faber. 

MASTER  OF  THE  LEGEND  OF  SAINT  URSULA.  See 
Bruges  Master. 

MATHEWS,  Arthur  F.  American;  born  i860  in  Wisconsin;  lives 
in  San  Francisco.  Landscapes. 

M42-1  CALIFORNIA  LANDSCAPE.  A group  of  trees  at  the 
right  which  throw  shadows  across  the  foreground; 
beyond  are  plains  in  sunlight. 

H.  26yV  in.  W.  29J  in.  Canvas.  Signed:  Arthur  F. 
Mathews. 

Gift  of  Henrietta  Zeile,  1909. 

MATTEO  DI  G lOVANNI ; known  also  as  Matteino  and  Matteo  da 
Siena.  Italian  (Sienese);  born  i43o(?)  probably  at  Siena; 
died  there  1495.  Perhaps  a pupil  of  Domenico  di  Bartolo; 
influenced  by  Vecchietta,  Pollaiuolo^  and  Botticelli. 

M43-1  LEGEND  OF  CLOELIA.  Cassone  front.  (Cloelia, 
Gallery  a Roman  virgin,  was  one  of  the  hostages  given  to  Lars 
31  Porsena  by  Mucius  Scaevola,  508  B.  C.  She  and  her 
companions  are  supposed  to  have  escaped  by  swimming 
the  River  Tiber,  to  have  been  honorably  sent  back  by  the 
Roman  Senate,  and  later  released  by  Porsena  for  their 
bravery.)  At  the  left  are  soldiers  before  whom  stand  a 

* 198 


MATTEO  DI  GIOVANNI  — MAUVE 

Senator  (?)  and  six  young  women;  in  the  center  of  the 
picture  the  same  maidens  are  swimming  a river;  at  the 
right,  two  of  them  having  reached  the  shore  are  entering 
a walled  city  (Rome?).  Companion  pieces  representing 
the  story  of  Camilla  are  in  the  Johnson  and  Woodward 
collections. 

H.  lyi  in.  W.  45I  in.  Tempera  on  wood.  Bulletin, 
i9ii,p.  194. 

Purchase,  Hewitt  Fund,  1911. 

MAUVE,  Anton.  Dutch;  born  1838  at  Zaandam;  died  1888  at 
Arnhem.  Pupil  of  Pieter  Frederik  van  Os;  studied 
at  Oosterbeek;  lived  Tn  1865  at  Amsterdam,  later  at 
The  Hague,  and  in  1878  settled  at  Laren.  Landscapes 
with  animals. 

M441-1  SPRING.  A shepherd  and  his  dog  stand  in  the  fore- 
ground facing  a flock  of  sheep  feeding  in  a green  pasture; 
a row  of  young  trees  is  in  the  middle  distance  at  the  right. 
H.  22§  in.  W.  35I  in.  Canvas.  Signed:  A Mauve. 
Gift  of  George  1.  Seney,  1887. 

M441-2  AUTUMN.  A flock  of  sheep  is  being  driven  along  a 
road  through  brown  moors;  in  the  foreground  the  shep- 
herd, with  a lamb  under  his  right  arm,  follows  the  sheep 
away  from  the  spectator;  his  dog  is  at  the  left. 

H.  26  in.  W.  37J  in.  Canvas.  Signed:  A Mauve. 

Gift  of  George  1.  Seney,  1887. 

M441-3  CHANGING  PASTURE.  Barren,  flat  country  with  a 
Gallery  wet  road  along  which  approach  two  cows  driven  by  an 
19  old  woman;  gray  sky. 

H.  24  in.  W.  39f  in.  Canvas.  Signed:  A Mauve.  Bul- 
letin, 1914,  p.  253;  ill.  p.  255. 

Bequest  of  Benjamin  Altman,  1913. 

M441-4  TWILIGHT.  Cr^puscule.  A flock  of  sheep,  preceded 
Gallery  by  the  shepherd,  are  going  toward  the  edge  of  a wood; 
19  gray  sky  with  sunset  glow  at  the  horizon. 

H.  25II  in.  W.  17I  in.  Canvas.  Signed:  A Mauve. 
Bequest  of  Benjamin  Altman,  1913. 

M441-5  RETURN  TO  THE  FOLD.  A flock  of  sheep,  with  the 
Gallery  shepherd  and  his  dog  at  the  left,  are  crossing  a ploughed 
19  field  going  toward  the  farmhouses  which  are  seen  on  the 
horizon;  the  edge  of  a wood  is  at  the  right. 

H.  19J  in.  W.  33|f  in.  Canvas.  Signed;  A Mauve. 
Bequest  of  Benjamin  Altman,  1913. 


199 


T 


MAX  — MEIRE 

MAX,  Gabriel.  Austrian;  born  1840  at  Prague;  lives  in  Munich. 

Pupil  of  his  father,  the  sculptor,  Joseph  Max,  and  of  ' 
Piloty. 

M45-1  THE  LAST  TOKEN;  A CHRISTIAN  MARTYR. 
Gallery  A young  woman  standing  in  an  arena  leans  with  one 
18  hand  against  the  wall  and  looks  upward;  a pink  rose  lies 
at  her  feet;  a leopard  creeps  through  a grating  in  the 
wall  at  the  right;  in  the  arena  at  the  left  a leopard  and 
hyena  are  fighting.  Inscribed:  Ein  Griis. 

H.  in.  W.  47  in.  Canvas.  Signed:  Gab.  Max. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

MAY,  Edward  H.  American;  born  1824  in  England;  died  1887  at 

Paris.  Pupil  of  Daniel  Huntington  in  New  York  City, 
Couture  in  Paris;  lived  chiefly  in  Europe. 

M451-1  MARY  MAGDALEN.  Life-size  figure,  lying  at  full 
length  upon  the  ground  with  her  right  arm  over  a stone; 
in  the  distance  three  crosses  are  relieved  against  a red  sky. 
H.  48  in.  W.  77j  in.  Canvas.  Signed:  Edwd.  H.  May. 
Gift  of  Caroline  May,  the  artist’s  sister,  1884. 

MAYNARD,  George  W.  American;  born  1843  at  Washington, 
D.  C.;  lives  in  New  York  City.  Pupil  of  the  National 
Academy  of  Design  in  New  York;  Antwerp  Academy 
under  Beaupray,  Van  Lerius,  and  de  Keyser. 

M452-1  IN  STRANGE  SEAS.  Five  mermaids  are  swimming 
Gallery  in  blue  water;  the  one  at  the  right,  on  the  crest  of  a 
16  wave,  points  to  a galleon  with  sails  set  which  is  at  the 
horizon. 

H.  36I  in.  W.  50i\  in.  Canvas.  Signed:  Maynard -89. 
Gift  of  William  F.  Havemeyer,  1901. 

MEIRE,  Gerard  van  der.  Flemish;  born  about  1427  at  Ghent; 
died  after  1474. 

M47-1  ADORATION  OF  THE  MAGI.  The  Virgin,  in  a dark 
Gallery  blue  robe,  is  seated  at  the  left  with  the  nude  Child  held 
34  on  a white  cloth  on  her  lap;  behind  her  stands  St.  Joseph 
in  a red  robe;  the  oldest  king,  in  a red  cloak  trimmed  with 
fur,  kneels  in  the  foreground;  behind  him  stand  the  other 
two  kings  each  holding  an  elaborate  gold  vessel.  The 
figures  are  seen  in  a brick  room  through  an  arched  win- 
dow; an  open  casket  with  pieces  of  money  is  on  the  ledge. 
H.  29I  in.  W.  28|  in.  Wood. 

Purchase,  1871. 


200 


MEISSONIER 

MEISSONIER,  Jean  Louis  Ernest.  French;  born  1815  at 
Lyons;  died  1891  at  Paris.  Pupil  of  Leon  Cogniet  in 
Paris. 

M471-1  FRIEDLAND,  1807.  (On  June  14,  1807,  at  Friedland, 
Gallery  the  French  under  Napoleon  defeated  the  Russians  and 
21  Prussians.)  Napoleon,  mounted  on  his  famous  white 
horse  and  surrounded  by  his  generals  and  aides,  is  upon 
a slight  eminence  in  the  center  of  the  picture;  through  a 
field  of  unripe  wheat,  cuirassiers,  with  their  swords  raised, 
are  galloping  past  the  Emperor  and  cheering  him  before 
going  into  battle;  in  the  background  are  troops  almost 
hidden  by  the  smoke. 

H.  53J  in.  W.  95J  in.  Canvas.  Signed:  SMeissonier  1875. 
Gift  of  Henry  Hilton,  1887. 

M471-2  THE  SIGN  PAINTER.  The  courtyard  of  an  inn,  with 
Gallery  the  painter  and  the  innkeeper  standing  in  front  of  an  easel 
18  upon  which  is  a painting  of  a man  holding  a glass  of  wine; 
the  painter  is  in  his  shirtsleeves  with  a brown  waistcoat 
and  brown  knee-breeches,  while  the  other  figure  wears  a 
white  satin  coat  and  breeches  and  a blue  waistcoat. 

H.  9i  in.  W.  6J  in.  Water  color.  Signed:  3Vleissonier- 
1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M471-3  THE  BROTHERS  ADRIAEN  AND  WILLEM  VAN 
Gallery  DER  VELDE;  also  called  L’Amateur  de  Tableaux. 
17  (The  brothers  Van  de  Velde  were  Flemish  painters; 
Willem  1633-1707;  Adriaen  1635-1672.)  A man 
wearing  a bright  red  cloak  and  holding  a yellow  felt 
hat  is  seated  in  front  of  an  easel;  behind  him  stands 
the  painter  holding  his  palette  and  brushes;  beyond  the 
group  is  an  oak  cabinet,  a tapestry  hangs  on  the  wall,  and 
studio  properties  are  scattered  about. 

H.  lof  in.  W.  8|  in.  Wood.  Signed: SVIeissonier- 1856, 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M471-4  A GENERAL  AND  HIS  AIDE-DE-CAMP.  Two  offi- 
Gallery  cers  on  horseback  are  approaching  along  the  Salice  Road, 
17  near  Antibes;  the  sea  is  at  the  right;  at  the  left  are  white 
buildings  with  red  roofs;  a fort  is  in  the  distance. 

H.  7f  in.  W.  loj  in.  Wood.  Signed:  3Vleissonier- 1869. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M471-5  LUTE  PLAYER.  An  interior;  a man  in  top  boots, 
buckskin  coat,  and  broad-brimmed  hat  stands  with  his 


201 


MEISSONIER  — MEMLING 

right  foot  on  a stool  as  he  sings  and  accompanies  himself 
on  an  archlute. 

H.  W.  8f  in.  Wood.  Signed:  HVleissonier  1865. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory  of 
Josiah  M.  Fiske,  1908. 

MELCFIERS,  Gari.  American;  born  i860  at  Detroit,  Mich.; 

lives  in  Paris  and  New  York  City.  Pupil  of  Diisseldorf 
Academy;  Ecole  des  Beaux-Arts  in  Paris  under  Lefebvre 
and  Boulanger. 

M48-1  MADONNA.  A woman  wearing  a dark  red  bodice,  a 
Gallery  white  skirt,  and  a white  lace  Dutch  cap,  is  seated  on  a 
12  bench  under  a tree;  in  her  arms  she  holds  a child  who 
stretches  both  hands  toward  a young  woman  kneeling 
at  the  right,  who  wears  a red  jacket  and  a white  lace 
Dutch  cap;  bright  sunlight  filters  through  the  branches 
of  the  trees. 

H.  47  in.  W.  in.  Parchment  on  canvas.  Signed: 
Gari  Melchers.  Bulletin,  1911,  p.  100. 

Purchase,  Rogers  Fund,  1911. 

MELVILLE,  Arthur.  British  (Scotch);  born  1858;  died  1904 
near  London.  Studied  at  Edinburgh  and  in  Paris. 

M49-1  COCK  FIGHT.  A Moorish  doorway  with  a group  of 
Arabs  watching  two  cocks  who  are  fighting  in  the  fore- 
ground. 

H.  33  in.  W.  23  in.  Water  color.  Signed  indistinctly. 
Gift  of  Mrs.  Arthur  Melville,  1906. 

MEMLING,  Hans  (also  spelt  Memlinc  or  Hemling).  Flemish; 

born  about  1430  probably  at  the  village  of  Memling, 
near  Aschaffenburg;  settled  in  Bruges  about  1467,  where 
he  died  1494.  Perhaps  pupil  of  Roger  van  der  Weyden. 

M51-1  PORTRAIT  OF  AN  OLD  MAN.  Head  and  shoulders 
Gallery  of  a gray-haired  man  with  his  right  hand  folded  over  the 
37  left,  just  showing;  the  head  is  turned  slightly  to  the  right 
and  the  wrinkled  face  has  a benignant  expression;  he 
wears  a brown  coat.  At  one  time  ascribed  to  Van  Eyck; 
present  attribution  due  to  George  Hulin. 

H.  lof  in.  W.  7f  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

M51-2  THOMAS  PORTINARI.  (A  Florentine  merchant  who 
Gallery  lived  in  Bruges  as  the  representative  of  the  Medici  of 
37  Florence  during  the  last  half  of  the  fifteenth  century.) 


202 


MEMLING 

Bust  portrait  with  the  head  three-quarters  to  the  right 
and  the  hands  raised  in  the  attitude  of  prayer;  his  dark 
brown  hair  is  combed  flat  over  his  forehead  and  he  wears 
a black  doublet  with  dark  red  sleeves  and  collar. 

H.  17-/^  in.  W.  13!  in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

M51-3  MARIE,  WIFE  OF  THOMAS  PORTINARI.  Corn- 
Gallery  panion  to  M51-2.  Bust  portrait  with  the  head  three- 
37  quarters  to  the  left  and  the  hands  raised  in  the  attitude 
of  prayer;  she  wears  a dark  red  dress  cut  square  at  the 
neck  with  white  fur  trimming  over  the  shoulders;  com- 
pletely covering  her  hair  is  a dark  sugar-loaf-shaped 
headdress  from  which  hangs  a thin  white  veil.  Her  wide 
necklace,  set  with  pearls,  is  the  same  that  appears  in  the 
portrait  on  the  wing  of  the  Portinari  altarpiece  painted 
by  Hugo  van  der  Goes  about  1476  and  until  lately  hung 
in  the  church  of  Santa  Maria  Nuova,  in  Florence,  for 
which  it  was  intended. 

H.  i7T^Vin.  W.  i3iin.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

M51-4  BETROTHAL  OF  SAINT  CATHERINE.  A garden 
Gallery  with  a vine-covered  trellis  from  which  hangs  a red  and 
37  gold  brocade;  before  this  the  Virgin,  in  a red  robe,  is 
seated  holding  the  nude  Child  on  her  lap.  At  the  left, 
St.  Catherine,  wearing  a brown  and  gold  brocaded  skirt 
and  white  bodice  with  red  sleeves,  is  seated  on  the  ground 
and  raises  her  hand  toward  the  Infant  Jesus  who  places 
the  betrothal  ring  upon  her  finger;  nearbyareheremblems, 
the  wheel  and  the  sword.  At  the  right  St.  Barbara,  in 
a green  robe  and  purple  cloak,  is  seated  reading  a breviary; 
back  of  her  is  her  emblem,  a tower.  Beyond  St.  Cather- 
ine is  an  angel  in  a dark  blue  alb  who  plays  an  organ, 
and  at  the  extreme  left  the  donor,  a young  man  in  black, 
kneels  and  tells  his  beads;  on  the  right  side,  back  of  St. 
Barbara,  is  an  angel  in  red  and  gold  who  plays  a harp; 
landscape  background  with  a horseman  passing  through 
a gate  at  the  left.  Two  other  versions  of  this  subject  by 
Memling  are  known — the  triptych  painted  for  Sir  John 
Donne,  which  is  in  the  collection  of  the  Duke  of  Devon- 
shire at  Chatsworth  House,  and  the  masterpiece  of  the 
painter,  which  is  in  the  Hospital  of  St.  John  at  Bruges. 

H.  27  in.  W.  28II  in.  Wood.  Bulletin,  1913,  ill.  p.  233. 
Bequest  of  Benjamin  Altman,  1913. 

203 


MERLE  — METSU 

MERLE,  Hugues.  French;  born  1823  at  St.  Marcellin;  died 
1881  at  Paris.  Pupil  of  Leon  Cogniet.  Figure  subjects*. 

M54-1  FALLING  LEAVES.  Life-size,  full-length,  female  figure. 
Gallery  standing  in  the  woods  and  holding  about  her  a diapha- 
18  nous  black  drapery  striped  with  gold;  autumn  leaves  fall 
around  her,  and  at  the  right  a cupid  is  running  away. 

H.  68J  in.  W.  435  in.  Canvas.  Signed:  Hugues  Merle 
1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

MESGRIGNY,  Frank  de.  French;  born  1836  at  Paris;  died  there 
1884.  Pupil  of  Worms  and  Lalanne.  Landscapes. 

M56-1  RIVER  SCENE.  On  the  bank  of  the  river  are  gray- 
Gallery  green  trees  and  a shed  where  washerwomen  are  at  work; 
18  beyond  is  a house. 

H.  I4jin.  W.  22J  in.  Canvas.  Signed:  F.  de  Mesgrigny. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

MESSINA.  See  Antonello  da  Messina. 

METSU,  Gabriel.  Dutch;  born  i63o(?)  at  Leyden;  died  1667  at 
Amsterdam,  where  he  had  settled  about  1650.  Probably 
pupil  of  Gerard  Dou;  influenced  by  Rembrandt  and 
Terborch.  Genre. 

THE  MUSIC  LESSON.  In  the  center  of  a room  is  a 
table  covered  with  a rug;  at  the  left  sits  a lady,  in  a golden 
brown  satin  dress,  who  holds  a lute  and  hands  a sheet  of 
music  to  a man  who  stands  behind  her  at  the  left;  seated 
at  the  right  of  the  table  is  a man,  in  black  doublet  and 
hose,  tuning  a violoncello;  in  the  background  are  steps 
leading  to  a doorway  where  a servant  stands  holding  a 
tray  and  pitcher. 

H.  24i  in.  W.  2if  in.  Canvas.  Signed:  G Metsu  1659. 
Gift  of  Henry  G.  Marquand,  1890. 

M561-2  A VISIT  TO  THE  NURSERY.  At  the  right,  a young 
Gallery  mother,  wearing  a white  satin  dress  and  red  jacket 
1 1 trimmed  with  white  fur,  holds  in  her  arms  a baby  in 
swaddling  clothes;  behind  her  stands  the  father  in  a brown 
doublet  with  slashed  sleeves;  he  holds  his  hat  in  his  hand 
greeting  a lady  who  enters  the  room  at  the  left  followed 
by  a maid  carrying  a chair  and  a foot  warmer.  A cradle 
is  in  the  center  of  the  picture  and  behind  it  sits  an  old 
woman;  in  the  background  is  a chimney-piece;  at  the 
right  is  a table  covered  with  a bright  red  and  blue  Ispahan 

204 


M561-1 

Gallery 

26 


METSU  — MICHEL 

rug  on  which  are  silver  vessels;  beyond  is  a gilt  four-poster 
bed  with  dark  green  hangings. 

H.  30^  in.  W.  32  in.  Canvas.  Signed:  G.  Metsu  1661. 
Gift  of  J.  Pierpont  Morgan,  1917. 

M561-3  THL  ARTIST  AND  HIS  WIFE.  A Dutch  interior  in 
which  the  artist  in  a big  black  hat  and  a brown  coat  is 
seated  at  a heavy  table  smoking  a long-stemmed  clay 
pipe.  His  wife  leans  over  the  table  behind  him,  bringing 
him  a tankard  of  ale. 

H.  i4fin.  W.  i2fin.  Wood.  Signed:  G.  Metsu. 
Bequest  of  William  H.  Herriman,  1921. 

METSYS.  See  Massys. 

MEULEN,  Adam  Frans  van  der.  Flemish;  born  1631  or  1634 
at  Brussels;  died  1690  at  Paris,  where  he  had  settled 
about  1666.  Pupil  of  Pieter  Snayers.  Was  court  painter 
to  the  Archduke  Albert  and  later  attached  to  the  court  of 
Louis  XIV  of  France. 

M57-1  A COMBAT  OF  CAVALRY.  The  contending  forces 
are  in  the  foreground;  at  the  right  troops  are  fighting 
at  the  base  of  a small  hill. 

H.  i8f  in.  W.  24I  in.  Canvas. 

Purchase,  1871. 

M57-2  ENCOUNTER  OF  CAVALRY.  A troop  of  horsemen 
is  in  the  foreground  at  the  left  and  another  group  is 
in  the  valley  at  the  right.  _ 

H.  8|  m.  W.  12^'V  in.  Wood.  Signed:  A.  F.  V 
MEVLEN  -FEC. 

Purchase,  1871. 

MEYER,  Johann  Georg;  known  as  Meyer  von  Bremen.  Ger- 
man; born  1813  at  Bremen;  died  1886  at  Berlin.  Pupil  of 
Diisseldorf  Academy  under  Karl  Sohn  and  Schadow. 
Genre. 

M571-3  THE  LETTER.  A young  peasant  woman,  wearing  a red 
skirt,  stands  in  the  courtyard  of  a German  house  reading 
a letter;  an  older  woman  looks  over  her  shoulder;  at  the 
left  is  a boy  holding  a bouquet. 

H.  25!  in.  W.  19!  in.  Canvas.  Signed:  Meyer  von 
Bremen  Berlin  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

MICHEL,  Georges.  French;  born  1763  at  Paris;  died  there 
1843.  Landscapes,  chiefly  the  plain  of  Montmartre. 


205 


MICHEL— MILLER 

M58-1  THE  OLD  CHATEAU.  Level  country  with  a castle 
in  sunlight  in  the  middle  distance  at  the  right;  peasants 
are  working  in  the  fields  in  the  foreground;  cloudy  sky 
throwing  shadows  both  in  the  foreground  and  in  the 
distance. 

H.  20 J in.  W.  27I  in.  Canvas. 

Gift  of  Paul  Durand- Ruel,  1880. 

MIEREVELD,  Michiel  Jansz.  van.  Dutch;  born  1567  at  Delft, 
died  there  1641.  Studied  engraving  with  J.  Weenix 
and  painting  under  Anthony  van  Blockland.  Portraits. 

M581-2  PORTRAIT  OF  A YOUNG  WOMAN.  Life-size, 
standing  figure,  seen  to  below  the  waist;  in  her  right  hand 
she  holds  a pair  of  embroidered  gloves;  she  wears  a black 
dress  with  a dark  brown  bodice  and  a wide  fluted  ruff; 
a headdress  edged  with  lace  is  on  the  smoothly  drawn 
light  brown  hair.  Attributed  to  Miereveld. 

H.  35j  in.  W.  27J  in.  Wood. 

Purchase,  Rogers  Fund,  1906. 

MIGNOT,  Louis  R.  American;  born  1831  in  South  Carolina; 

died  1871  at  Brighton,  England.  Pupil  of  Schelfhout 
at  The  Hague;  worked  for  some  years  in  New  York  City; 
settled  in  London  1861.  Chiefly  tropical  scenes. 

See  Rossiter  (R731)  in  whose  picture  of  Washington  and 
Lafayette  at  Mount  Vernon  Mignot  painted  the  land- 
scape. 

MILLAIS,  Sir  John  Everett.  British  (English);  born  1829  at 
Southampton;  died  1896  in  London.  Pupil  of  Henry 
Sass  in  London  and  later  of  the  Royal  Academy  Schools. 
Was  one  of  the  group  known  as  the  Pre-Raphaelites. 
At  the  time  of  his  death  he  was  President  of  the  Royal 
Academy.  Figure  subjects,  portraits,  and  landscapes. 

M61-1  PORTIA.  (This  is  a portrait  of  the  English  actress 
Gallery  Ellen  Terry,  in  private  life  Mrs.  James  Carew,  in  the 
18  part  of  the  heroine  of  Shakespeare’s  Merchant  of  Venice.) 
Life-size,  standing  figure,  seen  to  the  knees;  she  wears  a 
red  velvet  robe  over  a red  gown;  a red  cap  is  held  in  her 
right  hand  and  a parchment  roll  in  the  other. 

H.  49I  in.  W.  33  in.  Canvas.  Initialed:  J.E  M. 
Purchase,  Wolfe  Fund,  1906. 

MILLER,  Charles  H.  American;  born  1842  at  New  York  City; 

died  there,  1922.  Pupil  of  National  Academy  of  Design  in 

206 


MILLER— MILLET 

New  York;  Lier  and  Bavarian  Academies  in  Munich. 
Landscapes. 

M6i  i-i  BOUQUET  OF  OAKS.  There  is  a group  of  brown  oaks 
at  the  right  and  a single  tree  is  at  the  left;  in  the  fore- 
ground a woodman  is  chopping  a trunk. 

H.42I  in.  W.  64J  in.  Canvas.  Signed:  Ch^^’H.  Miller. 
N.  A.  N.  Y. 

Gift  of  William  T.  Evans,  1906. 

MILLER,  Richard  E.  American;  born  1875  at  St.  Louis,  Mo.; 

lives  in  Paris.  Pupil  of  St.  Louis  School  of  Fine  Arts; 
Benjamin-Constant  and  Laurens  in  Paris. 

M612-1  THE  CHINESE  STATUETTE.  An  interior  with  the 
Gallery  life-size,  full-length  figure  of  a lady,  seated  before  a 

15  cabriole-legged  mahogany  table  and  handling  a Chinese 
statuette;  the  lady’s  face  is  reflected  in  a mirror;  she 
wears  a green  and  black  plaid  skirt  and  a low-necked  black 
bodice  with  a design  of  red  flowers. 

H.  57}  in.  W.  45§  in.  Canvas,  Signed:  Miller.  Bulle- 
tin, 1912,  p.  131,  ill. 

Purchase,  Hearn  Fund,  1912. 

MILLET,  Francis  D.  American;  born  1846  at  Mattapoisett, 
Mass.;  died  in  the  Titanic  wreck,  1912.  Pupil  of  Royal 
Academy  of  Arts  in  Antwerp  under  Van  Lerius  and 
de  Keyser.  Genre  and  mural  paintings. 

M613-1  A COSY  CORNER.  The  ingle  nook  of  an  old-fashioned 
Gallery  kitchen;  a young  girl,  in  a Dolly  Varden  dress,  is  seated 

16  reading  near  a window  at  the  right. 

H.  36J  in.  W.  24^  in.  Canvas.  Signed:  F.  D.  Millet,  1884. 
Gift  of  George  1.  Seney,  1887. 

M613-2  AN  OLD-TIME  MELODY.  Full-length,  seated  figure  of 
Gallery  a lady  in  a low-necked  black  gown,  playing  a mandolin; 
13  her  music  rests  against  a pile  of  books  on  a table. 

H.  22^^  in.  W.  18J  in.  Canvas.  Signed:  F.  D.  Millet. 
Bulletin,  1912,  p.  1 18,  ill. 

Gift  of  Mrs.  Clarkson  Cowl,  in  memory  of  her  brother, 
Arthur  Hoppock  Hearn,  1912. 

MILLET,  Jean  Francois.  French  (Barbizon);  born  1814  at 
Gruchy,  village  of  Greville;  died  1875  at  Barbizon. 
Pupil  of  Langlois  at  Cherbourg;  Delaroche  in  Paris. 
Peasant  subjects. 


207 


M I LLET  — MONTAGNA 

M614-1  GARDEN  SCENE.  In  the  foreground  at  the  right  a 
man  kneels  grafting  a shoot;  beyond,  two  women  are  * 
picking  from  low  bushes;  near-by  cottages  and  trees 
form  the  background. 

H.  in.  W.  8|  in.  Canvas.  Signed:  J.  F.  Millet. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

M614-2  AUTUMN.  A bare  hilltop  with  a woman  guard  ng 
Gallery  turkeys,  a leafless  tree,  and  a wagon  full  of  fagots  sil- 
21  houetted  darkly  against  a windy,  showery  sky.  She  is 

seen  from  behind  wearing  a gray  hood  and  a brown  petti- 
coat blown  by  the  wind.  Over  the  rim  of  the  hill,  the 
top  of  a red  roof  and  a chimney  are  shown  in  sunlight, 
the  smoke  blown  sharply  in  the  wind.  Patches  of  blue 
sky  can  be  seen  between  the  clouds,  and  birds,  some  in 
sun  and  some  in  shadow,  fly  at  the  right. 

H.  3if  in.  W.  39yV  in.  Canvas.  Signed:  J.  F.  Millet. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

MOLYN,  Pieter  de,  the  Elder.  Dutch;  born  1595  at  London; 
died  1661  at  Haarlem,  where  he  had  lived  since  1616. 

M73-1  LANDSCAPE  WITH  COTTAGE.  The  cottage  and  a 
group  of  trees  are  on  a slight  elevation  in  the  middle 
distance;  there  are  fields  beyond  at  the  right;  the  fore- 
ground is  in  shadow. 

H.  14!  in.  W.  2i\^  in.  Wood.  Signed:  Molyn  1629. 
Gift  of  Henry  G.  Marquand,  1895. 

MONACO.  See  Lorenzo  il  Monaco. 

MONCHABLON,  Jan  Ferdinand.  French;  born  1854  at  Chatil- 
lon-sur-Saone;  died  there  1904.  Pupil  of  Cabanel  and 
Laurens  in  Paris.  Landscapes. 

M74-1  SUMMER  LANDSCAPE.  A flat  stretch  of  cultivated 
land  with  low  hills  in  the  distance;  near  the  foreground 
are  a hunter  and  his  dog. 

H.  i9§  in.  W.  25}  in.  Canvas.  Signed:  JAN  MON- 
CHABLON 1889. 

Bequest  of  Thomas  P.  Salter,  1907. 

MONTAGNA,  Bartolomeo.  Italian  (Vicenzan);  born  be- 
tween 1440  and  1460,  probably  at  Orzinuovi,  a small 

208 


MONTAGNA  — MOOR 

town  in  Brescia;  died  1523  at  Vicenza.  Perhaps  a pupil 
of  Alvise  Vivarini;  influenced  by  the  Bellini. 

M76-1  MADONNA  AND  CHILD.  The  Madonna,  wearing 
Gallery  a blue  mantle,  is  seen  to  the  waist  standing  behind  a 
31  ledge  on  which  the  partly  nude  Child  is  seated  at  the  left; 
the  Madonna’s  hands  are  folded  on  her  breast  and  the 
Child  clasps  her  right  arm;  landscape  background  with  a 
river  and  a fortified  town  in  the  distance. 

H.  24I  in.  W.  2oJ  in.  Tempera  on  wood.  Bulletin, 
1909,  p.  156,  ill. 

Purchase,  Rogers  Fund,  1909. 

M76-2  A LADY  OF  RANK  AS  SAINT  JUSTINA  OF  PADUA. 
Gallery  Portrait  of  a young  woman  seen  to  the  waist  with  the 
37  head  three-quarters  to  the  left;  a palm  leaf  is  held  in  her 
right  hand  and  a short  dagger  pierces  her  left  breast 
through  the  jeweled  strip  of  ornament  that  edges  her  dark 
green  bodice;  her  brown  hair  is  held  with  a jeweled  net 
and  clasps  set  with  pearls;  she  wears  a pearl  necklace. 
H.  i9yV  in.  W.  14J  in.  Tempera  on  wood. 

Bequest  of  Benjamin  Altman,  1913. 

MONTEPULCIANO.  See  Pietro  di  Domenico  da  Montepulciano. 

MONTI CELLI,  Adolphe.  French;  born  1824  at  Marseilles; 

died  1886  at  Paris.  Pupil  of  Raymond  Aubert.  Ro- 
mantic subjects. 

COURT  LADIES.  Dames  de  Quality.  Several  ladies 
in  gowns  of  sparkling  colors  are  seated  beneath  trees 
with  autumn  foliage;  two  stand  at  the  right  facing  the 
principal  group;  a white  dog  is  in  the  foreground. 

H.  17J  in.  W.  25 J in.  Wood.  Signed:  Monticelli. 
Purchase,  Wolfe  Fund,  1907. 

THE  COURT  OF  THE  PRINCESS.  La  Cour  de  la 
Princesse.  Numerous  figures  in  brilliantly  colored 
costumes  stand  on  the  wide  steps  leading  up  from  a court- 
yard in  the  foreground  to  an  archway  beyond  which  are 
a terrace  and  a castle;  two  horsemen  are  on  the  terrace. 

H.  i5in.  W.  23I  in.  Wood. 

Purchase,  Wolfe  Fund,  1907. 

MOOR,  Karel  van.  Dutch;  born  1656  at  Leyden;  died  1738  at 
Warmond.  Pupil  of  Gerard  Dou  and  Frans  van  Mieris 
at  Leyden,  Abraham  van  den  Tempel  at  Amsterdam, 
and  Godfried  Schalcken  at  Dordrecht. 


M761-1 

Gallery 

20 


M761-2 

Gallery 

20 


209 


MOOR  — MORETTO  DA  BRESCIA 

M78-1  A BURGOMASTER  OF  LEYDEN  AND  HIS  WIFE.. 
Gallery  Life-size,  standing  figures,  seen  to  the  knees;  the  woman’s 
26  gloved  right  hand  rests  on  the  man’s  bare  left  hand;  the 
woman,  who  is  nearer  the  spectator,  wears  a brown  low- 
necked  gown;  the  man  is  dressed  in  black.  Attribution 
has  been  questioned. 

H.46in.  W.  36I  in.  Canvas;  oval. 

Purchase,  1872. 

MORAN,  Edward.  American;  bqrn  August  19,  1829,  at  Bolton, 
Lancashire,  England;  died  1901. 

M79-1  MARINE.  Moonlight  with  a square-rigged  ship. 

H.  20  in.  W.  30  in.  Canvas.  Signed:  Edward  Moran. 
Gift  of  J.  Ackerman  Coles,  1918. 

MOREAU,  Gustave.  French;  born  1826  at  Paris;  died  there 
1898.  Pupil  of  Chasseriau. 

M81-1  OEDIPUS  AND  THE  SPHINX.  In  a landscape  of 
Gallery  towering  clilfs  Oedipus  stands  with  his  back  against  the 
20  rocks;  he  is  nude  except  for  a green  mantle  and  holds  a 
red-shafted  spear.  He  gazes  into  the  eyes  of  the  Sphinx 
who  has  sprung  upon  him.  Her  hair  is  arranged  in 
braided  coils  with  a diadem  on  her  brow;  there  is  a belt 
of  red  beads  about  the  waist  of  her  lioness  body.  To  the 
' right  is  an  urn  on  a column,  and  the  hand,  foot,  and 
crown  of  a dead  man  project  from  a crevice  in  the  fore- 
ground. 

H.  8iJ  in.  W.  41J  in.  Canvas.  Signed:  Gustave  Mo- 
reau 64. 

Bequest  of  Wniiam  H.  Herriman,  1921. 

MORETTO  DA  BRESCIA;  real  name  Alessandro  Bonvicino; 

also  known  as  11  Moretto.  Italian;  born  about  1498 
at  Brescia;  died  there  about  1554.  Pupil  of  Floriano 
Ferramola  at  Brescia;  influenced  by  Lotto  and  Titian. 

M81  i-i  CHRIST  IN  THE  DESERT.  A landscape  with  Christ, 
Gallery  wearing  a red  robe  and  blue-green  drapery,  seated  on  a 
30  rock  in  the  foreground  at  the  right;  about  Him  are  birds, 
animals,  and  fantastic  beasts,  images  evoked  by  His  fast 
orsymbolsof  thetemptationthat  Heovercame.  A sketch. 
H.  i8f  in.  W.  2i|in.  Canvas.  Bulletin,  191 1,  p.  123,  ill. 
Purchase,  Rogers  Fund,  191 1. 

M811-2  THE  ENTOMBMENT.  Life-size  figures.  The  Virgin 
Gallery  is  seated  in  the  center  of  the  picture  and  holds  the  dead 
30  Christ  upon  her  lap;  at  the  left  St.  John  the  Evangelist, 


210 


MORETTO  DA  BRESCIA  — MORLAND 

wearing  a gray  robe  and  red  cloak,  holds  His  right  arm 
and  the  other  arm  is  held  by  Mary  Magdalen,  who  stands 
at  the  right  and  is  dressed  in  yellow;  behind  the  Magdalen 
is  Nicodemus  in  a red  velvet  robe,  who  holds  the  nails; 
at  the  extreme  left  Joseph  of  Arimathea,  wearing  a 
yellow  brocaded  robe  lined  with  ermine,  holds  the  crown 
of  thorns.  Landscape  background  with  a rocky  cave 
at  the  right.  Inscribed:  FACTVS  EST  OBEDIENS 
VSQVE  AD  MORTEM  (He  became  obedient  even  unto 
death). 

H.  94  in.  W.  74!  in.  Canvas.  Dated:  ANO  DOM 
MDLIV  MENS  oct.  Bulletin,  1912,  p.  1 12. 

Purchase,  Kennedy  Fund,  1912. 

MORLAND,  George.  British  (English);  born  1763  at  London; 

died  there  1804.  Pupil  of  his  father,  Henry  Robert 
Morland;  influenced  by  George  Stubbs,  the  animal 
painter.  Landscapes  with  animals. 

M821-1  MIDDAY  MEAL.  A young  man,  wearing  a buff  blouse 
Gallery  over  a red  shirt,  is  carrying  a pail  of  food  toward  a pig 
14  pen  at  the  left;  a sow  and  two  pigs  follow  him  through 
a gate;  beyond  are  open  fields  in  sunlight. 

H.  285  in.  W.  36J  in.  Canvas.  Signed:  G.  Morland,  1795. 
Gift  of  George  A.  Hearn,  1895. 

M821-2  TOWN.  A room  with  a lady  in  a white  dress  and  large 
Gallery  feather  hat  looking  at  herself  in  a mirror;  back  of  her  is  a 
24  window  and  at  her  feet  is  a small  dog. 

H.  I2|  in.  W.  loj  in.  Canvas;  oval  opening. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

M821-3  COUNTRY.  A young  woman  in  a white  dress,  black 
Gallery  wrap,  and  broad-brimmed  straw  hat  is  seated  on  a rail 
24  fence  and  looks  down  at  a dog  who  is  lying  at  her  feet; 
trees  are  back  of  her  at  the  right. 

H.  12J  in.  W.  io|  in.  Canvas;  oval  opening. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

M821-4  LANDSCAPE  WITH  FIGURES.  Oak  trees  fill  the 
Gallery  greater  part  of  the  picture.  Below  is  a gate  against  which 
24  a gentleman,  wearing  a blue  coat  and  a sugar-loaf  hat, 
is  leaning,  talking  to  a strolling  family  that  haveensconced 
themselves  by  a little  stream;  there  are  three  women,  one 
with  a baby,  one  who  has  been  washing  clothes,  and  one 

21 1 


I 


MORLAN  D — MORON  1 

standing  wearing  a cloak  of  the  red  that  Morland  loved; 
there  are  also  children  and  some  of  the  Squire’s  dogs. 

H.  28^  in.  W.  365  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

MORLAND,  Henry  Robert.  British  (English);  born  about  1730 
in  London;  died  there  1797.  Probably  a pupil  of  his 
father,  George  Henry  Morland.  Portraits,  usually  in 
pastel  but  occasionally  in  oil. 

M822-1  MISS  RICH  BUILDING  A HOUSE  OF  CARDS. 

Gallery  Life-size  figure  of  a little  girl,  dressed  in  white  and  seated 
24  at  a mahogany  table;  she  holds  a card  in  her  right  hand 
and  is  in  the  act  of  placing  it  upon  those  already  piled 
up.  Attribution  changed  from  Hogarth  by  Roger  Fry. 
H.  30I  in.  W.  25!  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1890. 

MORO,  IL.  See  Torbido. 

MORONI,  Giovanni  Battista.  Italian;  born  about  1525  at 
Bondo,  near  Albino;  died  1578  at  Brescia.  Pupil  of 
Moretto  da  Brescia.  Chiefly  portraits. 

M823-1  PORTRAIT  OF  BARTOLOMEO  BONGO.  Life-size 

Gallery  figure,  seen  to  the  knees,  seated  in  an  armchair  and 
1 1 facing  to  the  left  with  the  head  turned  three-quarters 
front;  he  has  a full  brown  beard,  and  brown  hair  shows 
beneath  a three-cornered  black  velvet  cap;  he  wears  a 
black  velvet  coat  with  wide,  brown  fur  collar;  a red 
velvet  under-robe  shows  at  neck  and  wrists;  his  left  hand 
rests  on  the  arm  of  the  chair  with  the  index  finger  between 
the  leaves  of  a book,  the  cover  of  which  is  inscribed: 
Plav  I.  sup.  I.  I.  ff.  si  gs  I us  die.  non  obtempe.  The 
background  is  a gray  wall  pierced  at  the  left  by  a window 
through  which  houses  and  a tree  are  seen*.  At  the  right 
is  a coat  of  arms  and  beneath  the  window  the  following 
inscription:  bartholomevs  bongvs.  i.  v.  d.  can- 
[oNicjvs.  ET  primicer[i]vs.  cath  [edraJlis.  berg[amen]- 
sis.  prothonot[ari]vs.  ap[osto]licvs.  comes  ET 
AEQVEs.  ANNO.  DNi.  MDLXxxiv.  (Bartolomeo  Bongo, 
Doctor  of  either  law  [canon  and  civil],  Canon  and 
Primicerius  of  the  Cathedral  of  Bergamo,  Apostolic 
Prothonotary,  Count  and  Knight.  The  year  of  our 
Lord  1584).  Both  the  coat  of  arms  and  the  inscription 


212 


MORONI  — MORSE 

have  been  added  at  a date  later  than  the  painting  of  the 
picture. 

H.  39^  in.  W.  32J  in.  Canvas.  Bulletin,  1913,  p.  262; 
ill.  p.  257. 

Purchase,  Pulitzer  Fund,  1913. 

M823-53  PORTRAIT  OF  A MAN.  Full-length  standing  figure 
Gallery  turned  to  the  right;  he  is  clothed  in  a dark  gray  silk  robe 
29  bordered  with  black  fur.  A small  brown  and  white  dog 
sits  at  his  feet.  A gray  wall  background  with  a red  cur- 
tain hanging  at  the  right. 

H.  79§  in.  W.  46  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

M823-54  PORTRAIT  OF  A MAN.  Full-length  standing  figure 
Gallery  turned  to  the  right;  he  wears  long  black  robes.  A large 
29  brown  and  white  dog  stands  behind  him.  Gray  wall 

background  and  a black  curtain  edged  with  gold  at  the 
right. 

H.  79J  in.  W.  46  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

M823-55  PORTRAIT  OF  A BOY.  Full-length  standing  figure  of 
a boy  in  a black  suit  with  white  lace  collar  and  cuffs;  he 
holds  white  gloves  in  his  right  hand  and  rests  his  elbow  on 
the  base  of  a column.  His  left  hand  rests  on  his  sword. 
A yellow  and  white  dog  sleeps  at  his  left.  Green  back- 
ground. 

H.  54  in.  W.  28J  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

MORSE,  Samuel  Finley  Breese.  American;  born  1791  at 
Charlestown,  Mass.;  died  1872  at  New  York  City.  Pupil 
of  Washington  Allston  and  of  Benjamin  West.  One  of 
the  founders  of  the  National  Academy  of  Design  and  its 
president  from  1827  to  1845,  ^rid  again  from  1861  to  1862. 
Portraits.  He  was  the  inventor  of  the  telegraph. 

M83-1  DE  WITT  CLINTON.  (1769-1828;  American  lawyer 
Gallery  and  statesman;  mayor  of  New  York  City  1803-7,  1809- 
16  10  and  1811-15;  governor  of  New  York  State  1817-23 

and  1825-28.  Chief  promoter  of  the  Erie  Canal.)  Life- 
size  figure,  seen  to  the  waist;  he  has  brown  hair,  a 
ruddy  complexion,  and  wears  a black  coat  with  a high 
white  stock;  the  red  wall  which  forms  the  background 


213 


MORSE  — MUN  KACSY 

has  a repeat  design  of  a C in  the  center  of  a star  surrounded 
by  a wreath. 

H.  30tV  in.  W.  25 in.  Canvas. 

Purchase,  Rogers  Fund,  1909. 

M83-2  HENRY  CLAY.  (1777-1852;  American  statesman  and 
Gallery  orator.)  Life-size  figure,  standing  in  front  of  a tree  and 
16  seen  almost  to  the  knees;  he  wears  a black  coat  and  brown 

overcoat;  a high  silk  hat  and  a cane  are  in  his  left  hand. 
H.  511V  W.  39^  in.  Canvas.  Signed:  Morse  Jan^. 
1843.  Bulletin,  1909,  p.  35,  ill. 

Gift  of  Grace  H.  Dodge,  1909. 

MOSLER,  Henry.  American;  born  1841  at  New  York  City, 
died  there  1920.  Pupil  of  J.  H.  Beard  in  Cincinnati;  H. 
Miicke  and  A.  Kindler  at  Diisseldorf;  Hebert  in  Paris; 
Wagner  in  Munich.  Genre. 

M85-1  A WEDDING  FEAST  IN  BRITTANY.  An  interior 
with  the  wedding  party  seated  about  a long  table;  the 
bridegroom  is  standing,  giving  a toast;  the  white  sheet 
hanging  in  the  background  is  one  of  those  spun  and  woven 
by  the  bride  which,  according  to  Brittany  custom, 
is  used  on  all  festive  occasions  and  also  in  times  of  sorrow. 
H.  5if  in.  W.  74I  in.  Canvas.  Signed:  Henry  Mosler 
Paris. 

Gift  of  Jacob  H.  Schiff,  1898. 

MOUNT,  William  S.  American;  born  1807  at  Setauket,  L.  L, 
N.  Y.;  died  there  1868.  Pupil  of  National  Academy  of 
Design  in  New  York  City,  where  most  of  his  life  was  spent. 

M86-1  RAFFLING  FOR  THE  GOOSE.  A kitchen  with  six 
Gallery  farmers  leaning  over  ah  improvised  table  upon  which  is 
16  a plucked  goose. 

H.  17  in.  W.  23I  in.  Wood.  Signed:  W^  S.  MOUNT 

'837- 

Gift  of  John  D.  Crimmins,  1897. 

MUN  KACSY,  Mihaly  de;  real  name,  Michael  Lieb.  Hunga- 
rian; born  1844  at  Munkacs  in  Hungary;  died  1900 
at  Bonn,  Germany.  Pupil  of  Szamosy,  at  the  Vienna 
Academy,  and  of  Franz  Adam  in  Munich;  lived 
chiefly  in  Paris.  Genre. 

M92-1  THE  PAWNBROKER’S  SHOP.  A dark  interior 

Gallery  with  a man  leaning  over  the  counter  in  the  background 

18  at  the  left,  talking  to  a woman  with  children  near  her; 


214 


MUNKACSY  — MURPHY 

men  and  women  are  seated  about  the  room,  and  in  the 
foreground  a boy  is  going  away  toward  the  left  with  a 
portfolio  under  his  arm. 

H.  64  in.  W.  86J  in.  Wood.  Signed:  M.  Munkacsy 
Paris  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M92-2  THE  MUSIC  ROOM.  An  interior  with  a lady  seated 
at  a grand  piano;  a young  woman  stands  beyond,  singing; 
four  other  persons  form  the  audience. 

H.  35  in.  W.  46  in.  Wood.  Signed:  Munkacsy. 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory 
of  Josiah  M.  Fiske,  1908. 

MURANT,  Emmanuel.  Dutch;  born  1622  at  Amsterdam;  died 
about  1700  at  Leeuwarden,  Friesland,  where  he  had 
settled  about  1670.  Pupil  of  Philips  Wouwerman; 
traveled  in  France. 

M93-1  THE  FARM.  A road  is  in  the  foreground;  beyond,  at 

Gallery  the  right,  is  a group  of  farmhouses  with  a single  tree 
14  showing  above  the  roofs. 

H.  13J  in.  W.  i8i  in.  Wood. 

Gift  of  George  A.  Hearn,  1906. 

MURILLO,  Bartolome  Esteban.  Spanish;  born  1617  at  Seville; 

died  there  1682.  Pupil  of  Juan  del  Castillo;  influenced 
by  Velazquez,  Spagnoletto,  and  Van  Dyck. 

M94-1  SAINT  JOHN  THE  EVANGELIST.  Life-size,  full- 
length  figure  of  a young  man,  seated  on  a rock;  he  wears 
a yellow  tunic  and  a pale  red  robe  is  over  his  knees; 
a quill  pen  is  held  in  his  raised  right  hand  and  a book  in 
the  other;  at  the  left  is  an  eagle  holding  the  ink-well  in 
its  beak;  on  the  ground  at  the  right  are  a book,  a skull, 
and  a gold  goblet.  Attributed  to  Murillo. 

H.  68  in.  W.  48J  in.  Canvas.  Bulletin,  1906,  p.  73. 
Purchase,  Rogers  Fund,  1906. 

M94-51  MADONNA  AND  CHILD.  A brown-haired  Madonna 
Gallery  in  a dull  red  robe  is  seated  holding  the  Child  standing  in 
28  her  lap.  His  arm  is  around  her  neck.  Brown  back- 
ground. 

H.  48^  in.  W.  36!  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

MURPHY,  J.  Francis.  American;  born  1853  Oswego,  N.  Y.; 

died  1921  at  New  York  City.  Self-taught.  Landscapes. 

215 


MURPHY  — MYTENS 

M95-1  THE  OLD  BARN.  Open  fields  with  a barn  in  the  middle 
Gallery  distance  at  the  right  and  a road  leading  to  it;  trees  * 

13  beyond  and  white  buildings  on  a low  hill  near  the  horizon. 
The  general  color  is  pale  brown. 

H.  24j  in.  W.  365  in.  Canvas.  Signed:  J.  FRANCIS 
MURPHY  1906. 

Purchase,  Hearn  Fund,  1907. 

MYERS,  Jerome.  American;  born  1867  at  Petersburg,  Va.; 

lives  in  New  York  City.  Paints  chiefly  New  York 
street  scenes. 

M99-1  THE  NIGHT  MISSION.  Men,  women,  and  children 
Gallery  stand  in  the  foreground  in  the  glare  of  light  that  comes 
12  from  a tent  where  the  meeting  is  being  held;  tene- 
ments form  the  background. 

H.  25  in.  W.  30yV  in.  Canvas.  Signed:  Jerome 
Myers  1906  New  York.  Bulletin,  1912,  p.  118. 
Purchase,  Rogers  Fund,  1912. 

MYTENS,  Daniel.  Dutch;  born  about  1590  at  The  Hague;  died 
there  after  1658.  In  1618  he  went  to  England  and  in 
1625  was  appointed  court  painter  to  Charles  I;  soon 
after  the  arrival  of  Van  Dyck  he  returned  to  The  Hague. 
Portraits. 

M991-1  CHARLES  I.  (1600-1649;  Ring  of  England.)  Life- 
Gallery  size,  full-length,  standing  portrait;  he  has  a pointed 

14  beard  and  long  hair;  he  is  dressed  in  red  doublet  and 
hose  striped  with  gold  and  silver  embroidery;  at  the 
left,  on  a green  velvet  table  cover,  are  the  gold  and 
jeweled  crown,  sceptre,  and  orb;  a green  velvet  curtain 
forms  the  background  and  is  drawn  aside  showing  two 
columns  and  a landscape  at  the  right.  Inscribed: 
CAROLVS  DC  MDCXXIX.  BRITANNI/E,  FRAN- 
CI/E,  HIBERNI/E  REX.  FIDEI  DEFENSOR. 
/ETAT.  29.  ANNO  1629. 

H.  78J  in.  W.  55t  in.  Canvas.  Signed:  Pinxit  Daniel 
Mytens  (other  words  indecipherable). 

Gift  of  George  A.  Hearn,  1906. 


216 


N 


NASMYTH,  Patrick.  Also  known  as  Peter  Nasmyth.  British 
(Scotch);  born  1787  at  Edinburgh;  died  1831  at  London, 
where  he  had  lived  since  1807.  Pupil  of  his  father  Alex- 
ander Nasmyth.  Landscapes. 

N17-1  LANDSCAPE.  A country  road  in  strong  sunlight  and 
Gallery  shadow  with  low  stone  walls  on  each  side  and  trees 

14  beyond;  a woman  in  a red  cloak  is  walking  away  from 

the  spectator;  in  the  foreground  a man,  a boy,  a calf, 

and  a dog  are  advancing. 

H.  14J  in.  W.  igi  in.  Canvas.  Monogrammed:  PN. 
Gift  of  George  A.  Hearn,  1906. 

N17-2  AT  PENSHURST,  KENT.  Landscape  with  water  in 
Gallery  the  foreground  at  the  right  and  rolling  country  with 

24  scattered  trees  'on  the  far  shore;  in  the  immediate  fore- 
ground at  the  left  is  a picket  fence  with  a large  tree  back 

of  it. 

H.  27J  in.  W.  36J  in.  Wood.  Signed:  Patk.  Nasmyth. 
1828. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

NASON,  Pieter.  Dutch;  born  1612  at  Amsterdam;  died  after 
1680  at  The  Hague.  Probatly  pupil  of  Ravesteyn. 
Portraits. 

N18-1  PORTRAIT  OF  A PRINCE  OF  ORANGE.  Standing 
figure,  seen  to  the  waist;  his  long  hair  falls  over  his  white 
lace  stock  and  black  armor;  he  wears  an  orange  sash. 
Landscape  background. 

H.  3oJ  in.  W.  24  in.  Canvas;  oval. 

Purchase,  1871. 

NAST,  Thomas.  American;  born  1840  at  Landau,  Bavaria;  died 
1902  at  Guayaquil,  Ecuador,  where  he  was  the  American 


217 


NAST  — NEAGLE 

Consul-General.  Lived  chiefly  in  New  York  City;  was 
famous  as  a caricaturist. 

N181-1  HEAD  OF  CHRIST.  Life-size  figure,  seen  almost  to 
the  waist;  He  has  blond  hair  and  a full  beard  and  wears 
a red  cloak;  above  the  head  there  is  a brilliant  halo  against 
the  dark  background.  Marked:  Copyright  1900. 

H.  29 J in.  W.  23!  in.  Canvas.  Signed:  Th?  Nast  1900. 
Gift  of  J.  Pierpont  Morgan,  1910. 

NATTIER,  Jean  Marc.  French;  born  1685  at  Paris;  died  there 
1766.  Pupil  of  his  father,  Marc  Nattier;  traveled  in 
Holland  and  Russia.  Portraits. 

N21-1  PRINCESSE  DE  CONDE  AS  DIANA.  (1737-1760; 
Gallery  Charlotte  Godefride  Elisabeth  de  Rohan-Soubise  became 
20  the  first  wife  of  Prince  Louis  Joseph  de  Bourbon-Conde.) 
Life-size,  seated  figure,  seen  to  below  the  knees;  her 
powdered  hair  is  tied  with  blue  ribbon;  she  wears  a white 
dress;  a leopard  skin  is  over  her  right  shoulder  and  a red 
drapery  falls  over  her  left  knee  upon  which  she  rests  the 
point  of  her  gilt  bow;  a case  of  arrows  is  at  her  side;  a 
tree  at  the  left  and  clouds  form  the  background. 
H.53fin.  W.4ifin.  Canvas.  Signed:  Nattier p-'x.  1756. 
Purchase,  Rogers  Fund,  1903. 

N21-2  VICOMTESSE  DE  POLIGNAC.  Life-size,  seated 
Gallery  figure  seen  to  below  the  knees;  her  right  hand  rests  on  a 
20  music  book  that  lies  on  a table  beside  her;  a lyre  is  held  in 
her  left  hand;  she  wears  a white  satin  dress  cut  square  at 
the  neck  and  trimmed  with  wreaths  of  flowers;  a column 
is  at  the  left. 

H.  46 in.  W.  35y'^^  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

N2i^52  MLLE.  BLONDEL  DE  GAGNY.  A three-quarters 
Gallery  length  figure,  front  view;  she  wears  a blue  and  white  dress, 
20  the  sleeve  tied  in  with  a gold  ribbon  and  buckle.  She 
holds  flowers  in  a rose  drapery  which  is  around  her,  and 
wears  flowers  in  her  hair. 

H.  365  in.  W.  28f  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

NEAGLE,  John.  American;  born  1799  at  Boston;  died  1865  at 
Philadelphia.  He  began  as  a coach  painter  and  later 
studied  with  Bass  Otis  in  Philadelphia. 

218 


NEAGLE  — NEER 

N24-1  CAPTAIN  JOHN  WALSH.  (Captain  in  the  Revo- 

. Gallery  lutionary  Army.)  Life-size,  seated  figure,  seen  to  the 
16  waist;  both  hands  grasp  the  top  of  his  cane;  he  wears  a 
dark  blue  coat  and  a buff  waistcoat. 

H.  36  in.  W.  29  in.  Canvas. 

Gift  of  Mr.  and  Mrs.  Frederick  S.  Wait,  1908. 

NEEFFS,  Pieter,  the  Elder.  Flemish;  born  about  1577  at  Ant- 
werp; died  there  between  1657  1661.  Pupil  of  Hen- 

drik van  Steenwijck  the  Elder.  Architectural  subjects. 

N29-1  INTERIOR  OF  ANTWERP  CATHEDRAL.  A view 
through  the  nave  with  scattered  groups  of  people;  two 
small  dogs  are  in  the  immediate  foreground.  The  figures 
are  by  David  Teniers  the  Elder. 

H.  in.  W.  22[|  in.  Wood.  Signed:  NEFS. 
Purchase,  1871. 

NEEFFS,  Pieter,  the  Younger.  Flemish;  born  1620  at  Antwerp ; 

died  there  after  1675.  Pupil  of  his  father,  Pieter  Neeffs 
the  Elder,  and,  like  him,  painted  architectural  subjects. 

N291-2  INTERIOR  OF  A CHURCH.  The  interior  of  a Gothic 
Gallery  church  with  several  elaborately  dressed  figures  and  a 
27  beggar  on  crutches  in  the  foreground;  the  light  strikes 
through  the  transept  at  the  end  of  the  aisle. 

H.  10  in.  W.  7J  in.  Wood. 

Purchase,  1871. 

NEER,  Aert  van  der.  Dutch;  born  1603  probably  at  Gorichem; 

died  1677  at  Amsterdam,  where  he  had  lived  the  greater 
part  of  his  life.  Influenced  by  Jan  van  Goyen  and 
Esaias  van  de  Velde.  Landscapes. 

N292-1  SUNSET.  A view  of  a river  and  marsh  lands;  in  the 
Gallery  foreground  is  a large  oak  near  which  are  two  hunters  and 
26  a dog;  at  the  left  is  a village  with  a square  tower;  trees 
and  cottages  are  on  the  far  bank;  yellowish  sky  with 
pink  and  gray  clouds. 

H.  3 if  in.  W. 43 1^6  in.  Canvas.  Monogrammed:  AV.  DN. 
Purchase,  1871. 

N292-2  THE  FARRIER.  A night  scene  with  a farrier’s  shop 
Gallery  at  the  left;  at  the  right  a log  fire  before  which  stand 
26  several  men;  beyond  is  a river  with  trees  on  the  farther 
bank;  the  moon  is  near  the  horizon  and  is  reflected  in 
the  water. 

H.  19  in.  W.  24I  in.  Wood.  Monogrammed:  AV.  DN. 
Purchase,  1871. 


219 


NEER  — NEWMAN 

N292-3  LANDSCAPE.  A river  flows  from  the  right  into  the 
Gallery  distance  past  a village  at  the  left;  in  the  foreground  are.’ 
26  several  peasants,  and  a man  on  a white  horse;  cattle 
are  at  the  water’s  edge. 

H.2oin.  W.  28|in.  Canvas.  Monogrammed:  AV  DN 
Gift  of  J.  Pierpont  Morgan,  1917. 

NETSCHER,  Caspar.  Dutch;  born  1639  at  Heidelberg;  died  1684 
at  The  Hague,  where  he  had  lived  since  1660.  Pupil  of 
Herman  Coster  at  Arnhem  and  of  Terborch  at  Deventer. 
N38-1  A DUTCH  LADY.  An  interior  with  a lady  in  a low- 
Gallery  necked  white  satin  gown  standing  near  a table  covered 
26  with  a reddish  rug,  on  which  is  a brown  and  white  spaniel. 
H.  i2j  in.  W.  lOyV  in.  Canvas. 

Purchase,  1871. 

N38-2  THE  CARD  PARTY.  An  interior  with  a lady  dressed 
Gallery  in  red  and  a gentleman  seated  at  a table  playing;  another 
26  couple  stand  watching  the  game,  the  lady  being  gowned 
in  dull  yellow. 

H.  19J  in.  W.  17}  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

NEUHUYS,  Albert.  Dutch;  born  1844  at  Utrecht;  died  1914  at 
Laren.  Pupil  of  G.  Craeyvanger  and  of  the  Academy  at 
Antwerp. 

N39-1  DUTCH  INTERIOR  WITH  FIGURE.  An  interior 
S.  W.  with  an  old  woman  seated  with  hands  clasped  in  her  lap; 
Stairway  a red  curtain  is  back  of  the  figure,  and  a window  is  at 
the  left. 

H.  21  in.  W.  23§  in.  Water  color.  Signed:  Albert 
Neuhuys. 

Purchase,  Wolfe  Fund,  1895. 

NEUVILLE,  Alphonse  de.  French;  born  1836  at  St.  Omer;  died 
1885  at  Paris.  Pupil  of  Picot  in  Paris. 

N391-1  DRUMMER.  A French  soldier  of  the  Franco-Prussian 
War  stands  in  the  foreground  with  his  drum;  beyond  him 
two  officers  and  a company  of  foot  soldiers  stand  at  rest. 
H.  12  in.  W.  8 in.  Canvas.  Signed:  A.  de  Neuville, 
1877. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

NEWMAN,  Robert  Loftin.  American;  born  1827  at  Richmond, 
Virginia;  died  1912  at  New  York  City.  He  studied  in 
France  with  Millet. 


220 


PORTRAIT  OF  A MAN 
BY  REMBRANDT 


I 


N EWM  AN  — N I EU  LAN  DT 


N46-1  THE  FORTUNE-TELLER.  A mother  holds  a nude 
Gallery  child  on  her  lap  while  a woman  in  dark  robes  and  red  head- 
12  cloth  sits  talking  beside  her  and  points  prophetically  be- 
hind her.  Dark  background. 

H.  10  in.  W.  14  in.  Canvas.  Signed:  R.  L.  Newman. 
Gift  of  Mrs.  Wallace  Sawyer,  1921. 

N46-2  SAINT  JOHN  THE  BAPTIST.  The  Madonna  holds 
Gallery  the  Child  in  her  lap;  to  the  right  stands  the  young  St. 
1 2 John  with  his  staff  in  his  left  hand,  offering  an  apple  to  the 
child. 

H.  lofin.  W.  i2|in.  Canvas.  Signed:  R.  L.  Newman. 
Gift  of  Mrs.  Wallace  Sawyer,  1921. 

NEWTON,  Gilbert  Stuart.  British-American;  born  1795  at 
Halifax,  Nova  Scotia;  died  1835  at  Chelsea,  England. 
Pupil  of  his  uncle,  Gilbert  Stuart,  in  Boston;  studied  at 
the  Royal  Academy  in  London. 

N48-1  DESERTED.  Seated  figure  of  a young  woman  in  a 
bridal  dress  and  veil. 

H.  9I  in.  W.  8 in.  Millboard. 

Gift  of  Samuel  P.  Avery,  1895. 

NICOLL,  James  Craigs.  American;  born  1846  at  New  York  City; 

died  at  Norwalk,  Conn.  1918.  Pupil  of  M.  F.  H.  de  Haas 
and  Kruseman  van  E ten  in  New  York.  Marines  chiefly. 

N541-1  SQUALLY  WEATHER.  Greenish  sea  with  waves 
breaking  near  the  foreground. 

H.  34  in.  W.  50  in.  Canvas.  Signed:  J.  C.  Nicoll,  N.A. 
Purchase,  Rogers  Fund,  1912. 

NIEULANDT,  Adriaen  van.  Flemish,  born  1587  at  Antwerp; 

died  1658  at  Amsterdam.  Pupil  of  Pieter  Isaacsz  and 
of  Frans  Badens. 

N55-1  KITCHEN  INTERIOR.  Two  life-size,  standing  figures, 
seen  to  the  knees;  the  woman  stands  in  front  of  a table 
at  the  left  and  holds  a spit  on  which  are  a rack  of  lamb 
and  a chicken;  the  man  has  just  entered  at  the  right  and 
carries  a dead  duck,  a basket  of  eggs,  and  a brown  jug; 
on  the  table  are  game  and  kitchen  utensils.  Formerly 
attributed  to  Jan  Steen. 

H.  44}  in.  W.  63  in.  Canvas. 

Purchase,  Rogers  Fund,  1906. 


221 


o 


OCHTMAN,  Leonard.  American;  born  1854  at  Zonnemaire, 
Holland;  lives  at  Cos  Cob,  Conn.,  near  New  York  City. 
Came  to  United  States  in  1866;  entered  a wood-engraver’s 
office  at  Albany,  N.  Y.  Landscapes. 

Oc3~i  WINTER  LIGHT.  Snow-covered  fields  with  a frozen 
pool  in  the  foreground  and  bare  trees  in  the  distance; 
pearly  sky. 

H.  36J  in.  W.  52  in.  Canvas.  Signed:  Leonard  Ocht- 
MAN.  Bulletin,  191 1,  p.  139,  ill. 

Gift  of  Emerson  McMillin,  1911. 

OGILVIE,  Clinton.  American;  born  1838  at  New  York  City; 

died  there  1900.  Pupil  of  James  M.  Hart,  studied  in 
Paris.  Landscapes. 

Og4-i  NEAR  JACKSON,  WHITE  MOUNTAINS.  A red 
Gallery  barn,  in  front  of  which  the  wash  is  hung  to  dry;  the 
16  White  Mountains  in  the  background. 

H.  i6|  in.  W.  261  in.  Canvas.  Signed:  Clinton 
Ogilvie,  1885. 

Gift  of  Mrs.  Helen  S.  Ogilvie,  1919. 

OOST,  Jakob  van,  the  Elder.  Flemish;  born  about  1600  at 
Bruges;  died  there  in  1671. 

O09-1  PORTRAIT  OF  A MAN.  Life-size  figure,  seen  to  the 
Gallery  waist;  he  is  wrapped  in  a dark  cloak  which  he  holds  with 
27  his  right  hand. 

H.  25!  in.  W.  21  in.  Canvas. 

Purchase,  1871. 

OPIE,  John.  British;  born  1761  in  the  village  of  St.  Agnes,  near 
Truro;  died  1807  in  London. 


222 


OPIE  — ORPEN 

Op3~i  LADY  HAMILTON.  (1761-1815;  Emma,  wife  of  Sir 

Gallery  William  Hamilton.  See  note  under  Romney,  R66-2.) 
24  Life-size,  bust  picture  with  the  head  turned  three-quarters 
to  the  left;  brown  hair  hangs  about  her  shoulders  and  she 
wears  a large  hat  with  black  bows  on  top  and  tied  under 
her  chin;  a white  fichu  is  draped  in  a point;  dark,  cloudy 
background. 

H.  30  in.  W.  25  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

Op3“2  PORTRAIT  OF  A BOY.  Life-size  figure  of  a boy,  seen 

Gallery  to  the  knees,  seated  against  a tree  trunk  and  looking 
24  toward  the  left;  his  right  hand  is  in  his  lap  and  the  left 
back  of  his  head;  he  has  brown  hair  and  is  dressed  in  dark 
red  with  soft  white  collar;  landscape  background. 

H.  30  in.  W.  24J  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

ORLEY,  Bernard  (or  Barend)  van.  Flemish;  born  about  1491 
or  1493,  probably  in  Brussels;  died  there  1542.  Studied 
in  Rome  under  Raphael,  returned  to  Brussels  in  1 5 1 5,  and 
in  1518  was  appointed  official  painter  to  the  Regent  of  the 
Netherlands.  Also  made  designs  for  tapestry  and  for 
stained  glass. 

Or5-i  VIRGIN  AND  CHILD  WITH  ANGELS.  On  the 

Gallery  terrace  of  a palace,  the  Virgin,  wearing  a dark  blue  robe 
37  lined  with  fur  and  a red  cloak  over  her  shoulders,  is  seated 
in  the  foreground  beside  a bronze  fountain  and  fondles  the 
nude  Child;  beyond,  two  child  angels  sing  out  of  an  anti- 
phonary laid  on  a bench  before  them;  trees  are  at  the  left 
and  at  the  right  is  a wing  of  the  palace;  landscape  back- 
ground with  a precipitous  hill  at  the  left;  two  angels 
appear  in  the  clouds. 

H.  33 1 in.  W.  27 in.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

ORPEN,  William.  British  (Irish);  born  1878  near  Dublin;  lives 
in  London.  Studied  at  Dublin  School  of  Art  and  at  Slade 
School  in  London. 

Ory-i  LEADING  THE  LIFE  IN  THE  WEST.  Portrait  of 

Gallery  the  artist.  A mirror,  in  which  is  reflected  the  full-length, 
19  half-life-size  figure  standing  on  a black  and  white  tiled 
floor  and  holding  a riding  whip  in  his  left  hand;  he  wears 


223 


ORPEN— OSTADE 

a dark  gray  overcoat  and  black  derby  hat;  three  windows 
with  green  Venetian  blinds  are  shown  back  of  him.  Nu- 
merous letters  and  envelopes  are  tucked  back  of  the 
mirror  frame  and  in  front,  on  a marble  shelf,  are  a syphon 
and  several  bottles.  The  title,  according  to  the  explana- 
tion given  by  the  artist,  refers  to  life  in  the  West  End  of 
London. 

H.  4o|  in.  W.  33I  in.  Canvas.  Bulletin,  1914,  p.  130; 
ill.  p.  105. 

Gift  of  George  F.  Baker,  1914. 

OSTADE,  Adriaen  van.  Dutch;  born  1610  at  Haarlem;  died 
there  1685.  Pupil  of  Frans  Hals;  influenced  by  Brouwer 
and  Rembrandt.  Genre.  Also  etcher. 

Osyi-i  THE  OLD  FIDDLER.  In  the  foreground  is  the  dark 
Gallery  interior  of  a thatched  barn  with  men  and  women  smoking 
26  and  drinking;  through  the  open  doorway  is  seen  a cottage 
in  bright  sunlight;  an  old  man  is  fiddling  near  the  door 
over  which  leans  a woman  with  a baby  in  her  arms; 
numerous  children  are  playing  near  by.  cif 

H.  26i  in.  W.  33i  in.  Canvas.  Signed:  AV.  Ostade. 
1641. 

Purchase,  1871. 

OS71-2  A SMOKER.  An  interior  with  a man  filling  his  pipe; 

Gallery  in  the  background  at  the  right,  a door  is  being  opened 
26  and  a man  enters. 

H.  I li  in.  W.  9}  in.  Wood. 

Purchase,  1871. 

0571- 3  THE  SMOKERS.  An  interior  with  two  men  seated  at 

Gallery  a table,  smoking. 

26  H.  8 in.  W.  7J  in.  Wood. 

Purchase,  Rogers  Fund,  1906. 

OSTADE,  Isaac  van.  Dutch;  born  1621  at  Haarlem;  died  there 
1649.  Pupil  of  his  brother,  Adriaen  van  Ostade.  Land- . 
scapes  and  genre. 

0572- 1  WINTER  IN  HOLLAND.  A broad  frozen  river  with 

Gallery  skaters  and  sleds;  at  the  left  is  a point  of  land  with  a 

14  signal  station  and  some  houses;  in  the  distance  at  the 
right  there  is  a town  on  a low  hill. 

H.  4of  in.  W.  58I  in.  Canvas.  Signed:  JOstade. 
Bulletin,  1914,  p.  3,  ill. 

Gift  of  George  A.  Hearn,  1893. 


224 


OUDRY— OVENS 

OUDRY,  Jacques  Charles.  French;  born  1720  at  Paris;  died  1778 
at  Lausanne.  Pupil  of  his  father,  Jean  Baptiste  Oudry. 

Ou2-i  COMBAT  OF  DOGS  AND  CATS.  Landscape  back- 
ground with  a thatched  cottage  at  the  right. 

H.  38I  in.  W.  33I  in.  Canvas.  Signed:  J C Oudry 
fils  1752. 

Purchase,  1871. 

OUDRY,  Jean  Baptiste.  French;  born  1686  at  Paris;  died  1755 
at  Beauvais.  Pupil  of  Largilliere.  Painted  animals 
chiefly. 

Ou2i-i  DUCKS.  Marshy  foreground  with  a group  of  ducks. 
Gallery  one  of  which  is  flapping  its  wings;  trees  beyond. 

20  H.  25 J in.  W.  31  j in.  Canvas.  Signed:  J.  B.  Oudry 
1753- 

Purchase,  1871. 

bu2i-2  DOG  GUARDING  DEAD  GAME.  A hare  and  several 
Gallery  birds  are  tied  to  a limb  of  a tree  near  ruined  masonry; 
20  the  dog  is  at  the  right. 

H.  25i  in.  W.  31 J in.  Canvas.  Signed:  J.  B.  Oudry 
1753- 

Purchase,  1871. 

OVENS,  JuRRiAEN.  Dutch;  born  1623  at  Tonningen,  Holstein; 

died  1678  at  Friedrichstadt.  Pupil  of  Rembrandt  at 
Amsterdam,  where  he  lived  in  1642  and  again  from  1656 
to  1662. 

OU3-1  PORTRAIT  OF  A LADY.  Seated  figure  of  a Dutch 
Gallery  lady,  seen  to  below  the  knees;  a pair  of  gloves  is  held  in 
26  her  right  hand;  she  wears  a black  dress,  a broad  fluted 
ruff,  and  a small  white  lace  cap. 

H.  49|  in.  W.  38!  in.  Canvas.  Signed:  J.  Ouens  feet. 
1650,  10  May. 

Gift  of  Henry  G.  Marquand,  1888. 


225 


PALMER,  Walter  Launt.  American;  born  1854  at  Albany,  N.Y. 
Studied  with  F.  E.  Church  and  in  Paris. 

P18-1  THE  SILENT  DAWN.  A brook  with  snowy  banks. 
Gallery  beside  which  the  evergreen  trees  bend  their  heavy-laden 

12  branches.  A pale  yellowish  lavender  light. 

H.  30  in.  W.  40  in.  Canvas.  Signed:  W.  L.  Palmer. 
Purchase,  Hearn  Fund,  1921. 

PANNINI,  Giovanni  Paolo.  Italian;  born  1691  or  1695  at 
Piacenza;  died  1768  (?)  at  Rome.  Pupil  of  Lucatelli  and 
of  Benedetto  Luti  in  Rome;  influenced  by  Salvator  Rosa. 

P19-1  CARDINAL  POLIGNAC  VISITING  THE  INTERIOR 
Gallery  OF  ST.  PETER’S,  ROME.  (Cardinal  Polignac  was 
29  the  French  Charge  d’ Affaires  in  Rome  from  1721  to 
1730.)  A view  of  the  nave  of  St.  Peter’s;  at  the  right  is 
the  Cardinal  followed  by  his  suite  in  brilliant  garments. 

H.  29!  in.  W.  39J  in.  Canvas. 

Purchase,  1871. 

PARSHALL,  De  Witt.  American;  born  1864  at  Buffalo,  N.  Y.; 

lives  in  New  York  City.  Pupil  of  Royal  Academy  at 
Dresden;  Julian  Academy,  Cormon,  and  Alexander 
Harrison  in  Paris.  Landscapes. 

P25-1  THE  GREAT  ABYSS.  A view  of  the  top  of  the  Grand 
Gallery  Canyon  looking  across  the  gorge.  There  is  a tree  in  the 

13  right  foreground;  the  cliffs  at  various  distances  are  yellow, 
blue,  and  mauve.  Exchanged  in  1921  by  the  artist  for 
the  “Catskills.” 

H.  44f  in.  W.  49I  in.  Canvas  Signed:  DeWitt  Par- 
shall  N.  A. 

Gift  of  George  A.  Hearn,  1909. 

PARTON,  Arthur.  American;  born  1842  at  Hudson,  N.  Y., 
died  1914  at  Yonkers,  N.  Y.  Pupil  of  William  T.  Rich- 
ards in  Philadelphia.  Landscapes. 

226 


PARTON  — PATINIR 

P251-1  EVENING;  HARLEM  RIVER.  The  marshy  edge  of 
the  river  is  in  the  foreground;  boats  are  passing  beneath 
an  iron  suspension  bridge  which  crosses  the  middle 
distance;  on  the  heights  beyond  are  buildings  with  lights 
shining  in  the  windows;  wintry  sunset  sky. 

H.  33J  in.  W.  26  in.  Canvas.  Signed:  Arthur  Parton. 
Gift  of  William  T.  Evans,  1892. 

P251-2  A NIGHT  IN  THE  CATSKILLS.  Moonlight  falls 
through  the  branches  of  the  trees  that  border  the  road 
in  the  foreground;  at  the  right,  partly  hidden  by  trees, 
is  a white  house  with  lights  in  the  windows. 

H.  17I  in.  W.  24  in.  Canvas.  Signed:  Arthur  Parton. 
Gift  of  Samuel  T.  Hubbard,  1908. 

PASINI,  Alberto.  Italian;  born  1826  at  Busseto  near  Parma; 

died  1899  Cavoretto,  near  Turin.  Pupil  of  Parma 
Academy;  Eugene  Ciceri  in  Paris;  traveled  in  the  Orient. 

P26-1  ENTRANCE  TO  A MOSQUE.  A narrow  courtyard 
Gallery  with  a man,  two  horses,  and  two  dogs;  sunlight  strikes 
18  a tiled  wall  at  the  right;  in  the  background  a dark  red 
curtain  hangs  at  the  door  of  the  mosque. 

H.  35  in.  W.  27!  in.  Canvas.  Signed:  A.  Pasini  1873. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

P26-3  CONSTANTINOPLE.  Men  and  women  are  near  a 
building  which  stretches  acrossthe  picture;  bright  sunlight. 
H.  14J  in.  W.  in.  Canvas.  Signed:  A.  Pasini, 
1886. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

PATER,  Jean  Baptiste  Joseph.  French;  born  1695  at  Valen- 
ciennes; died  1736  at  Paris.  Pupil  of  his  father,  Antoine 
Joseph  Pater,  and  of  Watteau.  Painted  stately  festivals. 
P27C-1  THE  COMICAL  MARCH.  A group  of  strolling  players 
at  the  entrance  to  a town;  at  the  left  three  girls  are 
seated  beneath  a bust  of  the  god  Pan.  A copy,  perhaps 
contemporary,  of  the  painting  in  the  collection  of 
Lord  Pembroke  at  Wilton  House,  near  Salisbury,  England. 
H.  29  in.  W.  24  in.  Canvas. 

Purchase,  1871. 

PATINIR,  Joachim.  Flemish;  born  about  1485  at  or  near  Bou- 
vignes  (or  Dinant);  died  before  1524.  He  was  the  first 
Flemish  painter  to  make  the  landscape  the  most  import- 
ant part  of  his  pictures. 


227 


PATINIR  — PEALE 

P271-1  IMAGINARY  LANDSCAPE.  A wide  expanse  of 

Gallery  country  with  buildings,  trees,  and  numerous  small  figures 

34  and  groups;  in  the  center  of  the  picture  is  a river  which 
flows  under  a bridge  in  the  foreground  and  in  the  distance 
empties  into  the  sea  near  a precipitous  mass  of  rock. 

H.  26i  in.  W.  36I  in.  Wood. 

Purchase,  Rogers  Fund,  1916. 

PAXTON,  William  M.  American;  born  1869  at  Baltimore,  Md.; 

lives  in  Boston.  Pupil  of  Dennis  M.  Bunker  in  Boston; 
Ecole  des  Beaux-Arts  in  Paris  under  Gerome. 

P29-1  TEA-LEAVES.  An  interior  with  two  young  ladies  at 

Gallery  a tea  table;  one,  standing  at  the  left  with  her  back  toward 

15  the  spectator,  pours  tea;  the  other,  seated  in  front  of  a 
screen  on  the  far  side  of  the  table,  studies  the  leaves  in  the 
cup  that  she  holds  with  both  hands;  the  general  color 
scheme  is  gray  and  gold  with  large  masses  of  white  and 
touches  of  blue. 

H.  36I  in.  W.  28J  in.  Canvas.  Signed:  PAXTON  1909. 
Gift  of  George  A.  Hearn,  1910. 

PEALE,  Charles  Willson.  American;  born  1741  in  Queen 
Anne  County,  Md.;  died  1827  at  Philadelphia,  where  he 
had  lived  since  1776.  Pupil  of  John  Hesselius  in  Mary- 
land; Benjamin  West  in  London.  Portraits. 

P31-4  GEORGE  WASHINGTON.  (First  President  of  the  United 

Gallery  States,  from  1789  to  1797.)  Life-size,  full-length,  standing 

16  portrait,  with  his  three-cornered  hat  held  in  his  right  hand, 
and  the  left  resting  on  a cannon;  he  wears  a dark  blue  coat 
faced  with  buff,  buff  waistcoat,  and  knee  breeches; 
a broad  blue  sash  (prescribed  for  himself  in  the  general 
orders  at  Cambridge,  July  14,  1775,  to  designate  the 
Commander-in-Chief)  crosses  his  breast;  behind  him,  at 
the  right,  a horse  is  held  by  an  attendant;  at  the  left  is  a 
landscape  with  a stormy  sky;  flags  and  accoutrements 
rest  against  the  cannon  in  the  foreground. 

H.  95  in.  W.  61 J in.  Canvas. 

Gift  of  Collis  P.  Huntington,  1896. 

PEALE,  Rembrandt.  American;  born  1778  in  Pennsylvania;  died 
i860.  Son  of  Charles  Willson  Peale.  Studied  with 
West  in  London;  painted  portraits  in  Paris  and 
Philadelphia. 

P311-1  PORTRAIT  OF  LAFAYETTE.  Head  and  shoulders 

228 


PEALE  — PELOUSE 

Gallery  turned  slightly  to  the  right;  he  wears  a wing  collar  with  a 
1 6 white  stock,  and  a dark  coat.  This  portrait  was  probably 
painted  when  Peale  was  in  Paris. 

H.  34i  in.  W.  27!  in.  Canvas.  Signed:  R.  Peale  pinxt. 
Purchase,  Rogers  Fund,  1921. 

PEARCE,  Charles  Sprague.  American;  born  1851  at  Boston, 
Mass.;  died  1914  at  Auvers-sur-Oise,  France.  Pupil  of 
Bonnat. 

P32-1  MEDITATION.  Life-size  figure  of  a nun,  seen  to  the 
waist  with  the  face  in  profile  to  the  left;  she  holds  a 
sheet  of  music. 

H.  21J  in.  W.  18J  in.  Canvas.  Signed:  Charles  Sprague 
Pearce. 

Gift  of  several  gentlemen,  1899.  ' 

PEELE,  John  T.  British;  born  1822  at  Peterborough,  England; 

died  1897  England.  Lived  in  New  York  from  1846 
to  1851. 

P34-1  SPRING  FLOWERS.  A little  girl  dressed  in  white 
is  seated  on  the  ground  near  trees;  there  are  wild  flowers 
in  her  lap. 

Ho.  30  in.  W.  25  in.  Canvas;  oval.  Signed:  J.  T. 
Peele  1880. 

Gift  of  Samuel  P.  Avery,  1904. 

PELLEGRINO  DA  SAN  DANIELE.  Italian  (Venetian);  born 
*473  (?)»'  died  1547.  A painter  of  Friuli,  influenced  by 
Cima  and  later  by  the  Giorgionesque  painters  of  Venice. 

P35-1  A MUSICAL  PARTY.  Two  men  and  two  women 
standing,  seen  to  below  the  waist;  the  men  are  playing 
flutes  and  the  woman  at  the  right  holds  the  music;  colon- 
nade and  landscape  background.  Perhaps  by  Pelle- 
grino, according  to  Bernhard  Berenson.  Formerly  at- 
tributed to  Bonifazio. 

H.  33  in.  W.  52  in.  Canvas. 

Gift  of  Morris  K.  Jesup,  1874. 

PELOUSE,  Leon  Germain.  French;  born  at  Pierrelaye,  Seine- 
et-Oise,  1838;  died  there  1891. 

P36-1  JANUARY.  Snow  scene  with  a group  of  cottages  at 
the  left  and  a wood  beyond;  sunset  sky. 

H.  35f  in.  W.  465  in.  Canvas.  Signed:  L.  Pelouse. 
Gift  of  Mabel  Schaus,  1888. 


229 


PERUGINO-  PESELLINO 

PERUGINO;  real  name  Pietro  di  Cristoforo  Vannucci.  Italian 
(Umbrian);  born  1446  at  Citta  della  Pieve;  died  1523  at 
Fontignano,  near  Perugia.  Influenced  at  first  by  Niccolb 
da  Foligno,  Fiorenzo  di  Lorenzo,  and  Piero  della  Fran- 
cesca, and  later  by  Verrocchio. 

P43-1  THE  RESURRECTION.  The  figure  of  Christ,  with  a 
Gallery  red  drapery  about  the  lower  limbs  and  holding  a red 

30  banner  with  a white  cross,  stands  on  the  edge  of  the 

open  tomb;  there  are  four  guards,  of  whom  three  are 
asleep,  and  the  one  in  the  background  at  the  left  is  run- 
ning away;  beyond  is  a vast  plain  with  hills  at  the  right 
and  left  and  distant  blue  mountains.  Part  of  a predella; 
the  other  panels  are  in  Chicago. 

H.  lofin.  W.  i8in.  Tempera  on  wood.  Bulletin,  191 1, 
p.  130,  ill. 

Purchase,  Hewitt  Fund,  1911. 

PESELLINO;  real  name  Francesco  di  Stefano.  Italian  (Florentine); 

born  1422  at  Florence;  died  there  1457.  Taught  perhaps 
by  his  grandfather,  Giuliano  Pesello;  influenced  by  Fra 
Filippo  Lippi. 

P431-1  MADONNA  WITH  ST.  JOHN  THE  BAPTIST  AND 
Gallery  ST.  JOHN  THE  APOSTLE.  The  Madonna  is  enthroned 
33  and  holds  the  Child  in  her  left  arm;  St.  John  the  Baptist 
stands  at  the  left  on  the  platform  of  the  throne  and  St. 
John  the  Apostle  at  the  right. 

H.  265  in.  W.  17-j^  in.  Tempera  on  wood.  Bulletin, 
1906,  p.  164. 

Gift  of  George  Brauer,  1906. 

P431-2  CRUCIFIXION.  The  Cross  is  in  the  center;  St.  Mary 
Gallery  Magdalen  in  a vermilion  mantle  and  blue  robe  kneels  at 
33  its  foot;  the  Virgin  in  a blue  mantle  and  crimson  robe  is 
at  the  left  looking  at  the  figure  of  Christ;  St.  John  in 
red  mantle  and  blue  robe  stands  mourning  at  the  right. 
There  is  a rotky  foreground  and  a landscape  background; 
clear  luminous  sky  with  dark  blue  clouds  above. 

H.  i6|  in.  W.  Ilf  in.  Tempera  on  wood.  Bulletin, 
1919,  pp.  155-156,  ill. 

Purchase,  Marquand  Fund,  1919. 

School  of  Pesellino. 

P431S-1  SCENES  FROM  THE  STORY  OF  THE  ARGONAUTS. 
Gallery  (The  incidents  of  the  story  of  Jason  and  the  Argonauts 
33  appear  in  the  Hesiodic  poems.)  These  two  panels 


230 


PESELLINO  — PICKNELL 

formed  parts  of  chests.  At  the  left,  Jason  in  his 
golden  armor  (by  which  he  can  be  distinguished  throughout 
the  picture)  bids  farewell  to  King  Peleas,  the  usurper 
of  the  throne  of  lolcus;  he  is  next  seen  with  his  horse  at 
the  foot  of  a stairway  starting  out  to  enlist  companions; 
in  the  distance  Orpheus  and  several  horsemen  are  at 
the  base  of  a jagged  rock;  to  the  right  on  the  top  of 
a flat  rock,  Orpheus,  Jason,  and  another  consult  the  cen- 
taur Chiron;  the  abduction  of  Hylas  is  shown  at  the  ex- 
treme right  and  in  the  distance  is  the  Argo  with  the 
P431S-2  heroes  on  board.  The  second  panel  illustrates  the  do- 
Gallery  ings  of  the  Argonauts  after  their  arrival  in  Colchis. 
33  Jason  addresses  King  /Eetes,  who  is  seated  on  a dais  sup- 
ported on  the  backs  of  two  white  horses  driven  by  a naked 
child;  two  women  stand  on  the  dais  with  the  king,  one 
of  them  being  his  daughter  Medea;  at  the  extreme  right 
Jason  kneels  before  the  king  in  an  upper  porch  of  the 
palace  while  Medea  looks  on  from  a window;  at  the  bot- 
tom of  the  steps  Jason  is  shown  with  one  foot  in 
the  stirrup  and  farther  to  the  left  he  gallops  across  the 
drawbridge.  In  a circular  enclosure  in  the  center  of  the 
picture,  the  fleece  hangs  on  a tree;  at  the  right  Jason  is 
killing  the  dragon  while  Orpheus  plays  a viola;  the  fire- 
breathing oxen  are  yoked  to  a plough  and  the  warriors, 
who  have  grown  from  the  dragon’s  teeth,  are  killing  one 
another;  outside  the  enclosure  is  the  white  figure  of 
Diana  with  her  hounds  and  a scene  of  witchcraft. 

H.  19!  in.  W.  56  in.  each.  Tempera  on  wood.  Bulle- 
tin, 1909,  p.  224,  ill. 

Gift  of  J.  Pierpont  Morgan,  1909. 

PHILIP,  John.  British  (Scotch);  born  1817  at  Aberdeen;  died 
1867  at  London.  Pupil  of  T.  M.  Joy  in  London  and  of 
Royal  Academy  Schools. 

P53-1  GOSSIPS  AT  THE  WELL.  A courtyard  with  men  and 

Gallery  women  in  Spanish  costumes;  a donkey  with  elaborate 
14  trappings  stands  near  the  well. 

H.  18^  in.  W.  26|  in.  Canvas.  Monogrammed:  J P. 
Gift  of  George  A.  Hearn,  1906. 

PICKNELL,  William  L.  American;  born  1854  Windham,  Vt.; 

died  1897  at  Marblehead,  Mass.  Pupil  of  Inness, 
Gerome,  and  Robert  Wylie;  lived  for  some  years  in  Eng- 
land. Landscapes. 


231 


PICKNELL— PIETRO  DI  DOMENICO 

P58-1  BLEAK  DECEMBER.  (The  scene  is  in  the  New 
Forest,  Brockenhurst,  Hampshire,  England.)  A group* 
of  leafless  oaks  is  seen  against  a wintry  sky;  in  the 
foreground  at  the  left  is  a road  between  trees;  a horse  and 
wagon  are  disappearing  along  the  road. 

H.  56!  in.  W.  8oi  in.  Canvas.  Signed:  W.  L.  Pick- 
nell.  87. 

Gift  of  Samuel  P.  Avery,  Jr.,  1890. 

P58-2  BORDERS  OF  THE  LOING.  At  the  right  is  a tow- 
path  with  a man  on  horseback  drawing  a scow;  a row  of 
trees  and  a field  are  beyond;  the  river  flows  through  the 
foreground  at  the  left,  and  on  the  far  bank,  at  the  foot 
of  a hill,  is  a group  of  low  red-roofed  buildings. 

H.  58I  in.  W.  83  in.  Canvas.  Signed:  Wm.  L.  Pick- 
nell.  Bulletin,  1906,  p.  133,  ill. 

Bequest  of  Mrs.  Gertrude  Flagg,  1906. 

PIERO  DI  COSIMO;  real  name  Piero  di  Lorenzo.  Italian  (Flor- 
entine); born  1462  at  Florence;  died  there  about  1521. 
Pupil  of  Cosimo  Rosselli. 

P61-1  HUNTING  SCENE.  (This  and  the  following  picture 
Gallery  were  doubtless  cassone  panels.)  A forest  with  men, 

3 1 centaurs,  satyrs,  and  animals  in  combat  in  the  foreground. 
H.  28  in.  W.  66J  in.  Wood. 

Gift  of  Robert  Gordon,  1875. 

P61-2  RETURN  FROM  THE  HUNT.  Men,  women,  and 
Gallery  satyrs  are  disembarking  from  boats  and  carrying  dead 
31  game;  at  the  left  a forest  fire  is  raging  and  driving 
the  game  into  the  water. 

H.  28  in.  W.  66f  in.  Wood. 

Gift  of  Robert  Gordon,  1875. 

PIETRO  DI  DOMENICO  DA  MONTEPULCIANO.  Italian 
(Central) ; early  fifteenth  century.  I nfluenced  by  Simone 
Martini,  Lippo  Memmi,  and  Bartolo  di  Fredi. 

P611-1  MADONNA  AND  CHILD  ENTHRONED  WITH 
Gallery  ANGELS.  The  Madonna,  wearing  a blue-black  mantle 
31  with  a pattern  of  cherubs’  heads  in  gold,  is  seated  on  a 
vermilion  cloth  with  a design  of  roses  in  gold;  she  holds 
the  Child  on  her  lap  and  lifts  His  transparent  drapery 
with  her  left  hand;  back  of  the  Virgin  are  four  angels — 
two  kneeling  in  adoration,  one  playing  a lute,  and  the 
other  a harp. 


232 


PIETRO  DI  DOMENICO  — PINE 

H.  34f  in.  W.  26^^  in.  Tempera  on  wood.  Signed: 
Petrus:  dominici:  demonte:  pulinano  % pinsit  % m : 
cccc-  XX.  Bulletin,  1907,  p.  117,  ill. 

Purchase,  Rogers  Fund,  1907. 

PIETRO  DI  DOMENICO  DI  PIETRO.  Italian  (Sienese);  born 
1457  Siena;  died  there  1501.  Influenced  by  Matteo 
di  Giovanni,  Francesco  di  Giorgio,  and  Benvenuto  di 
Giovanni. 

VIRGIN  AND  CHILD,  SAINT  PETER,  AND  SAINT 
PAUL.  A half-length  of  the  Virgin  suckling  the  Child; 
her  robe  is  of  cloth  of  gold  with  a design  in  red,  and  a 
dark  mantle  is  over  her  head  and  shoulders;  back  of  her 
are  the  heads  of  the  two  saints,  St.  Peter  at  the  left  and 
St.  Paul  at  the  right. 

H.  2oJ  in.  W.  13!  in.  Tempera  on  wood. 

Gift  of  Frederic  Coudert,  1888. 

PILOTY,  Carl  Theodore  von.  German  (Munich);  born  1826 
at  Munich;  died  1886  at  Ambach-am-Starnberger  See. 
Pupil  of  his  father,  the  lithographer,  Ferdinand  Piloty; 
studied  at  Munich  Academy  under  Schnorr  and  Karl 
Schorn. 

P64-1  PARABLE  OF  THE  WISE  AND  FOOLISH  VIRGINS. 
Gallery  (For  the  story,  see  St.  Matthew,  chapter  25,  verses  i 
18  to  15.)  Ten  women  are  upon  a stone  terrace  above  a 
fountain;  trees  and  a white  marble  temple  in  the  Egyptian 
style  form  the  background. 

H.  4iJ  in.  W.  86J  in.  Canvas.  Signed:  C Piloty. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

P64-2  THUSNELDA  AT  THE  TRIUMPHAL  ENTRY  OF 
GERMANICUS  INTO  ROME.  (The  event  took  place 
in  17  A.  D.)  The  Roman  Emperor,  Tiberius,  is  seated 
under  a canopy  watching  the  procession;  Germanicus, 
upon  a triumphal  car  and  accompanied  by  his  five  sons, 
appears  in  the  distance  at  the  left;  from  the  car  to  the 
foreground  is  a procession  of  German  captives,  the  prin- 
cipal figure  being  Thusnelda,  the  wife  of  a German  prince, 
with  her  little  son  Tumelicus. 

H.  53  in.  W.  77j  in.  Canvas.  Signed:  Carl  Piloty. 
Gift  of  Horace  Russell,  1887. 

PINE,  Robert  Edge.  British-American;  born  1742  at  London; 

died  1790  at  Philadelphia,  Pa.,  where  he  had  settled  in 
1784.  Historical  and  portrait  painter. 


P612-1 

Gallery 

32 


233 


PINE  — PINTURICCHIO 

P65-1  PORTRAIT  OF  MRS.  REID  IN  THE  CHARACTER 

Gallery  OF  A SULTANA.  Life-size  figure,  seen  to  below  the* 
14  waist  with  the  face  in  profile  to  the  right;  she  is  seated 

at  a table  and  holds  in  her  right  hand  a blue  and  white 
cup;  she  wears  a white  dress  with  a blue  sash  and  a blue 
and  gold  scarf;  a negress,  wearing  a white  turban,  is 
dimly  seen  at  the  left. 

H.  35J  in.  W.  28  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

PINTURICCHIO;  real  name  Bernardino  di  Betto.  Italian  (Um- 
brian); born  1454  at  Perugia;  died  1513  at  Siena.  Pupil 
of  Fiorenzo  di  Lorenzo.  Influenced  by  Perugino  with 
whom  he  collaborated  in  the  Sistine  Chapel;  and  also  by 
Signorelli. 

P65 1 -I-  Twenty-two  panels  from  the  ceiling  of  the  reception  room 
22  of  the  Palazzo  del  Magnifico  in  Siena. 

Gallery  About  the  garland  are  four  panels  shaped  somewhat  like 
32  shields  (each  about  H.  36  in.,  W.  43^  in.)  with  winged 
infants  holding  ribbons.  Next  to  them  are  four  panels 
of  an  oval  shape  but  with  the  ends  cut  off:  the  Judgment 
of  Paris  (H.  24 J in.,  W.  40 J in.);  a Figure  on  a Sea  Horse 
(H.  24I  in.,  W.  39f  in.);  the  Hunt  of  the  Calydonian 
Boar  (H.  25  in.,  W.  41  in.);  and  Helle  (?)  (H.  24I  in., 
W.  39  in.).  About  these  are  eight  panels  of  an  axe-head 
shape:  the  Triumph  of  Mars  (H.  31  in.,  W.  32  in.);  the 
Triumph  of  Amphitrite  (H.  30^  in.,  W.  28  in.);  the  Tri- 
umph of  Alexander  (H.  3of  in.,  W.  28^  in.);  the  Triumph 
of  Apollo  (H.  31I  in.,  W.  3of  in.);  Pluto  and  Proserpine 
(H.  31  in.,  W.  3if  in.);  the  Triumph  of  Ceres  (H.  31I 
in.,  W.  30I  in.);  the  Triumph  of  Cybele  (H.  30I  in.,  W. 
28I  in.);  the  Triumph  of  a Warrior  (H.  30I  in.,tW.  28^  in.). 
In  the  corners  are  circular  panels:  the  Three  Graces  (diam- 
eter, 19^  in.);  Venus  (diameter,  19^  in.);  Jupiter  and 
Antiope  (diameter,  19!  in.);  Bacchus  and  Silenus  (diam- 
eter, 19!  in.).  The  squares  of  ornament  surrounding 
these  are  original  work. 

Of  the  four  lunette-shaped  panels  at  the  outer  edge  of 
the  ceiling  two  represent  the  Rape  of  Europa  (H.  17^  in., 
W.  41^  in.);  and  Hercules  and  Omphale  (H.  17I  in.,  W. 
39  in.).  The  other  two  are  missing. 

The  mouldings  and  ornamental  reliefs  are  cast  from  the 
originals  still  in  place. 

Fresco  on  plaster  transferred  to  canvas. 

Purchase,  Rogers  Fund,  1914. 


234 


PIOM  BO  — PONTORMO 

PIOMBO.  See  Sebastiano  del  Piombo. 

POELENBURGH,  Cornelis  van.  Dutch;  born  1586  at  Utrecht; 

died  there  1667.  Pupil  of  Abraham  Bloomaert;  lived 
for  long  periods  in  Italy  and  in  England. 

P75-1  FAUNS  AND  NYMPHS  BATHING.  The  shore  of  a 
lake  with  the  bathers  in  the  immediate  foreground)  woods 
beyond. 

H.  8|  in.  W.  1 1 in.  Wood. 

Purchase,  1871. 

POGGIO,  DEL.  See  Giovanni  di  Paolo. 

POLLAIUOLO,  Antonio.  Italian  (Florentine);  born  ^1432  (or 
1429  or  1433)  at  Florence;  died  1498  in  Rome.  In- 
fluenced by  Donatello  and  Andrea  del  Castagno.  Also 
sculptor,  goldsmith,  and  engraver. 

School  of  Pollaiuolo. 

P76S-1  SAINTCHRISTOPHERANDTHE  INFANT  CHRIST. 
Gallery  A colossal  figure  of  Saint  Christopher,  standing  almost 
31  knee-deep  in  the  water  and  carrying  the  Infant  Christ  on 
his  left  shoulder;  the  Saint  wears  a red  cloak  lined 
with  yellow  and  the  Child  is  dressed  in  greenish  blue. 
Berenson  attributes  the  design  to  Antonio  and  the 
execution  to  Piero;  he  also  states  that  this  is  the  fresco 
referred  to  by  Vasari  as  having  been  painted  for  San 
Miniato-fra-le-Torri  in  Florence.  Bode  considers  it  a 
work  of  Sienese-Umbrian  origin. 

H.  1 12  in.  W.  59  in.  (sight).  Fresco  on  plaster. 

Gift  of  Cornelius  Vanderbilt,  1880. 

PONTE,  Jacopo  da.  See  Bassano. 

PONTORMO,  Jacopo.  Italian  (Florentine);  born  1494  at  Pon- 
tormo; died  1557  at  Florence.  Pupil  of  Andrea  del 
Sarto.  Influenced  by  Michelangelo. 

P77-51  A HALBERDIER.  Half-length  standing  figure  of  a slim 
Gallery  young  man  in  a yellow  doublet  with  big  sleeves  and  red 
29  hose.  His  left  hand  rests  on  his  hip  and  he  holds  a halberd 
in  his  right.  There  is  a gold  chain  around  his  neck  and  a 
gold  ornament  in  his  small  red  cap. 

H.  37i  in.  W.  28J  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 


235 


POUSSIN  — PREDIS 

POUSSIN,  Gaspard.  See  Dughet. 

POUSSIN,  Nicolas.  French;  bom  1593  at  Vill^res,  district  of 
Andelys  in  Normandy;  died  1665  at  Rome,  Italy.  Spent 
the  greater  part  of  his  life  in  Rome  where  he  was  in- 
fluenced by  the  school  of  Giulio  Romano.  Landscape 
and  historical  painter. 

P86-1  MYTHOLOGICAL  SUBJECT.  Two  nude  male  figures 
Gallery  recline  on  the  bank  of  a stream;  in  the  foreground  two 
20  infants,  crowned  with  leaves,  clasp  large  vases  from 
which  water  flows.  Listed  in  Smith’s  Catalogue  Rai- 
sonne  under  the  title:  The  Groves  and  Rural  Streams. 
H.  28J-J  in.  W.  38!  in.  Canvas. 

Purchase,  1871. 

School  of  Poussin. 

P86S-1  LANDSCAPE  WITH  FIGURES.  A faun,  standing  in 
Gallery  a stream,  is  bringing  fruit  and  flowers  to  a nymph,  who 
20  lies  on  a blue  drapery  on  the  bank. 

H.  25  in.  W.  29J  in.  Canvas. 

Gift  of  George  H.  Boughton,  1892. 

P86S-2  LANDSCAPE  WITH  FAUN  AND  NYMPH.  A cupid 
Gallery  is  leading  a goat  ridden  by  a nymph,  above  whose  head 

20  a faun  holds  a piece  of  red  drapery;  two  other  cupids 

play  with  baskets  of  flowers. 

H.  25  in.  W.  29!  in.  Canvas. 

Gift  of  George  H.  Boughton,  1892. 

PRATT,  Matthew.  American;  born  1734  at  Philadelphia;  died 
there  1805.  Pupil  of  his  uncle,  James  Claypoole,  in 
Philadelphia;  Benjamin  West  in  London. 

P88-1  THE  AMERICAN  SCHOOL.  (Portraits  of  American 
Gallery  painters  in  the  London  studio  of  Benjamin  West.)  At 
16  the  left,  wearing  green  small-clothes  and  a black  hat, 
stands  West,  correcting  a drawing  held  by  Pratt,  who 
wears  a violet  suit  and  is  seated  near  a table;  a student 
dressed  in  brown  is  seated  before  an  easel  in  the  im- 
mediate foreground  at  the  right;  two  younger  men  are 
at  the  farther  side  of  the  table. 

H.  36  in.  W.  501%  in.  Canvas.  Signed:  M.  Pratt  ad  1765. 
Gift  of  Samuel  P.  Avery,  1897. 

PREDIS,  Ambrogio  de.  Italian  (Milanese);  born  between  1450 
and  1460;  died  after  1506.  Influenced  by  Leonardo 
da  Vinci,  whom  he  assisted. 

236 


r 

f- 


i 

t 


PORTRAIT  OF  THE  ARTIST 
BY  REMBRANDT 


MADAME  CHARPENTIER  AND  HER  CHILDREN 


PREDIS  — PRUDHON 

P91-1  GIRL  WITH  CHERRIES.  A young  woman,  seen  to 
Gallery  the  waist;  she  holds  a dish  of  fruit  from  which  she  lifts 
30  cherries  with  her  right  hand;  her  brown  hair  falls 
over  her  shoulders  and  a garland  of  green  leaves  rests 
on  her  forehead;  she  wears  a low-necked  dress  with  red 
sleeves  slashed  to  show  white  puffs.  Attributed  to 
Leonardo  until  Roger  Fry  in  1906  changed  it  to 
de  Predis;  Berenson  in  1897  ascribed  it  to  Beltraffio. 

H.  I9j  in.  W.  14I  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1890. 

PRENDERGAST,  Maurice  B.  American;  born  1862  at  Boston, 
Mass.;  lives  in  New  York  City.  Pupil  of  Joseph  Blance 
at  the  Julian  Academy  in  Paris.  Landscapes  and  out- 
of-doors  subjects. 

P911-51  THE  PARK.  Figures  of  ladies  in  light  dresses  of  blue. 
Gallery  white,  and  pink  stand  in  thejull  sunlight  in  a landscape 
12  of  lawn  and  trees  and  river.  The  sky  is  light  blue  with 
white  clouds. 

H.  2gi  in.  W.  42 J in.  Canvas.  Signed:  Prendergast. 
Lent  by  Edward  W.  Root,  1919. 

PREYER,  Emilie.  German;  born  1849  Diisseldorf;  lives  there. 
Pupil  of  her  father,  Johann  Wilhelm  Preyer.  Still  life. 

P92-1  FRUIT,  FLOWERS,  ETC.  On  a marble-topped  table 

S.  W.  is  a tray  with  white  grapes,  plums,  peaches,  and  a glass 

Stairway  of  wine;  there  are  flowers  in  another  glass. 

H.  i2y\  in.  W.  15I  in.  Canvas.  Signed:  Emilie  Preyer. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

PREYER,  Johann  Wilhelm.  German;  born  1803  at  Diisseldorf; 

died  there  1889.  Pupil  of  Diisseldorf  Academy.  Still  life. 

P921-1  GRAPES,  PLUMS,  NUTS,  ETC.  A bird  is  perched 

Gallery  on  a twig  above  some  fruit  which  lies  on  the  ground. 

18  H.  13I  in.  W.  i7x^  in.  Canvas.  Signed:  JWPreyer 

1874- 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

PRUDHON,  Pierre.  French;  born  1758  at  Cluny;  died  1823 

Paris.  Pupil  of  Desvoges  in  Doyn;  worked  seven 
years  in  Rome;  spent  most  of  his  life  in  Paris.  Histor- 
ical subjects  and  portraits. 

P95-1  ASSUMPTION  OF  THE  VIRGIN.  The  Virgin, 

237 


PRUDHON  — PUVIS  DE  CHAVANNES 

Gallery  wearing  a light  red  robe  and  a dark  blue  mantle,  is 

20  * ascending  to  heaven  supported  by  three  cherubs;  in  the* 

immediate  foreground  St.  Peter,  holding  the  key,  leans  on 
the  tomb  and  points  upward;  St.  Paul  is  prostrate  in 
the  foreground  at  the  left;  St.  John  with  his  hand  on 
the  empty  tomb,  looks  up  in  wonder;  a golden  light 
breaks  through  the  clouds.  This  is  a sketch  for  the 
picture  exhibited  at  the  Salon  in  1819  and  now  in  the 
Louvre  at  Paris;  another  study  is  in  the  Wallace 
Collection  in  London. 

H.  i8J  in.  W.  9J  in.  Canvas.  Signed:  P.  P.  Prudhon. 
1816. 

Gift  of  Henry  G.  Marquand,  1888. 

PUVIS  DE  CHAVANNES,  Pierre.  French;  born  1824  at  Lyons; 

died  1898  at  Paris.  Pupil  of  Henri  Scheffer  and  of  Couture 
in  Paris.  Mural  paintings. 

P99-1  THE  SHEPHERD’S  SONG.  Le  Chant  du  Berger. 

Gallery  Three  women  are  near  a pool  in  the  foreground,  listening 

21  to  the  pipes  of  a shepherd  seated  on  the  rocks  in  the 
middle  distance  at  the  left;  deep  blue  sea  in  the  distance. 
The  same  composition  was  used  by  Puvis  for  the  decora- 
tion in  the  Palais  des  Arts  at  Lyons,  France. 

H.  4i|  in.  W.  43j  in.  Canvas.  Signed:  P.  Puvis  de 
Chavannes  1891. 

Purchase,  Rogers  Fund,  1906. 

P99-51  CHILD  GATHERING  APPLES.  A woman  lifts  a 
Gallery  partly  nude  boy  toward  the  boughs  of  an  apple  tree, 
21  which  hang  over  a wall  at  the  left. 

H.  33 J in.  W.  2iJ  in.  Canvas.  Signed:  P.  Puvis  de 
Chavannes  93. 

Lent  by  Mrs.  Charles  Du  Pont  Coudert,  1911. 

P99-52  THE  RIVER.  At  the  left,  on  the  shore  of  a river,  are 
Gallery  women  working  and  tending  children;  on  a little  island 
21  near  by  three  women  are  bathing;  back  of  the  foreground 

groups  men  are  building  a bridge;  a covered  barge  is 
beyond  the  island;  level  country  on  the  far  shore.  An 
allegory  of  the  fecundity  of  Picardy;  painting  for  the  right 
half  of  Ave  Picardia  nutrix  (Hail  Picardy  nurse),  a deco- 
ration in  the  Amiens  Museum. 

H.  51  in.  W.  99j  in.  Canvas.  Signed:  P.  Puvis  de 
Chavannes.  Bulletin,  1915,  p.  75. 

Lent  by  John  Quinn,  1915. 

238 


P99-53 

Gallery 

21 


P99-54 

Gallery 

21 


P99-55 

Gallery 

21 


PUVIS  DE  CHAVANNES 

THE  CIDER.  At  the  right  a woman  is  seated  against  a 
brick  wall  with  a child  in  her  lap  and  another  in  a cradle; 
beside  her  an  old  man  and  an  old  woman  are  watching 
women  and  children  carrying  apples  to  a man  seated  on 
the  rim  of  a great  vat;  beyond,  under  a shelter  of  thatch, 
four  men  turn  a grain  mill;  at  the  extreme  right  a house 
is  being  built  and  near  it  is  a shepherd  with  his  flock. 
Painting  for  the  left  half  of  Ave  Picardia  nutrix. 

H.  51  in.  W.  99j  in.  Canvas.  Signed:  P.  Puvis  de 
Chavannes.  Bulletin,  1915,  p.  75. 

Lent  by  John  Quinn,  1915. 

BEHEADING  OF  SAINT  JOHN  THE  BAPTIST.  In 
the  center  of  the  prison  courtyard,  in  front  of  a fig  tree, 
kneels  St.  John,  looking  straight  ahead  of  him  with  his 
palms  outstretched;  at  the  left  the  executioner  swings 
his  sword  to  strike  off  the  Saint’s  head;  Salome  has  entered 
the  door  at  the  right  and  stands  waiting  with  the  charger 
in  her  right  hand. 

H.  49  in.  W.  65!  in.  Canvas.  Signed:  Puvis  de  Cha- 
vannes 1869.  Bulletin,  1915,  p.  75. 

Lent  by  John  Quinn,  1915. 

THE  YOUTH  OF  SAINT  GENEVIEVE.  In  the 
border  is  an  inscription  which,  translated,  is  as  follows: 
*‘In  the  year  429,  St.  Germain  of  Auxerre  and  St.  Loup 
of  Troyes,  traveling  to  England  to  combat  the  heresies  of 
Pelagius,  arrive  in  the  neighborhood  of  Nanterre.  In  the 
crowd  that  gathers  to  meet  them,  St.  Germain  dis- 
tinguishes a child  who  he  perceives  is  marked  with  the 
divine  seal.  He  questions  her  and  foretells  to  her 
parents  the  high  destiny  to  which  she  is  called.  This 
child  was  Saint  Genevieve,  the  patron  saint  of  Paris.” 
In  the  center  panel  the  Saints  meet  the  child  Genevieve 
in  the  company  of  her  parents  and  neighbors.  At  the 
left  a boat  with  four  sailors  is  close  to  the  shore  in  the 
foreground  and  beyond  people  are  carrying  a sick  man 
from  a stone  house  in  the  hope  that  the  Saint  may  heal 
him.  In  the  right-hand  panel  a woman  is  milking  a 
cow  under  a thatched  shed  in  the  foreground  and  beyond 
are  country  people,  some  of  them  holding  the  bishop’s 
mules.  These  panels  and  the  following  are  the  studies 
for  the  mural  decorations  in  the  Pantheon,  Paris.  See 
Bulletin,  1916,  p.  134. 

H.  52J  in.  W.  center,  34  in.;  each  end,  32j  in.  Canvas. 

.239 


P99-56 

Gallery 

21 


P99-57 

Gallery 

21 


P99-510 

Gallery 

21 


P99-511 

Gallery 

21 


PUVIS  DE  CHAVANNES 

Signed:  P.  Puvis  de  Chavannes  79. 

Lent  by  Mrs.  James  Byrne,  1916. 

PROCESSION  OF  SAINTS.  (These  are  the  patron 
saints  of  France.  Portraits  of  the  artist  and  of  his 
friends  are  introduced,  his  own  being  the  second  from 
the  right.)  A procession  of  twenty  saints  proceeding 
from  right  to  left:  the  monster  in  the  center  panel  is  the 
dragon  that  St.  Margaret  subdued.  Three  panels 
enclosed  in  a border,  forming  the  frieze  above  the  pre- 
ceding, The  Youth  of  Saint  Genevieve,  in  the  Pantheon 
decorations. 

H.  3oJ  in.  W.  center,  35 J in.;  each  end,  33i  in.  Canvas. 
Lent  by  Mrs.  James  Byrne,  1916. 

FAITH,  HOPE,  AND  CHARITY  AT  THE  CRADLE 
OF  SAINT  GENEVIEVE.  Three  angels  stand  back 
of  the  cradle  and  a lamb  lies  in  front  of  it.  Enclosed 
in  a border.  This  forms  the  frieze  over  the  single  panel 
in  the  Pantheon  where  St.  Genevieve  is  shown  in  prayer. 
H.  3oJ  in.  W.  30  in.  Canvas. 

Lent  by  Mrs.  James  Byrne,  1916. 

LUDUS  PRO  PATRIA.  Color  sketch  for  a decoration 
of  the  Museum  of  Picardy,  Amiens.  In  the  center  a 
group  of  men  throw  the  javelin  in  a contest  while  old  men, 
women,  and  children  watch.  At  the  left  women  tend 
their  children  and  draw  water. 

H.  13!  in.  W.  53  in.  Canvas.  Signed:  P.  Puvis  de 
Chavannes. 

Lent  by  Mrs.  Harry  Payne  Bingham,  1920. 

INTER  ARTES  ET  NATURAM.  Color  sketch  for  a 
decoration  of  the  Museum  of  Rouen.  A number  of 
figures  representing  the  arts  are  grouped  in  a grove  of 
apple  trees  overlooking  the  river  and  the  city  of  Rouen. 
To  the  right  a painter  sketches  leaning  against  a tree;  in 
the  center  builders  work  with  blocks  of  stone;  at  the  left 
a potter  carries  his  work  on  a tray  on  his  head. 

H.  16  in.  W.  44J  in.  Canvas.  Signed:  P.  Puvis  de 
Chavannes. 

Lent  by  Mrs.  Harry  Payne  Bingham,  1920. 


240 


R 

RAEBURN,  Sir  Henry.  British  (Scotch);  born  1756  at  Stock- 
bridge  near  Edinburgh;  died  1823  at  Edinburgh.  Pupil 
of  David  Martin  in  Edinburgh;  later  lived  in  London. 
Portraits. 

R12-1  WILLIAM  FORSYTH.  Life-size  figure,  seen  to  the 
Gallery  waist  with  the  face  nearly  full-front;  he  wears  a blue- 
14  black  coat,  white  vest  and  white  ruffled  shirt  front;  his 
complexion  is  florid;  brown  background. 

H.  30  in.  W.  24I  in.  Canvas. 

Gift  of  Arthur  Hoppock  Hearn,  1896. 

R12-2  DR.  JOSEPH  BLACK.  (1728-1799;  a chemist  who  was 
Gallery  professor  of  medicine  in  the  Glasgow  University  and 
24  professor  of  chemistry  at  the  University  of  Edinburgh.) 
Life-size, seated  figure,  seen  to  below  the  knees;  both  arms 
rest  on  the  arms  of  the  mahogany  chair,  the  seat  of  which 
is  upholstered  in  red;  a dark  red  curtain  is  draped  in  the 
background  showing  a landscape  through  a window  at  the 
left. 

H.  5o|f  in.  W.  40J  in.  Canvas.  Bulletin,  1912,  p.  76,  ill. 
Gift  of  Victor  G.  Fischer,  1912. 

RAFFAELLI,  Jean  Francois.  French;  born  1850  at  Paris; 

lives  there.  Pupil  of  Jean  Leon  Gerome.  Genre,  chiefly 
street  scenes. 

R121-1  PLACE  ST.  GERMAIN  DES  PRES,  PARIS.  A church 
Gallery  and  other  buildings  near  an  open  square;  the  foreground 
21  is  in  shadow;  in  the  sunlight  beyond,  people,  omnibuses, 
and  carriages  are  passing. 

H.  27J  in.  W.  3iJ  in.  Canvas.  Signed:  J F RAF* 
FAELLI. 

Purchase,  Wolfe  Fund,  1908. 


241 


RAFFAELLI  — RAPHAEL 

R121-2  MR.  FLETCHER^S  NEW  YORK  RESIDENCE.  The 
Gallery  house  at  the  southeast  corner  of  Fifth  Avenue  and  79th 
21  Street;  seen  in  autumn  from  Central  Park,  with  trees  to 
the  left  and  groups  of  loungers. 

H.  23J  in.  W.  32  in.  Canvas.  Signed:  J.  F.  Raffaelli. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

RAIBOLINI,  Francesco.  See  Francia. 

RAMBERG,  Arthur  Georg  von.  Austrian;  born  1819  at 
Vienna;  died  1875  at  Munich.  Pupil  of  the  Prague 
Academy  and  of  the  Dresden  Academy  under  Hiibner. 

R14-1  THE  MEETING  ON  THE  LAKE.  A young  woman 
S.  W.  in  a pink  and  white  dress  is  in  a rowboat  and  a young 
Stairway  man  in  another  boat  is  holding  her  hand. 

H.  45i  in.  W.  36^  in.  Canvas.  Signed:  Ramberg- 

1869. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RAND,  Ellen  Emmet;  Mrs.  William  B.  Rand.  See  Emmet. 

RANGER,  Henry  W.  American;  born  1858  in  New  York  State; 
died  1916  in  New  York  City.  Landscapes. 

R15-1  SPRING  WOODS.  In  the  foreground  are  brown  and 
Gallery  yellow  leaves  with  gray  rocks  protruding;  a stone  wall  is 
13  in  the  middle  distance  and  beyond  are  the  woods. 

H.  28  in.  W.  36  in.  Canvas.  Signed:  H.  W.  Ranger. 
Bulletin,  1906,  p.  56. 

Gift  of  George  A.  Hearn,  1906. 

R15-2  HIGHBRIDGE,  NEW  YORK.  In  the  foreground  at 
Gallery  the  right  is  the  steep  grassy  slope  of  Highbridge  Park  with 
12  the  water  tower  beyond;  in  the  middle  distance  the  arches 
of  Highbridge,  in  bright  sunlight,  are  reflected  in  the 
Harlem  River;  two  boats,  drawn  by  a steam  tug,  are  ap- 
proaching the  bridge;  the  roofs  and  smoke  stacks  of 
the  city  are  in  the  distance;  iridescent  sky  with  pinkish 
clouds. 

H.  4oJ  in.  W.  49J  in.  Canvas.  Signed:  H.W.  Ranger. 
1905  - Bulletin,  1907,  p.  89,  ill. 

Gift  of  William  T.  Evans,  1907. 

RAPHAEL;  real  name  Raphaello  Sanzio.  Italian;  born  1483 
at  Urbino;  died  1520  at  Rome.  Pupil  first  of  Timoteo 
Viti,  later  became  assistant  and  pupil  of  Perugino;  went 
to  Florence,  where  he  was  associated  with  Fra  Barto- 


242 


RAPHAEL  — RECCO 

lommeo  and  influenced  by  Leonardo  and  Michaelangelo; 
in  1508  went  to  Rome  to  decorate  the  Vatican  Stanze 
and  the  rest  of  his  life  was  passed  in  that  city. 

R18-1  VIRGIN  AND  CHILD  ENTHRONED  WITH  SAINTS. 

Gallery  The  Virgin,  in  a red  dress  and  a mantle  of  blue-black 
1 1 dotted  with  gold,  sits  on  a raised  throne  backed  with  a 

cloth  of  crimson  and  gold  and  under  a circular  canopy  with 
green  hangings;  the  Child,  seated  on  her  knee,  is  dressed 
in  white  and  blesses  the  infant  St.  John,  who  wears  a 
camel-skin  shirt  and  red  tunic;  in  the  foreground  stand 
the  two  apostles,  St.  Peter  at  the  left,  in  a dark  blue 
robe  and  brown  mantle  with  the  gold  and  silver  keys  of 
Heaven  and  Hell,  and  St.  Paul  at  the  right,  in  a black 
robe  and  red  mantle,  leaning  on  his  sword;  back  of  St. 
Peter  is  St.  Catherine  of  Alexandria,  wearing  a dark 
purple  dress  and  green  cloak,  her  right  hand  resting  on 
the  wheel  upon  which  she  was  martyred;  back  of  St.  Paul 
is  St.  Cecilia  in  green  with  a light  gray  cloak,  and  with  the 
palm  of  martyrdom,  the  book  of  wisdom,  and  her  attri- 
bute of  a crown  of  pink  and  white  roses.  In  the  lunette 
above,  God  the  Father  is  blessing  and  on  each  side  of 
him  are  an  adoring  angel  and  a cherub’s  head.  (The 
Madonna  di  San  Antonio,  ordered  by  the  nuns  of  the 
Convent  of  St.  Anthony  of  Padua  at  Perugia,  was  begun 
in  1504  and  completed  in  1505,  after  the  artist’s  visit 
to  Florence.  Also  known  as  the  Colonna  altarpiece 
because  it  was  in  the  possession  of  the  Colonna  family 
from  shortly  after  1677,  when  it  was  sold  by  the  nuns, 
• until  1802.  See  Bulletin,  1913,  p.  5.) 

H.  68  in.  W.  67I  in.;  lunette,  H.  30  in.  W.  72J  in. 
Wood.  Bulletin,  1913,  pp.  2,  52,  ill.  p.  3;  1916,  ill.  p.  59. 
Gift  of  J.  Pierpont  Morgan,  1916. 

RAVESTEYN,  Jan  Anthonisz.  van.  Dutch;  born  about  1572; 

died  1657  at  The  Hague,  where  he  had  been  a member  of 
the  guild  of  St.  Luke  since  1598.  Portraits. 

R19-1  PORTRAIT  OF  A LADY.  Life-size,  seen  to  the  waist; 

she  is  dressed  in  black  with  a wide  fluted  white  neck  ruff 
and  a white  lace  cap. 

H.  26|  in.  W.  22|  in.  Wood.  Signed:  Anno  1635 
J V R.  (entwined)  F. 

Gift  of  Henry  Goldman,  1912. 

RECCO,  Giuseppe.  Italian  (Neapolitan);  born  1634  at  Naples; 

died  1695  at  Madrid  or  at  Naples.  Pupil  of  A.  Falcone 
andP.  Porpora;  worked  at  the  Spanish  court.  Still  life. 


243 


RECCO— REID 

R24-1  FRUIT.  Pomegranates,  grapes,  and  other  fruits  on  a 
rocky  ledge;  a lizard  is  in  the  foreground.  Purchased 
as  a Velazquez. 

H.  24i  in.  W.  29  in.  Canvas. 

Purchase,  1871. 

RE DF I ELD,  Edward  W.  American;  born  1868  at  Bridgeville, 
Del.;  lives  at  Centre  Bridge,  Pa.  Pupil  of  the  Penn- 
sylvania Academy  of  the  Fine  Arts  in  Philadelphia; 
Bouguereau  and  Robert-Fleury  in  Paris.  Landscapes. 

R241-1  OVERLOOKING  THE  VALLEY.  Hilly  country  in 

Gallery  early  spring  with  bare  trees  and  melting  snow. 

12  H.3ijin.  W.  39y\  in.  Canvas.  Signed:  E.  W.  RED- 
FIELD.  Bulletin,  1916,  p.  265,  ill. 

Gift  of  Mrs.  E.  H.  Harriman,  1916. 

REGNAULT,  Alexandre  Georges  Henri.  French;  born  1843 
at  Paris;  died  1871  during  the  attack  on  Buzenval  in  the 
Franco-Prussian  war.  Son  of  the  celebrated  chemist, 
professor  at  the  College  of  France,  then  director  of  the 
Sevres  manufactory,  pupil  of  Montfort  and  Cabanel; 
worked  in  Rome,  Spain,  and  Tangiers. 

R26-1  SALOME.  (The  moment  chosen  is  after  the  dance 

Gallery  before  Herod  when  Salome  claims  as  her  reward  the 
21  head  of  St.  John  the  Baptist.)  Full-length  figure  of  a 
young  woman  with  black  hair,  seated  on  a black  coffer 
inlaid  with  mother  of  pearl;  back  of  her  hangs  a lemon 
yellow  curtain;  on  her  lap  in  a golden  platter  is  a large 
sheathed  knife;  she  wears  a yellow  satin  tunic  fastened 
on  the  right  shoulder  by  a silver  and  ivory  medallion 
and  below  it  is  an  armlet  in  the  form  of  a serpent  of  green 
enamel  with  ruby  eyes;  a pink  scarf  is  over  her  left 
shoulder,  the  skirt  is  of  spangled  golden  gauze,  and  a 
white  mantle  bordered  with  yellow  hangs  over  her  left 
arm  and  falls  at  her  side  on  a tiger  skin  and  an  Oriental 
rug;  her  bare  feet  are  in  slippers. 

H.  63  in.  W.  qoy'V  in.  Canvas.  Signed:  HRegnault 

Rome  1870.  Bulletin,  1916,  p.  164;  ill.  p.  163. 

Gift  of  George  F.  Baker,  1916. 

REID,  Robert.  American;  born  1862  at  Stockbridge,  Mass.; 

lives  in  New  York  City.  Pupil  of  Boston  Museum  School 
of  Drawing  and  Painting;  Art  Students’  League  of  New 
York;  Boulanger  and  Lefebvre  in  Paris.  Also  mural 
painter. 

244 


! 


HON.  HENRY  FANE  WITH  HIS  GUARDIANS,  INIGO  JONES  AND  CHARLES  BLAIR 
BY  SIR  JOSHUA  REYNOLDS 


BY  PETER  PAUL  RUBENS 


REID  — REMBRANDT 

R27-1  FLEUR-DE-LYS.  A young  woman  wearing  a pale 
Gallery  purple  dress  is  seated  at  the  right;  purple  iris  plants  in 
15  flower  and  a slat  fence  form  the  background. 

H.  44I  in.  W.  42J  in.  Canvas.  Signed:  Robert  Reid. 
Purchase,  Hearn  Fund,  1907. 

REMBRANDT  HARMENSZ.  VAN  RYN.  Dutch;  born  1606 
at  Leyden;  died  1669  at  Amsterdam.  Pupil  of  Jacob 
van  Swanenburgh  at  Leyden  and  of  Pieter  Lastman  at 
Amsterdam,  where  Rembrandt  settled  about  1632. 
Portraits,  figure  subjects,  landscapes.  Also  etcher. 

R28-1  MAN  WITH  A BEARD.  Life-size  portrait  of  a man, 

Gallery  seen  full-face  and  almost  to  the  waist;  he  has  long  dark 

26  hair,  and  full  dark  beard;  the  gown  is  brown  with 

a full  white  turned-over  neck-band  with  cord  and 
tassels;  he  wears  a broad-brimmed  hat  that  throws 
a shadow  over  his  face  leaving  the  light  only  on  the  right 
cheek  and  the  side  of  the  nose.  Listed  by  Bode  No.  496. 
H.  28I  in.  W.  25i  in.  Canvas.  Signed:  Rembrandt 

F.  1665. 

Gift  of  Henry  G.  Marquand,  1888. 

R28-2  PORTRAIT  OF  A MAN.  Life-size  figure,  seen  to  the 

Gallery  waist  with  the  arms  folded  and  the  left  wrist  showing;  he 

26  has  a slight  moustache  and  his  brown  hair  falls  over  a 

square  flat  collar;  his  coat  is  black  and  a high-crowned, 
broad-brimmed  black  hat  casts  a shadow  over  his  fore- 
head and  part  of  the  left  side  of  the  face,  which  is  strongly 
lighted  on  the  right  side.  Listed  by  Bode  No.  495. 

H.  32I  in.  W.  25!  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1890. 

R28-3  PORTRAIT  OF  A YOUNG  WOMAN.  Head  and 
Gallery  shoulders  of  a young  woman  who  wears  a black  dress, 
39  white  fluted  ruff,  and  winged  white  cap.  Listed  by  Bode 
No.  561. 

• H.  26|^  in.  W.  19J  in.  Wood;  oval.  Signed:  Rem- 

brandt f.  1633. 

Bequest  of  Benjamin  Altman,  1913. 

R28-4  OLD  WOMAN  IN  AN  ARM-CHAIR.  Seated  figure, 
Gallery  seen  to  below  the  knees,  with  both  hands  on  the  arms  of 
39  the  chair;  she  wears  a black  silk  dress,  a wide,  fluted  white 
ruff,  and  a winged  white  cap.  Listed  by  Bode  No.  224. 

H.  50y\in.  W.  39iV  in.  Canvas.  Signed:  Rembrandt 
f.  1635. 

Bequest  of  Benjamin  Altman,  1913. 


245 


R28-5 

Gallery 

39 


R28-6 

Gallery 

39 


R28-7 

Gallery 

39 


R28-8 

Gallery 

39 


REMBRANDT 

PORTRAIT  OF  A MAN.  Life-size  figure,  seen  to  the 
waist,  the  head  turned  three-quarters  to  the  right;  the 
left  hand,  holding  a pair  of  gloves,  rests  upon  the  partly 
seen  right  hand;  his  pointed  beard  and  moustache  are 
light  brown;  he  wears  a high,  broad-brimmed  hat,  black 
cloak,  and  flat,  turned-down  white  collar  with  tassels. 
Listed  by  Bode  No.  277  as  An  Elderly  Man  with  a Pointed 
Gray  Beard,  erroneously  called  Cornelius  Jansenius. 

H.  3ijin.  W.  26^  in.  Wood.  Signed:  Rembran — f. 
164-  (end  of  signature  and  date  lost  in  turn-over  of  canvas). 
Bequest  of  Benjamin  Altman,  1913. 

TOILET  OF  BATHSHEBA  AFTER  THE  BATH. 
Nude  figure  of  Bathsheba  seated  on  a stone  bench  covered 
with  rugs,  at  the  edge  of  a bathing  pool  in  a garden;  squat- 
ting before  her,  an  old  woman  trims  her  toe-nails;  a ser- 
vant, standing  back  of  her,  combs  her  hair;  a ewer  and 
jewels  are  on  the  bench  beyond  her;  two  peacocks  are  on 
the  step  of  the  pool  in  the  immediate  foreground  at  the 
right;  foliage  back  of  the  figures  and  in  the  distance  at 
the  left  the  royal  palace  with  King  David  dimly  seen  on 
the  roof;  the  light  is  concentrated  on  the  figure  of  Bath- 
sheba. Listed  by  Bode  No.  246. 

H.  22^  in.  W.  29^f  in.  Wood.  Signed:  Rembrandt 
Ft-1643. 

Bequest  of  Benjamin  Altman,  1913. 

MAN  WITH  A STEEL  GORGET.  Life-size  figure,  seen 
to  below  the  waist;  his  right  hand  is  extended  and  the 
gloved  left  hand,  grasping  the  other  glove,  is  held  at  his 
breast;  his  long  hair,  moustache,  and  pointed  beard  are 
dark  brown;  he  wears  a soft  black  cap,  a dark  brown  cloak 
over  a shirt  of  mail,  a gold  chain  with  pendent  jewel,  and 
a steel  gorget  above  which  shows  a white  neck-band. 
Listed  by  Bode  No.  271  as  the  so-called  Connetable  de 
Bourbon. 

H*  37tV  iri-  W.  3of  in.  Canvas.  Signed:  Rembrandt 
f.  1644. 

Bequest  of  Benjamin  Altman,  1913. 

THE  ARTISTS  SON  TITUS.  (1641-1668;  son  of 
Rembrandt  and  his  wife,  Saskia  van  Uylenborch.)  A 
youth  seen  full-face  to  the  waist,  wearing  a costume  of 
dark  red  over  a white  guimpe,  a black  velvet  cap  with 
white  feather,  and  gold  earrings.  Listed  by  Bode  No. 
442. 


246 


REMBRANDT 

H.  315  in.  W.  23y\  in.  Canvas.  Signed:  Rembrandt  f. 
1655- 

Bequest  of  Benjamin  Altman,  1913. 

R28-9  HENDRICKJE  STOFFELS.  (A  member  of  Rem- 
Gallery  brandt’s  household.)  Life-size  figure,  turned  three- 
39  quarters  to  the  left  and  seen  to  below  the  waist;  she  wears 
a red  dress  with  white  at  the  neck  opening;  a fur  cloak  is 
over  her  right  arm;  there  is  a touch  of  red  on  her  dark 
brown  hair;  she  has  pearl  bead  necklace  and  earring  and 
plays  with  a double  string  of  beads  on  her  left  wrist. 
Pronounced  by  Hofstede  de  Groot  to  be  a work  by  Rem- 
brandt painted  about  1656. 

H.  33i  in.  W.  24y'V  in.  Canvas.  Signed:  Rembrandt. 
Bequest  of  Benjamin  Altman,  1913. 

R28-10  PORTRAIT  OF  A YOUNG  MAN.  Life-size  figure  of  a 
Gallery  thin  young  man  seen  to  below  the  waist ; he  is  facing  three- 
39  quarters  to  the  right  and  holds  a note-book  before  him 
with  both  hands;  he  has  long  brown  hair  and  a slight 
moustache  and  wears  a black  velvet  cap  and  a dark 
brown  coat  trimmed  with  fur  and  lace.  It  has  errone- 
ously been  called  a portrait  of  Thomas  Jacobz  Haring, 
the  Auctioneer.  Listed  by  Bode  No.  458  as  A Young 
Man  Holding  a Note-book. 

H.  42}  in.  W.  34  in.  Canvas.  Signed:  Rembrandt  F. 
1658. 

Bequest  of  Benjamin  Altman,  1913. 

R28-11  OLD  WOMAN  CUTTING  HER  NAILS.  Life-size 
Gallery  figure  seated  in  an  arm-chair  in  the  immediate  foreground 
39  and  seen  to  below  the  knees;  both  hands  are  raised  in  the 
act  of  cutting  her  nails  with  a pair  of  scissors.  She  wears 
a dark  brown  under-dress  and  a heavy  reddish  gown  open 
in  a deep  point  edged  with  brown  fur,  above  which  there 
is  a white  chemisette;  a yellow  scarf  is  over  her  head  and 
shoulders;  at  the  left,  in  the  background  of  the  dark  room, 
is  an  unmade  bed.  Listed  by  Bode  No.  477. 

H.  49f  in.  W.  40J  in.  Canvas.  Signed:  Rembrandt 
1658. 

Bequest  of  Benjamin  Altman,  1913. 

R28-12  PORTRAIT  OF  THE  ARTIST.  Life-size,  bust  por- 
Gallery  trait,  turned  slightly  to  the  right;  he  wears  a black  velvet 
39  cap  and  a brown  robe  over  a red  undergarment.  Listed 
by  Bode  No.  429;  painted  when  the  artist  was  54  years  of 
age. 


247 


R28-I3 

Gallery 

39 


R28-14 

Gallery 

39 


R28-15 

Gallery 

39 


R28-16 

Gallery 

26 


REMBRANDT 

H.  3ifin.  W.  26§  in.  Canvas.  Signed:  Rembrandt,  f 
1660. 

Bequest  of  Benjamin  Altman,  1913. 

PILATE  WASHING  HIS  HANDS.  Pilate,  wearing  a 
black  velvet  cap  and  a yellow  mantle  over  a black  robe,  is 
seen  to  the  knees  seated  at  the  right,  washing  his  hands 
over  a golden  basin  into  which  a page,  dressed  in  green, 
pours  water  from  a golden  ewer;  an  old  man,  with  white 
hair  and  beard,  who  wears  a pale  yellow  robe  and  cap, 
stands  back  of  Pilate;  beyond,  at  the  left,  are  soldiers 
with  spears.  Listed  by  Bode  No.  532. 

H.  51/^  in.  W.  65}  in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

MAN  WITH  A MAGNIFYING-GLASS.  Life-size 
figure,  seen  to  below  the  waist  and  turned  slightly  to  the 
right;  in  his  right  hand  he  holds  a small  magnifying-glass; 
he  has  long  brown  hair  and  a moustache  and  chin  tuft; 
his  dark  brown  coat  is  closely  fastened  at  the  neck  with 
a small  white  neck-band  showing  above  it.  Considered 
by  W.  R.  Valentiner  to  be  a portrait  of  Rembrandt’s  son 
Titus  shortly  after  his  marriage  in  1668,  but  he  was  only 
27  years  of  age  at  that  time.  Listed  by  Bode  No.  535. 
H.36in.  W.  29I  in.  Canvas.  Bulletin,  1913,  ill.  p.  234. 
Bequest  of  Benjamin  Altman,  1913. 

LADY  WITH  A PINK.  Life-size  figure,  seen  to  below 
the  waist  and  turned  three-quarters  to  the  left;  a red 
carnation  is  held  in  her  right  hand,  which  rests  on  the  left 
one  in  her  lap;  a string  of  pearls  is  about  her  neck  and  a 
pearl  pendant  in  her  ear;  she  wears  a dark  red  dress  cut 
square  at  the  neck,  showing  a white  guimpe.  This  is  a 
companion  picture  to  the  Man  with  a Magnifying-Glass 
and  is  supposed  by  W.  R.  Valentiner  to  be  Magdalena 
Van  Loo,  the  wife  of  Titus.  Listed  by  Bode  No.  536. 

H.  365  in.  W.  29y\  in.  Canvas.  Bulletin,  1913,  p.  235. 
Bequest  of  Benjamin  Altman,  1913. 

HEAD  OF  CHRIST.  Life-size  head,  face  turned  three- 
quarters  to  the  right;  long  black  hair  and  beard,  the 
outlines  lost  in  the  dark  background.  He  wears  a brown 
tunic.  According  to  Bode’s  catalogue  (No.  414),  the 
picture  was  painted  about  1659. 

H.  i8jin.  W.  i4^in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

248 


REMBRANDT 

R28-17  THE  NOBLE  SLAV.  Life-size  standing  figure,  seen 
Gallery  to  the  knees,  of  an  old  man  with  thin  gray  mustache  and 
26  beard.  He  is  clothed  in  gold-colored  oriental  robes  and 
a jeweled  turban.  Rembrandt’s  father  probably  posed 
for  this  painting. 

H.  60J  in.  W.  43 J in.  Canvas.  Signed:  R.  L.  van 
Rijn  1632. 

Bequest  of  William  K.  Vanderbilt,  1920. 

R28-52  PORTRAIT  OF  TITUS.  The  son  of  Rembrandt  is  seen 
Gallery  to  the  waist  seated  in  a chair  and  resting  his  chin  in  his 
26  right  hand.  He  wears  a brown  coat  showing  a white 

collar  at  the  neck  and  a red  undersleeve.  A black  velvet 
student’s  cap  is  on  his  brown  curls. 

H.  32  in.  W.  27I  in.  Canvas;  oval  top.  Signed:  Rem- 
brandt 1660. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

School  of  Rembrandt. 

R28S-1  ADORATION  OF  THE  SHEPHERDS.  The  shepherds 
kneel  around  the  Infant  who  lies  upon  a bed  of  straw 
in  the  dark  interior  of  a stable;  at  His  head  sits  the  Virgin  * 
wearing  a red  bodice  and  yellow  headdress;  a supernatural 
light  emanates  from  the  Child  and  illumines  the  surround- 
ing figures.  This  picture  is  an  old  copy  of  the  Adoration 
of  the  Shepherds  by  Rembrandt  in  the  National  Gallery 
ip  London. 

H.  24i  in.  W.  21  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

R28S-2  PORTRAIT  OF  A YOUNG  MAN.  Life-size,  bust  por- 
Gallery  trait  of  a youth  with  the  head  turned  slightly  to  the  right; 
26  he  wears  a broad-brimmed  black  hat,  a black  coat,  and  a 
full,  wide  white  collar  edged  with  lace;  dark  background. 
H.  23!  in.  W.  20J  in.  Wood.  Bulletin,  191 5,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

R28S-3  PORTRAIT  OF  A YOUNG  WOMAN.  Life-size,  bust 
Gallery  portrait  with  the  head  turned  slightly  to  the  left;  she 
26  wears  a black  dress  and  a wide,  fluted  white  ruff  above 
which  is  a string  of  pearls;  her  tightly  drawn  brown  hair 
shows  beneath  a small  dark  headdress  with  pearl  edging; 
dark  background.  Companion  picture  to  R28S-2. 

H.  23J  in.  W.  2o|  in.  Wood.  Bulletin,  191 5,  p.  88. 


249 


REMBRANDT  — RENOIR 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

REMINGTON,  Frederic.  American; born  1861  at  Canton,  N.  Y.; 

died  1909  at  Ridgefield,  Conn.  Pupil  of  Yale  School  of 
the  Fine  Arts  at  New  Haven.  Lived  chiefly  near  New 
York  City.  Frontier  subjects. 

R281-1  CAVALRY  CHARGE  ON  THE  SOUTHERN  PLAINS. 

A company  of  mounted  troops  is  galloping  toward  the 
left  across  a plain  in  strong  sunlight  and  shadow. 
H.3oJin.  W.  5ijin.  Canvas.  Signed:  Frederic  Rem- 
ington 1907. 

Gift  of  several  gentlemen,  1911. 

RENI,  Guido.  Italian  (Bolognese);  born  1575  near  Bologna;  died 
there  1642.  One  of  the  famous  school  of  Eclectics 
founded  by  the  Carracci  in  Bologna. 

R29-1  THE  PASSING  OF  JOSEPH.  St.  Joseph  is  lying  on 

Gallery  a bed  covered  with  a brown  coverlet,  supported  by  an 

28  angel  with  white  wings  and  a green  mantle  and  faint 

mauve  robe;  his  hands  are  crossed  on  his  breast.  The 
Virgin  in  a red  and  blue  robe  and  yellow  mantle  kneels 
at  the  foot  of  his  bed. 

H.  62^  in.  W.  485  in.  Canvas. 

Purchase,  Rogers  Fund,  1920. 

RENOIR,  Pierre  Auguste.  French;  born  1841  at  Limoges; 

died  1919  at  Paris.  Pupil  of  Ecole  des  Beaux-Arts  in  Paris 
under  Gleyre;  influenced  by  Manet.  Portraits,  lands- 
scapes,  still  life. 

R291-1  MADAME  CHARPENTIER  AND  HER  CHILDREN. 
Gallery  (The  family  of  the  French  publisher,  Gustave  Charpen- 
21  tier.)  A lady  wearing  a black  silk  dress  is  seated  on  a sofa; 
beside  her  sits  a child  and  in  the  foreground  at  the  left 
another  little  girl  is  sitting  on  the  backof  a black  and  white 
St.  Bernard  dog;  the  children  wear  blue  and  white  low- 
necked  short-sleeved  frocks;  in  the  background  at  the  right 
are  a bamboo  chair  and  a table  with  fruit  and  flowers;  reds 
and  yellows  predominate  in  Japanese  rug  and  wall 
hangings. 

H.  6o|  in.  W.  74I  in.  Canvas.  Signed:  Renoir  . 78. 
Bulletin,  1907,  p.  102,  ill. 

Purchase,  Wolfe  Fund,  1907. 


250 


RENOUF  — REYNOLDS 

RENOUF,  Emile.  French;  born  1845  at  Paris;  died  1894  at 
Havre.  Pupil  of  Boulanger,  Lefebvre,  and  Carolus- 
Duran.  Marines. 

R292-1  AFTER  A STORM.  Small  fishing-boats  are  drawn  up 
on  the  beach  out  of  reach  of  the  waves;  the  sea  is  at  the 
left;  gray  sky. 

H.46Jin.  W.  80  in.  Canvas.  Signed:  E.  Renouf.  1887. 
Gift  of  William  Schaus,  Jr.,  1887. 

REYNOLDS,  Sir  Joshua.  British  (English);  born  1723  at  Plymp- 
ton  Earl,  near  Plymouth;  died  1792  at  London.  Was 
apprenticed  to  Thomas  Hudson  in  London  about  1740; 
traveled  in  Italy  1749  to  1750.  Settled  in  London  and 
was  elected  President  of  the  Royal  Academy  at  the  time 
of  its  foundation  in  1768.  Portraits. 

R33-1  SIR  EDWARD  HUGHES.  (1717-1794;  appointed 

Gallery  Admiral  in  1778.)  Life-size  figure,  seen  to  the 
2/\  waist;  he  wears  a white  wig;  a ruffled  white  shirt  front 
shows  at  the  edge  of  his  blue  coat,  which  is  trimmed  with 
gold  braid;  on  his  breast  are  a silver  star  and  the  red 
ribbon  of  the  Order  of  the  Bath. 

H.  29 J in.  W.  24!  in.  Canvas. 

Purchase,  i87r. 

R33-2  HON.  HENRY  FANE  WITH  HIS  GUARDIANS, 

Gallery  INIGO  JONES  AND  CHARLES  BLAIR.  (The 
24  Hon.  Henry  Fane,  second  son  of  the  eighth  earl  of 
Westmorland,  died  June  4,  1802.  Charles  Blair  was  his 
brother-in-law.)  A terrace;  Fane,  wearing  a white  silk 
coat  and  breeches  and  a blue  waistcoat  embroidered  in 
gold,  is  seated  beside  a table,  a greyhound  at  his  feet;  Inigo 
Jones,  dressed  in  blue,  is  seated  behind  the  table  at  the  left ; 
and  Charles  Blair,  wearing  a red  coat  lined  with  green,  a 
long  green  waistcoat,  buff  breeches,  and  top  boots  with 
spurs,  stands  at  the  right.  A statue,  trellis,  and  shrubbery 
are  back  of  the  group  at  the  left;  a stream  and  distant 
hills  are  seen  at  the  right.  Inscribed  with  the  names  of 
the  three  sitters. 

H.  looj  in.  W.  142  in.  Canvas. 

Gift  of  Junius  S.  Morgan,  1887. 

R33-3  LADY  CAREW.  Life-size,  seated  figure,  seen  to  the 

Gallery  waist,  with  the  body  full-front  and  the  face  turned  to  the 
24  left;  her  brown  hair  is  braided  about  her  head  and  she 
wears  a low-necked  white  dress  and  about  her  waist  a blue 


251 


REYNOLDS 

ribbon  tied  in  front;  the  background  consists  of  dark 
blue-gray  clouds. 

H.  3o|  in.  W.  25  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

R33-4  WILLIAM  AUGUSTUS,  DUKE  OF  CUMBERLAND. 
Gallery  (1721-1765;  the  second  son  of  King  George  11  of  Eng- 
14  land;  commander-in-chief  at  the  battles  of  Fontenoy, 
1745,  and  Culloden,  1756.)  Life-size,  standing  figure, 
seen  to  below  the  knees;  his  right  hand  rests  upon  a helmet 
and  the  left  grasps  the  hilt  of  a sword;  he  wears  a steel 
breastplate  under  a scarlet  coat  trimmed  with  gold 
braid  and  faced  with  green. 

H.  49I  in.  W.  39f  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

R33-5  MRS.  ARNOLD.  Life-size  portrait,  seen  almost  to  the 
Gallery  waist;  she  wears  a low-necked  white  silk  gown  and  a 
14  pink  fur-trimmed  mantle;  at  her  breast  is  a pink  rose 
caught  with  a string  of  pearls. 

H.  30I  in.  W.  25  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

R33-6  MRS.  BALDWIN.  (Wife  of  George  Baldwin,  whotraveled 
Gallery  extensively  in  Cyprus  and  the  East  Indies,  and  was  in 
24  England  from  1 781  to  1 786,  in  which  year  he  was  appointed 
Consul  to  Egypt.)  Life-size  figure,  seen  to  below  the 
waist;  she  is  seated  on  a dull  red  sofa  with  her  face  in  pro- 
file to  the  left;  she  wears  an  Eastern  costume  of  brown 
and  green  striped  silk  trimmed  with  ermine  and  a high, 
brownish  headdress. 

H.  361V  iri-  W.  29!  in.  Canvas.  Bulletin,  1906,  p.  48,  ill. 
Gift,  1906,  of  William  T.  Blodgett  and  his  sister,  Eleanor 
Blodgett,  in  memory  of  their  father,  William  T.  Blodgett, 
one  of  the  founders  of  the  Museum. 

R33-7  PORTRAIT  OF  A LADY.  Life-size  figure,  seen  full- 
Gallery  front  to  the  waist;  she  wears  a low-necked  blue  gown  with 
14  bows  down  the  front  and  a white  brocaded  cloak 

trimmed  with  lace  and  blue  ribbon. 

H.  29f  in.  W.  24I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

R33-8  INFANCY;  known  also  as  Master  Hare.  Life- 

Gallery  size  portrait  of  a child,  seated  under  a tree;  he  has 

14  light  hair  and  wears  a low-necked  white  dress  and  purple 

sash;  the  right  hand  and  arm  are  raised  and  pointing. 


252 


REYNOLDS 

A similar  picture  by  Reynolds  is  in  the  Louvre,  in  Paris. 
H.  29!  in.  W.  24!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

R33-9  MRS.  ANGELO.  (Wife  of  Dominico  Angelo  Male- 
Gallery  volti  Tremamondo,  a fashionable  riding  and  fencing 
14  master.)  Life-size,  seated  figure,  seen  to  the  waist  with 
the  face  almost  in  profile  to  the  left;  she  wears  a low- 
necked  dark  gray-green  dress  with  roses  at  her  breast; 
a miniature  portrait  is  set  in  her  bracelet. 

H.  30J  in.  W.  25  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

R33-10  MRS.  BARNARD.  (Wife  of  Dr.  Barnard,  the  Pro- 
Gallery  vost  of  Eton,  Dean  of  Derry,  and  Bishop  of  Killaloe.) 
14  Life-size  figure,  seated  in  a landscape  and  seen  to  below 
the  knees;  she  wears  a white  flowered  dress  and  a red 
velvet  cloak  falls  about  her;  her  right  hand  holds  a closed 
book  which  rests  on  her  lap. 

H.  50  in.  W.  405  in.  Canvas. 

Gift  of  George  A.  Hearn,  1910. 

R33-11  GEORGIANA  AUGUSTA  FREDERICA  ELLIOTT. 
Gallery  (1782-1813;  she  was  the  natural  daughter  of  George, 
24  Prince  of  Wales,  and  Grace  Dalrymple  Elliott;  the  child 
was  at  first  known  as  Miss  Elliott,  but  later  changed  her 
name  to  Seymour  and  as  Miss  Seymour  she  was  married 
in  1808  to  Lord  Charles  Bentinck.)  Life-size  figure, 
seen  to  the  knees,  of  a little  girl  standing  out  of  doors 
with  her  hands  folded  before  her;  she  wears  a white  mob 
cap  with  pink  bow  and  a white  dress  with  crossed  kerchief; 
landscape  background. 

H.  30  in.  W.  25  in.  Canvas.  Bulletin,  1915,  p.  88; 
ill.  p.  87. 

Bequest  of  Maria  De  Witt  Jesup,  from  the]  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

R33-12  ELIZABETH  REYNOLDS,  afterwards  Mrs.  Johnson. 
Gallery  Life-size,  bust  portrait  of  a young  lady  full-face.  She 
24  has  light  brown  hair  and  wears  a brown  turban  and  a 
low-cut  brown  dress  with  large  sleeves;  pearls  are  about 
her  neck  and  shoulders.  According  to  Reynolds’  diary, 
she  sat  for  the  picture  in  1758.  It  was  probably  painted 
as  a marriage  gift. 

H.  30J  in.  W.  25  in.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 


253 


REYNOLDS— RICCI 

R33-14  COLONEL  GEORGE  COUSSMAKER,  of  the  Grenadier  . 
Gallery  Guards.  Full-length  standing  figure  in  a red  coat  with 
24  blue  and  gold  lapels  and  cuffs,  white  breeches,  and  black 
riding  boots  with  spurs.  Leaning  nonchalantly  against  a 
tree,  he  holds  his  hat  in  his  hands.  His  horse  standing 
beside  him  bends  his  head  and  neck  almost  to  the  ground 
at  his  master’s  feet. 

H.  93f  in.  W.  575  in.  Canvas. 

Bequest  of  William  K.  Vanderbilt,  1920.  • 

Copy  after  Reynolds. 

R33C-1  JOHN  HAWKSWORTH.  (1715-1773;  an  English 
Wing  F lawyer  and  bibliophile.)  Life-size  figure,  seated  at  a 
Gallery  desk  and  seen  in  profile  to  the  left;  he  wears  a red  velvet 
21  coat  and  lace  ruffled  shirt;  in  the  background  a brown 
curtain  is  drawn  to  the  right  showing  shelves  of  books. 

H.  30I  in.  W.  25I  in.  Canvas. 

Gift  of  Jacob  H.  Schiff,  1893. 

RIBERA,  JusEPE  de;  commonly  called  Lo  Spagnoletto.  Spanish; 

born  1588  at  Jativa,  near  Valencia;  died  1652  (1656?) 
near  Naples.  Pupil  of  Francisco  Ribalta  at  Valencia; 
influenced  by  Caravaggio;  worked  chiefly  in  Naples. 

R35-1  LUCRETIA.  (According  to  Roman  legend,  the  rape 
Gallery  of  Lucretia,  wife  of  a noble  Roman,  by  Sextus  Tarquinius, 

28  followed*by  her  self-inflicted  death,  led  to  the  overthrow 
of  the  Tarquins  and  the  establishment  of  the  republic, 
about  509  B.  C.)  Life-size  figure,  seen  to  the  knees;  she 
is  partly  nude  and  holds  a rose-colored  gown  and  olive 
green  cloak  about  her;  a dagger  is  in  her  right  hand. 

H.  50 in.  W.  41  j in.  Canvas. 

Purchase,  Hewitt  Fund,  1912. 

RICARD,  Louis  Gustave.  French;  born  1824  at  Marseilles;  died 
1873  at  Paris.  Pupil  of  Auber  and  Cogniet.  Traveled 
in  Italy  and  England. 

R351-1  GIRL  WITH  A DOG.  A little  girl  with  brown  hair 
Gallery  seen  to  the  waist,  in  a round-necked  white  dress;  she  holds 
20  a brown  fluffy  dog  in  her  lap. 

H.  22  in.  W.  i8|  in.  Canvas 
Gift  of  S.  W.  de  Jonge,  ,1920. 

RICCI,  Sebastiano.  Italian  (Venetian);  born  about  1659  at 
Cividale  di  Belluno,  in  the  Venetian  state;  died  1734  at 
Venice.  Pupil  of  Federigo  Cervelli  at  Venice;  was  em- 
ployed at  Vienna  and  spent  ten  years  in  England. 


254 


RICCI  — RICO 

R352-1  ESTHER  BEFORE  AHASUERUS.  (The  scene  is 
described  in  the  Bible,  Book  of  Esther,  Chapter  5.) 
At  the  right,  the  King,  wearing  a red  robe,  has  risen  from 
his  throne  and  extends  his  sceptre  toward  the  fainting 
queen,  who,  clothed  in  white  and  red,  is  upheld  by  her 
women;  Haman  and  Mordecai  and  courtiers  are  at  the 
right  and  soldiers  at  the  left;  architectural  background. 
H.  17J  in.  W.  51  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1894. 

RICHARDS,  William  T.  American;  born  1833  Philadelphia, 
Pa.;  died  1905  at  Newport,  R.  I.  Pupil  of  Paul  Weber 
in  Philadelphia.  Landscapes  and  marines. 

R39  A collection  of  85  water  colors  in  71  frames. 

Gift  of  Rev.  E.  L.  Magoon,  1880. 

R39-72  A ROCKY  COAST.  Rocks  are  in  the  foreground; 
S.  W.  to  the  right  is  a gully  and  beyond  is  the  sea. 

Stairway  H.  22^  in.  W.  36  in.  Water  color.  Signed:  Wm. 
T.  Richards,  1877. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RICHTER,  Gustav  Karl  Ludwig.  German;  born  1823  at  Berlin; 

died  there  1884.  Pupil  of  Berlin  Academy  under  Eduard 
Holbein  and  of  L^on  Cogniet  in  Paris.  Portraits  and 
historical  subjects. 

R41-1  VICTORY.  A life-size,  full-length,  winged  male  figure, 
wearing  a gilt  corselet  and  rose-colored  scarf,  is  astride  a 
cloud  blowing  a trumpet;  at  the  right  stands  a winged  boy 
who  holds  two  palm  branches;  below  at  the  left  are  two 
Loves,  the  one  holding  a shield  filled  with  olive  branches 
and  the  other  a laurel  wreath.  Companion  piece  to  Peace 
by  Knaus  (K72-3). 

H.  136  in.  W.  68  in.  Canvas.  Signed:  G.  Richter. 

Gift  of  Jacob  H.  Schiflf,  1888. 

RICO,  Martin.  Spanish;  born  about  1850  at  Madrid;  died  1908 
at  Venice.  Pupil  of  Federico  de  Madrazo  in  Madrid; 
studied  in  Paris  and  Rome.  Chiefly  Venetian  scenes. 

R42-2  CANAL  OF  VENICE.  Houses  border  both  sides  of  a 
Gallery  canal;  at  the  left  is  a garden  with  steps  at  the  water’s 
18  edge  where  a boy  is  seated. 

H.  i9f  in.  W.  26I  in.  Canvas.  Signed:  RICO. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

255 


RIEFSTAHL  — ROBERT 

RIEFSTAHL,  Wilhelm.  German;  born  1827  at  Neustrelitz; 

died  1888  at  Munich.  Pupil  of  Berlin  Academy  under 
F.  W.  Schirmer. 

R44-1  A WEDDING  PROCESSION  IN  THE  BAVARIAN 
Gallery  TYROL.  Peasants  are  passing  in  front  of  an  inn  on  the 
18  porch  of  which  musicians  are  playing;  a church  is  at  the 
right;  mountains  are  beyond. 

H.  26^  in.  W.  42 J in.  Canvas.  Signed:  W.  Riefstahl. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RING.  Ludger  TOM,  THE  Younger.  German;  born  about  1530  at 
Munster;  died  1583  or  1584  at  Brunswick.  Pupil  of 
his  father,  Ludger  tom  Ring  the  Elder. 

R47-1  CHRIST  BLESSING;  SURROUNDED  BY  DONOR 
Gallery  AND  FAMILY.  Three  panels.  In  the  central  panel 
34  is  the  figure  of  Christ  standing  behind  a table;  He 
wears  a brownish  robe  and  pale  red  cape  and  His  right 
hand  is  raised  in  blessing.  At  the  left  is  a brown-bearded 
man  and  behind  him  a young  man  and  a boy;  to  the 
right  stands  a woman  and  behind  her  a young  girl.  In 
the  right-hand  panel  is  the  portrait  of  a young  woman,  and 
in  the  left-hand  panel  that  of  a man.  Each  figure  is 
seen  to  below  the  waist  and  the  age  of  each  is  written 
above  the  head;  the  architectural  lines  of  a room  are 
continued  across  the  three  panels. 

Central  panel:  H.  31J  in.  W.  37I  in.  Each  side  panel: 
H.  31I  in.  W.  14  in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1917. 

ROBERT,  Hubert;  called  Robert  des  Ruines.  French;  born 
1733  in  Paris;  died  there  1808.  Studied  in  Paris  and  in 
Italy.  Became  director  of  the  department  of  paintings 
at  the  Louvre  and  royal  landscape  architect. 

R54-1  MOUTH  OF  A CAVE.  A man  and  two  women  stand 
Wing  F on  a ledge  of  rock  at  the  entrance  of  a cave  beyond  which 
Gallery  is  the  sea;  in  the  foreground  a fisherman  with  a basket 
17  on  his  back  stands  knee  deep  in  the  water. 

H.  68f  in.  W.  31I  in.  Canvas.  Signed:  H. ROBERT 
1784. 

Gift  of  J.  Pierpont  Morgan,  1917. 

R54-2  THE  BRIDGE.  At  the  right,  arches  of  the  Roman 
Wing  F aqueduct  extend  across  the  Campagna;  in  the  foreground 

256 


Gallery 

17 


R54-3 

Wing  F 
Gallery 

17 

R54-4 

Wing  F 
Gallery 

17 


R54-5 

Wing  F 
Gallery 

17 


R54-6 
Wing  F 
Gallery 

17 


R54-7 

Wing  F 
Gallery 

17 

R54-8 
Wing  F 
Gallery 

17 


ROBERT  — ROBERT-FLEURY 

at  the  left,  women  are  gathered  about  a fountain  the 
water  of  which  flows  from  the  base  of  a tall  obelisk. 

H.  68J  in.  W.  3ifin.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 

THE  SWING.  An  Italian  garden  with  ladies,  gentle- 
men, and  children  watching  a young  woman  swinging 
between  tall  trees. 

H.  68J  in.  W.  34f  in.  Canvas.  Signed:  H. ROBERT. 
Gift  of  J.  Pierpont  Morgan,  1917. 

THE  DANCE.  On  a roadway  near  a pool,  a couple  are 
dancing  in  the  foreground  while  a man  in  a red  coat 
is  playing  the  guitar  and  peasants  are  watching  them; 
a waterfall  and  steep  rocks  beyond. 

H.  68J  in.  W.  33!  in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 

THE  BATHING  POOL.  A ruined  circular  temple  with 
a statue  of  Venus  in  the  center  and  steps  leading  down 
to  a marble  pool  in  the  foreground  where  women  are 
bathing;  tall  trees  are  in  the  background. 

H.  68J  in.  W.  48!  in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 

THE  CONCERT.  At  the  right  is  a house  with  ladies 
at  the  windows  listening  to  strolling  musicians  who 
stand  on  the  terrace  below;  ruined  columns  are  in  the 
foreground  at  the  right;  an  obelisk  fountain  is  at  the 
left  and  wild  landscape  in  the  distance. 

H.  68}  in.  W.  48}  in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 

ARCHES  IN  RUIN.  In  the  foreground  at  the  right 
there  are  three  figures  near  two  ruined  arches;  a river 
is  at  the  left  and  mountains  are  beyond. 

H.  23I  in.  W.  6i}in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 

COLONNADE  IN  RUIN.  At  the  left  are  the  ruins  of 
a semicircular  colonnade;  on  a hill  in  the  foreground  at 
the  right,  a man  is  sketching  and  a woman  stands  back 
of  him. 

H.  23  in.  W.  61 1 in.  Canvas. 

Gift  of  J.  Pierpont  Morgan,  1917. 


ROBERT-FLEURY,  Tony.  French;  born  1838  at  Paris;  died 
there  191 1.  Pupil  of  his  father,  Joseph  Nicolas  Robert- 
Fleury,  of  Delaroche,  and  of  Cogniet. 


257 


ROBERT-FLEURY  — ROESTRATEN 

R541-1  A MUSICAL  CARDINAL.  A gray-bearded  cardinal, 
Gallery  wearing  a scarlet  robe,  is  playing  the  bass-viol,  his  music 
17  resting  on  a chair  in  front  of  him;  tapestries  hang  on  the 
wall. 

H.  22  in.  W.  lyi  in.  Wood.  Signed:  Tony-Robert- 
Fleury. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ROBINSON,  Theodore.  American;  born  1852  at  Irasburg, 
Vt.;  died  1896  at  New  York  City.  Pupil  of  Carolus- 
Duran  and  Gerome  and  later  of  Claude  Monet  in  Paris. 
Landscapes  and  figure  subjects. 

R56-1  GIRL  AND  COW.  Life-size,  full-length  figure  of  a 
young  girl,  standing  in  the  sunlight,  sewing;  she  wears 
a white  blouse  and  pinkish  brown  skirt;  behind  her 
at  the  left  is  a brown  and  white  cow;  bushes  and  trees 
form  the  background. 

H.  86f  in.  W.  6ii  in.  Canvas.  Signed:  TH.  ROBIN- 
SON-1888. Bulletin,  1906,  p.  iii,  ill. 

Gift  of  William  T.  Evans,  1906. 

R56-2  THE  OLD  MILL.  A country  road  with  a fence  on 
each  side;  at  the  left  are  low  stone  buildings  with  red 
roofs;  in  the  distance  is  a cultivated  hilltop. 

H.  18  in.  W.  2i|  in.  Canvas.  Signed:  Th.  Robinson. 
Gift  of  Mrs.  Robert  W.  Chambers,  1910. 

R56-3  BIRD’S  EYE  VIEW;  GIVERNY,  FRANCE.  A hillside 

Gallery  road  is  in  the  foreground;  in  the  hollow  beyond  are  the  red 

15  and  gray  roofs  of  the  village;  in  the  distance  green  fields, 

crossed  by  rows  of  trees,  extend  to  a line  of  low  blue  hills. 
H.  26  in.  W.  32J  in.  Canvas.  Signed:  TH.  ROBIN- 
SON 1889. 

Gift  of  George  A.  Hearn,  1910. 

ROBUSTI,  Jacopo.  See  Tintoretto. 

ROESTRATEN,  Pieter.  Dutch;  born  1630  at  Haarlem;  died 
1698  at  London,  England.  Was  educated  by  Frans 
Hals,  whose  daughter  he  married;  some  time  before  1666 
settled  in  London.  Portraits  and  still  life. 

R62-1  THE  OLD  RAT  COMES  TO  THE  TRAP  AT  LAST. 

Gallery  ' A bedroom;  at  the  right  an  unmade  bed  with  two  figures; 
26  at  the  left  a baby  in  a cradle;  beyond,  an  old  woman 

approaches.  Purchased  as  a Jan  Steen;  attributed  to 

258 


ROESTRATEN  — ROMNEY 

Esaias  Boursse  and  Jan  Steen  by  Bredius;  Hofstede  De 
Groot  considers  it  by  Roestraten. 

H.  32  in.  W.  271V  in.  Canvas. 

Purchase,  1871. 

ROGELET  DE  LA  PASTURE.  See  Weyden,  Roger  van  der. 

I 

ROMNEY,  George.  British  (English);  born  1734  at  Beckside, 
Lancashire;  died  1802  at  Kendal.  Apprenticed  to  an  itin- 
erant portrait  painter,  Christopher  Steele;  in  1762  he  went 
to  London,  where  the  greater  part  of  his  life  was  spent.  , 

R661-1  MRS.  FITZHERBERT.  (1758-1837;  Maria  AnneSmyth 

Gallery  was  married  to  Thomas  Fitzherbert  in  1778;  she  became 
24  the  wife  of  the  Prince  of  Wales,  later  King  George  IV, 
December  21,  1785,  but  the  marriage  was  considered 
invalid.)  Life-size,  seated  figure,  seen  to  below  the 
waist;  her  hair  is  light  and  elaborately  dressed  with  blue 
ribbons;  she  wears  a white  dress  cut  V-shape  and  a gray- 
blue  sash;  a black  lace  shawl  falls  over  her  arms.  At 
one  time  attributed  by  Roger  Fry  to  Hoppner. 

H.  29!  in.  W.  25  in.  Canvas.  Bulletin,  1906,  p.  48,  ill. 
Gift,  1906,  of  William  T.  Blodgett  and  his  sister,  Eleanor 
Blodgett,  in  memory  of  their  father,  William  T.  Blodgett, 
one  of  the  founders  of  the  Museum. 

R661-2  LADY  HAMILTON  AS  DAPHNE.  (1761-1815;  Emma 

Gallery  Lyon  was  the  daughter  of  a blacksmith;  she  went  to 
14  London  where  for  a time  she  was  known  as  Mrs.  Hart; 
in  1791  she  married  Sir  William  Hamilton,  the  English 
ambassador  at  Naples;  with  her  husband  sheaccompanied 
Lord  Nelson  to  Palermo  and  later  they  returned  to 
England.  Between  1782  and  1791  she  was  Romney’s 
favorite  model  and  some  forty-five  of  his  pictures 
were  painted  from  her.)  Life-size  to  the  waist;  she  is 
seated  under  a tree  with  her  body  turned  to  the  right; 
she  wears  a low-necked  white  dress;  a white  scarf,  which 
falls  over  her  right  shoulder,  is  held  on  her  brown  hair 
by  a blue  ribbon. 

H.  31I  in.  W.  28yV  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

R661-3  THE  HONORABLE  MRS.  TICKELL.  (Miss  Ley, 

Gallery  born  1771  (?),  became  the  second  wife  of  Richard  Tickell 
24  in  1789.)  Life-size  figure,  turned  three  quarters  to  the 
right  and  seen  to  below  the  waist,  seated  out  of  doors  with 
her  hands  in  her  lap;  her  brown  hair  is*  waved  and  a 


259 


ROMNEY  — ROSSETTI 

long  curl  falls  over  her  left  shoulder;  she  wears  a low- 
necked  white  dress  with  purple  sash;  a crayon  holder  and 
a sheet  of  paper  are  on  a table  at  her  left. 

H.  30  in.  W.  25I  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

R661-4  PORTRAIT  OF  THE  ARTIST.  (Painted  in  the  winter 
Gallery  of  1795.)  Life-size  figure,  three-quarters  to  the  left  and 
24  seen  to  the  waist;  he  has  grayish  hair  and  wears  a black 
coat  with  white  neck-cloth;  dark  brown  background. 

H.  30  in.  W.  25  in.  Canvas.  Bulletin,  1915,  p.  88,  ill. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

ROSA,  Salvator.  Italian;  born  1615  at  Naples;  died  1673  at  Rome. 
Pupil  of  Paolo  Greco  and  Falcone. 

R71-1  PORTRAIT  OF  THE  ARTIST.  Half-length  figure  of 
the  artist  wearing  a poetic  crown  of  wild  parsley  on  his 
long  brown  locks.  He  is  seated  facing  toward  the  left 
at  a table  on  which  are  books  and  papers,  in  melancholy 
contemplation  of  a skull  on  which  he  writes  in  Greek 
“Wither  at  last.” 

H.  39i  in.  W.  31!  in.  Canvas.  Inscribed:  Salvator 
Rosa  dipinse  nelT  Eremo  e dono  a Gio.  BatH  Riciardi  suo 
amico. 

Bequest  of  Mary  L.  Harrison,  1921. 

ROSSETTI,  Dante  Gabriel.  British  (English);  born  1828  at 
London;  died  1882  at  Birchington,  Kent.  Pupil  of 
J.  S.  Cotman  and  of  the  Royal  Academy  Schools.  Figure 
subjects. 

R73-1  LADY  LILITH.  (Lilith,  according  to  Talmudic  tra- 
dition, was  Adam’s  first  wife.)  Seated  figure,  seen  to 
below  the  knees,  combing  her  hair  and  looking  into  a 
hand-glass;  she  wears  a loose  white  gown  and  a blue 
mantle  lined  with  white  fur  is  on  the  back  of  the  chair; 
in  the  background  at  the  left  is  a dressing  table  on  which 
are  a covered  jar,  a red  foxglove,  candle  brackets,  and  a 
mirror  that  reflects  a light  green  landscape;  a rose  bush 
is  behind  the  figure  at  the  right  and  a poppy  is  in  a 
glass  in  the  immediate  foreground.  These  flowers  are 
associated  with  Lilith. 

H.  20  in.  W.  i6|  in.  Water  color.  Monogrammed: 
260 


HENRY  G.  MARQUAND 
BY  JOHN  S.  SARGENT 


GtORGE  WASHINGTON  (gIBBS-CHANNING-AVERY  PORTRAIT) 
BY  GILBERT  STUART 


ROSSETTI  - ROUSSEAU 

D G R (within  a circle)  1867.  Bulletin,  1908,  pp.  144, 
169,  ill. 

Purchase,  Rogers  Fund,  1908. 

ROSSITER,  Thomas  Pritchard.  American;  born  1818  at  New 
Haven,  Conn.;  died  1871  at  Cold  Springs,  N.  Y.  Pupil  of 
Nathaniel  Jocelyn;  traveled  extensively  in  Europe. 
Historical  subjects. 

R731-1  WASHINGTON  AND  LAFAYETTE  AT  MOUNT 
VERNON  1776.  . Washington  stands  on  the  verandah 
of  his  home  in  conversation  with  Lafayette,  who  holds  be- 
hind him  a copy  of  the  Pennsylvania  Gazette.  Washing- 
ton wears  a dark  blue  coat  and  knee  breeches  with  white 
stockings;  Lafayette  has  a similar  costume  in  red.  At  the 
right  near  the  house,  Mrs.  Washington  and  Nellie  Custis 
are  seated  at  a table  and  a little  girl  is  beside  them;  on 
the  lawn  at  the  left  of  the  verandah  a boy  is  playing  with 
a colored  nurse  and  two  dogs;  in  the  distance,  beyond  a 
line  of  trees,  is  the  Potomac  River.  Louis  R.  Mignot 
painted  the  landscape  in  this  picture. 

H.87in.  W.  146^  in.  Canvas.  Signed:  at  left,  MIGNOT; 
at  the  right,  ROSSITER  1859.  Bulletin,  1905,  p.  10. 
Bequest  of  William  Nelson,  1905. 

ROTHENSTEIN,  William.  British  (English);  born  1872  at 
Bradford;  lives  in  London.  Pupil  of  Slade  School  in 
London  under  Legros;  Julian  Academy  in  Paris. 

R74-1  PORTRAIT  OF  THE  ARTIST.  (Aged  about  twenty- 

Gallery  five.)  Life-size,  seen  to  the  waist;  he  has  round  spec- 

19  tacles  and  wears  a soft  black  felt  hat  with  high  crown 

and  turned-down  brim,  a heavy  black  cape,  and  red 
muffler;  landscape  background. 

H.  2gl  in.  W.  24^  in.  Canvas.  Initialed:  W R 1900. 
Bulletin,  1909,  p.  225. 

Gift  of  Mrs.  T.  L.  Chadbourne,  1909. 

ROUSSEAU,  Theodore.  French  (Barbizon);  born  1812  at  Paris; 

died  1867  at  Barbizon,  in  the  forest  of  Fontainebleau. 
Pupil  of  Remond  and  Lethiere.  Landscapes. 

R76-1  RIVER  LANDSCAPE.  On  the  left  bank  of  a river  there 

Gallery  are  large  trees  and  under  their  shade  is  a man  in  a row- 

17  boat;  a road  and  a thatched  cottage  are  at  the  extreme 

left;  beyond  the  river  at  the  right  are  meadow  lands  with 
a few  trees. 


ROUSSEAU 

W.  lojin.  Canvas.  Signed:  TFI.  Rousseau. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

R76-2  EDGE  OF  THE  WOODS.  To  the  right  is  a group  of 
Gallery  old  oaks  in  full  leafage;  a footpath  runs  from  the  fore- 
17  ground  over  a low  hill  on  the  crest  of  which  a figure  is 
seen;  at  the  left  scraggly  trees  are  silhouetted  against  a 
brilliant  blue  sky  which  is  flecked  with  gray  and  white 
clouds. 

H.  3I1V  in.  W.  481V  in.  Wood.  Signed:  TH.  Rous- 
seau 1854. 

Purchase,  Wolfe  Fund,  1896. 

R76-3  LANDSCAPE.  Trees  are  in  the  foreground  at  the  left 
Gallery  and  behind  them  is  a cluster  of  white  buildings;  a hill, 
17  beyond,  slopes  to  the  plain  at  the  right;  the  sky  is  gray 
with  light  pinkish  clouds. 

H.  io|  in.  W.  13I  I in.  Wood.  Signed:  TH.  Rousseau. 
Purchase,  Wolfe  Fund,  1903. 

R76-4  WINTER  SUNSET;  FOREST  OF  FONTAINEBLEAU. 
N.  E.  La  Foret  d’Hiver.  A rocky  clearing  with  the 
Stairway  sunset  sky  seen  through  bare  trees;  in  the  foreground  a 
marshy  pool  reflects  the  trees  and  sky;  in  the  middle  dis- 
tance are  small  figures  of  wood  gatherers. 

H.64in.  W.  1 02 1 in.  Canvas.  Signed:  TH.  Rousseau. 
Bulletin,  191 1,  p.  40. 

Gift  of  P.  A.  B.  Widener,  191 1. 

R76-5  MEADOW  BORDERED  BY  TREES.  Full  summer 

Gallery  foliage;  cloudy  sky  with  blue  showing  through. 

21  H.  i6f  in.  W.  24!  in.  Wood.  Signed:TH.  Rousseau. 

Bulletin,  191 1,  p.  loi,  ill. 

Bequest  of  Robert  G.  Dun,  1911. 

R76-6  PATH  AMONG  THE  ROCKS.  A narrow  footpath 
Gallery  leads  from  the  foreground  across  a rocky  hill;  a man 
21  follows  a donkey  toward  the  crest  of  the  hill  where  there 
is  a line  of  trees;  blue  sky  with  light  clouds. 

H.  14II  in.  W.  23fin.  Wood.  Signed:  TH.  Rousseau. 
Bulletin,  1914,  p.  253;  ill.  p.  254. 

Bequest  of  Benjamin  Altman,  1913. 

R76-7  TREES  BY  A POOL.  In  the  foreground  is  a marshy 

pool;  in  the  middle  distance  there  are  trees  at  right  and 
left;  sunlight  beyond. 

H.  6 in.  W.  9i\  in.  Wood.  Signed:  TH.  Rousseau. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

262 


ROUSSEAU  — RUBENS 

R76-8  FONTAINEBLEAU.  The  edge  of  the  forest;  trees 
against  a late  afternoon  sky. 

H.  i2|  in.  W.  16  in.  Wood.  Signed  Th.  Rousseau. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Hetcher,  1917. 

R76-9  LANDSCAPE.  A country  road  beside  a little  pool  sur- 
rounded by  trees  in  late  afternoon  light. 

H.  i8f  in.  W.  27!  in.  Canvas.  Signed:  TH  Rousseau. 
Bequest  of  Eloise  Lawrence  Breese  Norrie,  1921. 

ROYBET,  Ferdinand.  French;  born  1840  at  Uzes;  lives  in  Paris. 

Pupil  of  Vibert.  Figure  subjects. 

R81-1  THE  GAME  OF  CARDS.  An  interior  with  two  men 
Gallery  playing  cards;  a third  man  watching  the  game  stands 
1 7 behind  the  table  with  his  hand  on  a tall  flagon;  seventeenth 
century  costumes. 

H.  18J  in.  W.  21 J in.  Wood.  Signed:  F.  Roybet. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RUBENS,  Peter  Paul.  Flemish;  born  1577  Siegen  in  the 
Duchy  of  Nassau,  near  Cologne,  although  his  parents 
were  natives  of  ^ntwerp;  died  1640  at  Antwerp.  Pupil 
of  Adam  van  Noort  and  Otto  van  Veen;  worked  in  Italy 
for  eight  years;  settled  at  Antwerp.  Portraits,  figure 
subjects. 

R82-1  RETURN  OF  THE  HOLY  FAMILY  FROM  EGYPT. 

Life-size,  full-length  figures  of  the  Madonna  and  St. 
Joseph,  standing  behind  the  boy  Jesus;  the  Virgin, 
wearing  a red  robe  and  gray  cloak,  is  at  the  left  and  holds 
the  hand  of  Jesus  who  is  dressed  in  purple;  St.  Joseph 
wears  a yellow  garment;  landscape  background.  In  the 
upper  part  of  the  picture  the  Eternal  Father  appears  in 
the  clouds. 

H.  102  in.  W.  69J  in.  Canvas,  transferred  from  wood. 
Purchase,  1871. 

R82-2  THE  HOLY  FAMILY.  Life-size,  full-length  figures. 
Gallery  The  Virgin,  in  a red  dress  and  white  underskirt,  is  seated 
27  in  the  center  of  the  picture  and  holds  the  nude  Infant, 
who  stands  on  her  knee;  His  right  hand  is  extended 
toward  the  nude  infant  St.  John,  who  stands  at  the  left; 
beyond,  at  the  extreme  left,  St.  Francis,  in  the  brown 
habit  of  his  order,  leans  forward  in  adoration;  behind  the 
mother  and  Child  stands  St.  Elizabeth;  and  at  the  extreme 
right  is  St.  Joseph,  wrapped  in  a brown  mantle;  land- 
scape background  with  ruined  stonework  back  of  the  fig- 

263 


RUBENS 

ures;  level  country  at  the  left,  and  brilliant  clouds  on  the 
horizon. 

H.  68J  in.  W.  82  in.  Canvas. 

Gift  of  James  Henry  Smith,  1902. 

R82-3  WOLF  AND  FOX  HUNT.  Hunters  and  dogs  are 
Gallery  attacking  a group  of  wolves  and  foxes;  at  the  right,  a 
27  cavalier,  wearing  a green  jacket  and  mounted  upon  a 

gray  horse,  is  seen  partly  from  the  back  and  beside  him  on 
a dark  horse  is  a woman,  who  wears  a red  skirt  and  low- 
necked  black  bodice;  at  the  left  a mounted  cavalier 
gallops  toward  the  group  and  several  men  on  foot  are 
attacking  the  animals.  The  landscape  was  probably 
painted  by  Jan  Wildens.  Rubens  painted  several  similar 
compositions;  one  is  in  the  Jussupow  Gallery  in  St. 
Petersburg,  a smaller  canvas  belonged  to  Lord 
Methuen,  and  a larger  one  is  known  to  have  been 
painted  but  seems  to  have  disappeared. 

H.Qbin.  W.  148^  in.  Canvas.  Bulletin,  1910,  p.  120,  ill. 
Purchase,  Kennedy  Fund,  1910. 

R82-4  PORTRAIT  OF  A MAN.  yfe-size  figure  of  a smiling 
Gallery  cavalier,  seen  to  the  waist; the  body  is  inclined  forward 
27  and  the  right  hand  partly  hidden  under  the  folds  of  a 
black  cloak;  he  wears  a black  brocaded  suit  and  a wide 
square  white  collar  edged  with  lace;  he  has  brown  hair, 
moustache,  and  goatee. 

H.  23  in.  W.  19  in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1911. 

R82-5  SAINT  THERESA  PRAYING  FOR  THE  SOULS  IN 
Gallery  PURGATORY.  Christ  stands  in  the  middle  of  the 
27  picture  holding  a vermilion  robe  about  His  partly  nude 
body;  Saint  Theresa,  in  the  habit  of  a nun,  kneels  on 
clouds  at  the  right;  at  the  left  two  cherubs  call  attention 
to  the  figures  amidst  flames  which  are  in  the  immediate 
foreground.  This  picture  is  a sketch  (or  replica)  of 
the  altarpiece  now  in  the  Antwerp  Museum. 

H.  24I  in.  W.  i9i  in.  Wood.  Bulletin,  1909,  p.  154. 
Gift  of  J.  Pierpont  Morgan,  1917. 

R82-6  PORTRAIT  OF  A MAN.  Bust,  life-size,  three-quarters 
Gallery  to  the  right;  he  is  dark,  about  fifty  years  old,  with  thin, 

27  black  hair  streaked  with  gray  and  gray  moustache  and 

beard;  he  wears  a white  ruff  and  black  doublet;  brown 
background. 


264 


R82-5 I 
Gallery 
1 1 


R82C-2 

Gallery 

27 


R82S-1 

Gallery 

27 


R82S-2 

Gallery 

27 


RUBENS 

H.  2oJ  in.  W.  i6fin.  Canvas. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

VENUS  AND  ADONIS.  Adonis  tries  to  take  leave  of 
Venus,  who  clasps  his  arm.  She  is  nude  except  for  a thin 
white  drapery;  he  wears  a red  tunic  and  holds  a spear. 
Cupid  tries  to  detain  him  by  clutching  his  leg  and  kicking 
him.  Two  hounds  and  the  landscape  background  were 
probably  painted  by  Wildens. 

H.  77!  in.  W.  95i  in.  Canvas. 

Lent  by  Mrs.  Harry  Payne  Bingham,  1920. 

Copy  after  Rubens. 

SUSANNAH  AND  THE  ELDERS.  Susannah,  from 
whose  nude  figure  a cloak  has  fallen,  is  seated  on  a marble 
terrace  in  front  of  a stone  fountain;  at  the  right  one  of  the 
Elders,  in  a fur-trimmed  cloak,  is  stepping  over  a low 
balustrade  and  the  other,  in  a scarlet  cloak,  looks  through 
the  branches  of  a tree  from  the  limbs  of  which  hang  black 
and  yellow  draperies;  a white  marble  building  and  a 
landscape  are  at  the  right.  An  old  copy  of  the  picture  by 
Rubens  in  the  Pinakothek  at  Munich. 

H.  18J  in.  W.  25!  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1890. 

School  of  Rubens. 

PYRAMUS  AND  THISBE.  (According  to  classical 
legends  Thisbe,  a maiden  of  Babylon,  and  her  lover, 
Pyramus,  arranged  a meeting  near  a mulberry  tree. 
Thisbe,  arriving  first,  became  frightened  by  a lion  and 
fled,  dropping  her  cloak,  which  the  lion  tore;  Pyramus  find- 
ing the  torn  cloak  believed  Thisbe  to  be  dead  and  killed 
himself  beneath  the  mulberry  tree,  the  fruit  of  which  was 
henceforth  red ; when  Thisbe  returned  and  found  the  corpse 
of  her  lover  she  threw  herself  on  his  sword.)  The  dead 
body  of  Pyramus  lies  upon  a red  cloak;  at  the  right  Thisbe, 
wearing  a white  dress,  is  falling  upon  the  sword;  Cupid 
is  flying  away,  and  three  Loves  are  in  the  branches  of  the 
mulberry  tree;  at  the  left  is  a monument  with  a sculptured 
lion. 

H.  51J  in.  W.  39y\  in.  Canvas.  Signed:  Rubens.  P. 
Gift  of  Henry  G.  Marquand,  1888. 

CAMBYSES'  PUNISHMENT  OF  AN  UNJUST 
JUDGE.  (According  to  tradition,  the  Persian  King 
Cambyses,  who  ruled  about  530  B.  C.,  caused  an  unjust 

265 


RUBENS  — RUYSDAEL 

judge  to  be  skinned  alive  and  then  appointed  his  son  to  fill 
the  office  and  obliged  him  to  sit  upon  a cushion  made  of 
his  father’s  skin.)  The  King,  accompanied  by  warriors* 
and  councillors,  approaches  from  the  right  and  extends 
his  sceptre  toward  the  judge  who,  in  his  red  robe,  is  only 
partly  seated  in  the  judge’s  chair;  women  and  children 
kneel  at  the  left.  Study  for  decoration  of  Magistrates’ 
Hall,  Brussels,  destroyed  in  1695. 

H.  18  in.  W.  17I  in.  Wood. 

Gift  of  William  E.  Dodge,  1900. 

RUISDAEL,  Jacob  Isaacksz.  van.  Dutch;  born  1628  (or  1629) 
at  Haarlem;  died  there  1682.  Probably  a pupil  of  his 
uncle,  Salomon  van  Ruysdael.  Became  a citizen  of 
Amsterdam  in  1659  where  he  lived  until  1681.  Landscapes. 

R85-1  LANDSCAPE.  A stream  with  rocky  banks  flows  over 

Gallery  a dam  of  stones  in  the  immediate  foreground;  there  are 
27  trees  in  shadow  at  the  left  and  at  the  right  is  a large  oak; 
two  figures  are  driving  sheep,  and  a wooded  hill  is  beyond. 
H.  39j  in.  W.  50I  in.  Canvas.  Signed:  J Ruisdael. 
Gift  of  Henry  G.  Marquand,  1888. 

R85-2  WHEATFIELDS.  A road  between  ripened  wheatfields; 

Gallery  beyond  are  a group  of  trees  and  some  cottages  and  the 
39  sea  is  on  the  horizon  at  the  left;  along  the  road  a man  is 
walking  away  from  the  spectator  and  beyond,  a woman 
and  a little  boy  are  approaching;  the  sky  is  filled  with 
large  clouds  and  the  wheatfields  are  in  strong  sunlight. 

H.  39I  in.  W.  5ijin.  Canvas.  Signed:  JVRuisdael. 
Bequest  of  Benjamin  Altman,  1913. 

RUYSCH,  Rachel.  Dutch;  born  1664  or  1665  at  Amsterdam, 
died  there  1750.  Pupil  of  Willem  van  Aelst;  married; 
in  1695,  the  painter  Jurriaan  Pool  but  always  signed  with 
her  maiden  name.  At  Dusseldorf  was  painter  to  the 
Elector  Palatine,  John  William.  Flowers  and  fruit. 

R94-2  PLANTS  AND  BUTTERFLIES.  Butterflies  hover 
over  flowers,  vines,  and  brilliant  red  mushrooms;  in  the 
foreground  is  a creeping  snail. 

H.  iiy^^in.  W.  Sy'V  in.  Wood. 

Purchase,  1871. 

RUYSDAEL,  Salomon  van.  Dutch;  born  about  1600  probably 
at  Haarlem;  died  there  1670.  Perhaps  pupil  of  Esaias  van 
de  Velde  and  Jan  van  Goyen.  Landscapes  with  figures. 

266 


RUYSDAEL  — RYDER 

R941-1  DRAWING  THE  EEL.  (A  Dutch  game  played  in 
Gallery  winter.)  At  the  left  is  a frozen  river  with  sleighs  and 
26  skaters;  at  the  right,  in  front  of  a row  of  buildings,  num- 
erous people  are  watching  a man  and  woman  who  are 
mounted  on  one  horse  and  trying  to  catch  an  eel  which 
hangs  from  a wire  stretched  across  the  road. 

H.  29J  in.  W.  4i|Jin.  Canvas.  Signed:  S.VRvysdael 
1650. 

Purchase,  1871. 

R941-2  MARINE.  A few  fishing-boats  and,  against  the  horizon, 
a long  line  of  land  with  buildings. 

H.  13!  in.  W.  in.  Canvas. 

Purchase,  1871. 

R941-4  A COUNTRY  ROAD.  At  the  left  trees  surround  a < 
Gallery  farmhouse;  in  front  of  this  is  a road  with  two  vehicles 
26  going  over  a bridge  and  two  horsemen  following  at  the 
left;  the  road  divides  in  the  foreground;  at  the  right  two 
herdsmen  and  cattle  are  coming  toward  a narrow  stream 
at  the  extreme  right;  meadows  beyond  and  a church  in 
the  distance. 

H.  38J  in.  W.  52I  in.  Canvas.  Signed:  S.VRvysdael 
1648. 

Purchase,  Rogers  Fund,  1906. 

R941-5  HAARLEM,  HOLLAND.  In  the  foreground  a river 
Gallery  and  two  boats  filled  with  people,  from  one  of  which  a man 
26  mounts  a ladder  to  the  top  of  the  bank  where  there  are 
trees,  a house,  and  people;  against  the  horizon  at  the  right 
a windmill,  houses,  and  sail-boats,  and  in  the  center  of 
. the  picture  above  the  trees  is  a square  tower;  wide  ex- 
panse of  light  sky. 

H.  41  Jin.  W.  52y^^  in.  Canvas.  Signed:  S VRuysdael 
1646.  Bulletin,  1915,  p.  88;  ill.  p.  91. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

RYCKAERT,  David,  HI.  Flemish;  born  1612  at  Antwerp;  died 
there  1661.  Pupil  of  his  father,  David  Ryckaert  H. 

R96-1  FARMHOUSE.  A man  is  carrying  a basket  into  a 

Gallery  shelter  where  there  are  pots  and  pans,  baskets  and  barrels; 

26  a lamb  precedes  him  and  there  is  a litter  of  pigs  at  the 
left;  landscape  beyond  with  a residence. 

H.  35f  in.  W.  45!  in.  Canvas.  Signed:  D Ryckart. 
Purchase,  1871. 

RYDER,  Albert  P.  American;  born  1847  at  New  Bedford,  Mass.; 

267 


R97-I 

Gallery 

12 


R97-2 

Gallery 

16 


R97-3 

Gallery 

13 


R97-4 

Gallery 

12 


RYDER  — RYN 

died  1917  in  New  York  City.  Pupil  of  National  Academy 
of  Design  in  New  York  and  of  William  E.  Marshall.  Ro-  ' 
mantic  subjects. 

THE  CURFEW  HOUR.  (The  curfew  is  a twilight- 
hour  bell  rung  in  olden  times  as  a police  signal  that  all 
fires  and  lights  should  be  put  out.  The  word  is  derived 
from  the  French  words  “couvre  feu.”)  A landscape  with 
two  low  thatched  cottages  at  the  left;  two  cows  in  the  fore- 
ground; a hill  is  beyond  at  the  right  with  the  sea  in  the 
distance  at  the  left;  cloudy  sky  with  the  moon  partly 
hidden. 

H.  7f  in.  W.  103%  in.  Wood.  Signed:  A.  P.  Ryder. 
Bulletin,  1909,  p.  88. 

Purchase,  Rogers  Fund,  1909. 

THE  SMUGGLERS’  COVE.  Rocks  are  at  the  left 
with  two  huts  in  a cleft;  a sail-boat  is  beached  nearby 
and  a horse  and  several  figures  are  in  the  foreground; 
blue  sea  and  yellowish  cloudy  sky  are  at  the  right. 

H.  10  in.  W.  28  in.  Leather.  Bulletin,  1909,  p.  88. 
Purchase,  Rogers  Fund,  1909. 

THE  BRIDGE.  An  arched  stone  bridge  is  in  the 
center  of  the  picture;  there  is  a hill  at  the  right  and  at  the 
left  the  towers  of  a town  are  seen  against  a sunset  sky. 

H.  Ilf  in.  W.  26f  in.  Leather. 

Gift  of  George  A.  Hearn,  1909. 

TOILERS  OF  THE  SEA.  A sail-boat  manned  by  two 
fishermen  is  tossing  in  the  rough  sea  and  shows. dark 
against  the  waves  and  clouds  lit  by  a silvery  moon. 

H.  I if  in.  W.  12  in.  Wood.  Signed:  ARyder.  Bulle- 
tin, 1915,  p.  81 ; ill.  p.  85. 

Purchase,  Hearn  Fund,  1915. 


RYDER,  Platt  P.  American;  born  1821  at  Brooklyn,  N.  Y.; 
. died  1896.  Pupil  of  Bonnat  in  Paris.  Portraits. 

R971-1  GEORGE  P.  PUTNAM.  (1814-1872;  New  York  pub- 
lisher; Trustee  of  the  Museum  from  its  foundation.) 
Life-size,  almost  to  the  waist;  he  has  gray  hair  and  a full 
gray  beard  with  a smooth  upper  lip. 

H.27f  in.  W.  22-^^  in.  Canvas.  Signed:  P.  P.  Ryder,  72. 
Gift  of  Samuel  P.  Avery,  1893. 

See  Rembrandt  van  Ryn. 

268 


RYN. 


s 


SALVI,  Giovanni  Battista.  See  Sassoferrato. 

SANCHEZ-PERRIER,  Emilio.  Spanish;  born  i853(?)  at  Seville, 
lives  in  Paris.  Pupil  of  Cano. 

Sa5-i  LAGOON  NEAR  VENICE.  Beyond  the  water  is  a 
green  terrace  and  in  the  distance  are  white  buildings 
above  which  rises  a round  dome;  at  the  left  are  several 
boats  under  a covered  dock. 

H.  13J  in.  W.  2iJ  in.  Wood.  Signed:  E.  Sanchez- 
Perrier.  85. 

Bequest  of  Thomas  P.*  Salter,  1907. 

SANO  D1  PIETRO  D1  MEN  ICO.  Italian  (Sienese);  born  1406 
at  Siena;  died  there  1481.  Pupil  of  Sassetta. 

Sa5i-i  MADONNA  AND  CHILD.  The  Madonna,  seen  to  the 

Gallery  waist,  holds  the  Child  with  both  hands;  she  has  a 
33  black  mantle  over  her  head  and  shoulders,  and  the  Child, 
who  is  seated  on  her  arm  and  seen  to  the  knees,  wears  a 
gold  brocaded  dress;  gold  background  with  the  Virgin’s 
halo  incised.  In  the  pediment  of  the  frame  there  is  a 
small  figure  of  Christ  rising  from  the  tomb. 

H.  20J  in.  W.  i3i  in.  Tempera  on  wood. 

Purchase,  Rogers  Fund,  1909. 

Sa5i-2  KING  SOLOMON  AND  THE  QUEEN  OF  SHEBA. 

Gallery  Panel  divided  into  two  parts  by  a border.  At  the  left,  in 
31  the  city  of  Sheba,  men  are  carrying  boxes  and  bales  and 
loading  them  upon  camels  while  the  Queen  and  her  ladies 
oversee  the  packing;  in  the  center  of  this  part  the  retinue 
passes  out  of  the  city  gates  with,  in  the  foreground,  two 
white  horses  drawing  a chariot  in  which  the  Queen  is 
seated  under  a dais  while  before  her  are  two  trumpeters 
and  four  musicians;  in  another  chariot  and  on  foot  are 

269 


SANO  DI  PIETRO  DI  MENICO  — SARGENT 

soldiers  and  attendants  preceded  by  the  camels  guided  by  * 
apes  and  negro  boys  perched  on  the  bales.  In  the  right- 
hand  part  the  procession  is  entering  the  gates  of  Jerusa- 
lem. At  the  extreme  right  King  Solomon  stands  in  the 
loggia  of  his  house  and  receives  his  guest;  crowds  look  on 
from  the  square  and  balcony;  landscape  background.  All 
wear  costumes  of  the  artist’s  time. 

The  border  is  in  relief,  gilded.  At  each  side  are  armorial 
bearings;  the  shield  at  the  left  is  blue  with  a bend,  gold, 
between  three  gold  vines,  probably  the  device  of  the  Luci 
family  of  Florence;  that  at  the  right  is  red  with  a counter- 
embattled  fesse,  likewise  of  gold,  between  three  pairs  of 
gold  wheat  ears,  and  belongs  to  the  Sienese  family  of  the 
Spannochi.  At  the  base  is  the  following  inscription: 

QUESTA  SIE  LASTORIA  QUANDO  LAREINA  SABA  ANDO 
AUDIRE  LA  SAPIENTIA  DEERE  SALAMONE  INGIERUSALEM. 

(This  is  the  history  [of  the  time]  when  the  Queen  of  Sheba 
went  to  hear  the  wisdom  of  King  Solomon  in  Jerusalem.) 
The  panel  was  a decoration  for  furniture,  probably  a 
settle  or  marriage  chest. 

H.2o|in.  W.  7oin.  Tempera  on  wood.  Bulletin,  1914, 
p.  128,  ill. 

Purchase,  Rogers  Fund,  1914. 

SARGENT,  John  S.  American;  born  1856  at  Florence,  Italy,  of 
American  parents;  lives  in  London.  Pupil  of  Carolus- 
Duran  in  Paris.  Chiefly  portraits. 

Say-i  HENRY  G.  MARQUAND.  (1819-1902;  a New  York 

Gallery  merchant  and  art  collector;  president  of  the  Museum 

1 1 from  1890  to  1902.)  Life-size,  seated  figure,  seen  to  below 

the  knees;  his  right  arm  is  over  the  back  of  the  white 
enameled  caned  chair  on  which  he  is  seated  and  the  left 
rests  on  a table  with  the  hand  raised  and  supporting  his 
head;  his  thin  hair,  moustache,  and  side  whiskers  are 
gray;  he  wears  a black  frock  coat;  the  background  is  dark 
with  a gray  curtain  at  the  left. 

H.  52  in.  W.  4if  in.  Canvas.  Signed:  John  S.  Sar- 
gent. Bulletin,  1911,  p.  4,  ill. 

Gift  of  the  Trustees,  1897. 

Sa7~2  WILLIAM  M.  CHASE.  (American  painter;  see  Chase.) 
Gallery  Life-size,  standing  portrait,  seen  to  below  the  knees;  in 
121  his  left  hand  are  the  palette,  brushes,  and  mahlstick 
and  a brush  is  held  in  his  extended  right  hand.  Dark 
background. 


270 


Sa7-3 

Gallery 

15 


Say-4 

Gallery 

12 


Say-5 

Gallery 

12 

Say-6 

Gallery 

15 


Say-y 


Say-S 


Say-9 


SARGENT 

H.  62J  In.  W.  4if  in.  Canvas.  Inscribed  by  Mr. 
Chase:  Copyright  by  John  S.  Sargent,  1902.  Bulletin, 
1905,  p.  9,  ill. 

Gift  of  pupils  of  Mr.  Chase,  1905. 

GITANA.  Life-size  study  of  a gypsy  woman,  seen  to  the 
waist;  she  wears  a red  drapery  and  her  black  hair  is 
tightly  braided. 

H.28Jin.  W.  23 Jin.  Canvas.  Signed:  John  S.  Sargent. 
Gift  of  George  A.  Hearn,  1910. 

THE  HERMIT.  A woodland  scene  with  the  emaciated 
nude  figure  of  an  old  man  seated  in  the  immediate  fore- 
ground at  the  right;  two  deer  are  nearby;  sunlight  falls 
through  the  branches. 

H.  3yJ  in.  W.  38  in.  Canvas.  Signed:  John  S.  Sargent. 
Bulletin,  191 1,  p.  100;  1912,  p.  205,  ill. 

Purchase,  Rogers  Fund,  1910. 

PADRE  SEBASTIA^O.  A disorderly  bedroom  with  a 
young  priest  seated  at  a table  at  the  right,  botanizing. 
H.  22j  in.  W.  28  in.  Canvas.  Signed:  John  S.  Sargent- 
Purchase,  Rogers  Fund,  1910. 

TYROLESE  INTERIOR.  Three  women  and  two  men, 
with  heads  bent,  are  seated  about  a table  set  for  a meal; 
strong  sunlight  comes  from  a window  at  the  right  falling 
across  the  figures  and  the  table  and  striking  the  wall  at 
the  left;  in  the  shadow  above  the  group  is  a shrine  with  a 
large  crucifix  between  two  devotional  figures. 

H.  28J  in.  W.  22yV  in.  Canvas.  Signed:  John  S Sargent 
1915- 

Purchase,  Hearn  Fund,  1915. 

MOUNTAIN  STREAM.  The  stony  shore  of  a pool  with 
a youth  bathing;  his  flesh  gleams  in  the  sunlight. 

H.  13 J in.  W.  21  in.  Water  color.  Signed:  John  S 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

IDLE  SAILS.  A boat  with  lowered  sails  is  anchored  in 
the  foreground;  beyond  is  a hilly  shore  with  distant  moun- 
tains at  the  right. 

H.  13J  in.  W.  20J  in.  Water  color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

THE  GIUDECCA.  One  of  the  islands  of  Venice.  View 
of  a canal  spanned  in  the  middle  distance  by  a small 

2yi 


SARGENT 

bridge;  in  the  immediate  foreground  at  the  left  is  a build- ^ 
ing  before  which  a barge  and  a smaller  boat  are  anchored; 
other  buildings  are  at  the  left  beyond  the  bridge. 

H.  i3i  in.  W.  2oJ  in.  Water  color.  Signed:  John  S 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

Say- 10  SIRMIONE.  A village  on  the  point  of  a promontory  at 
the  southern  end  of  the  Lake  of  Garda,  Italy.  Marshy 
foreground  with  the  end  of  the  promontory  dimly  seen 
across  the  lake;  dark  clouds  at  the  horizon. 

H.  15!  in.  W.  21  in.  Water  color.  Signed;  John  S 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

Say-ii  SPANISH  FOUNTAIN.  In  the  foreground  the  stone 
basin  of  a fountain  is  upheld  by  three  crouching  female 
figures;  a stream  of  water  flows  from  the  mouth  of  a 
grotesque  and  falls  into  the  basin;  a wall  forms  the  back- 
ground with  blue  and  white  and  green  tiles  at  the  base  and 
a dull  red  wall  above. 

H.  20J  in.  W.  i3Tir  in.  Water  color.  Signed:  John  S. 
Sargent.  Bulletin,  1916,  ill.  p.  37. 

Purchase,  Pulitzer  Bequest,  1915. 

Say-12  TYROLESE  CRUCIFIX.  A wayside  shrine  v/ith  the 
crucifix  protected  by  a small  pointed  roof;  at  left  a gnarled 
tree  trunk  and  at  right  the  sky. 

H.  20J  in.  W.  15J  in.  Water  color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

Say-13  iN  THE  GENERALIFE.  Garden  of  the  Generalife 
Palace,  Granada,  Spain.  Three  ladies  are  seated  in  the 
garden  with  dense  foliage  back  of  them;  the  central  one 
is  sketching  with  a low  easel  before  her;  a younger  woman, 
dressed  in  white,  is  at  the  left,  and  an  older  one,  in  black,  at 
the  right. 

H.  iqj  in.  W.  iy|  in.  Water  color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

Say-14  BOATS.  A white  boat  with  its  sail  spread,  and  a small 
dark  boat  are  anchored  in  a cove;  rocky  shore  at  left  with 
dark  pines  beyond. 

H.  153V  in.  W.  2of  in.  Water  color.  Signed:  John  S. 
Sargent.  Bulletin,  1916,  ill.  p.  38. 

Purchase,  Pulitzer  Bequest,  1915. 

272 


SARGENT— SARTAIN 

Sa7-i5  VENETIAN  CANAL.  In  the  foreground  at  right  and 
left  are  houses,  boats  at  anchor,  and  people;  a single- 
span stone  bridge  is  in  the  middle  distance;  beyond,  in  the 
center,  rises  a red  church  tower. 

H.  15I  in.  V/.  2o|  in.  Water  color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

Say-i6  ESCUTCHEON  OF  CHARLES  V.  (1500-1558;  King  of 
Spain  as  Charles  I and  later  Emperor  of  the  Holy  Roman 
Empire.)  A carved  lunette  in  the  upper  part  of  the 
fountain  in  the  garden  of  the  Palace  of  Charles  V at 
Granada,  Spain.  The  tablet  below  is  inscribed:  impera- 

TOR  C/ESAR  I KAROLUS  QVINTO. 

H.  ii|  in.  W.  lyf  in.  Water  color.  Signed:  John  S. 
Sargent.  Bulletin,  1916,  ill.  p.  36. 

Purchase,  Pulitzer  Bequest,  1915. 

Say-iy  MADAME  X;  Portrait  of  Mme.  Gautreau.  Full- 
Gallery  length,  standing  figure  with  the  head  in  profile  to  the 
1 5 right;  her  right  hand  rests  upon  a table  and  holds  a closed 
fan;  she  wears  a low-cut,  black  velvet  evening  gown. 

H.  82I  in.  W.  43 J in.  Canvas.  Signed:  John  S.  Sar- 
gent 1884.  Bulletin,  1916,  p.  113;  ill.  p.  115. 

Purchase,  Arthur  Hoppock  Hearn  Fund,  1916. 

Say-18  MARBLE  QUARRY  AT  CARRARA.  A view  at  the 
Gallery  famous  quarries  which  furnished  and  still  furnish  the 

12  finest  of  the  Italian  marbles  for  sculptors.  Workmen 
are  busy  with  ropes,  by  means  of  which  the  blocks  are 
lowered  from  the  heights  to  the  plain.  One  seated  at  the 
right  foreground  has  wound  his  rope  round  a post  and 
plays  it  out  slowly. 

H.  28|-  in.  W.  36I  in.  Canvas.  Signed:  John  S.  Sargent. 
Purchase,  The  Harris  Brisbane  Dick  Fund,  1917. 

SARTAIN,  William.  American;  born  1843  at  Philadelphia,  Pa.; 

lives  in  New  York  City.  Pupil  of  Pennsylvania  Academy 
of  the  Fine  Arts  at  Philadelphia;  Bonnat  and  Ecole 
des  Beaux-Arts  in  Paris;  studied  also  in  Italy  and  Spain. 

Sayi-i  A CHAPTER  FROM  THE  KORAN.  The  courtyard 
Gallery  of  a stone  house  with  an  Arab,  in  a white  robe,  seated 

13  at  the  left,  reading;  three  men  are  seated  opposite  to  him, 
listening. 

H.  32^V  in.  W.  403V  in.  Canvas.  Signed:  W.  Sartain. 
Purchase,  Hearn  Fund,  1909. 

273 


SASSOFERRATO  — SCHENCK 

SASSOFERRATO;  real  name  Giovanni  Battista  Salvi.  Italian 
(Bolognese);  born  1605  at  Sassoferrato;  died  1685  at 
Rome.  Pupil  of  his  father,  Tarquinio  Salvi;  follower 
and  imitator  of  the  Carracci. 

Sa72-i  MADONNA.  The  figure  is  seen  almost  to  the  waist, 
Gallery  with  hands  and  eyes  raised;  she  wears  a dull  red  robe, 
29  white  veil,  and  blue  mantle. 

H.  25!  in.  W.  20J  in.  Canvas. 

Purchase,  1871. 

SAVOLDO,  Giovanni  Girolamo.  Italian;  born  about  1480  at 
Brescia;  died  after  1548  perhaps  in  Venice.  Influenced 
by  Moretto  and  Titian. 

Sa9-i  SAINT  MATTHEW  AND  THE  ANGEL.  The  life- 
Gallery  size,  seated  figure  of  St.  Matthew,  wearing  a loose  claret- 
29  colored  robe;  he  holds  a quill  pen  in  his  right  hand,  which 
rests  on  a partly  written  sheet  of  paper  near  a lighted 
lamp;  the  angel  in  a mauve  dress  floats  at  the  right  and 
through  an  open  door  there  is  a view  of  three  figures 
around  a fire. 

H.  36!  in.  W.  49i\  in.  Canvas.  Bulletin,  1912,  p.  loi. 
Purchase,  Marquand  Fund,  1912. 

SCHEFFER,  Ary.  French;  born  1795  at  Dordrecht,  Meuse;  died 
;.858  at  Argenteuil,  near  Paris.  Pupil  of  Guerin  in  Paris. 
History  and  portrait  painter. 

Sch2-i  PETER’S  REPENTANCE.  Life-size  figures,  seen  to 
the  knees;  Christ,  in  a white  habit,  stands  at  the  right 
with  His  hands  bound  and  looks  reproachfully  toward 
Peter  who  is  fleeing  at  the  left;  a soldier  in  a steel  helmet 
and  the  disciples  are  beyond. 

H.  59I  in.  W.  73 J in.  Canvas.  Signed:  Ary  Scheffer, 
1855- 

Gift  of  Edward  Brandus,  1899. 

SCHENCK,  August  F.  A.  French;  born  1828  at  Gliickstadt, 
Duchy  of  Holstein;  died  1901  at  Ecouen,  France.  Pupil 
of  Cogniet  in  Paris. 

Sch2i-i  LOST;  SOUVENIR  OF  AUVERGNE.  A flock  of  sheep 
Gallery  huddled  together  on  a mountain  side  in  a snow  storm; 
17  two  shepherd  dogs  are  at  the  left,  and  in  the  distance  the 

shepherd  is  seen  clinging  to  a wayside  cross. 

H.  58  in.  W.  97f  in.  Canvas.  Signed:  Schenck. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


274 


SCHOFIELD— SCHREYER 

SCHOFIELD,  W.  Elmer.  American;  born  1867  at  Philadelphia, 
Pa.;  lives  there.  Pupil  of  Pennsylvania  Academy  of  the 
Fine  Arts  in  Philadelphia;  Bouguereau,  Doucet,  and 
Aman-Jean  in  Paris.  Landscapes. 

Sch6-i  SAND  DUNES  NEAR  LELANT,  CORNWALL, 
Gallery  ENGLAND.  The  gray  sands  in  the  foreground  are 
1 5 broken  by  coarse  green  growth  and  sparsely  foliaged  trees; 
across  the  middle  distance  flows  a greenish  river  and  on  the 
farther  bank  is  a village;  rolling  blue-green  hills  are 
beyond. 

H.  38  in.  W.  48  in.  Canvas.  Signed:  Schofield.  05. 
Bulletin,  1909,  p.  57,  ill. 

Purchase,  Hearn  Fund,  1909. 

SCHRADER,  Julius.  German;  born  1815  at  Berlin;  died  there 
1900.  Pupil  of  the  Berlin  Academy  and  of  Schadow  iii 
Diisseldorf. 

Sch6i-i  BARON  ALEXANDER  VON  HUMBOLDT.  (1769- 
1859;  German  scientist  and  author;  this  portrait  was 
painted  when  he  was  89  years  old.)  Life-size  figure, 
seated  on  a hillside  with  an  open  book  on  his  lap  and  a 
pencil  in  his  right  hand;  snow-capped  mountains  are 
in  the  distance. 

H.62jin.  W.  54f  in.  Canvas.  Signed:  Julius  Schrader  1859 
Gift  of  H.  O.  Havemeyer,  1889. 

SCHREYER,  Adolf.  German;  born  1828  at  Frankfort-am-Main; 

died  1899  at  Kronberg.  Pupil  of  Stadel  Institute  in 
Frankfort;  studied  in  Stuttgart,  Munich,  and  DQsseldorf. 

Sch7-i  ABANDONED;  MARSHES  OF  THE  DANUBE, 

Gallery  A single  horse  is  attached  to  a dilapidated  military 

18  wagon;  the  dead  body  of  another  horse  and  that  of  the 

driver  lie  on  the  ground. 

H.  1 1|  in.  W.  22 J-  in.  Water  color.  Signed:  Ad.  Schreyer. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Schy-2  ARABS  ON  THE  MARCH.  Horsemen  are  going 

Gallery  through  a rocky  region  toward  a walled  city  which 

18  appears  at  the  left;  the  Arab  in  the  foreground  wears 

a white  burnoose  (hood)  and  rides  a white  horse;  another, 
wearing  a red  cap  andjacket,  is  mounted  on  a bay. 

H.  22-|  in.  W.  37f  in.  Canvas.  Signed:  Ad.  Schreyer. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Sch7-3  BATTLE  SCENE;  ARABS  MAKING  A DETOUR. 

Mounted  Arabs  are  galloping  to  the  left  across  a plain; 


275 


SCHREYER— SEBASTIANO  DEL  PIOMBO 

in  the  foreground  a chief,  wearing  a white  burnoose 
and  rose-colored  jacket  and  trousers,  rides  a gray 
horse  that  rears  at  a bursting  shell;  a standard  bearer 
in  a white  burnoose  and  blue  jacket,  is  on  a gray  horse 
that  rears  at  the  right. 

H.  59f  in.  W.  99^  in.  Canvas.  Signed:  Ad.  Schreyer. 
Gift  of  John  Wolfe,  1893. 

Sch7-4  COSSACK  HORSES  IN  A STORM. 

H.  20^  in.  W.  42!  in.  Canvas.  Signed:  Ad  Schreyer. 
Bequest  of  Eliza  W.  Howland,  1917. 

SCHREYVOGEL,  Charles.  American;  born  1861  at  New  York 
City;  died  1912  at  Hoboken,  N.  J.  Pupil  of  H.  August 
Schwabe  in  Newark,  N.  J.;  Carl  Marr  and  Frank  Kirch- 
bach  in  Munich. 

Sch7i-i  MY  BUNKIE  (Bunk-mate).  Three  horses  are  gallop- 
ing across  barren  hills;  the  rider  of  the  brown  horse  in  the 
immediate  foreground  leans  over  to  help  a young  man  to 
the  back  of  his  moving  horse;  the  riders  of  the  other  two 
horses  are  leveling  their  guns.  This  picture  was  awarded 
the  Thomas  B.  Clarke  prize  at  the  National  Academy 
of  Design  in  1900. 

H.  2 5^\  in.  W.  34  in.  Canvas.  Signed:  Chas.  Schreyvogel. 
Gift  of  friends  of  the  artist,  1912. 

SCOTT,  Emily  M.  American;  born  1832  at  Springwater,  N.  Y.; 

died  1915  in  New  York  City.  Pupil  of  National  Academy 
of  Design  and  Art  Students’  League  in  New  York;  Collin 
in  Paris.  Flowers. 

Sco8-i  YELLOW  ROSES.  Flowers  in  a glass  bowl. 

H.  lof  in.  W.  145  in.  Water  color.  Signed:  E.  M. 
Scott. 

Gift  of  friends  of  the  artist,  1909. 

SEBASTIANO  DEL  PIOMBO;  real  name  Sebastiano  Luciani. 

Italian  (Venetian);  born  about  1485,  probably 
' at  Venice;  died  1547  Rome.  Pupil  of  Giovanni 
Bellini;  influenced  by  Giorgione  and  later,  in  Rome, 
by  Michaelangelo. 

Se2-i  CHRISTOPHER  COLUMBUS.  0446?-!  506;  the  dis- 
Gallery  coverer  of  America.  This  is  a posthumous  portrait.) 
II  The  figure  is  larger  than  life  and  seen  to  the  waist;  he 
wears  a black  hat,  a black  coat  with  a gray  collar,  and  a 

276 


SEBASTIANO  DEL  PIOM BO  — SHANNON 

black  doublet  above  which  appears  a gathered  white 
shirt;  the  left  hand  is  on  his  breast  and  the  right  is  ex- 
tended. Inscribed:  U/EC  EST  * EFFIGIES  * LIGURIS 
• MIRANDA  “ COLUMBI  • ANTIPODUM  * PRIMUS  * 
RATE  • QUI  • PENETRAVIT  * IN  ’ ORBEM  ‘ 1519* 
(This  is  the  admirable  effigy  of  the  Genoese  Columbus,  the 
first  who  entered  in  a ship  into  the  world  of  the  Anti- 
podes). 

H.  42 in.  Wo  34I  in.  Canvas.  Signed:  SEBAS- 
TIANVS  VENETVS  FACIT. 

Gift  of  J.  Pierpont  Morgan,  1900. 

SEITZ,  Anton.  German;  born  1829  at  Roth-am-Sand,  near 
Nuremberg;  died  1900  at  Munich.  Pupil  of,  Wagner 
and  Reindel  in  Nuremberg  and  of  Fluggen  in  Munich. 

Se4“i  THE  DISCUSSION.  A courtyard  with  an  old  man 
Gallery  seated  smoking;  before  him  stands  a man,  wearing  a long 
18  green  coat,  who  is  gesticulating;  back  of  them  at  the  left 
stands  a girl  holding  a jug;  through  an  open  door  at  the 
right  is  seen  a team  of  horses. 

H.  Ilf  in.  W.  15J  in.  Wood.  Signed:  Anton  Seitz 
1869. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

SELLAIO,  Jacopo  del.  Italian;  born  at  Florence  1442;  died  1493. 

The  son  of  a saddler,  hence  his  name.  Studied  probably 
under  Fra  Filippo  Lippi  but  imitated  different  contem- 
poraries— Botticelli,  Ghirlandaio,  Rosselli;  his  eclecticism 
is  the  excuse  for  the  large  number  of  works  of  various 
styles  now  ascribed  to  him. 

Se4i-5i  THE  ANNUNCIATION.  A tondo.  The  Virgin, 
Gallery  dressed  in  the  traditional  red  robe  and  blue  mantle, 
30  stands  at  the  right,  her  reading  desk  behind  her.  The 
angel,  in  white  with  an  overdress  of  rose,  kneels  before 
her  at  the  left,  holding  the  lily.  The  angel’s  wings  are 
opalescent  blue,  the  floor  is  of  inlaid  marble,  and  there 
is  an  architectural  background  with  an  arcade  back  of 
the  angel,  leading  out  to  a landscape  of  plain  and  sea. 
Circular;  diameter,  32!  in.  Tempera  on  wood. 

Lent  by  Mrs.  George  B.  McClellan,  1917. 

SHANNON,  Charles  H.  British;  born  1865;  lives  in  London. 

Pupil  of  Charles  Ricketts.  Wood  engraver  and  litho- 
grapher as  well  as  painter. 


277 


SHANNON  — SHARPLESS 

Shi-51  LILAH  McCarthy.  (As  Dona  Ana  in  Man  and 
Gallery  Superman  by  G.  B.  Shaw.)  Full-length,  life-size  figure  * 
19  seated  before  a dressing  table;  she  wears  a low-necked, 

spangled  gown,  the  voluminous  pink  skirt  trimmed  with 
rows  of  black  and  white  ribbon;  red  feathers  are  in  her 
black  hair  and  a spangled  black  scarf  hangs  over  her  right 
shoulder;  a fan  and  lace  handkerchief  are  held  in  her 
black-gloved  hands. 

H.  761^  in.  W.  47i  in.  Canvas.  Signed:  CHARLES 
SHANNON  1907.  Bulletin,  1915,  p.  75. 

Lent  by  John  Quinn,  1915. 

SHANNON,  James  J.  American;  born  1862  at  Auburn,  N.  Y.; 

lives  in  London.  Studied  at  South  Kensington  School 
of  Art  in  London.  Portraits  and  figure  subjects. 

Shii-i  FAIRY  TALES.  A lady  in  a white  dress  trimmed  with 
Gallery  violet,  is  seated  on  a white  chair  with  her  back  toward  the 
15  spectator;  she  is  reading  to  two  little  girls,  dressed  in 
white,  who  are  seated  on  a couch  facing  her;  a blue 
Japanese  screen,  with  a design  of  golden  wings  and  red 
flowers,  forms  the  background. 

H.  34i  in.  W.  44}  in.  Canvas.  Signed:  J.  J. SHANNON 
1895. 

Purchase,  Arthur  Hoppock  Hearn  Fund,  1913. 

Shi  1-2  MAGNOLIA.  Full-length,  life-size  figure  of  a young  girl, 
Gallery  coming  down  a step;  she  wears  a white  embroidered  dress 
1 3 and  a long  black  velvet  cloak  edged  with  ermine;  a branch 
of  magnolia  is  in  her  left  hand;  a green  curtain  with 
black  figures  forms  the  background. 

H.yifin.  W.  39J  in.  Canvas.  Signed:  J.  J.  SHANNON 
1899. 

Purchase,  Hearn  Fund,  1913. 

SHARPLESS,  James.  American;  born  about  1750  in  England; 

went  to  the  United  States  in  1796  and  died  in  1811  at 
New  York  City.  Pupil  of  Romney.  Traveled,  painting 
small  portraits,  chiefly  in  pastel.  Sometimes  signed 
Sharpies. 

Sh2-i  ALBERT  GALLATIN.  (1761-1849;  American  statesman; 

Secretary  of  the  Treasury  1801-1813;  Minister  to  France 
1816-1823;  settled  in  New  York  City  about  1826.) 
Seen  almost  to  the  waist  with  head  and  figure  in  profile 
to  the  left;  he  wears  a black  coat  and  striped  waistcoat; 

278 


SHARPLESS  — SHURTLEFF 

blue  background.  A duplicate  is  in  the  Art  Gallery  at 
Bristol,  England. 

H.  9I  in.  W.  7I  in.  Pastel. 

Gift  of  Josephine  L.  Stevens,  1908. 

Sh2-2  JOSIAH  INGERSOLL.  (1763-1839;  Warden  of  the 
Port  of  New  York  from  1820  to  1839.)  Seen  nearly  to  the 
waist  with  the  face  almost  front;  he  wears  a blue  coat  and 
white  stock;  blue  background. 

H.  9}f  in.  W.  7I  in.  Pastel. 

Gift  of  Mrs.  Caroline  E.  Lawrence  Ingersoll,  1908. 

SHEE,  Sir  Martin  A.  British  (Irish);  born  1769  at  Dublin,  Ire- 
land; died  1850  at  Brighton,  England.  Studied  in  Dub- 
lin and  later  at  the  Royal  Academy  Schools  in  London. 
Portraits. 

Sh3~i  DANIEL  O’CONNELL.  (1775-1847;  Irish  lawyer  and 
statesman.)  Life-size  figure,  seated  in  a red  chair  and 
seen  full-front  almost  to  the  knees;  his  left  arm  rests  on  a 
table  and  the  right  holds  a quill  pen. 

H.  35I  in.  W.  28J  in.  Canvas. 

Gift  of  John  D.  Crimmins,  1899. 

SHILLING,  Alexander.  American;  contemporary.  Born  in 
Chicago. 

Sh6-i  WALCHEREN.  An  island  in  Holland.  Low-lying 
Gallery  fields  with  a row  of  trees  at  the  horizon;  a slight  pink  af- 
13  terglow  low  in  the  sky  and  silvery  blue  above. 

H.  i8|  in.  W.  2ij  in.  Wood.  Inscribed  on  back: 
Walcheren  by  Alexander  Shilling. 

Purchase,  Hearn  Fund,  1921. 

SHINN,  Everett.  American;  born  1873  at  Woodstown,  New 
Jersey.  Studied  at  the  Pennsylvania  Academy  of  Fine 
Arts. 

Sh6i-i  LONDON  MUSIC  HALL.  A tall,  thin  comedian  in  a 
Gallery  long-tailed  coat  leans  over  the  footlights  with  his  hands 
12  behind  him;  his  trick  umbrella,  which  stands  alone,  and 
high  hat  are  on  the  stage  beside  him.  In  the  left  fore- 
ground the  heads  of  three  musicians  are  seen.  A green- 
ish light  over  the  stage. 

H.  loin.  W.  i2in.  Canvas.  Signed:  E.  SHINN  1918. 
Purchase,  Hearn  Fund,  1921. 

SHURTLEFF,  Roswell  M.  American;  born  1838  at  Rindge, 
N.  H.;  died  1915  in  New  York  City.  Pupil  of  Lowell 


279 


SHURTLEFF  — SLINGELAND 

Institute  in  Boston;  National  Academy  of  Design  in  New 
York.  Landscapes. 

Shg-i  A MOUNTAIN  STREAM.  Pine  trees  are  at  the  left; 

the  water  flows  toward  the  foreground  at  the  right;  stony 
bank  with  trees  beyond  and  mountains  in  the  distance. 
H.  38I  in.  W.  50I  in.  Canvas.  Signed:  R.  M.  Shurtleff. 
Gift  of  William  F.  Havemeyer,  1891. 

SIBERECHTS,  Jan.  Flemish;  born  1627  at  Antwerp;  died  1703 
at  London. 

Sii-i  LANDSCAPE.  Through  an  open  bridge  is  passing  a 
house-boat  filled  above  and  below  decks  with  a party  of 
gayly  dressed  picnickers.  To  the  left  of  the  bridge,  a 
mill  and  farm  buildings;  in  the  foreground,  figures  of 
peasants  and  cavaliers.  A woman  is  washing  clothes  from 
a rowboat. 

H.  44f  in.  W.  73!  in.  Canvas. 

Purchase,  Rogers  Fund,  1921. 

SIMONETTl,  Attilio.  Italian;  born  at  Rome;  lives  there. 
Pupil  of  Fortuny. 

Si4-i  THE  RENDEZVOUS.  A woman,  dressed  in  pale  pink 
S.  W.  silk  and  holding  a fan,  stands  near  a light  wall. 

Stairway  H.  13^  in.  W.  9^  in.  Water  color.  Signed:  Attilio 
Simonetti-RoMA  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Si4~2  THE  AMATEUR.  An  interior  with  the  full-length 
Gallery  standing  figure  of  a man  examining  a small  framed 
18  painting  which  he  holds  with  both  hands;  he  wears  an 
eighteenth  century  costume  consisting  of  an  old-rose 
coat  and  white  satin  breeches. 

H.  13!  in.  W.  9f  in.  Water  color.  Signed:  Attilio 

Simonetti,  Roma  1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Si4~3  THE  MINIATURE.  An  interior  with  the  full-length 
Gallery  standing  figure  of  a woman  looking  at  a miniature  which 

18  she  holds  in  her  right  hand;  she  wears  a yellow  dress  and 

a green  scarf  is  over  her  head  and  shoulders. 

H.  13!  in.  W.  9f  in.  Water  color.  Signed:  Attilio 

Simonetti,  1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

SLINGELAND,  Pieter  van.  Dutch;  born  1640  at  Leyden;  died 
there  1691.  Pupil  of  Gerard  Dou.  Portraits  and  figure 
subjects. 


280 


SLINGELAND  — SNYDERS 

SI3-1  PORTRAIT  OF  A DUTCH  BURGOMASTER.  A 

Gallery  full-length,  standing  figure,  wearing  a black  robe  with  a 
26  square  yoke  of  Venetian  lace;  his  right  hand  is  on  his 
hip  and  the  left  arm  rests  on  a stone  balustrade;  beyond, 
at  the  right,  is  a formal  garden  with  statuary. 

H.iqjin.  W.  iif  in.  Wood.  Signed:  P.  v.  Slingeland  Fecit. 
Purchase,  1871. 

SLOAN,  John.  American;  born  1871  at  Lock  Haven,  Pennsylvania. 

SI5-1  THE  DUST  STORM,  FIFTH  AVENUE.  At  Madison 

Gallery  Square  with  a heavy  black  cloud  coming  down  over  the 
12  Flatiron  Building  in  the  background;  there  is  yellow  dust 
in  the  air,  the  trees  bend  to  the  wind,  and  women  and 
children  in  summer  clothes  scatter  for  shelter. 

H.  22  in.  W.  27  in.  Canvas.  Signed:  John  Sloan  1906. 
Purchase,  Hearn  Fund,  1921. 

SMILLIE,  George  H.  American;  born  1840  at  New  York  City; 

died  there,  1921.  Pupil  of  his  father,  James  Smillie, 
and  of  James  M.  Hart.  Landscapes. 

Smqi-i  AUTUMN  AFTERNOON.  A stream  is  at  the  left 
with  a man  in  a rowboat  in  the  foreground;  a road  is 
beyond  and  in  the  distance  a hill. 

H.  in.  W.  601V  iri-  Canvas.  Signed:  G.  H.  Smillie 
N.  A. 

Gift  of  Charles  F.  Smillie,  1907. 

SMITH,  John  Rubens.  British-American;  born  1775  in  England; 

died  after  1844  at  New  York  City.  Pupil  of  his  father, 
the  engraver,  John  Raphael  Smith;  came  to  America 
about  1812  and  worked  in  Boston,  Philadelphia,  and 
New  York.  Portraits. 

Sm6-i  GABRIEL  LUDLOW.  (Born  1736  at  New  York  City; 

entered  the  service  of  England  during  the  Revolution 
and  was  banished.)  A seated  figure,  seen  to  the  waist 
with  the  right  arm  over  the  back  of  the  chair;  he  wears 
a black  coat,  buff  waistcoat,  and  high  standing  collar. 

H.  9i|in.  W.  7J  in.  Water  color. 

Bequest  of  Mrs.  Maria  P.  James,  1911. 

SNYDERS,  Frans.  Flemish;  born  1 579  at  Antwerp;  died  there 
1657.  Pupil  of  Pieter  Bruegel,  the  Younger,  and  of 
Hendrick  van  Balen.  Animals  and  still  life. 

Sn9-i  LIONS  CHASING  A DEER.  Two  lions  are  at  the 
left;  the  one  in  front  has  its  paw  on  the  haunch  of  a 

281 


SNYDERS  — SORGH 

roebuck  which  is  springing  forward  at  the  right.  At  one  ^ 
time  attributed  to  Rubens. 

H.  55i  in.  W.  83J  in.  Canvas. 

Purchase,  1871. 

SNYDERS,  Frans,  and  Jan  van  den  Hoecke.  See  also  Hoecke. 

Sn9~2  A GREEN  GROCER.  A woman  wearing  a red  bodice 
holds  a bunch  of  grapes  in  her  right  hand  and  in  the 
other  a basket  of  grapes  and  apples;  in  the  foreground 
there  are  vegetables  on  a stand  at  the  right  and  fruit 
on  a table  at  the  left. 

H.  57I  in.  W.  78J  in.  Canvas. 

Purchase,  1871. 

SNYERS,  Pieter.  Flemish;  born  1681  at  Antwerp;  died  there 
1752.  Pupil  of  Alexander  van  Bredael. 

SnQi-i  FRUITS.  A basket  filled  with  grapes  and  apples  is  on 
a table  where  there  are  also  fresh  figs,  pears,  and  quinces. 
Formerly  attributed  to  Frans  Snyders. 

H.  28I  in.  W.  35  iV  in.  Canvas. 

Purchase,  i§7i. 

SODOMA;  real  name  Giovanni  Antonio  Bazzi.  Italian  (Sienese); 

born  1477  Vercelli;  died  1549  at  Siena.  Worked  in 
Milan;  later  influenced  by  Leonardo  and  Raphael. 

Soi-i  MARS  AND  VENUS  TRAPPED  BY  VULCAN.  At 
Gallery  the  right  is  a room  with  Hymen  and  Mercury  standing  at 
30  the  head  of  the  couch  of  Mars  and  Venus;  out  of  doors,  at 
the  left,  Vulcan  is  at  his  forge,  while  Apollo  stands  beside 
him  and  another  figure  is  partly  seen  at  the  extreme  left. 

H.  ii|  in.  W.  23!  in.  Canvas.  Bulletin,  191  i,p.  194. 
Purchase,  Marquand  Fund,  191 1. 

SONNTAG,  William  Louis.  American;  born  1822  at  Pitts- 
burgh, Pa.;  died  1900,  at  New  York  City.  Landscape 
painter. 

S05-1  LANDSCAPE;  VIEW  IN  THE  WHITE  MOUN- 
TAINS. A river  with  hills  on  either  side. 

H.  20j  in.  W.  36I  in.  Canvas. 

Bequest  of  Mrs.  William  Combe,  1918. 

SORGH,  Hendrick  Maertensz.  Dutch;  born  about  1611  at 
Rotterdam;  died  there  1670.  Pupil  of  Willem  Buyte- 
wech;  influenced  by  Brouwer. 

282 


SORGH  — SOROLLA 

S06-1  A KITCHEN.  Near  a large  window  at  the  left  a woman. 
Gallery  in  a green  dress  and  white  kerchief,  stands  peeling  apples; 

26  another  woman,  wearing  a green  bodice  and  purple 
skirt,  kneels  upon  the  floor  cleaning  fish,  and  turns  to 
watch  a cat  which  is  eating  from  a stone  crock  of  refuse 
at  the  right  of  the  picture;  fish  and  kitchen  utensils  are 
on  the  floor  in  the  foreground;  in  the  background  two 
figures  are  in  the  chimney  corner  at  the  left  and  a winding 
staircase  is  at  the  right. 

H.  20J  in.  W.  17I  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 


SOROLLA  Y BASTIDA,  Joaquin.  Spanish;  born  1863  at  Valen- 
cia; lives  there  and  in  Madrid.  Pupil  of  San  Carlos 
Academy  in  Valencia.  Portraits  and  genre. 


S061-1 

Gallery 

19 


S061-2 

Gallery 

19 


S061-3 

Gallery 

19 


S061-5 I 
Gallery 
19 


SWIMMERS.  Full-length,  nude  figures  of  two  boys, 
swimming  toward  the  left  through  transparent  dark  green 
water;  beyond  are  the  head  and  shoulders  of  a man 
swimming  in  the  same  direction;  strong  sunlight. 

H.  54f  in.  W.  84J  in.  Canvas.  Signed:  J Sorolla 

Bastida  1905. 

Purchase,  Wolfe  Fund,  1909. 

THE  BATH,  JAVEA.  Three  little  girls  are  bathing 
in  the  surf;  the  one  in  the  foreground  is  nude  and  is  seen 
from  the  back;  beyond,  the  others,  in  pink  and  white 
bathing-suits,  are  waist  deep  in  the  water  moving  toward 
an  opening  in  the  rocks  which  form  the  background. 

H.  35f  in.  W.  50J  in.  Canvas.  Signed:  J Sorolla 

Bastida  1905. 

Purchase,  Wolfe  Fund,  1909. 

SENORA  DE  SOROLLA  IN  BLACK.  (A  portrait  of 
Clotilde  de  Sorolla,  the  artist's  wife.)  Life-size,  full- 
length  figure,  standing  in  a room  with  her  right  hand  on  the 
back  of  a red  chair;  she  wears  a black  silk  dress  cut  V- 
shaped  at  the  neck  and  a yellow  rose  is  in  her  belt.  In- 
scribed : Clotilde  de  Sorolla. 

H.  73  in.  W.  46!  in.  Canvas.  Signed:  J.  Sorolla 
Bastida  1906. 

Purchase,  Wolfe  Fund,  1909. 

BEACHING  THE  BOAT;  VALENCIA.  Three  yoke 
of  brown  oxen  standing  in  the  surf  are  being  guided  by 
three  men,  one  of  whom  holds  the  chain  and  hook  attached 
to  the  foremost  pair;  beyond  is  a boat  with  a large  breeze- 


283 


SOROLLA  — SPENCER 

filled  sail  in  strong  sunlight;  a sailor,  seated  on  the  gun- 
wale, directs  the  work;  deep  blue  sea  with  white  surf. 

H.  117^  in.  W.  1735  in.  Canvas.  Signed:  J.  Sorolla  y 
Bastida  1903  Valencia. 

Lent  by  the  Hispanic  Society  of  America,  1909. 

S061-52  AFTER  THE  BATH.  A beach  with  the  full-length 
Gallery  figure  of  a young  woman  in  a clinging  bathing-suit  of 
19  thin  yellow  material;  a young  man,  wearing  a large  yellow 
straw  hat,  stands  behind  her  holding  a white  sheet  which 
he  prepares  to  put  around  her;  in  the  background  is  the 
blue  sea  with  bathers;  strong  sunlight. 

H.  69I  in.  W.  43I  in.  Canvas.  Signed:  J Sorolla  y 
Bastida  1908. 

Lent  by  the  Hispanic  Society  of  America,  1909. 
SPAGNOLETTO.  See  Ribera. 

SPANISH  SCHOOL  (?). 

Sp2S-i  MADONNA  AND  SAINT  ANNE.  The  choir  of  a 
church  with  St.  Anne  enthroned  and  the  Virgin  and  Child 
seated  on  the  floor  at  her  feet;  behind  the  throne  are  two 
angels,  the  one  at  the  left  playing  on  a harp  and  the  one 
at  the  right  on  a violin.  St.  Anne  wears  a rose-colored 
cloak  and  that  of  the  Virgin  is  blue. 

H.  59  in.  W.  32  in.  Wood. 

Gift  of  Frederic  Coudert,  1888. 

SPEICHER,  Eugene.  American;  born  1883  at  Buffalo,  N.  Y.; 

lives  in  New  York  City.  Studied  in  Buffalo  and  Europe. 
Portraits  and  landscapes. 

Sp3-i  MORNING  LIGHT.  A spring  landscape  with  level 
Gallery  fields  in  the  foreground  and  rolling  hills  beyond. 

15  H.  2~j\  in.  W.  34i  in.  Canvas.  Signed:  Eugene 

Speicher.  Bulletin,  1912,  p.  137,  ill. 

Purchase,  Hearn  Fund,  1912. 

SPENCER,  Robert.  American;  born  1879  at  Harvard,  Neb.; 

lives  at  New  Hope,  Pa.  Studied  in  New  York  and 
Philadelphia  under  Chase,  DuMond,  Henri,  and  Garber. 

Sp3i-i  REPAIRING  THE  BRIDGE.  A stone  bridge  is  at  the 
Gallery  right  over  a stream  that  fills  the  foreground;  workmen  are 

I 5 standing  on  a raft  and  going  up  a ladder  that  leans  against 

a stone  retaining  wall  on  top  of  which  are  other  men; 
beyond  is  a gray,  four-story,  factory  building  with  two 
figures  in  the  doorway;  another  building  is  partly  seerr  at 

284 


SALTASH 

BY  JOSEPH  MALLORD  WILLIAM  TURNER 


JAMES  STUART,  DUKE  OF  LENNOX 
BY  ANTHONY  VAN  DYCK 


SPENCER  — STARK 

the  extreme  left  and  between  them  is  a vista  of  fields;  at 
the  extreme  right,  beyond  the  bridge,  are  tall  trees. 

H.  29|f  in.  W.  35  if  Canvas.  Signed:  Robert  Spen- 
cer 1913.  Bulletin,  1914,  ill.  p.  79. 

Purchase,  Hearn  Fund,  1914. 

SPINELLO  DI  LUCA  SPINELLl;  usually  called  Spinello  Aretino. 

Italian  (Florentine);  born  i333(?)  at  Arezzo;  died  1410, 
supposedly  at  Arezzo.  Apprenticed  to  • Jacopo  del 
Casentino. 

Sp4“i  SAINT  MARY  MAGDALEN.  Mary  Magdalen,  wear- 
Gallery  ing  a scarlet  robe  over  a gray-green  tunic,  is  enthroned  on 
31  a carved  and  inlaid  seat;  she  holds  a large  crucifix  in  her 
left  hand  and  the  pot  of  ointment  in  her  right;  against  the 
gold  background  are  eight  angels  with  green  and  gold 
wings  and  green  and  rose  draperies,  who  are  playing  on 
various  instruments  and  form  a glory  about  the  Magdalen; 
in  the  immediate  foreground,  in  pairs  at  right  and  left, 
are  diminutive  kneeling  figures  of  brothers  of  the  Miseri- 
cordia  Fraternity  with  their  bare  backs  showing  between 
the  hood  and  the  shirt,  while  the  pot  of  ointment,  symbol 
of  the  order,  is  outlined  on  each  shoulder.  This  was 
originally  a processional  banner,  one  of  the  earliest  which 
has  come  down  to  us,  and  on  the  other  side  of  the  canvas, 
now  covered  by  the  lining,  is  painted  the  Flagellation  of 
Christ.  The  banner  was  executed  for  the  Brotherhood 
of  San  Sepolcro  at  Gubbio. 

H.  69I  in.  W.  47I  in.  Tempera  on  canvas.  Bulletin, 
1914,  p.  43,  ill. 

Gift  from  the  estate  of  Francis  M.  Bacon,  1914. 

STARK,  James.  British  (Norwich);  born  1794  at  Norwich;  died 
1859  at  London.  Pupil  of  Old  Crome  at  Norwich; 
Royal  Academy  Schools  in  London.  Landscapes. 

St2-i  WILLOWS  BY  THE  WATER  COURSES.  A group 
Gallery  of  willows  beneath  which  sheep  are  grazing. 

14  H.  17!  in.  W.  24  in.  Canvas. 

Gift  of  George  A.  Hearn,  1896. 

St2-2  THE  MILL.  A stream  in  the  foreground  with  several 
Gallery  figures  and  cows  beneath  the  trees  on  the  shore  at  the 
24  right;  in  the  middle  distance  is  the  mill,  partly  hidden  by 
trees;  above  the  mill-dam  are  fields  and  hills. 

H.  29^2- in.  W.4i  }|  in.  Canvas.  Bulletin,  191 5,  ill.  p.  90. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

285 


STEEN — STEICHEN 

STEEN,  Jan.  Dutch;  born  about  1626  at  Leyden;  died  there  1679^ 

Pupil  of  Nicholas  Knupfer  and  of  his  father-in-law,  j 

Jan  van  Goyen.  Peasant  subjects  and  portraits.  • j 

St3“i  A DUTCH  KERMESSE.  Peasants  merrymaking  in  | 

Gallery  front  of  a tavern  near  a stream.  , 

H.  24!  in.  W.  3oi  in.  Canvas.  Signed:  JSteen.  j 

Purchase,  1871.  1 

STEER,  P.  Wilson.  British  (English);  born  i860  at  Birkenhead, 
Cheshire;  lives  in  London.  Pupil  of  the  Gloucester 
School  of  Art;  Julian  Academy  and  Ecole  des  Beaux-Arts  : 

in  Paris.  Landscapes  and  portraits. 

St3i-i  RICHMOND  CASTLE;  YORKSHIRE.  The  stony  bed 

Gallery  of  a shallow  stream  is  in  the  foreground  and  at  the  right  j 

18  is  a high  cliff  with  shrubbery;  on  the  far  bank  at  the  left 
are  a village  and  the  castle;  heavy  cumulus  clouds. 

H.  29T-6  in.  W.  34i  in.  Canvas.  Signed:  P.  W.  Steer  j 

1903.  Bulletin,  1909,  p.  46.  i 

Purchase,  Wolfe  Fund,  1908. 

STEFANO,  Francesco  di.  See  Pesellino.  | 

STEFANO,  Tommaso  di.  Italian;  born  about  1496  at  Florence;  j 

died  1564.  Pupil  of  Lorenzo  di  Credi.  Also  architect  i 

and  illuminator. 

I 

St32-i  PORTRAIT  OF  A MAN.  He  is  about  forty,  clean 

Gallery  shaven,  with  brown  hair  hanging  over  his  ears,  and  is  seat- 
30  ed  to  the  right  in  a Florentine  chair,  on  the  arm  of  which 
his  right  hand  rests,  while  with  the  other  he  points  in 
front  of  him.  His  hat  is  black  as  is  also  his  low-cut,  ’ 

puffed-sleeved  doublet,  which  shows  his  white  shirt  at  the 
shoulders  and  neck,  and  at  the  wrists.  Gray  stone  back-  . 

ground. 

H.  32^  in.  W.  24  in.  Wood.  Signed  on  a paper  at 
left:  OPVS  THOML  FLORETINI.  -A-S:M  D-XXI. 

MA  II. 

Gift  of  J.  Pierpont  Morgan,  1917. 

STEICHEN,  Eduard  J.  American;  born  1879  at  Milwaukee, 

Wis.;  lives  in  New  York  City  and  Paris.  Landscapes  and 
figure  subjects. 

St33-i  NOCTURNE;  TEMPLE  OF  LOVE.  View  of  a river 
with  an  island  on  which  is  a formal  garden  and  a small 

286 


I 


STEICHEN  — STEVENS 

temple;  in  the  foreground  at  the  left  a nude  woman 
gathers  flowers. 

H.  25yV  in.  W.  24J  in.  Canvas.  Signed:  STEICHEN 
MDCCCCX. 

Gift  of  Watson  B.  Dickerman,  1911. 

STERNER,  Albert  Edward.  American;  born  1863  at  London; 

lives  in  New  York  City.  Pupil  of  Boulanger,  Lefebvre, 
and  Gerome  in  Paris.  Contemporary  subjects,  portraits. 

St4~i  THE  BLUE  STOCKING.  A slim  young  lady  seated 
on  a blue  upholstered  couch  is  darning  a blue  stocking. 
H.  23!  in.  W.  29I  in.  Pastel.  Signed:  Albert  Sterner, 
1915- 

Gift  of  Adolph  Lewisohn,  1919. 


STEVENS,  Alfred.  Belgian;  born  1828  at  Brussels;  died  1906 
at  Paris.  Pupil  of  Navez  in  Brussels;  Ecole  des  Beaux- 
Arts  under  Ingres  and  of  Roqueplan  in  Paris.  Interiors 
with  figures. 

St4i-i  THE  JAPANESE  ROBE.  Standing  figure  of  a young 
Gallery  woman,  seen  to  the  knees  from  the  back  with  her  face 
17  reflected  in  a mirror;  she  wears  a light  blue  figured  kimono 
and  holds  a Japanese  fan  in  her  right  hand. 

H.  36^  in.  W.  in.  Canvas.  Signed:  A Stevens. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

St4i-2  PREPARING  FOR  THE  BALL.  Full-length,  standing 
figure  of  a lady  in  a yellow  evening  dress;  she  is  drawing 
a long  white  glove  on  her  left  arm  and  her  fan  and  flowers 
are  on  a chair  beside  her;  a lacquered  cabinet  is  at  the 
right  against  a brown  wall. 

H.  i2y\  in.  W.  8f  in.  Wood.  Signed:  A Stevens. 

Gift  of  Mrs.  Mary  Goldenberg,  1899. 

STEVENS,  Edouard  Joseph.  Belgian;  born  1822  at  Brussels; 
died  there  1892.  He  was  a brother  of  Alfred  Stevens. 

St42-i  SURPRISE.  A brown  and  white  dog  is  looking  at  his 
S.  W.  reflection  in  a mirror  which  is  on  the  floor  and  rests 

Stairway  against  a chair;  gloves  and  a cane  are  in  the  foreground. 

H.  28  in.  W.  36J  in.  Canvas.  Signed:  J.  Stevens- 
Brux.  1853. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

287 


STONE  — STR I GEL 

STONE,  William  Oliver.  American;  born  1830  at  Derby,  Conn.; 

died  1875  at  Newport,  R.  I.  Pupil  of  N.  Jocelyn;  lived 
in  New  York  City  after  1851. 

St6-5i  MISS  RAWLE.  Small  figure,  seen  to  the  waist  with 

Gallery  elbows  on  the  arm  of  her  chair  and  head  resting  on  her 

16  clasped  hands. 

H.  12  in.  W.  io|  in.  Canvas;  oval. 

Lent  by  Beatrix  Cadwalader  Jones,  1910. 

STORK,  Abraham.  Dutch;  born  about  1635  Amsterdam;  died 
there  after  1704. 

St7“i  A SEAPORT.  Water  in  the  foreground,  with  shipping 
at  the  left;  on  the  far  shore  at  the  right  is  an  arcaded 
palace  with  several  gondolas  at  the  foot  of  the  steps;  a 
galleon  and  other  vessels  are  beyond. 

H.  2oT^  in.  W.  26|  in.  Canvas. 

Purchase,  1871. 

STORY,  George  H.  American;  born  1835  New  Haven,  Conn.; 

lives  in  New  York  City.  Pupil  of  Charles  Mine  in  New 
Haven;  studied  m Europe;  settled  in  New  York  City 
in  1863.  Curator  of  paintings,  Metropolitan  Museum 
of  Art,  1889  to  1906. 

ALEXANDER  S.  MURRAY.  (1841-1904;  British 
archaeologist;  Keeper  of  Department  of  Greek  and  Roman 
Antiquities  in  the  British  Museum  1887-1904.)  Life- 
size,  seated  portrait,  seen  to  below  the  waist,  with  the  right 
hand  on  the  arm  of  the  chair;  he  has  brown  hair,  mous- 
tache, and  full  beard.  Through  an  open  window  at  the 
right  there  is  a view  of  the  Acropolis  at  Athens. 

H.  30  in.  W.  24  in.  Canvas. 

Gift  of  the  artist,  1890. 

PORTRAIT  OF  THE  ARTIST.  Life-size,  almost  to 
the  waist;  a palette  and  brushes  are  held  in  his  left  hand; 
the  hair  is  light  brown  and  the  moustache  and  pointed 
beard  are  white;  he  wears  a broad-brimmed  black  felt 
hat  and  a black  velvet  coat;  a red  curtain  at  the  right  and 
sky  at  the  left  form  the  background. 

H.  24  in.  W.  2oin.  Canvas.  Signed:  G.  H.  Story  Dec. 
IQ02. 

Gift  of  Mrs.  George  H.  Story,  1906. 

STRIGEL,  Bernhart.  German;  born  1461  at  Memmingen;  died 
there  before  1 528. 


St7i-i 


St7i-2 

Gallery 


12 


288 


STRIGLE  — STUART 

St8-i  PORTRAIT  OF  A GERMAN  LADY.  Seated  figure,  seen 

Gallery  almost  to  the  knees,  with  her  hands  folded  in  her  lap;  she 
34  wears  a headdress  embroidered  with  pearls  and  a bodice 
of  reddish-brown  brocade;  the  wall  back  of  the  figure 
is  hung  with  red  brocade  and  through  a window  at  the 
left  there  is  a view  of  a landscape  with  a river.  Formerly 
ascribed  to  Lucas  Cranach  the  Younger. 

H.  15J  in.  W.  io|  in.  Wood. 

Purchase,  1871. 

STUART,  Gilbert.  American;  born  1755  at  Narragansett,  R.  L; 

died  1828  at  Boston,  Mass.  Pupil  of  Cosmo  Alexander 
in  America  and  in  Scotland;  and  of  Benjamin  West  in 
London.  Portraits.  ^ 

Stp-i  DAVID  SEARS.  (Lived  in  Boston.)  Life-size  portrait. 

Gallery  seen  almost  to  the  waist,  with  the  face  and  figure  turned  to 
16  the  left;  he  has  curly  light  brown  hair  and  wears  a black 
coat,  a full  white  neck-cloth,  and  ruffled  shirt.  Stuart 
painted  several  portraits  of  David  Sears,  and  Sully  in  1830 
“did  drapery,  etc.,  to  Stuart’s  head”;  C.  H.  Hart  believes 
that  this  is  the  picture  on  which  Sully  worked. 

H.  27J  in.  W.  23I  in.  Canvas. 

Gift  of  several  gentlemen,  1881. 

St9~2  GEORGE  WASHINGTON.  (1732-1799;  President  of 

Gallery  the  United  States  1789-97;  this  replica  was  painted  at 

16  Washington,  D.  C.,  in  1803,  for  Daniel  Carroll  of  Dud- 

dington  Manor,  D.  C.,  and  was  purchased  from  the 
Carroll  family  by  Mr.  Havemeyer.)  Life-size  figure, 
seen  almost  to  the  waist  and  turned  to  the  left;  his  hair 
is  powdered  and  he  wears  a black  coat  and  a ruffled 
shirt  with  full  neck-cloth ; the  background  is  grayish  brown. 
H.  29J  in.  W.  24I  in.  Canvas. 

Gift  of  H.  O.  Havemeyer,  1888. 

St9-3  CAPTAIN  HENRY  RICE.  (Served  in  the  War  of 

Gallery  1812.)  Life-size  portrait,  seen  almost  to  the  waist,  with 
16  the  face  and  figure  turned  to  the  left ; he  has  curly  brown 
hair  and  wears  a black  coat  and  full  white  neck-cloth. 
H.  26^  in.  W.  2iJ  in.  Wood. 

Purchase,  1897. 

St9-4  JUDGE  JOSEPH  ANTHONY,  JR.  (1762-1814;  born 

Gallery  at  Newport,  R.  L;  first  cousin  of  the  artist.)  Life-size 
16  figure,  seen  to  the  waist  and  turned  to  the  left;  he  has 
gray  hair  and  wears  a dark  blue  coat  with  brass  buttons 

289 


STUART 

and  a white  neck-cloth  tied  in  a bow;  a red  curtain  is  . 
draped  in  the  background  showing  the  sky  at  the  lower 
left  corner. 

H.  30  in.  W.  24^  in.  Canvas.  Bulletin,  1907,  p.  129. 
Purchase,  Rogers  Fund,  1905. 

St9-5  MRS.  JOSEPH  ANTHONY,  JR.  (1766-1812;  Hen- 
Gallery  rietta  Hillegas  was  the  daughter  of  Michael  Hillegas, 

16  the  first  Treasurer  of  the  United  States,  and  wife 

of  judge  Anthony.)  Life-size,  seated  figure,  seen  to 
the  waist  and  turned  to  the  right;  she  has  powdered 
blond  hair  with  a blue  ribbon  through  it  and  wears  a low- 
necked  white  silk  dress  with  a light  blue  sash;  a red 
curtain  is  draped  in  the  background  showing  deep  blue 
sky  at  the  lower  right  corner.  Painted  within  an  oval. 

H.  29I  in.  W.  24I  in.  Canvas.  Bulletin,  1906,  p.  135,  ill.; 
1907,  p.  129. 

Purchase,  Rogers  Fund,  1905. 

St9-6  JOSEF  DE  JAUDENES  Y NEBOT.  (Born  1764, 
Gallery  died  before  1819;  Charge  d ’Affaires  ad  interim  of 
16  Spain  to  the  United  States,  1791-6.)  Life-size,  seated 
figure,  facing  to  the  left,  and  seen  to  below  the  knees  which 
are  crossed;  his  right  hand  is  on  a letter  that  lies  on  a 
table  covered  with  a green  cloth;  his  hair  is  powdered  and 
he  wears  a dark  blue  velvet  coat  lined  with  scarlet  and 
embroidered  in  silver  and  scarlet  waistcoat  and  breeches; 
a green  curtain  is  draped  in  the  background  showing 
shelves  of  books  at  the  left.  The  inscription,  coat  of  arms, 
and  the  artist's  name  are  not  by  Stuart. 

H.  5oi  in.  W.  39^  in.  Canvas.  Bulletin,  1907,  p.  64, 
ill. 

Purchase,  Rogers  Fund,  1907. 

St9-7  MATILDE  STOUGHTON  DE  JAUDENES.  (Born 
Gallery  1778,  died  after  1822;  she  was  a daughter  of  Juan  Stough- 
16  ton,  Spanish  Consul  in  Boston  for  thirty  years;  in  1794 
she  married,  in  New  York,  the  Spanish  Charge  d’Affaires, 
Josef  de  Jaudenes.)  Life-size,  seated  figure,  facing  to  the 
right  and  seen  to  below  the  knees;  she  wears  a white  silk 
dress  with  a flowered  design  and  a headdress  of  white  fea- 
thers with  jewels;  at  the  right  is  a table  with  a red  velvet 
cover;  a brown  curtain  is  draped  in  the  background  show- 
ing deep  blue  sky  at  the  right.  As  in  the  previous  picture, 
the  inscription,  the  coat  of  arms,  and  the  artist’s  name 
are  not  by  Stuart. 


290 


STUART 

H.  5of  in.  W.  39i  in.  Canvas.  Bulletin,  1907,  p.  64,  ill. 
Purchase,  Rogers  Fund,  1907. 

St9-8  GEORGE  WASHINGTON.  (1732-1799;  President  of 
Gallery  the  United  States,  1789-97.  This  portrait  was  painted 
16  at  Philadelphia  in  1795  and  later  sold  by  Stuart  to  his 
friend  Col.  George  Gibbs,  who  disposed  of  it  to  his 
sister,  Mrs.  William  Ellery  Channing,  from  whose  son 
it  was  purchased  by  Samuel  P.  Avery  and  from  him  by 
the  Museum.)  Life-size  figure,  seen  almost  to  the  waist, 
and  turned  slightly  to  the  right;  his  hair  is  powdered  and 
tied,  with  black  ribbon  and  he  wears  a black  velvet  coat, 
ruffled  shirt,  and  full  neck-cloth;  a green  curtain  is  draped 
in  the  background  showing  the  sky  at  the  lower  right 
corner. 

H.  30J  in.  W.  25j  in.  Canvas.  Bulletin,  1907,  pp. 
1 1 and  1 18,  ill. 

Purchase,  Rogers  Fund,  1907. 

St9-9  ALBERT  GALLATIN.  (1761-1849;  American  states- 
Gallery  man;  Secretary  of  the  Treasury  1801-1813;  Minister  to 
16  France  1816-23;  settled  in  New  York  City  about  1826.) 
Life-size,  seated  figure,  seen  to  the  waist  with  the  left 
hand  holding  a letter;  he  wears  a black  coat  and  white 
neck-cloth  tied  in  a bow;  the  back  of  the  chair  showing 
above  his  shoulders  is  upholstered  in  red;  red  background. 
H.  29!  in.  W.  23I  in.  Canvas. 

Gift  of  Frederick  W.  Stevens,  1908. 

St9-5i  GENERAL  STEPHEN  VAN  RENSSELAER.  (1764- 
Gallery  1839;  son  of  Stephen  van  Rensselaer  and  Catherine  Liv- 
16  ingston,  whose  father,  Philip  Livingston,  was  one  of  the 
signers  of  the  Declaration  of  Independence.)  Life-size 
figure,  seen  to  the  waist;  his  hair  is  powdered  and  he 
wears  a black  coat  and  white  neck-cloth;  brown  back- 
ground. 

H.  30I  in.  W.  24  in.  Canvas. 

Lent  by  the  Trustees  of  the  Estate  of  Stephen  V.  R. 
Townsend,  1913. 

St9-52  GENERAL  PETER  GANSEVOORT.  (1749-1812; 
Gallery  American  Colonel  in  the  Revolutionary  War.)  Head 
16  and  shoulders  turned  to  the  left;  his  hair  is  powdered 
and  arranged  in  a queue;  he  wears  a military  coat  with 
gold  epaulette  and  yellow  facings;  a medal  hangs  from 
his  buttonhole  on  a blue  and  white  ribbon. 

H.  30  in.  W.  25  in.  Canvas. 


291 


STUART  — SULLY 

Lent  by  Roland  N.  Moore  in  memory  of  Mrs.  Abraham 
Lansing  of  Albany,  1919. 

St9-53  LEONARD  GANSEVOORT.  (1751-1810;  brother  of 
Wing  F General  Peter  Gansevoort.)  Head  and  shoulders  turned 
Gallery  to  the  left;  his  hair  is  powdered  and  arranged  in  a queue; 
21  his  black  coat  shows  a white  lace  ruffle  at  the  neck. 

H.  30  in.  W.  25^  in.  Canvas. 

Lent  by  Roland  N.  Moore  in  memory  of  Mrs.  Abraham 
Lansing  of  Albany,  1919. 

SUARDI,  Bartolommeo.  See  Bramantino. 

SUESS,  Hans.  See  Kulmbach. 

SULLY,  Thomas.  American;  born  1783  at  Horncastle,  Lincoln- 
shire, England;  died  1872  at  Philadelphia,  Pa.  Taken 
to  Charleston,  S.  C.,  in  1792;  pupil  of  Belzons,  a French 
miniature  painter,  at  Richmond,  Va.;  studied  with  Stuart 
in  Boston,  and  West  in  London.  Settled  in  Philadel- 
phia in  1808.  Portraits. 

SU5-1  WILLIAM  GWYNN.  (1779-1846;  Baltimore  lawyer 
Gallery  who  was  editor  of  the  Federal  Gazette,  1813  to  1839.) 
16  Life-size  figure,  seen  full-face  almost  to  the  waist;  he  has 
dark  curly  hair,  and  wears  a black  coat  and  vest. 

H.  24  in.  W.  20  in.  Canvas. 

Gift  of  Mrs.  Rosa  C.  Stanfield,  1894. 

SU5-2  JOHN  FINLEY.  Life-size  head  and  shoulders;  he 
Gallery  has  dark,  curly  hair  and  wears  a black  coat  and  full  white 
16  neck-cloth.  This  picture  was  at  one  time  attributed  to 
Rembrandt  Peale. 

H.  i8|  in.  W.  i4y\in.  Canvas.  Monogrammed:  TS  1821. 
Gift  of  Mrs.  Rosa  C.  Stanfield,  1894. 

Su5-3  PORTRAIT  OF  THE  ARTIST.  Life-size  head  and 
Gallery  shoulders  with  the  body  in  profile  to  the  right  and  face 
16  front;  he  wears  a brown  coat  with  velvet  collar;  a paint 
brush  is  held  in  the  right  hand. 

H.  lyin.  W.  14I  in.  Canvas.  Monogrammed:  TS  1821. 
Gift  of  Mrs.  Rosa  C.  Stanfield,  1894. 

SU5-4  PORTRAIT  OF  A MAN.  Life-size,  seated  figure,  seen 
Gallery  to  the  waist;  a framed  miniature  is  in  his  left  hand  and 
16  the  right  is  held  inside  his  black  coat. 

H.  30I  in.  W.  25I  in.  Canvas. 

Gift  of  George  H.  Story,  1906. 


2Q2 


SULLY 

Su5-5  MRS.  KATHERINE  MATTHEWS.  (In  Sully’s  register 
Gallery  this  is  No.  1159  Sister  to  Mrs.  Mallon,  1812.)  Life- 

16  size  figure,  turned  to  the  left  and  seen  to  below  the  waist; 

she  wears  a close-fitting  white  hood  edged  with  lace,  a 
brown-green  dress,  and  a brownish  fur  cape  which  she 
holds  at  the  neck  with  her  right  hand. 

H.  27!  in.  W.  23J  in.  Canvas. 

Purchase,  Rogers  Fund,  1906. 

Su5-6  the  ARTIST’S  wife.  (1770-1867;  Sarah  Annis  was 
Gallery  born  at  Annapolis  and  first  married  Lawrence  Sully,  also 

16  a painter;  after  his  death  she  became  the  wife  of  the 

younger  brother.)  Bust  portrait  seen  full-face;  she  wears 
a reddish  brown  dress,  and  a cream-colored  scarf  is  over 
her  dark  brown  hair  and  held  about  her  shoulders  with  the 
left  hand.  Inscribed  on  the  back:  For  my  daughter  Jane 
Darley  TS  1851.  (Replica  of  the  portrait  painted  1832.) 
H.  29I  in.  W.  22f  in.  Canvas,  oval.  Monogrammed: 
TS.  1832.  Bulletin,  1914,  p.  250;  ill.  p.  25 1. 

Bequest  of  Francis  T.  S.  Darley,  1914. 

SU5-7  QUEEN  VICTORIA.  (1819-1901 ; Queen  of  Great  Bri- 
Gallery  tain  and  Ireland  and  in  1877  Empress  of  India;  she  suc- 
16  ceeded  to  the  throne  in  1837  and  her  coronation  took  place 
June  28,  1838;  in  1840  she  married  Albert,  prince  of  Saxe- 
Coburg  and  Gotha.)  Bust  portrait  in  vignette  on  a 
stained  canvas;  she  is  looking  over  her  right  shoulder 
with  the  face  turned  three-quarters  front;  a jeweled  crown 
rests  on  her  parted  brown  hair  and  she  wears  a jeweled 
necklace  and  pendent  earrings;  there  is  light  drapery 
about  her  bare  shoulders  with  a touch  of  red  at  the  left; 
brown  background  behind  the  head;  two  studies  for 
jewelry  are  at  the  right. 

This  is  the  original  study,  begun  March  22nd  and  finished 
May  15,  1838,  according  to  Sully’s  own  register,  for  the 
half-length  portrait  now  in  the  Wallace  Collection  in 
London,  for  the  whole-length  painted  for  the  St.  George’s 
Society  in  Philadelphia,  where  it  still  hangs,  and  for  the 
whole-length  given  by  the  artist  to  the  St.  Andrew’s 
Society  in  Charleston,  S.  C.  This  sketch  is  considered 
to  be  the  first  portrait  of  the  Queen  made  after  her  acces- 
sion to  the  throne;  it  was  painted  before  her  coronation. 
H.  35jf  in.  W.  28^^  in.  Canvas.  Inscribed:  TS.  Lon- 
don May  15th  1838.  My  original  study  of  the  Queen 
of  England  Victoria  I Painted  from  life — Buckingham 
House.  Bulletin,  1914,  p.  250;  ill.  p.  247. 

Bequest  of  Francis  T.  S.  Darley,  1914. 


293 


SULLY 

Su5-8  the  ARTIST’S  DAUGHTER  ROSALIE.  (1818-. 
Gallery  1847;  she  was  the  seventh  child.)  Head  and  shoulders  of 
16  a young  girl  resting  her  crossed  hands  on  a portfolio  and 
holding  a pencil;  a lamp  shade,  used  as  an  eye.  shade, 
throws  the  upper  part  of  the  face  into  deep  shadow;  a 
curl  of  dark  brown  hair  falls  over  each  shoulder;  she  wears 
a brown  dress  with  red  turned-over  collar.  Inscribed  on 
the  back:  The  Student  TS.  1839.  The  picture  is  some- 
times known  as  The  Fair  Student. 

H.  23^  in.  W.  i9iV  in.  Canvas.  Monogrammed:  TS 

1839.  Bulletin,  1914,  p.  250. 

Bequest  of  Francis  T.  S.  Darley,  1914. 

SU5-9  MOTHER  AND  SON.  (Jane  Sully,  1807-1877,  married 
Gallery  1833  William  Henry  Westray  Darley,  brother  of  the  illus- 
16  trator,  F.  O.  C.  Darley.  The  boy  is  her  son,  Francis 
Thomas  Sully  Darley,  the  one  who  bequeathed  the  pic- 
ture.) Full-length  portrait,  three-quarters  of  life  size, 
seated  in  profile  to  the  left;  she  supports  her  chin  in  her 
right  hand  and  rests  the  elbow  on  a low  stone  wall  over 
which  hangs  a red-bordered  shawl;  her  dark  brown  hair 
is  knotted  at  the  back  and  curled  over  the  temples;  she 
wears  a white  satin  skirt  and  a low-cut  brown  bodice  with 
a blue  bow.  The  boy  stands  beside  her  and  leans  his 
right  hand  on  her  knee;  he  has  curled  brown  hair  and 
wears  a green  frock,  open  at  the  neck,  where  it  is  finished 
with  a white  frill;  a brown  spaniel  lies  at  his  feet.  At  the 
right  a tall  urn  is  back  of  the  figures,  and  at  the  left  a strip 
of  beach  with  breaking  waves  and  a wide  expanse  of  sky. 
H.  57  in.  W.  45I  in.  Canvas.  Monogrammed:  TS 

1840.  Jan.  Bulletin,  1914,  p.  250,  ill.  p.  249. 

Bequest  of  Francis  T.  S.  Darley,  1914. 

SU5-10  THE  ROSEBUD.  A sleeping  child  with  golden  hair  lies 
in  a crib  half  covered  with  a yellow  coverlet;  a red  curtain 
forms  the  background;  a pink  rosebud  is  on  the  pillow 
near  the  baby’s  hand. 

H.  23I  in.  W.  36^  in.  Canvas.  Monogrammed:  TS. 

1841.  Bulletin,  1914,  p.  250. 

Bequest  of  Francis  T.  S.  Darley,  1914. 

SU5-1 1 MUSI  DORA.  A young  woman  who  has  undressed  at 
Gallery  the  foot  of  a tree  beside  a pool,  has  one  foot  in  the  water 
16  and  turns  around  to  listen  to  some  sound.  Her  black 
slippers  and  white  and  rose-colored  clothes  are  on  the 
ground  beside  her.  Dark  forest  background  with  patches 
of  sunlight. 


294 


SULLY  — SYMONS 

H.  28J  in.  W.  22J  in.  Wood.  Signed : TS  1835. 

Gift  of  Louis  Allston  Gillet  in  memory  of  his  uncles  Sully 
Gillet  and  Lorenzo  M.  Gillet,  1921. 

SUNDER,  Lucas.  See  Cranach,  Lucas,  the  Elder. 

SYMONS,  Gardner.  American;  born  at  Chicago;  lives  in  New 
York  City.  Pupil  of  the  Art  Institute  of  Chicago; 
studied  in  Paris,  Munich,  and  London.  Landscapes. 

Sy6-i  THE  OPALESCENT  RIVER;  NEW  ENGLAND. 
Gallery  Bright  sunlight  shines  on  the  snow  and  floating  ice  in  the 
12  river;  shore  and  tree  trunks  are  in  the  immediate  fore- 
ground at  the  left;  on  the  farther  shore  at  the  right  there 
are  groups  of  trees  with  farm  buildings  beyond;  hills  are 
in  the  distance.  Awarded  Carnegie  Prize,  National 
Academy  of  Design,  1909. 

H.  50I  in.  W.  6oiY  iri-  Canvas.  Signed:  Gardner 
Symons. 

Gift  of  Emerson  McMillin,  1909. 


T 


TABER,  Edward  Martin.  American;  born  1863  on  Staten 
Island,  N.  Y.;  died  1896  at  Washington,  Conn.  Pupil 
of  Abbott  Thayer;  traveled  extensively  in  Europe.  Land- 
scapes. 

T1-51  MOUNT  MANSFIELD  IN  WINTER.  Rolling  hills 
with  a few  evergreens  which  cast  blue  shadows  on  the 
snow;  the  mountain  range  in  the  distance  is  in  shadow; 
in  the  foreground  is  a laden  sled  drawn  by  two  horses. 
H.  24  in.  W.  30  in.  Canvas. 

Lent  by  Mrs.  C.  C.  Taber,  1913. 

TALCOTT,  Allen  B.  American;  born  1867  at  Hartford,  Conn.; 

died  1908  at  Lyme,  Conn.  Pupil  of  Art  Students’ 
League  of  New  York;  Laurens  and  Benjamin-Constant 
in  Paris.  Lived  chiefly  in  New  York  City.  Landscapes. 

T14-1  RETURN  OF  THE  REDWING.  A spring  landscape: 

Gallery  in  the  foreground  is  a pool  and  birds  are  alighting  nearby 

12  on  bare  branches;  there  is  a low  hill  beyond. 

H.  23  in.  W.  32  in.  Wood.  Signed:  Allen  B.  Talcott. 
Gift  of  Mrs.  Allen  B.  Talcott,  1909. 

TENIERS,  David,  the  Elder.  Flemish;  born  1582  at  Antwerp; 

died  there  1649.  Pupil  of  his  elder  brother,  Juliaen 
Teniers,  of  Rubens  in  Antwerp,  and  Adam  Elsheimer  in 
Rome.  Peasant  subjects. 

T25-1  A DUTCH  KITCHEN.  At  the  left  a woman,  in  a red 

Gallery  jacket,  white  apron,  and  dark  skirt,  stands  beside  a vat 
26  on  the  edge  of  which  she  holds  a jug;  a carcass  of  beef 
hangs  from  a beam;  beyond,  a man  holding  a bowl  is 
stepping  out  of  an  open  doorway;  in  the  background  at 
the  right  a man  and  a woman  are  in  conversation; 
kitchen  utensils  and  vegetables  are  strewn  about  and  a 

2q6 


TENIERS  — TENIERS 

brown  and  white  dog  stands  in  the  foreground  watching 
the  maid. 

H.  31 J in.  W.  45J  in.  Canvas.  Signed:  D.  Teniers  F. 
Gift  of  William  H.  Webb,  1874. 

TENIERS,  David,  the  Elder,  and  Pieter  Neeffs  the  Elder. 

INTERIOR  OF  ANTWERP  CATHEDRAL.  Figures 
by  Teniers.  See  Neeffs,  N 29-1. 

TENIERS,  David,  the  Younger.  Flemish;  born  1610  at  Ant- 
werp, died  1690  at  Perck  near  Brussels.  Pupil  of  his 
father,  David  Teniers  the  Elder;  influenced  by  Rubens 
and  Brouwer.  Peasant  subjects  and  landscapes. 

T251-1  TEMPTATION  OF  SAINT  ANTHONY.  ^A  cave; 
(’allery  near  the  entrance  at  the  left,  St.  Anthony  is  seated  at  a 

27  table  with  an  open  Bible  resting  on  a skull;  a cross  and  a 

jar  of  water  are  beside  him;  behind  him  a fiend  in  the  garb 
of  a monk  points  to  a young  woman  dressed  in  light  blue, 
who  is  led  toward  the  Saint  by  a horned  man;  at  the 
right,  monsters  surround  a sleeping  woman;  others,  in 
the  foreground  at  the  left,  are  in  the  forms  of  bats, 
frogs,  and  flying  fish. 

H.  22f  in.  W.  27!  in.  Copper.  Signed:  D.  Teniers. 
Purchase,  1871. 

T251-2  A MARRIAGE  FESTIVAL.  Numerous  peasants  are 
assembled  near  a cottage;  some  are  seated  at  a table  in 
front  of  a board  fence;  couples  are  dancing,  while  a man 
seated  on  a tub  plays  the  bagpipes;  in  the  immediate 
foreground  at  the  right  a few  are  seated  at  a table;  at 
the-  left  a woman  is  trying  to  raise  a drunken  man; 
landscape  beyond. 

H.  25!  in.  W.  29j  in.  Canvas.  Signed:  D.  Teniers  Fec. 
Purchase,  1871. 

T251-3  JUDITH  WITH  THE  HEAD  OF  HOLOFERNES. 

Judith,  wearing  a dark  green  dress,  is  seen  to  the  knees, 
standing  with  the  severed  head  of  Holofernes  held  in  her 
■ left  hand  in  the  act  of  dropping  it  into  a bag  held  by  an 
old  woman  who  stands  behind  her;  in  the  tent,  beyond, 
the  headless  trunk  is  lying  on  a couch. 

H.  14!  in.  W.  ioTb-  in.  Copper. 

Gift  of  Gouverneur  Kemble,  1872. 

T251-4  LANDSCAPE.  At  the  right  two  men  stand  near  a 
Gallery  rocky  ledge  at  the  edge  of  a wood;  trees  are  at  the  left  and 
27  a church  spire  is  in  the  distance. 


297 


TEN  I ERS  — TERBORCH 

H.  6|  in.  W.  9 in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

THE  GOOD  SAMARITAN.  A landscape  with  a wounded 
man  lying  in  the  foreground;  a kneeling  figure  is  ban- 
daging his  leg.  Copy  of  a painting  by  Bassano  (Jacopo 
da  Ponte),  now  in  the  Belvedere  Gallery  at  Vienna. 
H.  6f  in.  W.  9 in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

LANDSCAPE.  Hilly  country  with  a flock  of  sheep  in 
the  foreground;  a boy  in  a red  dress  is  at  the  right;  a man 
and  a dog  are  resting  at  the  left.  Copy  of  a painting  by 
Bassano  (Jacopo  da  Ponte),  now  in  the  Belvedere 
Gallery  in  Vienna. 

H.  6f  in.  W.  9 in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

TERBORCH,  Gerard.  Dutch;  born  1617  at  Zwolle;  died  1681 
at  Deventer.  Pupil  of  his  father,  Gerard  Terborch  the 
Elder,  at  Zwolle  and  of  Pieter  Molyn  at  Haarlem. 
Interiors  with  figures,  and  portraits. 

T27-2  PORTRAIT  OF  A GENTLEMAN.  Seated  figure,  seen 
Gallery  to  below  the  knees;  at  the  right  is  a table  with  a red  cover 
26  on  which  is  a high-crowned  black  felt  hat;  his  right  arm 
is  in  a sling  and  the  left  rests  on  his  knee;  he  has  long 
brown  hair  and  wears  a flat  square  collar  over  a black 
suit  and  gray  cape. 

H.  14I  in.  W.  12  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

T27-3  LADY  PLAYING  THE  THEORBO.  The  lady,  in  a 
Gallery  blue  velvet  jacket  trimmed  with  ermine,  is  seated  at  the 
39  left  beside  a table,  covered  with  a rug,  on  which  are  a 
music  book  and  a watch;  at  the  right  a gentleman  is  seated 
on, the  table;  he  has  long  brown  hair,  wears  a brown  jacket 
with  braided  sleeve,  and  holds  a tall  black  hat  on  his  knee; 
a high  mantelpiece  is  back  of  the  lady  and  a map  hangs 
on  the  wall. 

H.  14^  in.  W.  i2fin.  Wood. 

Bequest  of  Benjamin  Altman,  1913. 

T27-4  THE  TOILET.  An  interior  with  a full-length  figure  of  a 
Gallery  young  woman  wearing  a reddish  skirt  and  yellow  bodice, 
26  who  stands  before  a dressing  table;  behind  her  at  the  left 
is  a maid  with  a tray  and  pitcher;  a bed,  enclosed  with  red 
drapery,  is  in  the  background. 

298 


T251-5 

Gallery 

27 


T251-6 

Gallery 

27 


TERBORCH  — THOMA 

H.  18}  in.  W.  13®  in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1917. 

T27C-1  THE  COURTYARD  OF  A BLACKSMITH'S  SHOP. 

Within  a shed  a man  is  sharpening  a tool  on  a revolving 
stone  and  a young  man  stands  watching  him;  turrets 
show  above  the  slant  roof.  Old  copy  of  a picture  by 
Terborch  in  the  Kaiser  Friedrich  Museum  in  Berlin. 

H.  31I  in.  W.  25J  in.  Canvas. 

Purchase,  Marquand  Fund,  1908. 

TERBORCH  and  DE  LORME. 

INTERIOR  OF  A PROTESTANT  CHURCH.  Figures 
by  Terborch.  See  Lorme,  L89-1.  . . 

THAYER,  Abbott  Handerson.  American;  born  1849  at  Boston; 

died  1921  at  Monadnock,  N.  H.  Pupil  of  Ecole  des 
Beaux-Arts  in  Paris  under  Lehmann  and  Gerome. 

YOUNG  WOMAN.  Life-size,  seated  figure,  seen  to  the 
knees;  her  right  arm  crosses  her  body  and  the  hands  meet 
on  a rock  in  the  immediate  foreground  at  the  right;  she 
wears  a classic  white  drapery. 

H.  39f  in.  W.  3ifin.  Canvas.  Bulletin,  1906,  p.  55,  ill. 
Gift  of  George  A.  Hearn,  1906. 

MONADNOCK.  A view  from  the  artist’s  house  in 
New  Hampshire.  The  blue-purple  mountain  fills  al- 
most the  entire  picture;  snow  patches  on  the  summit 
show  orange  in  the  setting  sun,  and  its  base  is  hidden 
by  a grove  of  hemlock  trees.  Snow  in  the  foreground. 
H.  54  in.  W.  63I  in.  Canvas.  Signed:  Abbott  H.  Thayer. 
Purchase,  George  A.  Hearn  Fund,  1917. 

HEAD  OF  A CHILD  (Raphael  Pumpelly).  A young 
boy  facing  toward  the  right  with  his  head  turned  alrhost 
to  the  front;  he  has  long  yellow  locks  and  blue  eyes. 

H.  i5|in.  W.  13I  in.  Canvas  transferred  from  wood. 
Signed:  Abbott  HThayer. 

Purchase,  Hearn  Fund,  1921. 

THEOTOCOPULI,  Domenico.  See  Greco. 

THOMA,  Hans.  German;  born  1839  Bernau,  in  the  Black 
Forest;  lives  at  Karlsruhe.  Pupil  of  Karlsruhe  Academy 
under  Schirmer.  Landscapes  with  figures. 

T36-1  AT  LAKE  OF  GARDA  (Northern  Italy).  A green 

Gallery  hillside  with  sheep  grazing  in  the  foreground  and  two  wo- 
19  men  seated  on  the  ground  in  a grove  of  olive  trees;  in 


T33-I 

Gallery 

13 


T33-2 

Gallery 

13 


T33-3 

Gallery 

13 


299 


THOMA  — TIEPOLO 

the  distance  at  the  right  snow-capped  mountains  are 
seen  against  a deep  blue  sky. 

H.  33  in.  W.  26f  in.  Millboard.  Monogrammed:  H T 
1907.  Bulletin,  1909,  p.  69. 

Gift  of  Hugo  Reisinger,  1909. 

T36-2  EVENTIDE;  Hill  with  Cattle.  A herd  of  cows  on  the 
Gallery  brow  of  a hill  and  in  the  foreground,  among  the  bushes 
19  and  wild  flowers,  the  figure  of  an  old  woman. 

H.45iVin.  W.6  ly'V  in.  Canvas.  Signed:  Hans  Thoma 
1871. 

Purchase,  Reisinger  Fund,  1916. 

THOMAS,  S.  Seymour.  American;  born  1868  at  San  Antonio, 
Tex.;  lives  in  New  York  and  Paris.  Pupil  of  Chase  in 
New  York;  Lefebvre  and  Benjamin-Constant  in  Paris. 

T361-1  MRS.  S.  SEYMOUR  THOMAS.  Life-size,  full-length, 
standing  figure  turned  three-quarters  to  the  right  with  the 
head  nearly  front;  her  right  hand  rests  on  the  head  of  a 
greyhound;  she  wears  a dark  gray  cloth  suit  trimmed  with 
fur,  a wide-brimmed  hat  with  gray  feather,  and  a veil  over 
her  face;  a brown  wall  forms  the  background. 

H.73jin.  W.  35fin.  Canvas.  Signed:  S.  SEYMOUR 
THOMAS. 

Gift  of  William  A.  Read,  1915. 

THOMPSON,  A.  Wordsworth.  American;  born  1840  at  Balti- 
more, Md.;  died  1896  at  Summit,  N.  J.  Pupil  of  £cole 
des  Beaux-Arts  in  Paris. 

T37-1  OLD  BRUTON  CHURCH,  VA.,  IN  THE  TIME  OF 
Gallery  LORD  DUNMORE.  (Lord  Dunmore  was  the  last 
16  Colonial  Governor  of  Virginia;  appointed  1771.)  A small 

church  and  its  churchyard  form  the  background;  in  the 
foreground  is  a road  with  figures  in  coaches,  on  horse- 
back, and  on  foot. 

H.  18  in.  W.  27I  in.  Canvas.  Signed:  Wordsworth 
Thompson. 

Gift  of  Mrs.  A.  Wordsworth  Thompson,  1899. 

TIEPOLO,  Giovanni  Battista.  Italian  (Venetian);  born  1696 
at  Venice;  died  1770  at  Madrid,  Spain.  Pupil  of  Gregorio 
Lazzarini;  influenced  by  Veronese.  Mural  decorations 
and  figure  subjects. 

T44-1  THE  CROWNING  WITH  THORNS.  Christ,  almost 
Gallery  nude,  is  seated  on  a round  platform  and  the  crown  is 
II  being  pressed  on  His  forehead;  richly  dressed  soldiers. 


300 


T44-2 
Gallery 
1 1 


T44-3 

Gallery 

29 


T44-5 

Gallery 

29 


T44-51 

Gallery 

29 


TIEPOLO  — TIFFANY 

courtiers,  and  women  stand  at  the  right  and  left.  A simi- 
lar composition  is  in  the  Seeger  Collection  in  Berlin. 

H.  30^  in.  W.  in.  Canvas. 

Purchase,  1871. 

INVESTITURE  OE  BISHOP  HAROLD  AS  DUKE 
OF  FRANCONIA.  (Emperor  Frederick  I [Barbarossa] 
conferred  the  Duchy  of  Franconia  upon  Bishop  Harold  de 
Hochheim  in  1 165.  This  picture  is  a study  for  a mural 
decoration  in  the  Palace  at  Wiirtzburg,  executed  by 
Tiepolo  in  1752.)  The  Emperor  is  seated  on  a throne 
beneath  an  archway;  on  the  steps  in  front  of  him  kneels 
the  Bishop  dressed  in  black;  a page  bears  a red  cloak 
and  other  insignia  of  ducal  honors;  at  the  right  and 
left  are  soldiers,  nobles,  and  ecclesiastics.  Formerly 
erroneously  called  Triumph  of  Ferdinand  HI. 

H.  28-i\  in.  W.  20/^  in.  Canvas. 

Purchase,  1871. 

THE  SACRIFICE  OF  ABRAHAM.  Isaac,  blind- 
folded, is  kneeling  on  a pile  of  faggots;  Abraham  kneels 
back  of  him  with  a knife  in  his  raised  right  hand;  at  the 
left  an  angel  appears  on  a cloud. 

H.  15!  in.  W.  2oJ  in.  Canvas. 

Purchase,  1871. 

ALLEGORICAL  SKETCH  FOR  A CEILING.  Numer- 
ous figures  are  grouped  with  architectural  features  in 
sharp  perspective  against  the  sky.  The  picture  represents 
the  glorification  of  some  maritime  city,  probably  Genoa, 
as  the  coat  of  arms  of  that  city  appears  near  the  central 
female  figure  who  is  attended  by  Justice,  Fame,  Force, 
and  a kneeling  knight  who  offers  her  his  sword.  There 
are  various  inscriptions  whose  reference  to  the  subject  is 
undetermined. 

H.45|in.  W.  32f  in.  Canvas.  Bulletin,  1913,  p.  70,  ill. 
Purchase,  Kennedy  Fund,  1913. 

MADONNA  AND  CHILD.  A young  Madonna  in  a red 
robe  and  a blue  cloak  holds  up  the  Child  in  her  arms.  He 
is  wrapped  in  a white  cloth  and  holds  a cross  in  his  hand. 

H.  22§  in.  W.  16}  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 


TIFFANY,  Louis  Comfort.  American;  born  1848  at  New  York. 

Pupil  of  George  Inness  and  Samuel  Colman,  and  of  Leon 
Bailey  in  Paris. 


301 


TI FFAN  Y — TINTORETTO 

T441-1  SNAKE  CHARMER  AT  TANGIERS.  A native  stands  . 

Gallery  on  a rug  in  a court  yard  holding  up  a coiling  snake  in  his 
12  left  hand;  beside  him  seated  on  the  ground  are  three 

musicians  playing  a flute  and  drums.  Various  men  and 
children  are  grouped  around  the  court  watching. 

H.  27^  in.  W.  38I  in.  Canvas.  Signed:  Louis  C. 
Tiffany  15  (?) 

Gift  of  the  Louis  C.  Tiffany  Foundation,  1921. 

TILBORCH,  Gilles  van.  Flemish;  born  about  1625  at  Brussels; 

died  there  about  1678.  Probably  a pupil  of  David 
Teniers,  the  Younger. 

T45-1  VISIT  OF  A LANDLORD  TO  HIS  TENANT.  Men 
and  women,  in  costumes  of  the  day,  are  standing  or  seated 
about  a table  set  out  of  doors;  a house  is  beyond  at  the 
right. 

H.  45^  in.  W.  63I  in.  Canvas. 

Purchase,  1871. 

TINTORETTO;  real  name  Jacopo  Robusti.  Italian  (Venetian); 

born  1518  at  Venice;  died  there  1594.  Pupil  of  Titian; 
influenced  by  Michelangelo.  Mural  decorations  and 
portraits. 

T49-1  A DOGE  IN  PRAYER  BEFORE  THE  REDEEMER. 

Gallery  (Supposed  to  be  Alvise  Mocenigo,  1507-1577,  who  was 
II  elected  Doge  of  Venice  in  1570.  This  picture  is  a 
preliminary  study  for  a mural  painting  in  the  Collegio  of 
the  Ducal  Palace,  Venice.  It  was  owned  at  one  time 
by  John  Ruskin.)  The  Doge,  wearing  a brown  brocaded 
robe,  kneels  in  an  open  porch  facing  toward  the  left, 
where  the  floating  figure  of  Christ,  clothed  in  light  blue, 
is  attended  by  child  angels;  at  the  right  stand  St.  John 
the  Baptist  with  the  lamb,  St.  Augustine  in  a yellow  cope, 
St.  John  the  Evangelist  in  white  with  violet  drapery,  and 
St.  Gregory  with  an  open  book  on  his  knees;  in  the  imme- 
diate foreground  at  the  left,  the  lion  of  St.  Mark  crouches 
in  the  shadow;  in  the  distance,  between  the  columns  of 
the  porch,  there  is  a view  of  the  Piazzetta. 

H.38fin.  W.  785  in.  Canvas.  Bulletin,  191 1,  p.  6,  ill. 
Purchase,  Kennedy  Fund,  1910. 

T49-2  MIRACLE  OF  THE  LOAVES  AND  FISHES.  (See  St. 

Gallery  John,  chapter  VI,  v.  1 1 and  other  references.)  Christ,  in  a 
28  red  robe  and  blue  cloak,  stands  in  the  middle  of  the  picture 
on  high  ground  in  front. of  a narrow  stream;  He  is  taking 
one  of  the  five  loaves  from  a boy  and  handing  it  to  Saint 


302 


PHILIP  IV  OF  SPAIN 
BY  VELAZQUEZ 


YOUNG  WOMAN  WITH  A WATER  JUG 
BY  JOHANNES  VERMEER 


TINTORETTO  — TITIAN 

Andrew;  on  the  ground  before  Him  is  a platter  with  the 
two  fishes.  The  picture  is  crowded  with  figures.  Numer- 
ous ladies,  richly  dressed  in  red,  orange,  brown,  or  opales- 
cent gray  are  seated  in  the  foreground  and  on  the  hills 
at  the  right  and  left,  fondling  babies  or  helping  old  men. 
In  the  distance  at  the  left  a throng  of  people,  in  long 
white  robes,  stand  as  though  awaiting  the  marvel.  The 
same  subject,  though  quite  different  in  composition,  was 
painted  by  Tintoretto  in  the  Scuola  di  San  Rocco,  Venice. 
H.6ijin.  W.  i6ifin.  Canvas.  Bulletin, 1913,  p.  loo,  ill. 
Purchase,  Leland  Fund,  1913. 

T49-3  TWO  BROTHERS.  Life-size  figures  of  two  boys.  The 
Gallery  older  one,  who  is  dressed  in  black,  is  seen  to  the  knees; 
29  he  is  standing  with  his  right  arm  about  his  brother’s  shoul- 
ders. The  younger  boy,  who  is  seen  only  to  the  waist, 
wears  a brown  coat  with  ermine  collar  and  puffed  sleeves; 
at  the  right  is  a landscape  with  stormy  sunset  sky. 
H.4oJin.  W.  32y'^^  in.  Canvas.  Bulletin,  1913,  p.  264. 
Purchase,  Kennedy  Fund,  1913. 

School  of  Tintoretto. 

T49S-1  THE  LAST  SUPPER.  Christ  and  the  Disciples  are 
Gallery  seated  about  a table  in  a dark  room  that  opens  on  a 
29  colonnaded  terrace;  Christ  is  at  the  far  side  of  the 
table  with  his  left  hand  on  the  shoulder  of  John,  who 
bends  over  the  table;  a disciple,  holding  a tray,  stands  in 
the  background  at  the  right,  and  judas  is  seated  beyond; 
there  is  an  overturned  chair  in  the  immediate  foreground; 
a staircase  is  in  the  shadow  at  the  left.  An  old  copy  of 
the  picture  by  Tintoretto  in  the  Church  of  San  Trovaso, 
Venice. 

H.  25!  in.  W.  38!  in.  Canvas.  Bulletin,  1907,  p.  172,  ill. 
Purchase,  Rogers  Fund,  1907. 

TISIO,  Benvenuto.  See  Garofalo. 

TITIAN;  real  name  Tiziano  Vecelli.  Italian  (Venetian);  born  1477 
(1489?)  at  Pieve  di  Cadore  in  the  Venetian  district;  died 
1576  at  Venice.  Pupil  of  Giovanni  Bellini;  influenced 
by  Giorgione.  Portraits  and  mural  decorations. 

T53-1  FILIPPO  ARCHINTO,  BISHOP  OF  MILAN.  (About 
Gallery  1500-1558;  at  first  a lawyer,  he  entered  the  Church,  was 
37  Governor  of  Rome  for  a time  and  legate  to  Venice  1554- 
1556,  during  which  period  this  portrait  may  have  been 
painted.)  Life-size,  seated  figure,  seen  to  the  knees;  his 
right  arm  rests  on  the  arm  of  the  chair  and  the  middle 


303 


TITIAN— TRAUT 

finger  of  the  left  hand  is  held  between  the  leaves  of  a red- 
bound  breviary;  he  is  bareheaded  and  has  thin  white  hair 
and  beard;  he  wears  a dark  red  velvet  cape  over  a white 
surplice.  In  the  John  G.  Johnson  Collection  in  Philadel- 
phia there  is  a similar  portrait,  over  a part  of  which  a veil 
has  been  painted;  Bernhard  Berenson  considers  that  the 
Altman  picture  is  the  earlier  one  by  a few  years. 

H.46§in.  W.  35  51  in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

TORBIDO,  Francesco;  known  as  11  Moro.  Italian;  born  about 
i486  at  Verona;  died  there  about  1 546.  Pupil  of  Liberale 
da  Verona  and  of  Bonifazio  1 ; influenced  by  Veronese. 
Portraits. 

T63-1  PORTRAIT  OF  A MAN.  Life-size,  standing  figure. 
Gallery  seen  almost  to  the  knees;  he  wears  a black  coat  trimmed 
28  with  brown  fur;  in  his  gloved  left  hand  is  an  open  letter. 
This  picture  was  attributed  to  Moroni  until  Fry  in 
1906  changed  it  to  Torbido;  Berenson  in  1897  ascribed 
it  to  Savoldo. 

H.  38^  in.  W.  29!  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1890. 

TOULMOUCHE,  Auguste.  French;  born  1829  at  Nantes;  died 
1890  at  Paris.  Pupil  of  Gleyre  in  Paris. 

T64-1  HOMAGE  TO  BEAUTY.  A room  with  a full-length 

S.  W.  figure  of  a lady  in  a pink  flounced  dress,  looking  at  a 

Stairway  bouquet  on  the  floor  at  her  feet;  at  the  left  is  an  open 
window  with  a balcony;  a garden  beyond. 

H.  25^  in.  W.  21 in.  Canvas.  Signed:  A.  Toulmouche 
1874- 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

TRAUT,  Wolf.  German;  died  about  1 520  in  Nuremberg.  Pupil 
and  assistant  of  Albrecht  Diirer.  Also  wood-engraver. 

T69-1  GIRL  MAKING  A GARLAND.  A window  casement 
within  the  left  half  of  which  a young  girl  in  a yellow 
dress  is  seated  making  a wreath;  on  the  ledge  of  the  right 
half  of  the  window  sits  a white  cat;  above  the  girl’s 
head  is  a scroll  inscribed:  ICH  PINT  MIT,  VERGIS 
MEIN  NIT. 

H.  7 in.  W.  5J  in.  Wood.  Spurious  monogram  of 
Durer:  A D 1508. 

Gift  of  J.  Pierpont  Morgan,  1917. 


TRAYER— TROYON 

TRAYER,  Jean  Baptiste  Jules.  French;  born  1824  at  Paris; 
died  1908  or  1909.  Pupil  of  his  father  and  of  Lequien. 

T691-1  RIBBON  PEDDLER.  A kitchen  with  three  girls  in 
S.  W.  Dutch  costumes,  examining  a pink  ribbon. 

Stairway  H.  29I  in.  W.  23!  in.  Canvas.  Signed:  J ’les  Trayer- 
1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

TROYON,  Constant.  French  (Barbizon);  born  1810  at  Sevres; 

died  1865  at  Paris.  Pupil  of  Riocreux  and  Poupart; 
influenced  by  Roqueplan  and  the  seventeenth  century 
Dutch  painters.  Landscapes  with  cattle.  ^ 

T75-1  HOLLAND  CATTLE.  In  the  foreground  cattle  are 

Gallery  on  the  flat  shore  of  a river  or  standing  in  the  water  and 

17  a black  dog  is  at  the  right;  in  the  middle  distance  at  the 

left  is  a group  of  trees  with  meadow  land  beyond  and  at 
the  right  a sail-boat;  windmills  and  a town  are  seen  on 
the  horizon. 

H.  40  in.  W.  59f  in.  Canvas.  Signed:  C.  TROYON. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

T75-2  STUDY  OF  A WHITE  COW.  In  the  foreground  a 

Gallery  white  cow  is  walking  up  a steep  hill;  bright  sunlight  falls 

17  on  her  left  flank  throwing  strong  shadows. 

H.  23!  in.  W.  28J  in.  Canvas.  Stamped:  Vente  (sale) 

TROYON. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

T75-3  SHEPHERD  WITH  SHEEP.  A flock  of  sheep  and 
Gallery  two  cows,  followed  by  a man  on  horseback  and  a woman, 
21  are  approaching  along  a road;  other  cattle  are  seen  through 
the  dust  beyond. 

H.  i3i  in.  W.  iqj  in.  Canvas.  Signed:  C.  TROYON. 
Bulletin,  191 1,  p.  98,  ill. 

Bequest  of  Robert  G.  Dun,  1911. 

T75-4  LANDSCAPE.  A road  with  trees  on  either  side. 

H.  5 in.  W.  7 in.  Water  color.  Signed:  C.T. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

T75-5  GOING  TO  MARKET.  A young  peasant  woman  riding 
Gallery  a donkey  with  panniers  toward  the  spectator;  sheep  and 
20  a cow  follow;  the  road  is  bordered  with  tall  trees  and 

behind  them  the  sun  is  rising  through  mist. 


305 


TROYON— TRYON 

H.  i6Jin.  W.  i2fin.  Canvas.  Signed:  C.  Troyon  i860. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

TRUBNER,  Wilhelm.  German;  born  1851  at  Fleidelberg;  lives 
in  Carlsruhe.  Pupil  of  Leibl  in  Munich. 

T76-1  LANDSCAPE.  A roadway  with  a wooden  fence  at 
Gallery  the  left  over  which  red  roses  are  trailing;  beyond  are  a 
19  pine  and  a row  of  trees  in  full  leaf;  bright  sunlight. 

H.29|in.  W.24|in.  Canvas.  Signed: W.Trubner:  1910. 
Purchase,  Reisinger  Fund,  1916. 

TRUMBULL,  John.  American;  born  1756  at  Lebanon,  Conn.; 

died  1843  New  York  City.  He  served  in  the  War  of 
Independence,  1775-7,  and  later  held  diplomatic  posts  in 
Europe.  Puoil  of  Benjamin  West  in  London.  Historical 
subjects  ana  portraits. 

T77-1  ALEXANDER  HAMILTON.  (1757-1804;  American 
Gallery  statesman,  a delegate  from  New  York  to  the  First  Con- 
16  tinental  Congress  and  one  of  the  signers  of  the  Declara- 
tion of  I ndependence.)  Life-size,  almost  to  the  waist  with 
the  face  toward  the  left ; his  hair  is  powdered  and  he  wears 
a dark  coat  with  a white  stock. 

H.  30J  in.  W.  24!  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1881. 

TRYON,  Dwight  William.  American;  born  1849  at  Hartford, 
Conn.,  lives  in  New  York  City.  Pupil  of  Jacquesson  de 
la  Chevreuse  and  of  Daubigny  in  Paris.  Landscapes. 

T78-1  MOONLIGHT.  A farmhouse  and  bare  trees  are  silhou- 
Gallery  etted  against  the  sky;  the  moon  is  near  the  horizon  and  a 
13  ray  of  light  falls  on  the  marshy  foreground. 

H.  i3fin.  W.  21 II  in.  Wood.  Signed:  D.  W.  TRYON- 
87.  Bulletin,  1906,  p.  58. 

Gift  of  George  A.  Hearn,  1906. 

T78-2  MOONRISE  AT  SUNSET.  Flat  marshy  land  with  a 
Gallery  hay  rick  in  the  foreground  at  the  right;  the  last  rays  of 
13  the  sun  light  the  gable  ends  of  distant  farmhouses;  near 
the  horizon  is  the  pinkish  disk  of  the  harvest  moon; 
across  the  light  blue  sky  float  pale  pink  clouds. 

H.  24  in.  W.  29i  in.  Wood.  Signed:  D.  W.  TRYON 
1890. 

Gift  of  George  A.  Hearn,  1910. 

306 


MARS  AND  VENUS  UNITED  BY  LOVE 
BY  PAOLO  VERONESE 


ARRANGEMENT  IN  FLESH  COLOR  AND  BLACK 
IHEODORE  DU  RET 
BY  JAMES  A.  MCNEILL  WHISTLER 


TRYON— TURNER 

T78-3  EARLY  SPRING. 

H.20iin.  W.  36iin.  Wood.  Signed:  D.  W.  TRYON 
1894. 

Gift  of  Mrs.  George  Langdon  Jewett,  1917. 

T78-4  EVENING,  NEW  BEDFORD  HARBOR. 

H.20jin.  W.  3ifin.  Wood.  Signed:  D.  W.  TRYON 
1899. 

Gift  of  Mrs.  George  Langdon  Jewett,  1917. 

TUCKER,  Allen.  American;  born  1866  at  Brooklyn.  Pupil  of 
the  Art  Students’  League,  New  York. 

T79-1  BLUE  AND  GOLD.  The  green  bank  of  a river  and  a 
Gallery  tree  in  the  foreground;  blue  hills  are  reflected  in  the  water, 
12  and  the  yellow  light  from  the  sky. 

H.  20  in.  W.  24  in.  Canvas.  Signed:  Allen  Tucker. 
Gift  of  Mrs.  John  S.  Sheppard,  1921. 

TURA,  CosiMo;  also  known  as  Cosme  de  Ferrara  or  Cosme  Ferra- 
rese.  Italian  (Ferrarese);  born  about  1432  at  Ferrara; 
died  there  1495.  Probably  a pupil  of  Galasso  Golassi  in 
Ferrara;  influenced  by  the  school  of  Squarcione.  In  1458 
he  became  official  painter  to  the  Ferrarese  court. 

T84-1  BORSO  D’ESTE  (?)  (1413-1471 ; first  Duke  of  Ferrara 

Gallery  and  Mantua.)  Bust  portrait,  in  profile  to  the  left,  of  a 

37  youth  who  has  bushy  light  brown  hair;  he  wears  a red  cap 

and  a black  doublet  fastened  close  at  the  neck  and  orna- 
mented with  two  straps  down  the  sleeve;  dark  blue  back- 
ground. The  sitter  and  artist  are  uncertain;  at  various 
times  the  picture  has  been  called  Portrait  of  a Youth  by 
Piero  della  Francesca,  Sigismundo  Malatesta  by  the  same 
artist  and  also  by  Tura,  also  one  of  the  Este  family,  either 
Borso  or  Ercole,  by  Francesco  Cossa.  The  attributions  of 
artist  and  sitter  as  here  given  are  those  of  Bernhard 
Berenson. 

H.  1 1 Jf  in.  W.  8§  in.  Tempera  on  wood. 

Bequest  of  Benjamin  Altman,  1913. 

TURNER,  Charles  Yardley.  American;  born  1850  at  Baltimore, 
Md.;  died  at  New  York  City  1919.  Pupil  of  National 
Academy  of  Design  and  Art  Students’  League  in  New 
York;  Laurens,  Munkacsy,  and  Bonnat  in  Paris.  Direc- 
tor, Maryland  Institute  School  of  Art  and  Design.  Chiefly 
mural  paintings. 

T85-1  THE  BRIDAL  PROCESSION.  A Puritan  maiden  is 

307 


TURNER  — TURNER 

seated  on  a white  cow  and  the  bridegroom  stands  at  the* 
far  side;  they  are  followed  at  the  right  by  several  couples 
in  colonial  costumes;  flat  country  in  the  distance. 

H.  485  in.  W.  99  in.  Canvas.  Signed:  C.  Y.  TUR- 
NER Copyrighted  1886. 

Gift  of  William  T.  Evans,  1891. 

TURNER,  Joseph  Mallord  William.  British  (English);  born 
1775  at  London;  died  there  1851.  Pupil  of  the  Royal 
Academy  Schools;  influenced  at  first  by  Girtin  and  the 
seventeenth  centurv  Dutch  landscapists,  then  by  Claude 
' Lorraine. 

T851-1  SALTASH.  (Saltash  is  an  English  seaport  on  the  River 
Gallery  Tamar.)  In  the  foreground,  at  the  left,  are  barges  with 
24  reddish  sails;  on  the  bank  are  sadors,  soldiers,  fishermen, 
women,  a white  horse,  etc.;  beyond  is  a row  of  old  brick 
houses  with  a large  archway  through  which  the  street 
is  continued;  in  the  immediate  foreground  at  the  right  is  a 
large  dark  building  on  the  wall  of  which  is  the  half-effaced 
inscription,  “ England  expects  every  man  to  do  his  duty.” 
H.  35I  in.  W.  47I  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

T851-2  THE  WHALE  SHIP.  A ship  under  full  sail  is  seen 

Gallery  through  the  mist;  in  the  foreground,  at  the  left,  a large 

24  whale,  which  has  just  been  harpooned,  rears  its  head  and 

spouts  water  stained  with  blood;  with  its  tail  thewhalehas 
overturned  one  of  several  small  boats  put  out  for  its  capture. 
H.  36I  in.  W.  48-i^^  in.  Canvas. 

Purchase,  Wolfe  Fund,  1896. 

T851-3  THE  GRAND  CANAL,  VENICE.  The  canal  is 

Gallery  crowded  with  gondolas  and  fishing-boats  decorated  with 

24  brilliant  sails  and  banners;  at  the  right  is  the  church  of 

Santa  Maria  della  Salute  with  a procession  mountingthe 
white  marble  terrace  from  the  canal;  beyond  is  the 
Dogana;  at  the  left  is  a row  of  palaces  above  which  rises 
the  Campanile;  the  Doge’s  Palace  is  in  the  distance. 
H.36  in.  W.  48J  in.  Canvas. 

Gift  of  Cornelius  Vanderbilt,  1899. 

T851-51  AN  ALPINE  VALLEY.  A gorge  between  steep  moun- 
Gallery  tains  whose  tops  are  partly  hidden  by  clouds;  a footpath 
24  follows  the  side  of  the  mountain  which  is  in  the  foreground 
at  the  right. 

H.7/,^in.  W.  105  in.  Watercolor. 

Lent  by  Mrs.  Willard  Straight,  1913. 

308 


TURNER 

T851-52  ANDERNACH.  In  the  foreground  is  a road  and  at  the 
Gallery  left  are  steep  cliffs;  beyond,  a river  winds  through  the 
24  valley;  in  the  distance  are  mountain  ranges  with  their 
peaks  lost  among  the  clouds. 

H.9J  in.  W.  Ilf  in.  Water  color. 

Lent  by  Mrs.  Willard  Straight,  1913. 

T851-53  AOSTA.  Level  foreground  with  figures  walking  toward 
Gallery  a town  which  is  on  the  shore  of  a river  in  the  middle 
24  distance;  on  the  far  shore  of  the  river  tall  snow-capped 
cliffs  rise  precipitously  from  the  valley. 

H.  9}f  in.  W.  io|f  in.  Water  color. 

Lent  by  Mrs.  Willard  Straight,  1913. 

T851-54  THE  CASTLE  OF  ELTZ,  MOSELLE.  The  castle. 
Gallery  with  many  turrets,  is  at  the  top  of  a hill  in  the  fore- 
24  ground;  mountain  ranges  beyond. 

H.  6J  in.  W.  9y'^  in.  Water  color. 

Lent  by  Mrs.  Willard  Straight,  1913. 

T851-55  LAUSANNE.  A road  winds  from  the  hilly  foreground 
Gallery  to  a town  which  is  in  a valley  in  the  middle  distance; 
24  beyond  are  mountains  whose  crests  are  almost  hidden 
by  clouds. 

H.9-JI  in.  W.  io||  in.  Water  color. 

Lent  by  Mrs.  Willard  Straight,  1913. 

T851-56  LLANTHONY  ABBEY,  MONMOUTHSHIRE.  Wild 
Gallery  country  with  a torrent  rushing  toward  the  foreground  at 
24  the  left;  three  figures  are  seated  on  a boulder  at  the  right 
and  a fishing  pole  lies  near  them;  in  the  middle  distance  a 
ruined  wall  of  the  abbey  is  silhouetted  against  a mountain 
side;  beyond,  mountain  tops  are  partly  hidden  by  clouds. 
H.  iij  in.  W.  i6|  in.  Water  color. 

Lent  by  Mrs.  Willard  Straight,  1913. 

T851-57  A MOUNTAIN  GORGE.  Through  a narrow  opening 
Gallery  between  steep  cliffs,  there  is  a view  of  snow-capped 
24  mountain  tops  partly  hidden  by  clouds. 

H.  9 in.  W.  I in.  Water  color. 

Lent  by  Mrs.  Willard  Straight,  1913. 

T851-58  A PATH  TO  THE  VILLAGE.  In  the  foreground  at  the 
Gallery  right  is  a path  bordered  by  trees;  at  the  left  is  a valley 
24  through  which  winds  a river  on  whose  far  shore  is  a 

village;  blue  hills  are  beyond. 

H.  6y\  in.  W.  9i\  in.  Water  color. 

Lent  by  Mrs.  Willard  Straight,  1913. 


309 


TWACHTMAN 

TWACHTMAN,  John  H.  American;  born  1853  Cincinnati,  • 
O.;  died  1902  at  Gloucester,  Mass.  Pupil  of  Cincinnati 
School  of  Design  under  Duveneck;  Academy  at  Munich 
under  Loefftz.  Landscapes. 

T91-1  THE  WATERFALL.  The  water  flows  over  a double 
Gallery  ledge  of  rock  and  falls  into  a pool  which  forms  the  fore- 

15  ground  of  the  picture  at  the  right;  the  general  tone  is 

pale  blue-gray. 

H.  30I  in.  W.  in.  Canvas.  Signed:  J.  H. 

Twachtman.  Bulletin,  1909,  p.  53,  ill. 

Gift  of  George  A.  Hearn,  1909. 


310 


' u 


UHDE,  Karl  Hermann  Fritz  von.  German;  born  1848,  died 
1911. 

Uh2-i  GOING  HOME.  A Dutch  woman  with  a basket  on  her 
back  leads  a little  child  along  a sandy  road  by  the  sea; 
floating  mist  and  evening  sky. 

H.  30J  in.  W.  39i  in.  Wood. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

ULRICH,  Charles  Frederick.  American;  born  1858  at  New 
York  City;  died  1908  at  Berlin,  Germany.  Pupil  of 
National  Academy  of  Design  in  New  York;  Loefftz 
and  Lindenschmit  in  Munich.  Genre. 

UI7-1  GLASS  BLOWERS  OF  MURANO.  A furnace,  with 
Gallery  flames  at  white  heat,  throws  its  glow  on  five  workmen; 
16  three  women  are  seated  at  the  right. 

H.  26|  in.  W.  2iJ  in.  Canvas.  Signed:  Ulrich  86. 
Gift  of  several  gentlemen,  1886. 


311 


V 


VANDERLYN,  John.  American;  born  1775  at  Kingston,  N.  Y.; 

died  there  1852.  Pupil  of  Gilbert  Stuart;  studied  in 
Paris.  Greater  part  of  his  life  spent  in  New  York  City. 
Portraits. 

V278-1  JOHN  A.  SI  DELL.  (1794-1850;  a New  York  lawyer.) 

Life-size,  seated  figure,  seen  to  the  waist;  his  left  hand 
rests  on  papers  on  a table  beside  him;  he  wears  a black 
coat  of  the  period  and  knotted  white  neck-cloth;  the 
background  consists  of  a white  paneled  wall  and  red  cur- 
tain draped  at  the  right. 

H.  3oJ  in.  W.  24y^g-  in.  Canvas. 

Bequest  of  C.  V.  Sidell,  1902. 

V278-2  PORTRAIT  OF  THE  ARTIST.  Life-size,  almost  to  the 
Gallery  waist;  the  figure  is  turned  to  the  right  and  the  face  is 
16  seen  three-quarters  front;  he  wears  a brown  coat  with  a 
gray  velvet  Byron  collar  and  full  white  neck-cloth. 

H.  25!  in.  W.  21  in.  Canvas.  Signed:  Vanderlyn-by 
himself  Pinxit. 

Bequest  of  Ann  S.  Stephens,  in  memory  of  her  mother, 
Mrs.  Ann  S.  Stephens,  1918. 

ARIADNE.  The  original  by  Vanderlyn  is  in  the 
collection  of  the  Pennsylvania  Academy  of  the  Fine 
Arts  in  Philadelphia.  The  Museum’s  picture  is  a copy 
by  Durand.  See  D93-1. 

V278-3  PORTRAITS  OF  THE  WIFE  AND  CHILD  OF  COL- 
Gallery  ONEL  MARINUS  WILLETT.  The  lady  is  seated, 
16  profile  to  right,  her  head  turned  three-quarters;  her 
child,  dressed  in  a white  slip,  is  in  her  lap;  she  wears  a 
dark  brown,  tight-sleeved  dress  with  gauze  at  the  throat 
and  a yellow  shawl. 

H.  36I  in.  W.  28 J in.  Canvas. 

Bequest  of  George  Willett  van  Nest,  1917. 


312 


VANDERLYN  — VAN  DYCK 

V278-4  FRANK  WADDELL.  Head  and  shoulders  of  a young 
Gallery  man,  with  waving  black  hair.  He  wears  a loose  black 
16  tie  and  open  collar.  Red  curtain  in  the  background;  pen 
and  ink  and  paper  on  the  table  beside  him. 

H.  25J  in.  W.  21J  in.  Canvas. 

Gift  of  Mrs.  M.  Howard  Hoopes  and  Miss  Grace  H. 
Patterson  in  memory  of  Ann  S.  Stephens,  1919. 

VAN  DYCK,  Sir  Anthony.  Flemish;  born  1599  at  Antwerp; 

died  1641  at  London.  Pupil  of  Rubens  at  Antwerp; 
traveled  for  five  years  in  Italy,  and  on  his  return  went 

to  Antwerp;  settled  in  London  in  1632  and  was  made 

court  painter  to  Charles  I.  Chiefly  portraits.  Also  etcher. 

V28-1  JAMES  STUART,  DUKE  OF  LENNOX.  (1612-1655; 
Gallery  son  of  Esme  Stuart;  James  was  fourth  Duke  of  Lennox 

II  and  in  1641  was  created  first  Duke  of  Richmond  by 

his  cousin,  Charles  I of  England.)  Life-size,  full-length, 
standing  figure;  he  is  dressed  in  black  with  a white  lace 
collar;  about  his  neck  hangs  the  Jewel  of  the  Garter, 
known  as  “the  George,”  pendent  from  a light  blue  rib- 
bon, the  star  of  the  Order  is  embroidered  on  the  left 
shoulder  of  his  cloak,  and  the  garter  itself  is  below  his 
left  knee;  his  right  hand  rests  on  the  head  of  a greyhound; 
a wall  and  a draped  brownish  curtain  form  the  back- 
ground. Several  repetitions  of  this  picture  exist. 

H.  85  in.  W.  50J  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

V28-2  PORTRAIT  OF  A LADY.  Life-size,  standing,  seen 
Gallery  to  below  the  knees;  in  her  left  hand  she  holds  a black 

27  feather  fan  and  the  right  hand  rests  on  the  arm  of  a 

chair  upholstered  with  red  velvet;  she  wears  a brocaded 
black  satin  gown  and  fluted  white  ruffs  at  neck  and  wrists. 
H.  49  in.  W.  38  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

V28-3  PORTRAIT  OF  A MAN.  Life-size,  standing,  seen  to 
Gallery  the  knees;  his  left  hand  rests  on  the  back  of  a chair  and 

27  in  the  right  he  holds  a pair  of  gloves;  he  wears  an  em- 

broidered black  silk  doublet  and  fluted  white  neck  ruff. 
H.  4if  in.  W.  28J  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

V28-4  BARON  ARNOLD  LE  ROY  OF  ZUYDER  WYN. 

Gallery  Life-size,  full-length,  standing  figure;  his  right  hand  rests 
14  on  the  back  of  a chair  and  holds  a broad-brimmed  hat; 


313 


VAN  DYCK 

he  is  dressed  in  black  with  soft  white  ruflP  and  cuflfs; 
a red  curtain  is  draped  at  the  right  across  an  open  door 
through  which  there  is  a glimpse  of  a distant  landscape. 
H.  ']6\  in.  W.  48^  in.  Canvas. 

Gift  of  George  A.  Hearn,  1905. 

V28-5  THE  EARL  OF  ARUNDEL  AND  HIS  GRANDSON. 

Gallery  (Thomas  Howard,  Earl  of  Arundel,  was  born  in  1585 
14  and  died  in  1666.  He  was  Earl  Marshal  and  was  made 
Commander  of  the  Army  in  Scotland  in  1639;  a collector 
of  works  of  art  and  a close  friend  of  Van  Dyck.  The 
boy  may  be  Thomas,  eldest  son  of  Henry  Howard,  Lord 
Maltravers,  or  perhaps  the  second  son,  Henry,  afterwards 
Duke  of  Norfolk.)  Life-size,  full-length,  standing  figure 
in  armor;  his  left  arm  encircles  the  boy  with  the  hand 
resting  on  his  shoulder;  a baton  is  in  his  right  hand.  The 
boy  wears  an  orange-colored  suit  and  holds  a letter  in 
his  right  hand.  A yellow  and  black  brocaded  curtain  is 
draped  at  the  right.  Inscribed:  Earl  of  Arundel  by 
Vandyck. 

H.  96j  in.  W.  55 J in.  Canvas. 

Gift  of  George  A.  Hearn,  1909. 

V28-6  THE  MARCHESA  DURAZZO.  (The  Durazzi  were  a 

Gallery  noble  family  of  Genoa.)  Life-size  figure  of  a lady  seen 
37  to  the  knees,  seated  facing  three-quarters  to  the  right; 
her  right  arm  rests  on  the  arm  of  the  chair  and  the  index 
finger  of  the  left  hand  is  between  the  leaves  of  a breviary 
that  rests  on  her  lap;  her  brown  hair  is  tightly  drawn  back 
with  a jeweled  corhb;  she  wears  a black  silk  dress  buttoned 
down  the  front,  a cape  held  by  a jeweled  chain,  and  white 
lace  collar  and  cuflfs;  a draped  red  curtain  forms  the  back- 
ground, showing,  through  a window  at  the  left,  a land- 
scape with  sunset  sky. 

H.44|in.  W.  37§in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

V28-7  LUCAS  VAN  UFFEL.  (Merchant  and  patron  of  the 

Gallery  arts;  a native  of  Antwerp  who  had  settled  at  Genoa.  He 
37  was  a friend  of  Van  Dyck,  who  dedicated  to  him  the  etch- 
ing of  Titian  and  his  Mistress.)  Life-size  figure  of  a 
gentleman,  seen  to  the  knees,  who  rises  from  an  arm-chair 
facing  toward  the  right  and  turns  his  head  toward  the 
spectator;  his  right  hand  rests  on  the  arm  of  the  chair  and 
his  left  holds  a pair  of  compasses  with  the  points  touching 
the  rug-covered  table  before  him,  on  which  are  a globe,  a 
head  of  Homer,  and  papers;  he  wears  a black  cloak  be- 


314 


VAN  DYCK 

neath  which  appears  a black  brocaded  sleeve,  and  white 
lace  collar  and  cuffs;  the  background  consists  of  a wall 
with  a yellow  curtain  at  the  left. 

H.  49  in.  W.  :jQi\in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

V28-8  PORTRAIT  OF  A GENTLEMAN.  Life-size,  standing. 
Gallery  three-quarters  length;  he  has  long  brown  hair  that  falls 
27  over  his  wide  collar,  and  a small  moustache  and  goatee; 
in  his  right  hand  he  holds  a sheet  of  paper,  and  with  his 
left  gesticulates  as  if  making  a speech  or  report.  He 
wears  an  ample  black  cloak  over  a black  robe;  dark  back- 
ground with  a brown  brocade  hanging  at  the  left  and  a 
garnet  chair  back  of  him.  ^ 

H.  49I  in.  W.  40J  in.  Canvas. 

Gift  of  Mrs.  Walter  Rathbone  Bacon,  in  memory  of  her 
brother-in-law,  Edward  R.  Bacon,  1917. 

V28-9  MADEMOISELLE  DE  GOTTIGNIES.  Three-quar- 
Gallery  ters  length  standing  figure,  turned  partly  to  the  left;  she 
27  wears  a black  gown  with  a white  and  gold  brocade  front 
panel  and  large  puffed  sleeves.  She  has  curly  reddish 
hair  and  wears  pearls  around  her  neck  and  wrists. 
H.45^in.  W.  39§  in.  Canvas. 

Bequest  of  Edmund  C.  Converse,  1921. 

School  of  Van  Dyck. 

V28S-1  MISS  DE  CHRISTYN.  Life-size,  standing  portrait 
of  a young  woman,  seen  almost  to  the  knees;  she  wears 
a black  velvet  gown  opening  over  a white  satin  skirt, 
bodice,  and  full  slashed  sleeves;  her  wide  flaring  white 
collar  is  edged  with  lace  as  are  also  the  broad  cuffs;  a 
white  feather  fan  is  in  her  right  hand  and  her  gloves  are 
held  in  the  left;  a red  curtain  is  draped  back  of  her  and  a 
column  is  at  the  left.  Inscribed:  Etatis  sui  15  A.  1630. 
H.  38J  in.  W.  32I  in.  Canvas. 

Purchase,  1871. 

V28S-2  SAINT  MARTHA  INTERCEDING  WITH  GOD  FOR 
Gallery  A CESSATION  OF  THE  PLAGUE  AT  TARASCON. 
27  The  Saint  is  carried  on  a white  cloud  by  a group  of 
cherubs;  the  plague-stricken  city  appears  in  the  valley 
far  below. 

H.  39§  in.  W.  29J  in.  Canvas. 

Purchase,  1871. 

V28S-3  NEPTUNE.  A life-size,  nude,  male  figure  is  seen  to  the 


VAN  DYCK  — VEDDER 

Gallery  waist,  standing  in  the  water  and  holding  with  both  hands* 
27  a pile  of  crabs,  eels,  and  other  fish;  at  the  right  is  a cave 
at  the  entrance  of  which  another  powerful  old  man  is  seen 
in  the  shadow;  beyond,  at  the  entrance  to  another  cave, 
a number  of  figures  are  seated  at  a table. 

H.  62!  in.  W.  45I  in.  Canvas.  Bulletin,  1906,  p.  153. 
Purchase,  Marquand  Fund,  1906. 

VAN  ELTEN,  Kruseman.  See  Kruseman  Van  Elten. 

VAN  EYCK,  Jan.  Flemish;  born  about  1380  to  1390  at  Maas- 
Eyck;  died  1440  at  Bruges.  Pupil  of  his  brother,  Hubert 
Van  Eyck,  to  whom  is  attributed  the  method  of  painting 
in  oil.  The  Van  Eycks  resided  chiefly  at  Ghent  and 
Bruges.  Religious  subjects  and  portraits. 

V29-1  THOMAS  A BECKET.  (1119-1170;  Archbishop  of 

Gallery  Canterbury  and  Lord  Chancellor  of  England.)  A frag- 
34  ment  showing  the  head;  a hand  rests  on  the  hair 
at  the  side  of  the  head;  a blue  neck-band  and  a little 
of  the  white  surplice  show. 

H.  3I  in.  W.  3^  in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  1917. 

School  of  Van  Eyck;  probably  Petrus  Cristus. 

V29S-1  VIRGIN  AND  CHILD.  The  Virgin  stands  in  an  ornate 

Gallery  Gothic  niche  and  holds  the  nude  Child  against  her 
34  breast;  she  wears  a long  scarlet  robe  and  her  light  brown 
hair  falls  over  her  shoulders.  There  are  inscriptions  on 
the  base  of  the  throne  and  on  the  front  of  the  canopy;  a 
blue  brocaded  cloth  hangs  back  of  the  Virgin.  The  fig- 
ures closely  resemble  Our  Lady  and  Child  near  a Foun- 
tain in  the  Antwerp  Museum,  an  authenticated  work 
painted  by  Jan  Van  Eyck  in  1439;  another  similar  pic- 
ture is  in  the  Berlin  Gallery. 

H.  22  ] J in.  W.  i2  iV  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

VANNUCCI,  Pietro.  See  Perugino. 

VECELLI,  Tiziano.  See  Titian. 

VEDDER,  Elihu.  American;  born  1836  at  New  York  City;  has 
lived  in  Rome  since  1867.  Pupil  of  T.  H.  Mattison  at 
Sherburne,  N.  Y.;  Picot  in  Paris. 

316 


VEDDER  — VELAZQUEZ 

THE  AFRICAN  SENTINEL.  A stony  hillside  near 
the  foot  of  which,  in  the  foreground,  stands  a negro  with  a 
pistol  in  his  right  hand  and  a musket  over  his  left  shoulder; 
a white  cloth  partly  covers  his  figure. 

H.  i4i  in.  W.  81^5^  in.  Canvas.  Initialed;  18  V 65. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

PLEIADES.  (According  to  Greek  mythology,  the 
Pleiades  were  the  seven  daughters  of  Atlas  and  Pleione. 
Orion  became  enamored  of  them  and  in  their  distress 
they  appealed  to  Jupiter  who  turned  them,  as  well 
as  Orion  and  his  dog  Sirius,  into  stars.)  There  are 
seven  standing  female  figures  wearing  gray  draperies 
of  various  shades;  each  holds  a cord  that  swirls  about  her 
head  and  ends  in  a star. 

H.  24I  in.  W.  37I  in.  Canvas.  Signed:  Elihu  Vedder 
Roma  1885. 

Gift  of  George  A.  Hearn,  1910. 

THE  LOST  MIND.  A girl  in  a dark  brown  robe  wan- 
ders barefoot  in  a desert  country.  Her  blue-green  cloak 
and  white  scarf  slip  from  her  head  allowing  some  strands 
of  yellow  hair  to  escape. 

H.  39I  in.  W.  23i  in.  Canvas.  Signed:  18  V 64-5. 
Bequest  of  Helen  L.  Bullard  in  memory  of  Mrs.  Laura 
Curtis  Bullard,  1921. 

VEEN,  Martin  van.  See  Heemskerck. 

VELAZQUEZ,  Diego  Rodriguez  de  Silva  y.  Spanish;  born 
1599  at  Seville;  died  1660  at  Madrid.  Pupil  of  Herrera 
and  Pacheco  at  Seville.  Court  painter  to  Philip  IV, 
King  of  Spain.  Chiefly  portraits. 

V54-1  CHRIST  AND  THE  PILGRIMS  OF  EMMAUS. 

Gallery  Christ  is  seated  at  the  left  with  raised  head  in  profile 
37  toward  the  right;  He  has  long  hair  and  wears  a red  robe 
with  a gray-blue  cloak  over  His  shoulder  and  falling  on 
His  knee;  His  right  hand,  showing  the  stigmata,  rests  on 
the  table  and  holds  the  bread.  The  pilgrim  seated  in 
front  of  the  table  with  his  back  toward  the  spectator,  has 
his  left  arm  extended  in  surprise  and  looks  toward  the 
Christ;  he  wears  a dark  blue  blouse  and  a brown  cloak  is 
over  his  knee.  The  other  figure,  an  older  man,  seated  on 
the  far  side  of  the  table  and  looking  toward  the  right,  has 


V51-1 

Gallery 

16 


V51-2 

Gallery 

U 


V5>-3 

Gallery 

16 


317 


V54-2 

Gallery 

37 


V54-51 
Gallery 
1 1 


V54S-1 

Gallery 

28 


V54S-2 


VELAZQUEZ 

a full  beard  and  is  dressed  in  dark  brown.  A gray  wall 
forms  the  background.  This  is  an  early  work. 
H.48|^iin.  W.  52J  in.  Canvas.  Bulletin,  1913.  ill.  p. 
237. 

Bequest  of  Benjamin  Altman,  1913. 

PHILIP  IV  OF  SPAIN.  (1605-1665;  King  of  Spain;  as- 
cended the  throne  1621.  Friend  and  patron  of  Velazquez.) 
Life-size,  full-length  figure,  standing  with  feet  apart,  the 
left  hand  resting  on  the  hilt  of  a sword  and  the  right  hold- 
ing a letter;  he  is  dressed  in  black  with  white  lawn  collar 
and  turned-over  cuffs;  from  the  heavy  gold  chain  which  is 
over  his  right  shoulder  hangs  the  Order  of  the  Golden 
Fleece;  part  of  a coffer  covered  with  red  velvet  is  at  the 
right  and  a gray  wall  forms  the  background.  This  picture 
was  purchased  by  Doha  Antonia  de  Ypenarrieta  and  the 
Museum  has  the  receipt,  dated  December  4,  1624,  which 
Velazquez  gave  her  for  800  reales  (about  ^40),  the  pur- 
chase price  of  this  work  and  portraits  of  Count  Olivares 
and  Sehor  Garciperez.  Known  as  the  Villahermosa 
portrait  because  it  was  for  many  years  in  the  Villaher- 
mosa Palace  in  Madrid. 

H.  79  in.  W.  40I  in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

QUEEN  MARIANA  OF  AUSTRIA.  The  head  seen  to 
the  shoulders,  turned  slightly  to  the  left.  Her  color  is 
high  and  her  expression  more  pleasing  than  in  some  por- 
traits. She  wears  a big  brown  wig  decorated  with  white 
artificial  butterflies. 

H.  i4§  in.  W.  17  in.  Canvas. 

Lent  by  Harry  Payne  Bingham,  1920. 

School  of  Velazquez. 

BALTASAR  CARLOS.  (1629-1646;  eldest  son  of  Philip 
IV  of  Spain  and  his  first  wife,  Isabella  of  Bourbon;  he 
was  betrothed  to  Mariana  of  Austria.)  Life-size  portrait 
of  a boy  about  ten  years  of  age,  seen  to  the  waist;  his 
hair  falls  over  his  ears;  his  black  coat  is  richly  embroidered 
with  gold  and  silver  and  he  wears  a stiff  turned-over 
white  collar.  This  picture  is  similar  to  the  full-length 
in  the  Belvedere  Gallery,  Vienna. 

H.  2of  in.  W.  i6|  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

VELAZQUEZ.  Life-size  portrait  almost  to  the  waist, 


Gallerv 

28 


V54S-3 

Gallery 

28 


V54S-4 

Gallery 

28 


VELAZQUEZ  — VELDE 

with  the  face  turned  to  the  left  and  the  eyes  looking 
front;  he  has  black  hair  falling  over  the  ears,  a moustache, 
and  goatee;  his  cloak  is  black  and  he  wears  a stiff  turned- 
over  white  collar.  Listed  by  Curtis  under  works  by 
Velazquez. 

H.  27i  in.  W.  22j  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

MARIANA  OF  AUSTRIA,  QUEEN  OF  SPAIN.  (Wife 
of  Philip  IV  of  Spain,  whom  she  married  in  1649  the 
age  of  fourteen;  she  had  previously  been  betrothed 
to  his  son,  Baltasar  Carlos.  This  portrait  shows  her  a 
couple  of  years  after  her  marriage.)  Life-size,  standing 
figure,  seen  to  below  the  waist;  her  headdress  is 
arranged  in  an  enormous  semicircle  of  false  hair, 
red  bows,  and  red  and  white  feathers;  she  wears  a 
black  silk  dress  with  silver  embroidery  designed  in 
stripes  and  the  skirt  held  out  with  hoops;  a red  curtain 
is  draped  at  the  left.  This  picture  is  similar  to  the  full- 
length  in  the  Prado  in  Madrid,  of  which  there  are  numer- 
ous replicas. 

H.  32i'\  in.  W.  41-2-  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

COUNT  OLIVARES.  (1587-1645;  Gaspero  de  Guz- 
man, Count  Olivares  and  Due  of  Lucar,  was  the  chief 
adviser  of  Philip  IV  and  Prime  Minister  of  Spain  from 
1621  to  1643.)  Life-size  portrait,  seen  almost  to  the  waist; 
he  has  heavy  dark  eyebrows,  moustache,  and  goatee, 
and  is  dressed  in  black  with  a stiff  turned-over  collar. 
This  is  probably  a copy  of  the  picture  in  the  Hermitage 
at  St.  Petersburg. 

H.  27I  in.  W.  21  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 


VELDE,  Esaias  van  de.  Dutch;  born  about  1590  at  Amsterdam; 

died  1630  at  The  Hague.  Perhaps  pupil  of  G.  van 
Coninxloo.  Genre. 

V541-1  THE  INN.  In  the  foreground  is  a road  with  a man  on 
horseback;  at  the  left  is  a one-story  inn  with  figures  near 
the  door. 

H.  21J  in.  W.  45 J in.  Wood.  Signed:  E.  V.  Velde. 
Purchase,  Rogers  Fund,  1909. 

VELDE,  Willem  Van  de.  The  Younger.  Dutch;  born  1633  at 
Leyden;  died  1707  at  Greenwich.  Became  court  painter 
of  Charles  II.  Marine  painter. 


319 


VELDE  — VERMEER 

V542-1  ENTRANCE  TO  A DUTCH  PORT.  The  shore  beside 
Gallery  a pier  where  small  boats  are  letting  down  their  sails;  out  in 

26  the  harbor  a fleet  of  high-prowed  ships  are  at  anchor. 

Blue  sky  above  with  clouds. 

H.  25I  in.  W.  3of  in.  Canvas.  Signed:  W.  V.  V. 
Bequest  of  William  K.  Vanderbilt,  1920. 

VELTEN,  Wilhelm.  German;  born  1847 at  St.  Petersburg,  Russia; 

lives  in  Munich.  Pupil  of  St.  Petersburg  and  Munich 
Academies. 

V543-1  HALT  OF  CAVALIERS.  At  the  right  is  a thatched 
inn;  near  the  entrance  is  a covered  wagon  with  three 
horses  and  several  men;  other  horses  are  being  watered 
at  a wooden  trough. 

H.  gl  in.  W.  i2f  in.  Wood.  Signed:  W.  Velten 

Munich. 

Bequest  of  Thomas  P.  Salter,  1907. 

VERBOECKHOVEN,  Eugene.  Belgian;  born  1799  at  Warneton, 
West  Flanders;  died  1881  at  Brussels.  Pupil  of  his 
father,  the  sculptor,  Barthelemy  Verboeckhoven,  and 
of  Ommeganck.  Chiefly  sheep. 

V58-1  INTERIOR  OF  A STABLE  WITH  SHEEP  AND 
S.  W.  POULTRY.  Three  sheep,  a lamb,  and  some  chickens 
Stairway  on  the  straw-covered  floor. 

H.  23I  in.  W.  32I  in.  Wood.  Signed:  Eugene  Ver- 
boeckhoven F.  i860. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VERGOS,  Jaime,  II.  Spanish  (Catalan);  was  working  in  1459; 

died  after  1503.  He  was  one  of  a family  of  painters 
active  in  Catalonia  throughout  the  fifteenth  century. 
V582-1  ALTARPIECE;  SIX  SCENES  FROM  THE  PASSION. 
Gallery  Each  panel  has  a Gothic  frame;  in  each  lower  section  is 
33  a single  head  with  an  inscribed  ribbon  held  by  a hand. 
The  subjects  of  the  principal  panels  from  left  to  right 
are:  The  Agony  in  the  Garden,  the  Kiss  of  Judas,  Christ 
before  Pilate,  Crowning  with  Thorns,  the  Flagellation, 
and  Ecce  Homo.  Gold  ground  throughout. 

H.  56  in.  W.  123I  in.  Wood.  Bulletin,  1910,  pp.  45, 
76,  ill. 

Gift  of  William  M.  LafTan,  1907. 

VERMEER,  Johannes;  known  as  Jan  Vermeer  van  Delft.  Dutch; 

born  1632  at  Delft;  died  there  about  1675.  Probably  a 
pupil  of  Karel  Fabritius.  Interiors  with  figures. 


320 


VERMEER  — VERNET 

V59-1  YOUNG  WOMAN  WITH  A WATER  JUG.  A woman 

Gallery  stands  in  the  corner  of  a room  back  of  a table  covered 
26  with  an  oriental  rug;  she  opens  a window  casement  with 
her  right  hand  and  with  the  left  holds  a brass  jug  in  a basin 
of  the  same  metal;  at  the  right  is  an  open  jewel  box,  behind 
which  a blue  drapery  falls  over  a leather-covered  chair; 
a map,  only  partly  visible  at  the  right,  hangs  on  the 
gray  wall  which  forms  the  background.  The  woman 
wears  a dark  blue  skirt,  light  yellow  bodice  trimmed  with 
bands  of  dark  blue,  and  a white  linen  collar  which  extends 
to  the  elbows;  a folded  white  linen  kerchief  is  over  her 
head. 

H.  18  in.  W.  16  in.  Canvas.  Bulletin,  1909,  p.  168,  ill. 
Gift  of  Henry  G.  Marquand,  1888. 

V59-2  A GIRL  ASLEEP.  A young  woman,  seated  behind  a 

Gallery  table  covered  with  a rug,  supports  her  head  against  her 
39  right  hand,  with  the  elbow  on  the  table;  she  wears  a dark 
red  bodice,  open  at  the  neck,  and  a white  kerchief  lies 
over  her  shoulders;  on  the  table  are  a blue  and  white 
dish  with  fruit,  a napkin,  and  a jug;  at  the  right  the  backs 
of  two  chairs  are  in  the  foreground  and  beyond,  a half- 
open door  leads  to  another  room  where  a table  is  seen 
with  a picture  above  it;  on  the  wall  back  of  the  figure  part 
of  a picture  appears.  Of  the  thirty-eight  known  paintings 
by  Vermeer  twenty-one  were  sold  at  auction  in  Amster- 
dam-in  1696  and  this  painting  was  number  8 in  the 
catalogue  under  the  title  A Drunken  Maid  Servant 
Asleep  Behind  a Table. 

H.  in.  W.  30I  in.  Canvas.  Signed:  J.  VMeer. 
Bequest  of  Benjamin  Altman,  1913. 

VERNET,  Antoine  Charles  Horace,  known  as  Carle  Vernet. 

French;  born  1758  at  Bordeaux;  died  1836  at  Paris.  Pupil 
of  his  father,  Claude  Joseph  Vernet,  and  later  of  Lepicie. 
Historical  scenes  and  genre.  Also  lithographer. 

V591-1  A ROMAN  TRIUMPH.  (That  of  /Emilius  Paulus 
after  his  successful  campaign  against  Perseus,  King  of 
Macedonia,  168  B.  C.)  A procession  headed  by  men- 
at-arms  passes  across  the  Via  Sacra  through  the  monu- 
mental arches  to  the  Capitol.  At  the  right  is  the  General 
wearing  a brilliant  red  toga  and  seated  in  a golden  chariot 
drawn  by  four  white  horses;  following  him  are  the  van- 
quished, including  Perseus  with  folded  arms  and  bent 
head,  his  daughter  dressed  in  white,  and  her  two  young 


321 


VERNET  — VERROCCH 10 

sons;  in  the  background  are  classic  buildings  including 
the  temple  of  Jupiter  Capitolinus  with  its  approach  of 
one  hundred  steps;  in  the  distance  is  a range  of  hills. 

H.  51 J in.  W.  172^  in.  Canvas.  Signed:  Carle 
Vernet  1789. 

Gift  of  Darius  O.  Mills,  1906. 

VERNET,  Emile  Jean  Horace;  known  as  Horace  Vernet.  French, 
born  1789  at  Paris,  died  there  1863.  Pupil  of  his  father; 
Carle  Vernet,  and  of  Moreau  and  Vincent.  Historical  sub- 
jects and  genre. 

V592-1  PREPARING  FOR  THE  RACE.  A rearing  white  horse 
Gallery  and  a sorrel  are  being  led  away  by  several  grooms,  to  pre- 
17  vent  injury  to  a man  who  has  been  thrown  by  a dark  gray 
horse;  other  horses  are  at  the  left;  in  the  background  is  a 
spectators'  stand  with  red  drapery;  people  are  leaning 
over  a gray  wall  at  the  right. 

H.  185  in.  W.  2ii\  in.  Canvas.  Monogrammed:  HV 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VERONESE,  Paolo;  real  name  Paolo  Caliari.  Italian  (Venetian); 

born  1528  at  Verona;  died  1588  at  Venice,  where  most 
of  his  life  was  spent.  He  was  apprenticed  to  his  uncle, 
Antonio  Badile;  early  work  influenced  by  Cavazzola, 
Caroto,  and  Brusasorci.  Mural  decorations  and  portraits. 

V6-1  MARS  AND  VENUS  UNITED  BY  LOVE.  Life-size, 
Gallery  full-length  figures;  Venus  stands  at  the  left  with  her  left 
1 1 hand  resting  on  the  shoulder  of  Mars  who  is  seated  on  an 
architectural  fragment;  a cupid  in  the  foreground  binds 
together  with  a pink  ribbon  the  left  leg  of  Mars  and  the 
left  leg  of  Venus;  in  the  background  at  the  right  another 
cupid  holds  the  god’s  sword  in  front  of  his  white  horse 
which  is  tied  to  a tree;  Mars  wears  golden  armor  and  a 
red-violet  cloak  hangs  from  his  right  shoulder  and  is 
held  by  his  left  hand;  in  his  right  hand  he  holds  the  end 
of  a dark  blue  drapery  before  the  nude  figure  of  Venus. 
Back  of  Venus  is  a wall  over  which  hangs  a white  gown; 
beyond  are  ruins  with  a faun  caryatid  and  a landscape 
in  the  distance  at  the  right. 

H.  81  in.  W 63!  in.  Canvas.  Signed;  PAVLVS 
VERONENSIS.  F.  Bulletin,  1910,  p.  287,  ill. 

Purchase,  Kennedy  Fund,  1910. 

VERROCCHIO,  Andrea  del;  real  name  Andrea  di  Michele  di 

322 


VERROCCHIO  —VI  BERT 

Francesco  de’  Cioni.  Italian  (Florentine);  born  1435  at 
Florence;  died  1488  at  Venice.  Pupil  of  the  goldsmith, 
Giulio  de’  Verrocchi,  of  the  sculptor  Donatello,  and  of  the 
painter  Alesso  Baldovinetti;  influenced  by  Pesellino. 
Was  noted  as  sculptor  as  well  as  painter. 

V61-1  MADONNA  AND  CHILD.  The  Madonna,  seen  to  the 
Gallery  waist,  is  back  of  a ledge  on  which  the  nude  Christ  Child 
37  stands  between  a rose  at  the  left  and  three  cherries  toward 
the  right;  He  has  curly  yellow  hair;  the  Madonna  holds  a 
transparent  cloth  about  His  loins;  she  wears  a dark  blue 
cloak  with  the  border  embroidered  in  gold  and  held  by  a 
cord  over  a red  and  gold  brocaded  robe;  a transparent 
veil  is  draped  on  her  yellow  hair;  painted  halos  are  back 
of  both  heads;  landscape  background.  The  work  is  at- 
tributed to  Verrocchio. 

H.  2511  in.  W.  19  in.  Tempera,  transferred  from  wood 
to  canvas. 

Bequest  of  Benjamin  Altman,  1913. 

VERSCHUUR,  WouTERus.  Dutch;  born  1812  at  Amsterdam; 

died  1874  at  Vorden.  Pupil  of  P.  G.  van  Os. 

V62-1  HORSES  IN  A STABLE. 

H.  i6|  in.  W.  i2f  in.  Wood.  Signed:  W.  Verschuur. 
Bequest  of  Henry  H.  Cook,  1905. 

VESTIER,  Antoine.  French;  born  1740  at  Avallon;  died  1825 
at  Paris  (?) 

V63-51  PORTRAIT  OF  A LADY.  Three-quarter  length  figure, 
Gallery  front  view,  in  a landscape  of  rocks  and  trees.  She  wears 
20  a white  satin-striped  dress  with  a dark  blue  sash;  a band 
of  the  same  ribbon  is  in  her  curly  powdered  hair.  Her 
head  is  tilted  pensively  to  the  left  and  she  holds  a blue 
covered  book  in  her  right  hand. 

H.  5ii  in.  W.  38^  in.  Canvas. 

Lent  by  C.  C.  Stillman  in  memory  of  his  father  James 
Stillman,  1921. 

VI BERT,  Jehan  Georges.  French;  born  1840  in  Paris;  died  there 
1902.  Pupil  of  Picot  and  Barrias.  Genre. 

V65-1  THE  FIRST  BABE.  An  interior  with  a baby  lying 

S.  W.  on  a yellow  sofa  with  pink  cushions  and  covered  with  a 

Stairway  blue  quilt;  a man  sits  on  the  sofa  at  the  left  and  a woman 
in  blue  and  pink  stands  near  the  child’s  head  at  the  right. 
H.  i4i  in.  W.  17J  in.  Water  color.  Signed:  J.  G. 
Vibert-1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

323 


VI  BERT  — VINCENT 

V65-2  PALM  SUNDAY  IN  SPAIN.  A young  woman  in  a 
S.  W.  green,  yellow,  and  red  Spanish  costume,  leans  against 
Stairway  a newel  post;  with  both  hands  she  holds  a shaped  palm 
leaf  and  others  are  in  the  baskets  that  are  on  the  step  and 
hangover  the  post. 

H.  20yV  in.  W.  13!  in.  Water  color.  Signed:  J.  G. 
• Vibert-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V65-3  THE  STARTLED  CONFESSOR.  A young  priest 

Gallery  in  a black  habit  is  seated  at  a table  in  an  inner  court; 

17  leaning  forward  he  listens  to  the  confession  of  a young 
woman  standing  at  his  side;  she  wears  a bright  red  dress 
elaborately  trimmed  with  white  Spanish  lace  and  a large 
red  flower  is  in  her  dark  hair. 

H.  33iir  in.  W.  25I  in.  Canvas.  Signed:  J.  G.  Vibert. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V65-4  THE  REPRIMAND.  A garden  with  a stone  bench  at 

S.  W.  the  left  on  which  are  seated  a young  woman  wearing  a pink 

Stairway  skirt  and  green  velvet  bodice,  and  an  older  woman  in 
black;  the  mother  appeals  to  a priest  seated  in  an  arm- 
chair at  the  right;  he  wears  a black  habit  and  is  taking  a 
pinch  of  snuff;  on  the  table  behind  him  are  the  remains  of 
a meal. 

H.  2o|  in.  W.  33  in.  Canvas.  Signed:  J.  G.  Vibert. 
1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VILLEGAS,  Jose.  Spanish;  born  1848  at  Seville;  lives  in  Rome. 
Studied  in  Madrid,  Seville,  and  Rome.  Genre. 

V71-1  EXAMINING  ARMS.  In  a guard-room  hung  with 
Gallery  armor  are  five  men  in  seventeenth  century  costumes; 

18  the  two  central  ones  are  standing;  a man  is  seated  at  the 
right  cleaning  a sword. 

H.  i5fin.  W.  i2iVin.  Wood.  Signed:  Villegas  1870. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VINCENT,  George.  British  (Norwich);  born  1796  at  Norwich; 

died  there  1831.  Pupil  of  Old  Crome  and  of  the  British 
Institution  in  London.  Landscapes. 

V73-1  WHITLINGHAM  NEAR  NORWICH.  At  the  left 
Gallery  a hill  with  ruins  is  silhouetted  against  the  sky  and  on  the 
14  slope  in  the  foreground  cattle  are  grazing;  at  the  right 
a flock  of  sheep  is  approaching  and  beyond  there  is  an 


324 


VINCENT  — VOLK 

extended  view  of  the  Norfolk  Broads  with  the  winding 
river. 

H.  25j  in.  W.  36  in.  Canvas.  Signed:  G.  Vincent. 
Gift  of  George  A.  Hearn,  1906. 

V73-2  FARM  BY  THE  BROOK.  The  stream  is  in  the  fore- 
ground at  the  left  and  two  boys  on  the  bank  are  fishing;  a 
large  tree  and  farm  buildings  are  in  full  sunlight  in  the 
middle  distance  at  the  left,  and  trees  and  another  cottage 
are  in  shadow  at  the  right. 

H.  22f  in.  W.  26I  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

VLIEGER,  Simon  de.  Dutch;  born  1601  ai  Rotterdam;  died 
1653  at  Weesp.  Pupil  of  Willem  van  de  Velde,  the 
Elder.  Lived  at  Delft  and  Amsterdam  and  settled  at 
Weesp  about  1650.  Marines  and  landscapes. 

V84-1  CALM  SEA.  At  the  right  is  a group  of  fishing-boats; 
Gallery  the  foreground  is  in  shadow  while  a streak  of  light  falls 
26  across  the  water  beyond;  low  horizon  with  masses  of 
cumulus  clouds. 

H.  i4i  in.  W.  17J  in.  Wood. 

Purchase,  Rogers  Fund,  1906. 

VOLK,  Douglas.  American;  born  1856  at  Pittsfield,  Mass., 
lives  in  New  York  City.  Pupil  of  Ecole  des  Beaux-Arts 
in  Paris  under  Gerome.  Figure  subjects. 

V88-1  LITTLE  MILDRED.  Figure  of  a little  girl  turned 
Gallery  three-quarters  to  the  left  and  seen  to  the  waist;  she  has 
13  short,  light  brown  hair  and  with  both  hands  holds  an 
orange-colored  drapery  over  her  bare  chest;  dark  back- 
ground with  a glimpse  of  blue  sky  at  the  left. 

H.  iq  jfin.  W.  in.  Canvas.  Signed:  Douglas 
Volk,  ’ll. 

Purchase,  Hearn  Fund,  1914. 

V88-2  FELIX  ADLER.  (Born  1851  in  Germany;  lives  in  New 
York  City.  Lecturer;  founder  of  the  Society  for  Ethical 
Culture.)  Life-size  head  and  shoulders  with  the  body 
turned  slightly  to  the  right  and  the  eyes  full-front;  he  has 
thin  grayish  beard,  moustache,  and  chin-tuft,  and  wears 
the  conventional  black  coat  and  a black  tie;  dark  back- 
ground. Received  the  Maynard  Prize  at  the  National 
Academy  of  Design,  1915. 

H.  29J  in.  W.  22  in.  Canvas.  Signed:  Douglas  Volk. 
Purchase,  Hearn  Fund,  1915. 


325 


VOLLON  — VOS 

VOLLON,  Antoine.  French;  born  1833  Lyons;  died  1900  at. 

Paris.  Pupil  of  Lyons  Academy;  Ribot  in  Paris.  Chiefly 
still  life. 

V881-1  A FARM  YARD.  Two  sides  of  a court  are  occupied 
Gallery  by  irregular  low  buildings  with  roofs  partly  of  brown 

17  thatch  and  partly  of  gray  slate  and  red  tiles;  three  horses 
stand  near  the  stable  door  and  a wagon  is  at  the  right; 
chickens  are  feeding  in  the  foreground. 

H.  37I  in.  W.  46!  in.  Canvas.  Signed:  A.  Vollon. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V881-2  THE  BIG  WHITE  CHEESE.  A table  on  which  are  a 
crockery  bowl  filled  with  milk,  a cream  cheese  resting  on 
straw,  and  green  and  red  peppers.  On  the  stone-colored 
wall  back  of  these  articles  hang  a bunch  of  onions  and 
some  Swiss  chard.  Two  shadowy  animal  heads  are 
suggested  in  the  background  at  the  right. 

H.  33I  in.  W.  35f  in.  Canvas.  Signed:  A.  Vollon. 
Bequest  of  William  H.  Walker,  1918. 

VOLTERRANO;  real  name,  Baldassare  Franceschini.  Italian 
(Florentine);  born  1611  at  Volterra;  died  1689  at  Florence. 
Influenced  by  Matteo  Rosselli. 

V882-1  HEAD  OF  AN  ANGEL.  A colossal  head  of  a child  with 
open  mouth  and  upturned  eyes. 

H.  2o|  in.  W.  18  in.  Fresco. 

Gift  of  Cornelius  Vanderbilt,  1880. 

VOLTZ,  Friedrich  Johann.  German  (Munich);  born  1817  at 
Nordlingen;  died  1886  at  Munich.  Pupil  of  his  father, 
Johann  Michael  Voltz. 

V883-1  LANDSCAPE  AND  CATTLE.  In  the  foreground  two 
Gallery  cows  stand  at  the  edge  of  a pool  in  the  shadow  of  rocks  and 

18  trees;  beyond  stands  a girl  who  pulls  the  branches  of  a 
tree;  distant  landscape  with  a cottage. 

H.  lof  in.  W.  i3|in.  Wood.  Signed:  Fr.  Voltz-68. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VOS,  CoRNELis  DE,  THE  Elder.  Flemish;  born  about  1585  at 
Hulst;  died  1651  at  Antwerp.  Pupil  of  David  Remeeus; 
influenced  by  Van  Dyck.  Portraits. 

V92-1  PORTRAIT  OF  A YOUNG  LADY.  Life-size,  full- 
Gallery  length,  seated  figure,  turned  to  the  left;  she  has  brown  hair 
27  and  wears  a golden  brown  dress  trimmed  with  brilliantly 

326 


VOS  — VRIES 

colored  rosettes;  her  broad  white  collar  and  cuffs  are 
edged  with  lace;  both  hands  are  in  her  lap  and  in  the  right 
one  she  holds  a white  feather  fan;  strings  of  pearls  encircle 
her  neck  and  wrists. 

H.  46i  in.  W.  37j\  in.  Canvas. 

Purchase,  1871. 

V92-2  MOTHER  AND  CHILDREN.  Life-size,  standing  figure 
Gallery  of  a lady,  holding  a baby  in  her  arms  with  a child  standing 
27  on  each  side  of  her;  the  three  figures  are  seen  to  the 
knees.  The  mother  wears  a black  dress  and  a broad  white 
lace  and  linen  fichu;  the  baby,  dressed  in  white  and  with  a 
pink  feather  in  its  cap,  holds  a rattle  in  its  right  hand  and 
the  left  is  outstretched  toward  a red  apple  held  by  the 
little  girl  at  the  right;  the  older  girl  at  the  left  carries  a 
basket  of  fruit.  Landscape  background. 

H.  in.  W.  40I  in.  Canvas.  Bulletin,  1910,  p. 

33,  ill. 

Purchase,  Marquand  Fund,  aided  by  Thatcher  M.  Adams, 
George  A.  Hearn,  and  Hugo  Reisinger,  1909. 

VOSMAER,  Jacob;  also  known  as  Jacob  Wouter.  Dutch;  born 
1584(?)  at  Delft;  died  there  1641.  Chiefly  fruit  and 
flowers. 

V921-1  A VASE  WITH  FLOWERS.  Flowers  loosely  arranged, 
chiefly  red,  yellow,  and  white  tulips;  there  are  also  roses, 
irises,  and  peonies. 

H.  33§  in.  W.  24!  in.  Wood.  Signed:  Vosmaer-161 5. 
Purchase,  1871. 

VRIENDT,  JuLiEN  De.  Belgian;  born  1842  at  Ghent;  lives  in 
Antwerp.  Has  been  Director  of  the  Royal  Antwerp  Acad- 
emy since  1901. 

V95-1  A CHAPEL  SCENE;  OLD  ANTWERP.  A priest  and 
several  figures  at  the  arched  entrance  to  a chapel.  The 
costumes  are  in  the  style  of  the  fifteenth  century. 

H.  22j  ‘in.  W.  33!  in.  Wood.  Signed:  Julien  De 
VrienIdt.  1868. 

Bequest  of  Stephen  Whitney  Phoenix,  1881. 

VRIES,  Adriaen  de.  Dutch;  seventeenth  century;  was  working 
at  The  Hague  in  1643;  died  after  1650.  Portraits. 

V96-1  A DUTCH  GENTLEMAN.  Life-size  figure,  almost 
Gallery  to  the  waist,  with  the  face  in  full  light  and  turned  to  the 

26  left;  his  hair  is  brown  with  lighter  moustache  and  pointed 


327 


VRIES 

beard;  he  is  dressed  in  black  with  a square  white, 
turned-over  neckband  and  tassels. 

H.  25j  in.  W.  21  in.  Wood.  Inscribed:  Fecit  Hage 
Comitis  A.  de  Vries  anno  1643. 

Purchase,  1871. 


328 


w 


WAHLBERG,  Alfred.  Swedish;  born  1834  at  Stockholm; 

died  1906.  Pupil  of  Diisseldorf  Academy.  Landscapes. 

W12-1  MOONLIGHT;  PORTOFWAXHOLM,  NEARSTOCK- 
Gallery  HOLM,  SWEDEN.  At  the  right  are  houses  and  fishing- 
18  boats  at  anchor;  near  the  center  of  the  picture  in  the 
moonlight  is  a rowboat  with  people;  sail-boats  are  at  the 
left  near  the  low  horizon*  broken  clouds  partly  hide  the 
full  moon. 

H.  34i  in.  W.  in.  Canvas.  Signed:  Alfr.  Wahl- 
berg-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

W12-2  A DAY  IN  OCTOBER;  NEAR  WAXHOLM,  SWEDEN. 
Gallery  In  the  foreground  are  a garden  and  cottage;  at  the  right  a 
18  muddy  road  leads  to  a mill  which  forms  the  center  of  the 
picture;  in  the  distance  at  the  left  is  a lake  that  reflects 
the  dull  gray  sky. 

H.  41-iVin.  W.  64J  in.  Canvas.  Signed:  Alf.  Wahl- 
berg-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WALDO,  Samuel  L.  American;  born  1783  at  Windham,  Conn., 
died  1861  at  New  York  City.  Studied  in  Connecticut; 
painted  for  some  time  in  Charleston,  S.  C.;  went  to 
London  in  1806  and  settled  in  New  York  in  1809. 
Portraits. 

W14-1  OLD  PAT,  THE  INDEPENDENT  BEGGAR.  Life- 
Gallery  size  head  and  shoulders,  with  the  body  turned  to  the  left 
16  and  the  face  front;  florid  complexion  and  brown  hair; 
the  head  is  unusually  long;  he  wears  a brown  overcoat. 
H.  19I  in.  W.  14J  in.  Wood. 

Gift  of  Samuel  P.  Avery,  1904. 


329 


WALDO— WALKER 

W14-2  GENERAL  ANDREW  JACKSON.  (1767-1845; 

Gallery  seventh  president  of  the  United  States.  Served  in  the 
16  Indian  Wars  and  War  of  1812.)  Life-size  head  and 
shoulders,  with  the  face  and  body  turned  slightly  to  the 
left;  he  has  a long  narrow  head  with  gray  hair  brushed  up; 
he  wears  a dark  blue  military  coat  with  gold  epaulettes 
and  gold  embroidery  on  the  standing  collar.  Inscribed 
on  back:  Gen’l  Andrew  Jackson  AE  54,  original  sketch 
from  life  by  S.  L.  Waldo,  New  York,  1817. 

H.  25!  in.  W.  21  in.  Canvas. 

Purchase,  Rogers  Fund,  1906. 

WALDO  and  JEWETT.  Samuel  L.  Waldo  and  William  Jewett 
(see  each)  painted  portraits  together  in  New  York  City  for 
eighteen  consecutive  years. 

W141-1  REVEREND  GARDNER  SPRING.  (1785-1873; 

Gallery  pastor  of  the  Old  Brick  Presbyterian  Church,  New 
16  York  City,  1810  to  1873.)  Life-size  figure,  seen  to  the 
waist,  with  his  right  hand  resting  on  a book;  he  has  dark 
hair  and  wears  a black  coat  and  soft  white  tie;  a draped 
red  curtain  forms  the  background,  and  sky  shows  at  the 
left. 

H.  33i  in.  W.  25!  in.  Wood.  Stamped  on  back: 
WALDO  & JEWETT  1831  NEW  YORK. 

Gift  of  Samuel  P.  Avery,  1895. 

W141-2  EDWARD  KELLOGG.  (1790-1858;  born  at  Northfield, 
Conn.,  died  at  Brooklyn,  N.  Y.;  author  of  A New  Mone- 
tary System.)  Life-size,  seated  figure,  seen  to  the  waist, 
with  a glove  in  his  right  hand;  he  has  dark  brown  hair  and 
wears  a black  coat  and  full  white  neckcloth  with  a standing 
collar. 

H.  33f  in.  W.  25!  in.  Wood. 

Gift  of  Mrs.  Mary  E.  Kellogg  Putnam,  1899. 

W141-3  MRS.  EDWARD  KELLOGG.  (1794-1872;  Esther 
Fenn  Warner,  born  at  Plymouth,  Conn.)  Life-size,  seated 
figure,  seen  to  the  waist  with  hands  folded  in  her  lap 
and  holding  a closed  book;  she  has  brown  hair  arranged  in 
two  puffs  over  each  ear  and  wears  a white  lace  cap  tied 
under  her  chin,  a full  neck-ruff,  and  a black  silk  dress. 

H.  33f  in.  W.  25!  in.  Wood. 

Gift  of  Mrs.  Mary  E.  Kellogg  Putnam,  1899. 

WALKER,  Henry  Oliver.  American;  born  1843  in  Boston;  lives 
at  Lakewood,  N.  J.  Pupil  of  Bonnat  in  Paris. 


330 


WALKER  — WALKER 

W15-1  A MORNING  VISION.  The  nude  figure  of  a young  boy 
Gallery  standing  on  a pedestal  with  his  left  arm  about  his  mother’s 
13  neck  and  his  right  hand  extended  toward  three  winged 
female  figures  which  are  at  the  left;  the  mother,  standing 
at  the  extreme  right  and  seen  to  the  knees,  wears  a 
reddish  gown;  a garden  forms  the  background. 

H.  28J  in.  W.  30I  in.  Canvas.  Signed:  H.  O.  WALKER 
1895. 

Purchase,  Hearn  Fund,  1913. 

WALKER,  Horatio.  American;  born  1858  in  Canada;  lives  in 
New  York  City.  Peasant  subjects. 

W151-1  THE  SHEEPFOLD.  At  the  right  is  a low' thatched 
Gallery  building  with  the  shepherd  taking  down  the  bars  for  a 
13  flock  of  sheep  to  enter;  a large  tree  is  in  the  foreground; 
at  the  left  are  meadows  with  a haystack  silhouetted 
against  the  sunset  sky. 

H.  2oJ  in.  W.  28J  in.  Canvas.  Signed:  Horatio 

Walker,  1890.  Bulletin,  1906,  p.  55. 

Gift  of  George  A.  Hearn,  1906. 

W151-2  TURNING  THE  HARROW.  A white  horse  stands  on 
Gallery  the  freshly  turned  earth  and  at  the  left  a man  bends  down 
13  to  release  the  harrow;  there  are  level  fields  beyond  and 
the  rays  of  the  rising  sun  strike  on  a distant  hill  and  also 
light  the  man’s  red  shirt  and  the  edge  of  the  horse’s  mane. 
H.28in.  W.  38in.  Canvas.  Signed:  Horatio  Walker, 
copyright  1898.  Bulletin,  1911,  p.  149,  ill. 

Gift  of  George  A.  Hearn,  1910. 

W151-3  THEHARROWER-MORNING.  In  the  foreground  an 
Gallery  ox  is  pulling  a harrow  guided  by  a man  who  wears  a blue 
13  shirt;  a small  dog  is  nearby;  rain  clouds  are  at  the  right, 
but  in  the  distance  at  the  left  the  sun  shines  on  green 
fields  and  trees  in  blossom. 

H.24in.  W.  35fin.  Canvas.  Signed:  Horatio  Walker. 
Bulletin,  191 1,  p.  1 59,  ill. 

Gift  of  George  A.  Hearn  in  memory  of  Arthur  Hoppock 
Hearn,  191 1. 

WALKER,  Robert.  British;  date  of  birth  unknown;  died  about 
1658.  Was  official  portrait  painter  during  the  Com- 
monwealth. 

W152-1  GENERAL  IRETON  (?)  (161 1-1651 ; Henry  Ireton  mar- 
ried Cromwell’s  daughter;  he  accompanied  Cromwell  to 


331 


WALKER  — WATROUS 

Ireland,  captured  Limerick,  and  died  there  of  a pesti-' 
lence.)  Life-size  head  and  shoulders,  with  the  face  turned 
to  the  left;  he  has  brown  hair  and  a slight  moustache; 
he  wears  a black  coat  and  a broad  collar. 

H.  22 jV  iri*  W.  i8J  in.  Canvas. 

Gift  of  Samuel  P.  Avery,  1894. 

WAPPERS,  Gustaf.  Belgian;  born  1803  at  Antwerp;  died  1874 
at  Paris.  Pupil  of  Antwerp  Academy,  M.  I.  van  Bree, 
and  G.  J.  Herreyns.  Director  of  the  Antwerp  Academy 
1840  to  1853. 

W19-1  CONFIDENCES.  (Portraits  of  the  artist's  daughters.) 
S.  W.  Life-size  figures  of  two  young  women,  seated  on  a garden 
Stairway  wall  and  seen  to  below  the  knees;  the  one  at  the  right 
holds  a daisy  and  whispers  in  the  other's  ear;  they  wear 
blue  and  red,  and  pink  and  white  gowns  respectively  and 
their  shoulders  are  bare. 

H.  45i  in.  W.  38!  in.  Canvas.  Signed:  Gustaf  Wap- 
pers  1853. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WARD,  Edgar  M.  American;  born  1849  Urbana,  O.;  died  1915 
at  New  York  City.  Pupil  of  the  National  Academy  of 
Design  in  New  York  City;  Ecole  des  Beaux-Arts  and 
Cabanel  in  Paris.  Genre. 

W21-1  THE  COPPERSMITH.  A gray-haired  workman  in 
shirt  sleeves  and  leather  apron,  stands  at  his  bench  in 
front  of  a window  and  examines  a copper  kettle. 

H.  23I  in.  W.  21  in.  Canvas.  Signed:  Edgar  M.  Ward. 
Gift  of  several  gentlemen,  1900. 

WARREN,  A.  W.  American;  born  at  Coventry,  N.  Y.,  date  un- 
known; died  1873,  probably  in  New  York  City.  Pupil 
of  T.  H.  Mattison  at  Sherburne,  N.  Y. 

W25-1  THE  OLD  JIGGER;  MOUNT  DESERT  ISLAND. 

A two-masted  sailing-vessel  lies  on  the  beach;  a hut  is 
on  the  bank  at  the  left. 

H.  16  in.  W.  i2f  in.  Canvas.  Signed:  A. W. Warren,  1856. 
Gift  of  Samuel  P.  Avery,  1905. 

WATROUS,  Harry  W.  American;  born  1857  San  Francisco, 
Cal.;  lives  in  New  York  City.  Pupil  of  Bonnat,  Boulanger, 
and  Lefebvre  in  Paris.  Figure  subjects. 

W32-1  PASSING  OF  SUMMER.  Life-size,  seated  figure 
Gallery  of  a young  woman,  seen  to  below  the  knees;  she  wears 
13  a thin  black  dress  and  an  iridescent  black  and  green 


332 


WATROUS  — WEBSTER 

feather  hat;  at  the  left  is  a small  round  green  restaurant 
table  on  which  is  a glass  with  red  cherries;  several  darning 
needles  are  seen  against  the  gray  background. 

H.  in.  W.  30  in.  Canvas.  Signed:  Watrous. 
Bulletin,  1912,  p.  134,  ill. 

Purchase,  Hearn  Fund,  1912. 

WATTS,  George  Frederick.  British  (English);  born  1817  at 
London;  died  there  1904.  Pupil  of  the  Royal  Academy 
Schools  for  a short  time,  then  of  the  English  sculptor, 
William  Behnes.  Portraits  and  allegorical  compositions. 

W34-1  ARIADNE  IN  NAXOS.  (According  to  Greek  my- 
Gallery  thology,  Ariadne,  the  daughter  of  Neptune,  was  deserted 
24  by  Theseus  after  he  had  carried  her  off  to  the  Island  of 
Naxos;  she  was  rescued  by  Bacchus.)  Full-length  figure 
of  a young  woman,  seated  on  rocks  and  looking  toward 
the  sea  at  the  left;  she  wears  an  orange  drapery  over  a 
white  robe  which  has  slipped  from  her  shoulders;  in  the 
foreground  at  the  right  is  a young  satyr  playing  with  a 
panther;  there  are  mountains  in  the  distance  with  sun- 
light breaking  through  heavy  clouds. 

H.  24  in.  W.  20  in.  Canvas.  Signed:  G.  F.  Watts 
1894.  Bulletin,  1906,  p.  27. 

Purchase,  Rogers  Fund,  1905. 

WAUGH,  Frederick  J.  American;  born  1861  at  Bordentown,  N.  J.; 

lives  at  Montclair,  N.  J.  Pupil  of  Pennsylvania  Academy 
of  the  Fine  Arts  in  Philadelphia;  Julian  Academy  in  Paris. 
Chiefly  marines. 

W35-1  ROARING  FORTIES.  A view  of  the  ocean  with  a 
Gallery  line  of  surf  in  the  foreground  and  white  crests  of  waves 
13  beyond;  the  general  color  is  dull  blue-green. 

H.  47 J in.  W.  6oTir  in.  Canvas.  Signed:  F Waugh. 
Gift  of  George  A.  Hearn,  1909. 

W35-51  THE  GREAT  DEEP.  Dark  blue  rolling  waves,  with 
white  caps  near  the  horizon  where  they  meet  a greenish 
sky;  the  clouds  above  are  edged  with  pink. 

H.  60  in.  W.  7iJ  in.  Canvas.  Signed  on  back:  F. 
J.  Waugh  1909. 

Lent  by  Adolph  Lewisohn,  1910. 

WEBSTER,  Thomas.  British;  born  1800  in  Pimlico,  London, 
England;  died  1886  at  Cransbrook,  Kent.  Pupil  of  the 
Royal  Academy  in  London.  Genre  subjects. 


333 


WEBSTER  — WEENIX 

W39-1  THE  FAIR.  A village  street  with  thatched  cottages  and. 
trees  at  right  and  left  and  numerous  people  promenading; 
in  the  immediate  foreground  at  the  left  an  old  man  in 
his  shirt-sleeves  is  seated  at  the  foot  of  a large  tree,  with 
an  officer,  an  old  woman,  and  several  children  near  him; 
an  old  man  and  two  children  are  entering  a gate  at  the 
right.  ^ 

H.  gi  in.  W.  14  in.  Wood. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

WEEKS,  Edwin  Lord.  American;  born  1849  Boston,  Mass.; 

died  1903  at  Paris.  Pupil  of  the  £coIe  des  Beaux- 
Arts  under  Bonnat  and  Gerome.  Chiefly  oriental  scenes. 

W41-1  THE  LASTVOYAGE;SOUVENIROF THE  GANGES, 
BENARES.  (There  is  a superstition  among  the  Hindus 
that  the  souls  of  the  faithful  who  die  on  the  left  bank  of  the 
Ganges  River  enter  direct  into  Paradise.)  A dying 
Hindu  Fakir  is  being  rowed  toward  the  left  bank  of  the 
Ganges;  on  the  temple  steps  the  devout  sit  in  meditation 
and  toward  the  center  is  the  burning  ghat  where,  after 
death,  the  bodies  of  the  better  class  are  burned. 

H.  79J  in.  W.  ii8f  in.  Canvas.  Signed:  E.  L. 
WEEKS.  Bulletin,  1905,  p.  8,  ill. 

Gift  of  Mrs.  Edwin  Lord  Weeks,  1905. 

W41-2  THE  RAJAH  STARTING  ON  A HUNT.  A Moorish 
court  with  the  lower  floor  arcaded  and  elaborate  bay- 
windows  above;  there  are  two  richly  caparisoned  Arabian 
horses  with  a man  astride  one  and  the  other  held  by  an 
attendant;  in  the  foreground  a barebacked  servant  holds 
a panther  in  leash  and  another  lies  at  his  feet;  pigeons  are 
feeding  at  the  left. 

R- 39A  in.  W.  32  in.  Canvas.  Signed:  E L Weeks. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

WEENIX,  Jan.  Dutch;  born  1640  (or  1644)  at  Amsterdam;  died 
there  1719.  Pupil  of  his  father,'  Jan  Baptist  Weenix. 
Still  life. 

W421-1  FRUIT.  Grapes,  peaches,  a cocoanut,  and  other  fruit 
lie  on  the  ground  and  on  a stone  step  in  the  foreground 
at  the  right;  in  the  background  at  the  left  is  a formal 
garden. 

H.  22f  in.  W.  19J  in.  Canvas.  Signed:  J.  Weenix. 
Purchase,  1871. 


334 


WEENIX  — WEIR 

WEENIX,  Jan  Baptist.  Dutch;  born  1621  at  Amsterdam;' 

died  1660  at  Huys  Termeyen,  near  Utrecht.  Son  of 
Jan  Weenix,  the  architect;  pupil  of  Abraham  Bloemaert 
and  Nicolaes  Moeyaert. 

W422-1  ITALIAN  SEAPORT.  Vessels  are  at  anchor  near  a 
point  of  land  on  which  there  are  ruined  arches;  in  the 
immediate  foreground  at  the  left,  two  men  are  seated  with 
a chest  and  barrels  near  them;  other  figures  are  beyond. 
H.  153^^  in.  W.  2ii  in.  Wood.  Initialed:  J B W.  1648(F) 
Purchase,  1871. 

WEIR,  John  F.  American;  born  1841  at  West  Point,  N.  Y., 
lives  at  New  Haven,  Conn.  Pupil  of  his  father,  Robert 
W.  Weir,  and  of  the  National  Academy  of  Design  in 
New  York  City.  Director  of  Yale  School  of  the  Fine 
Arts,  1869  to  1913. 

W43-1  FORGING  THE  SHAFT.  In  a foundry  with  heavy 
oaken  beams  and  a skylight  roof,  a shaft  at  white  heat 
is  being  withdrawn  from  the  furnace  by  workmen  who  are 
pulling  the  heavy  chains  and  shielding  their  faces  with  their 
leather  aprons. 

H.  52yV  iri.  W.  73jin.  Canvas.  Signed:  John  F.  Weir. 
Gift  of  Lyman  G.  Bloomingdale,  1901. 

WEIR,  J.  Alden.  American;  born  1852  at  West  Point,  N.  Y.;  died 
1919  at  New  York  City.  Pupil  of  his  father,  Robert  W. 
Weir;  of  the  National  Academy  of  Design  in  New  York; 
and  Ecole  des  Beaux-Arts  in  Paris  under  Gerome.  Figure 
subjects  and  landscapes. 

IDLE  HOURS.  Life-size  figures  of  a young  woman 
and  a little  girl,  both  with  blond  hair  and  dressed  in  white; 
they  are  seated  on  a couch  which  is  covered  with  cushions 
of  various  colors;  a double  window  with  thin  white  cur- 
tains forms  the  background. 

H.  in.  W.  71J  in.  Canvas.  Signed:  J.  Alden 
Weir  1888. 

Gift  of  several  gentlemen,  1888. 

THE  GREEN  BODICE.  Life-size  figure  of  a young 
woman  in  profile,  seen  to  below  the  waist;  she  stands 
at  the  right  with  her  left  hand  on  her  hip  and  is  reflected, 
full-face,  in  a gilt  framed  mirror  in  the  center  of  the  picture; 
shewearsa  greenish  bodice,  a black  hat  with  a touch  of  red 
against  her  hair,  and  a black  feather  boa. 


W431-1 

Gallery 

16 


W431-2 

Gallery 

15 


335 


WEIR  — WENTWORTH 

H.  33}  in.  W.  24^  in.  Canvas.  Bulletin,  1906,  p.  55,  ill*. 
Gift  of  George  A.  Hearn,  1906. 

W‘431-3  THE  RED  BRIDGE.  (The  Shetucket  River,  near 
Gallery  Windham,  Conn.)  Beneath  an  iron  bridge,  painted  red, 
12  which  is  supported  by  a stone  pier,  flows  a quiet  river  that 
reflects  trees  and  the  red  bridge;  a tree  trunk  stretches 
across  the  immediate  foreground. 

H.  24i\  in.  W.  33 J in.  Canvas.  Signed:  J.  Alden  Weir. 
Bulletin,  1915,  p.  12,  ill. 

Gift  of  Mrs.  John  A.  Rutherfurd,  1914. 

WEIR,  Robert  W.  American;  born  1803  at  NewYorkCity;  died 
there  1889.  Studied  in  New  York  City  and  in  Rome, 
Italy;  in  1834  became  instructor  at  United  States  Military 
Academy  at  West  Point  where  he  was  professor  of  drawing 
from  1846  to  1876.  Portraits. 

W432-1  GENERAL  WINFIELD  SCOTT.  (1786-1866;  Ameri- 
can General  who  served  in  the  War  of  1812  and  in 
the  Mexican  War;  was  Commander-in-Chief  of  the 
United  States  Army  and  later  Secretary  of  War.)  Life- 
size  figure,  seen  to  the  waist;  he  wears  a dark  blue  military 
coat  with  gold  epaulettes;  his  gloved  right  hand  is  thrust 
into  the  coat  at  the  breast. 

H.  33!  in.  W.  26J  in.  Canvas. 

Gift  of  the  heirs  of  William  B.  Isham,  1910. 

WEISSENBRUCH,  Jan  Hendrick.  Dutch;  born  1824,  died 
1903. 

W433-1  DUTCH  LANDSCAPE.  Level,  sandy  country  with  a 
wind-mill  and  a house  in  the  distance;  sea  beyond. 

H.  8} I in.  W.  13  in.  Water  color. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

WENTWORTH,  Cecile  de.  American;  born  in  New  York 
City;  lives  in  Paris.  Pupil  of  Cabanel  and  Detaille. 

W48-1  MAJOR-GENERAL  GEORGE  B.  McCLELLAN.  (1826 
Gallery  -1885;  served  in  Mexican  and  Civil  Wars;  was  defeated 

16  for  Presidency  in  1864  against  Lincoln.)  Life-size 

head  and  shoulders,  facing  to  the  right;  he  has  gray  hair, 
moustache,  and  chin  tuft. 

H.2ijin.  W.  i8|  in.  Canvas.  Signed:  C.  E.  Wentworth. 
Gift  of  several  gentlemen,  1887.  ' ’ 

336 


WERFF  — WEST 

WERFF,  Adriaen  van  der.  Dutch;  born  1659  Kralinger- 
Ambacht;  died  1722  at  Rotterdam.  Pupil  of  Cornelius 
Picolet  and  of  Eglon  Hendrik  van  der  Neer. 

W49-1  LEDA.  (According  to  Greek  tradition,  Lcda  was  the 
mother  of  Helen,  Clytemnestra,  Castor  and  Pollux  by 
Zeus,  who  wooed  her,  disguised  as  a swan.)  Lcda  stands 
at  the  water’s  edge  with  a cloak  held  about  her  and  shrinks 
from  the  swan  who  approaches  from  the  left;  an  arbor 
with  a statue  forms  the  background. 

H.  i8f  in.  W.  13!  in.  Wood;  arched  top. 

Purchase,  1871. 

WEST,  Benjamin.  American;  born  1738  at  Springfield,  Pa.;  died 
1820  at  London,  England.  At  eighteen  was  painting  por- 
traits  in  Philadelphia;  went  to  New  York,  then  to  Italy, 
and  settled  in  London  in  1763.  Became  historical  painter 
to  the  King  of  England,  George  HI;  was  President  of  the 
Royal  Academy  from  1792  until  his  death. 

W52-1  TRIUMPH  OF  LOVE.  A youth,  nude  except  for  a 

Gallery  yellow  drapery,  stands  amid  clouds;  he  holds  a torch  in  his 
16  right  hand  and  guides  a pair  of  horses;  a lion  is  at  his  feet; 
he  is  followed  by  Venus  in  a white  robe;  there  are  several 
cupids;  the  sea  appears  in  the  distance  at  the  right  and 
••  clouds  form  the  background.  This  picture  was  exhibited 
at  the  Royal  Academy  in  London,  in  1811,  with  the  title 
Omnia  Vincit  Amor,  or  The  Power  of  Love  in  the  Three 
Elements. 

H.  70I  in.  W.  80 J in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-2  HAGAR  AND  ISHMAEL.  (Genesis  XXI,  v.*  17.) 

Gallery  Hagar,  wearing  a red  cloak  over  a brown  robe,  is  seated 
16  with  Ishmael  on  the  ground  beside  her;  his  left  arm  is  in 
her  lap;  an  angel,  wearing  a blue  robe  and  a brown  scarf, 
is  in  the  clouds  at  the  upper  right;  landscape  background. 
West  painted  this  subject  several  times. 

H.  74J  in.  W.  52I  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-3  PORTRAIT  OF  THE  ARTIST.  Life-size,  full-length, 
standing  figure;  with  his  left  hand  he  lifts  the  pages  of  a 
manuscript  that  lies  on  a table  at  his  side. 

; H.  98J  in.  W.  65!  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 


337 


WEST 

W52-4  RETURN  OF  THE  PRODIGAL  SON.  A terrace  at  * 

Wing  F the  entrance  to  a house  with  a youth  kneeling  before  an 

Gallery  old  man,  who  wears  a yellow  mantle  over  a white  robe; 

22  a man  and  a woman  stand  near  the  door  at  the  left  and  a 
young  girl,  carrying  a water  jar,  approaches  at  the  right; 
landscape  background  with  palm  trees.  West  painted 
this  subject  several  times. 

H.  54i  in.  W.  6oi  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-5  MADRE  DOLOROSO.  The  Virgin,  wearing  a red  robe 
and  a dark  blue  mantle,  is  seated  on  the  cross  with  the 
head  and  shoulders  of  the  dead  Christ  resting  in  her  lap. 

H.  25!  in.  W.  18^  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-6  MASSACRE  BY  THE  TURKS;  DEATH  OF  AN 
ENGLISH  GENERAL.  Numerous  Turks,  wearing 
brilliantly  colored  garments  and  brandishing  scimitars, 
surround  the  prostrate  form  of  an  English  officer;  a town 
in  flames  is  seen  in  the  background  at  the  right. 

H.  39J  in.  W.  50  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-7  APOLLO  AND  HYACINTHUS.  (According  to  classic 
legend,  Apollo,  the  Sun-God,  and  Zephyrus,  the  West- 
Wind,  were  both  very  fond  of  the  youth,  Hyacinthus. 
Because  he  loved  Apollo  better,  Zephyrus,  in  revenge,  blew 
a heavy  quoit  with  which  Apollo  and  Hyacinthus  were 
playing  so  that  it  struck  Hyacinthus,  instantly  killing 
him.)  The  picture  shows  the  prostrate  youth  with  Apollo 
bending  over  him. 

H.  i8y'V  in.  W.  13I  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-8  PRESENTATION  IN  THE  TEMPLE.  The  high  priest 
with  a talith  (scarf)  over  his  head,  stands  at  the  left,  re- 
ceiving the  Child,  who  is  held  in  His  mother’s  arms;  St. 
Joseph,  wearing  a red  robe,  stands  at  the  right. 

H.  14II  in.  W.  2o|  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-9  HISTORICAL  SUBJECT.  A young  woman,  in  a white 
gown  and  yellow  cloak,  kneels  at  the  left  and  offers  her 
jewels  to  a seated  man;  at  the  extreme  right  a saddled 
horse  is  at  the  stable  door;  an  old  man  in  a red  cloak 
stands  back  of  the  woman;  at  the  extreme  left  two  chil- 

338 


WEST  — WHEATLEY 

dren  are  playing  with  a suit  of  armor;  sea,  rocks,  and 
stormy  sky  form  the  background. 

H.  35I  in.  W.  27J  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

WEYDEN,  Roger  VAN  der;  also  known  as  Rogelet  de  la  Pasture 
or  Roget  van  Brugge.  Flemish  (Brabant);  born  about 
1400  at  Tournay;  died  1464  at  Brussels.  Was  apprenticed 
to  Robert  Campin  at  Tournay. 

W54-1  THE  ANNUNCIATION.  A bedroom  with  the  Virgin 
Gallery  in  a crimson  robe  and  blue  mantle,  kneeling  at  her 
34  devotions  in  the  foreground  at  the  right;  back  of  her 
at  the  left  is  a winged  angel  in  a white  robe  with  red  and 
yellow  brocaded  alb;  at  the  back  of  the  room  is  a bed  with 
red  draperies  and  an  open  window  through  which  an 
enclosed  garden  is  seen.  The  lighted  taper  in  the  Virgin’s 
hand  indicates  that  it  is  night. 

H.  73i  in.  W.  45y\  in.  Wood.  Bulletin,  1911,  p.  194. 
Gift  of  J.  Pierpont  Morgan,  1917. 

' Copy  after  van  der  Weyden. 

W54C-3  DESCENT  FROM  THE  CROSS.  A triptych.  The 
center  panel  showing  the  Virgin  and  Joseph  of  Arimathea 
supporting  the  dead  body  of  Christ  with  St.  John,  is  one 
of  numerous  works  of  the  same  composition  perhaps 
copied  after  a lost  original  by  Roger  van  der  Weyden. 
On  the  side  panels  are  Nicodemus  and  Mary  Magdalen. 
The  work  is  Flemish  of  the  early  sixteenth  century. 

H.  36  in.  W.  54  in.  Wood. 

Gift  of  Clyde  Fitch  and  Ferdinand  Gottschalk,  1917. 


WHEATLEY,  Francis.  British  (English);  born  1747  at  London; 

died  there  1801.  Studied  at  Shipley’s  Drawing  School 
and  was  assistant  to  the  mural  painter,  John  Mortimer. 

W56-1  VIEW  IN  WALES.  Steep  mountains  form  the  back- 

Gallery  ground  with  their  wooded  slopes  descending  to  the  shore 
24  of  a stream  which  flows  at  the  left;  sheep  and  a shepherd 
are  at  the  right  and  in  the  immediate  foreground  women 
and  children  are  carrying  faggots. 

H.  12  in.  W.  I3f  in.  Canvas. 

Gift  of  Dowdeswell  and  Dowdeswells,  1903. 

W56-2  LANDSCAPE  IN  WALES.  Wooded,  hilly  country  with 
a lake  at  the  right;  on  the  bank  in  the  foreground  are 
several  figures  and  three  cows. 


339 


WHEATLEY  — WHISTLER 

H.  12  in.  W.  14  in.  Canvas. 

Gift  of  Dowdeswell  and  Dowdeswells,  1903. 

W56-3  TAKING  HOME  THE  BRIDE.  A country  road  with 
Gallery  a young  woman,  wearing  a pink  dress  and  white  poke 

24  bonnet,  mounted  on  a white  palfrey  on  whose  side  hangs 

a cage-like  basket;  she  is  accompanied  by  a young  man 
in  brown  coat  and  red  waistcoat  astride  a brown  horse;  a 
single  tree  at  the  right  spreads  its  branches  above  the 
couple. 

H.  22  in.  W.  18  in.  Canvas.  Signed:  FWheatly. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

WHISTLER,  James  A.  McNeill.  American;  born  1834  at  Lowell, 
Mass.;  died  1903  at  London,  England.  Student  at  United 
States  Military  Academy,  West  Point,  N.  Y.,  from  1851 
to  1854;  pupil  of  Gleyre  in  Paris  the  following  year;  set- 
tled in  London  in  1859.  His  signature  of  a butterfly 
is  a development  from  his  monogram.  Portraits,  figure 
subjects,  and  landscapes.  Also  etcher. 

W57-1  NOCTURNE  IN  GREEN  AND  GOLD;  CREMORNE 
Gallery^  GARDENS,  LONDON,  AT  NIGHT.  In  the  distance 
12  there  are  dancers  on  a platform  which  is  decorated  by 
strings  of  dimly  seen  lights:  in  the  middle  distance  groups 
of  figures  are  seated  at  tables  beneath  the  trees;  a lighted 
booth  is  at  the  right  in  the  immediate  foreground. 

, H.  25J  in.  W.  3of  in.  Canvas.  Bulletin,  1906,  pp.  105,  109. 
Gift  of  Harris  C.  Fahnestock,  1906. 

W57-2  LADY  IN  GRAY.  A small,  full-length,  standing  figure, 
Gallery  wearing  a close-fitting  dark  gray  dress  and  carrying  in 
12  her  right  hand  a large  dark  hat  with  a light  feather. 

H.  loj  in.  W.  5§  in.  Gouache.  Signed  with  the  but- 
terfly. 

Purchase,  Rogers  Fund,  1906. 

W57-3  EDWARD  G.  KENNEDY.  (New  York  connoisseur  of 

Gallery  prints  and  friend  of  Whistler.)  Small,  full-length,  standing 

12  figure,  wearing  a black  coat  and  gray  trousers;  in  his 

right  hand  he  holds  a high  silk  hat. 

H.  Ilf  in.  W.  7 in.  Wood.  Bulletin,  1910,  p.  46,  ill. 
Gift  of  Edward  G.  Kennedy,  1909. 

W57-4  ARRANGEMENT  IN  BLACK,  NO.  3;  SIR  HENRY 

Gallery  IRVING  AS  PHILIP  II  OF  SPAIN.  (In  1874  Irving 

12  played  the  part  of  Philip  II  in  Tennyson's  drama  Queen 


340 


W57-5 

Gallery 

15 


W57-6 

Gallery 


W57-7 

Gallery 

12 


WHITE, 


WHISTLER  — WHITE 

Mary.)  Life-size,  full-length,  standing  figure;  he 
wears  a black  hat  with  a white  feather;  the  doublet, 
hose,  and  cloak  are  black  with  bands  of  dull  gold  braid; 
the  hose  are  slashed  with  white  and  the  trunks  and  shoes 
are  white;  the  Order  of  the  Garter  is  on  the  left  knee;  his 
hand  rests  on  a gold  chain  which  hangs  about  his  neck. 
H.84fin.  W.  42J  in.  Canvas.  Bulletin,  1910,  p.  152,  ill. 
Purchase,  Rogers  Fund,  1910. 

HARMONY  IN  YELLOW  AND  GOLD;  THE  GOLD 
GIRL,  CONNIE  GILCHRIST.  (Born  1865;  a popular 
dancer  of  the  early  ’eighties  who  became  Countess  of 
Orkney.)  Life-size,  full-length  figure  of  a young  girl;  she 
is  skipping,  with  the  rope  poised  above  her  head  and  a red 
handle  held  in  each  hand;  she  wears  a close-fitting  yellow 
bodice  with  puffed  yellow  silk  sleeves,  white  stockings, 
and  gilt  shoes;  a yellow  curtain  forms  the  background. 
Inscribed:  CONNIE  GILCHRIST. 

H.  85J  in.  W.  43I  in.  Canvas.  Signed  with  the  butter- 
fly. Bulletin,  1910,  p.  152  and  1911,  p.  66,  ill. 

Gift  of  George  A.  Hearn,  1911. 

CREMORNE  GARDENS,  No.  2.  An  evening  scene. 
Fashionably  dressed  ladies  and  gentlemen  stroll  or  sit 
at  tables  under  the  trees  which  are  decorated  with  strings 
of  colored  lamps;  booths  are  at  right  and  left;  in  the 
background  the  river  shows  beyond  a lawn  and  tree 
trunks. 

H.  27  in.  W.  53f  in.  Canvas.  Bulletin,  1912,  p.  74,  ill. 
Purchase,  Kennedy  Fund,  1912. 

ARRANGEMENT  IN  FLESH  COLOR  AND  BLACK; 
THEODORE  DURET.  (Born  1838;  a Paris  art  critic 
and  writer  who  was  a friend  and  early  admirer  of 
Whistler.)  Full-length,  life-size,  standing  figure  in 
evening  dress;  a pink  domino  hangs  over  his  left  arm  and 
a red  fan  is  in  his  gloved  left  hand;  the  right  hand  hangs 
at  his  side  and  holds  an  opera  hat. 

H.  76J  in.  W.  35i|  in.  Canvas.  Signed  with  the  but- 
terfly. Bulletin,  1913,  p.  44,  ill. 

Purchase,  Wolfe  Fund,  1913. 

Edwin.  American;  born  1817  at  South  Hadley,  Mass.; 
died  in  1877  at  Saratoga  Springs,  N.  Y.  Studied  in 
Europe;  worked  chiefly  in  New  York  City.  Genre. 


341 


WHITE  — WIGGINS 

W58-1  THE  ANTIQUARY.  An  interior  with  a man  in  Flor-' 
entine  costume;  he  is  seated  at  the  right  examining  a 
coin  and  leans  upon  a chest  on  which  are  a book  and  a 
silver  casket;  a tapestry  curtain  is  draped  at  the  left. 

H.  22i  in.  W.  27i  in.  Canvas.  Signed:  Edwin  White 
1855  Paris. 

Gift  of  Mrs.  Edwin  White,  1877. 

WHITTREDGE,  Worthington.  American;  born  1820  near 
Springfield,  Ohio;  died  1910  at  Summit,  N.  J.  Pupil 
of  James  Beard  in  New  York  City  and  Andreas  Achen- 
bach  in  Diisseldorf.  Spent  the  greater  part  of  his  life 
near  New  York  City.  Landscapes. 

W61-1  EVENING  IN  THE  WOODS.  A brook  flowing  through 
Gallery  the  woods  reflects  the  trees  and  the  evening  light  which 
16  comes  through  a clearing. 

H.  42A  in.  W.  36I  in.  Canvas.  Signed:  W.  Whittredge. 
Bequest  of  Henry  H.  Cook,  1905. 

W61-2  CAMP  MEETING.  In  the  foreground  is  a quiet  stream 

Gallery  in  shadow;  beneath  the  trees  in  the  middle  distance  a 

16  speaker  stands  on  a platform  at  the  left,  facing  numerous 
people  who  are  moving  about  in  a clearing  where  the 
sun  is  shining.  From  the  Borden  Collection  where  the 
picture  was  entitled  Scene  in  Central  Park. 

H.  16  in.  W.  40U  in.  Canvas.  Signed :W.  Whittredge 
1874.  Bulletin,  1913,  p.  87,  ill. 

Purchase,  Lazarus  Fund,  1913. 

W61-3  THE  TROUT  POOL.  Sunlight  shines  through  the 
thick  woods  where  a brook  flows  into  a pool  over  a small 
waterfall.  A log  has  fallen  across  the  outlet  of  the  pool 
in  the  foreground. 

H.  36  in.  W.  27!  in.  Canvas.  Signed:  W.  Whittredge. 
Gift  of  Colonel  C.  A.  Fowler,  1921. 

WIGGINS,  Carleton.  American;  born  1848  at  Turners,  N.  Y.; 

lives  in  New  York  City.  Pupil  of  National  Academy  of 
Design  and  of  George  Inness  in  New  York;  studied  in 
France.  Landscapes  with  cattle. 

W63-1  A YOUNG  HOLSTEIN  BULL. 

H.  54  in.  W.  46I  in.  Canvas.  Signed:  CARLETON 
WIGGINS,  A.  N.  A. 

Gift  of  Joseph  Grafton,  1895. 

WIGGINS,  Guy  C.  American;  born  1883  at  Brooklyn,  N.  Y.; 


342 


WIGGINS  — WILKIE 

lives  in  New  York  City.  Pupil  of  his  father,  Carleton 
Wiggins,  and  of  the  National  Academy  of  Design. 

W631-1  METROPOLITAN  TOWER.  (Madison  Avenue  and 
Gallery  Twenty-third  Street,  New  York.)  A view  of  roofs  with 
15  melting  snow  and  smoke;  in  the  center  of  the  picture 
rises  the  tower  of  the  Metropolitan  Life  Building. 

H.  34tV  jri-  W.  40J  in.  Canvas.  Signed:  Guy  C. 
Wiggins.  Bulletin,  1912,  p.  137,  ill. 

Purchase,  Hearn  Fund,  1912. 

WILES,  Irving  R.  American;  born  1861  at  Utica,  N.  Y.;  lives 
in  New  York  City.  Pupil  of  his  father,  L.  M.  Wiles; 
Art  Students’  League  in  New  York  under  Chase  and 
Beckwith;  Lefebvre  and  Carolus-Duran  in  Paris.  Chiefly 
portraits. 

W64-1  LEMUEL  MAYNARD  WILES.  (1826-1905;  a painter; 
Gallery  father  of  the  artist.)  Life-size  head  and  shoulders, 
20  facing  to  the  left;  he  has  white  hair  and  moustache  and 

wears  glasses. 

H.  22I  in.  W.  i8f  in.  Canvas.  Signed:  Irving  R. 
Wiles,  1904. 

Purchase,  Rogers  Fund,  1912. 

W64-2  GEORGE  ARNOLD  HEARN.  (1835-1913;  merchant. 
Gallery  art  collector,  and  Trustee  of  the  Museum  from  1903  until 
13  his  death.  He  gave  many  paintings  to  the  Museum  and 
an  endowment  fund  for  the  purchase  of  pictures  by  con- 
temporary American  artists.)  Life-size,  standing  figure, 
turned  slightly  to  the  right  and  seen  to  the  knees;  his  left 
hand  rests  on  a table  beside  an  ivory  figure,  and  his  right 
hangs  at  his  side  holding  his  spectacles;  he  has  white  hair, 
chin  beard,  and  moustache,  and  wears  a black  coat;  a 
dark  wall  forms  the  background. 

H.  57  in.  W.  385  in.  Canvas.  Signed:  Irving  R.  Wiles 
1914.  Bulletin,  1914,  ill.  p.  157. 

Gift  of  the  Trustees,  1914. 

WILKIE,  Sir  David.  British  (Scotch);  born  1785  at  Cults  in 
Fifeshire;  died  1841  at  sea  near  Gibraltar.  Studied  at  the 
Trustees’  Academy  in  Edinburgh  and  later  at  the  Royal 
Academy  Schools  in  London.  Genre  subjects. 

W65-1  RETURN  OF  THE  HIGHLAND  WARRIOR.  Interior 
of  a cottage;  a man  in  Highland  costume  is  seated  at  the 
right  while  a woman  holds  their  baby  toward  him;  a little 


343 


WILKIE  — WILSON 

girl  stands  at  the  left  near  a partly  open  door;  there  are 
two  dogs  and  numerous  kitchen  utensils. 

H.  24  in.  W.  36  in.  Wood.  Signed:  David  Wilkie  p. 
Bart. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

WILLAERTS,  Adam.  Flemish;  born  1577  at  Antwerp;  died 
1664  at  Utrecht. 

W66-1  RIVER  SCENE  WITH  BOATS.  In  the  immediate 

Gallery  foreground  %t  the  left  is  a path  with  several  figures; 
14  houses  are  near  the  shore  beyond;  two  rowboats  are 
ferrying  passengers  towards  an  inclined  landing  on  the 
farther  shore;  numerous  sail-boats  in  the  middle  distance. 
H.iSJ  in.  W.  33f  in.  Wood.  Initialed:  A.  W.  1643. 
Gift  of  George  A.  Hearn,  1906. 

WILLEMS,  Florent.  Belgian;  born  1823  at  Liege:  died  1905  at 
Neilly,  near  Paris,  France.  Pupil  of  Mechlin  Academy. 

W661-1  PREPARING  FOR  THE  PROMENADE.  A hall 
Gallery  with  tiled  floor  and  walls  hung  with  dark  green  tapestries; 
18  at  the  right  a page,  dressed  in  red,  holds  back  a brown 
curtain  from  a doorway  before  which  stands  a young 
woman  who  wears  a gray  hat  and  cape  and  is  drawing 
on  a long  white  glove. 

H.  25I  in.  W.  29y\in.  Wood.  Signed:  F.  Willems. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WILLIAMS,  F.  Ballard.  American;  born  1871  at  Brooklyn, 
N.  Y.;  lives  in  New  York  City.  Pupil  of  Cooper  Union 
Night  School  under  John  Ward  Stimson  and  of  the 
National  Academy  of  Design.  Landscapes  and  figures. 

W67-1  L’ALLEGRO.  Three  women  in  light  classic  draperies 

Gallery  are  dancing  near  the  seashore. 

13  H.  iif  in.  W.  14I  in.  Canvas.  Signed:  Fred’k  Bal- 

lard Williams  -03. 

Purchase,  Hearn  Fund,  1907. 

W67-2  HAPPY  VALLEY.  Four  women  in  richly  colored  low- 
Gallery  necked  gowns  are  seated  on  a rocky  shore;  blue  sea  be- 
13  yond.  H.28Jin.  W.  35|in.  Canvas.  Signed:  Fred’k 
Ballard  Williams  -05. 

Purchase,  Hearn  Fund,  1909. 

WILSON,  Richard.  British  (English);  born  1713  at  Pinegas;  died 
1782  at  Llanberis,  North  Wales.  Studied  portrait 


344 


WILSON 

painting  with  Thomas  Wright  in  London;  his  landscapes 
influenced  by  Claude  Lorraine  and  Joseph  Vernet. 
Landscapes. 

W69-1  THE  STORM.  In  the  immediate  foreground  at  the  right 
Gallery  is  a large  tree  which  has  been  struck  by  lightning;  a 
14  shepherd  and  his  flock  are  fighting  their  way  toward  a 
house  at  the  base  of  a wooded  hill  which  is  crowned  by 
a castle;  at  the  left  is  a plain  with  ruins;  beyond  are  a 
winding  river  and  a distant  town;  heavy  clouds  with  forked 
lightning. 

H.  41J  in.  W.  53j  in.  Canvas. 

Gift  of  George  A.  Hearn,  1895. 

W69-2  LAKE  OF  NEMI.  In  the  foreground  at  the  right,  on  a 

Gallery  terrace  that  overlooks  the  lake,  are  several  people;  a grove 

14  of  tall  trees  is  beyond;  in  the  distance  is  a castle  on  a cliff; 

from  the  far  shore  of  the  lake  stretches  a broad  expanse 
of  rolling  country.  At  one  time  catalogued  as  Landscape 
with  Figures. 

H.  i6|  in.  W.  2i|  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

W69-3  ITALIAN  LANDSCAPE.  In  the  center  of  the  picture 

Gallery  is  a body  of  still  water  which  reflects  the  trees  along  its 

14  banks;  in  the  distance  at  the  left  a ruined  castle  crowns  a 

hill  and  is  silhouetted  against  the  glowing  sunset  sky; 
rocky  foreground  with  two  men  fishing  and  at  the  right  a 
tall  tree  with  sparse  foliage  at  the  top. 

H.  34I  in.  W.  51  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

W69-4  VIEW  ON  THE  ARNO.  At  the  left  a steep  cliff  crowned 

Gallery  by  a castle  with  a round  tower;  in  the  immediate  fore- 

24  ground  are  several  figures,  including  a man  fishing  and  a 

lady  seated  near  him;  at  the  right  a broken  tree  trunk  and 
a tall  tree  with  its  branches  outlined  against  the  sky;  on 
the  far  shore  is  a town;  hills  in  the  distance  at  the  right. 
This  picture  is  similar,  except  for  the  tree  at  the  right,  to 
one  entitled  View  on  the  Tiber  which  is  in  the  collection 
of  Lady  Wantage. 

H.4oJin.  W.  50  in.  Canvas.  Bulletin,  191 5,  ill.  p.  92. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

W69-5  AFTERNOON.  At  the  right  a mass  of  trees  and  in  the 
foreground  a road  with  a woman  leaning  against  a tree 
trunk  and  a man  fishing;  at  the  left  is  the  river,  which 
broadens  as  it  extends  into  the  distance. 


345 


WILSON  — WORMS 

H.  171‘n.  W.  2i|in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

WINTERHALTER,  Francois  Xavier.  French;  born  1806  at 
Baden-Baden,  Germany;  died  1873  at  Frankfort,  Ger- 
many. Pupil  of  Munich  Academy  and  of  Stiegler; 
in  1834  settled  in  Paris.  Portraits. 

W73-1  FLORINDA.  (According  to  legend,  Roderick,  King 
of  the  Spanish  Visigoths  about  700  A.  D.,  wishing  to 
determine  which  of  the  Maids  of  Honor  was  the  fairest, 
watched  them  bathing  and  awarded  the  prize  of  beauty  to 
Florinda,  with  whom  he  afterwards  fell  in  love.  Her 
father,  in  revenge,  called  the  Arabs  into  Spain  and  brought 
about  the  Arab  conquest.  The  Empress  Eugenie,  wife 
of  Napoleon  1 1 1 of  France,  and  her  Maids  of  Honor,  were 
said  to  have  been  the  models  for  this  picture.)  A thickly 
wooded  glen  with  eleven  young  women  in  a semicircle 
preparatory  to  bathing  in  a pool;  the  King  is  looking 
through  the  trees  at  the  left;  a castle  is  seen  on  a cliff  in 
the  distance. 

H.  70^  in.  W.  96J  in.  Canvas.  Signed:  F.  X.  Winterhalter. 
Bequest  of  William  H.  Webb,  1901 . 

WOOD,  Thomas  W.  American;  born  1823  at  Montpelier,  Vt.; 

died  1903  at  New  York  City.  Pupil  of  Chester  Harding 
in  Boston;  settled  in  New  York  in  1867.  President  of  the 
National  Academy  of  Design  1891  to  1899.  Genre. 
W85-1  WAR  EPISODES:  a.  THE  CONTRABAND;  b.  THE 
VOLUNTEER;  c.  THE  VETERAN.  Three  pictures 
in  one  frame,  each  a full-length  figure  of  a negro  soldier. 
H.  28^  in.  W.  2o\  in.  (each).  Canvas.  Signed:  T.  W. 
WOOD.  1866. 

Gift  of  Charles  Stewart  Smith,  1884. 

WORMS,  Jules.  French;  born  1832  at  Paris;  lives  there.  Pupil 
of  Lafosse.  Genre. 

W89-1  LETTER  OF  RECOMMENDATION.  A Spanish 

Gallery  courtyard  with  an  old  man  seated  reading  a letter  which 

17  a young  woman,  standing  in  front,  has  given  him;  beyond 

are  other  figures. 

H.  i9i  in.  W.  29  in.  Canvas.  Signed:  J.  Worms. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

W89-2  THE  FOUNTAIN  OF  THE  BULLS;  GRANADA.  A 

Gallery  courtyard  with  a carved  stone  fountain  about  which  are 

17  gathered  a man  on  horseback,  several  women,  and  chil- 

346 


WORMS  — WYANT 

dren;  in  the  background  are  shops  with  figures  in  the 
doorways. 

H.  23I  in.  W.  3iJ  in.  Canvas.  Signed:  J.  Worms. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WOUTER,  Jacob.  See  Vosmaer. 

WOUWERMAN,  Philips.  Dutch;  born  1619  at  Haarlem;  died 
there  1668.  Pupil  of  his  father,  Paulus  Joosten  Wouwer- 
man  and  of  Frans  Hals.  Landscapes  with  horses. 

W91-1  THE  HALT.  A stream  with  stony  banks  and  an 
Gallery  arched  bridge  in  the  middle  distance;  at  the  right  a road 
26  and  in  the  foreground  a man  leading  a white  horse;  in 
the  distance  a man  and  a horse  are  seen  on  the'crest  of 
the  hilly  road. 

H.  23J  in.  W.  30J  in.  Wood.  Initialed:  PH  W (almost 
indecipherable). 

Purchase,  1871. 

WYANT,  Alexander  H.  American;  born  1836  at  Port  Washington, 
Ohio;  died  1892  at  New  York  City.  Pupil  of  Hans  Gude 
at  Karlsruhe,  Germany.  Landscapes. 

W97-1  VIEW  IN  COUNTY  KERRY,  IRELAND.  A pool  of 
Gallery  water  occupies  the  center  of  a gray  landscape;  at  the 
16  . right  against  a rocky  ledge  is  a whitewashed  cabin  from 
which  a footpath  leads  to  the  immediate  foreground; 
mountains  are  in  the  distance. 

H.  26j\  in.  W.  40 iV  Canvas.  Signed:  A.  H.  ' 

Wyant. 

Gift  of  George  I.  Seney,  1887. 

W97-2  A GLIMPSE  OF  THE  SEA.  A narrow  inlet  with 

Gallery  marshy  banks;  groups  of  trees  in  the  middle  distance  on 

13  each  side;  cloudy  sky. 

H.  i8|  in.  W.  3oi  in.  Canvas.  Signed:  A.  H.  WYANT 
Gift  of  George  A.  Hearn,  1906. 

W97-3  LANDSCAPE  IN  THE  ADIRONDACKS.  In  the 
Gallery  center  of  the  foreground  is  a pool  of  water  and  at  the 

13  left  a group  of  trees;  beyond  is  a broad  valley  with  rolling 

hills. 

H.  20t\  in.  W.  30J  in.  Canvas.  Signed:  A.  H. 
WYANT. 

Gift  of  George  A.  Hearn,  1906. 

W97-4  BROAD  SILENT  VALLEY.  At  the  left  is  a group  of 


347 


WYANT 

Gallery  trees;  a pool  is  beyond  and  in  the  distance  at  the  right  is. 
13  a rocky  hill;  the  foreground  is  in  deep  shadow  while  the 
valley  in  the  distance  is  in  full  sunlight. 

H.  6of  in.  W.  50I  in.  Canvas.  Signed:  A.  H.  WYANT. 
Bulletin,  1914,  p.  6,  ill. 

Gift  of  George  A.  Hearn,  1906. 

W97-5  FORENOON  IN  THE  ADIRONDACKS.  A clump  cf 
Gallery  trees  is  at  the  right  with  a single  gray  birch  trunk  standing 
13  in  the  center  near  a winding  stream;  the  foreground  is  in 

shadow  and  the  sunlight  strikes  the  wooded  hills  in  the 
distance. 

H.  33tV  W.  42 J in.  Canvas.  Signed:  A.  H. 

Wyant,  84.  Bulletin,  1910,  p.  106,  ill. 

Gift  of  George  A.  Hearn,  1910. 

W97-6  AN  OLD  CLEARING.  At  the  left  is  a group  of  birches 
Gallery  which  throw  their  shadows  across  the  foreground  where 
16  there  is  a narrow  brook;  the  clearing  beyond  is  in  sunlight. 
H.  49i  in.  W.  37  in.  Canvas.  Signed:  A.  H.  Wyant 
1881. 

Gift  of  Robert  Gordon,  1912. 

W97-7  MOHAWK  VALLEY.  The  river  winds  between 

Gallery  low  hills  to  the  foreground  where  it  forms  a whirl- 

13  pool  over  the  rocks  at  the  right;  in  the  foreground  at  the 

left  is  a rocky  ledge  with  a tall  pine;  low  trees  are  beyond 
and  ranges  of  hills  extend  into  the  distance;  cloudy  sky 
with  rain  at  the  left. 

H.  33J  in.  W.  53^  in.  Canvas.  Signed:  A.  H. 

Wyant  1866. 

Gift  of  Mrs.  George  E.  Schanck  in  memory  of  Arthur 
Hoppock  Hearn,  1913. 

W97-8  LANDSCAPE  WITH  DISTANT  MOUNTAINS.  A 
view  evidently  in  the  Catskills;  trees  at  the  left  and  a 
shrubbery-edged  foreground;  mountains  beyond. 

H.  26I  in.  W.  40^  in.  Canvas.  Signed:  A.  H.  Wyant. 
Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

W97-9  CLEARING  AFTER  RAIN. 

H.  14  in.  W.  20  jn.  Canvas.  Signed:  A.  H.  Wyant. 
Gift  of  Mrs.  George  Langdon  Jewett,  1917. 

W97-10  EVENING.  No.  39,  Wyant  sale,  Fifth  Avenue  Auction 
Rooms,  1894. 


348 


WYANT— WYLIE 

H.  i6l  in.  W.  22  in.  Canvas.  Signed:  A.  H.  Wyant. 
Gift  of  Mrs.  George  Langdon  Jewett,  1917. 

WYLIE,  Robert.  American;  born  1839  at  the  Isle  of  Man,  Eng- 
land; died  1877  at  Pont  Avens,  Brittany,  France. 
Studied  at  the  Pennsylvania  Academy  of  the  Fine  Arts, 
Philadelphia,  and  later  in  Paris*  settled  in  Brittany  in 
1865.  Genre. 

W971-1  DEATH  OF  A VENDEAN  CHIEF.  (An  incident  in  the 
insurrection  of  the  inhabitants  of  La  Vendee,  1 793  to  1 796.) 
The  chief,  fatally  wounded,  is  lying  upon  a litter  of  straw 
in  a crypt;  about  him  are  his  family  and  followers. 

H.  78  in.  W.  86J  in.  Canvas. 

Gift  of  Goupil  & Co.,  1880. 


349 


Y 


YEWELL,  George  H.  American;  born  1830  at  Havre  de  Grace, 
Md.;  lives  in  New  York  City.  Pupil  of  Thomas  Hicks 
in  New  York;  Couture  in  Paris.  Genre. 

Y4-1  INTERIOR  OF  ST.  MARK’S,  VENICE.  The  pulpit 
forms  the  center  of  the  picture. 

H.2i5in.  W.  i2|  in.  Canvas.  Signed:  Geo.  H.  Yewell. 
Gift  of  the  artist,  1890. 


350 


z 

ZAMACOIS,  Eduardo.  Spanish;  born  1842  at  Bilboa;  died  1871 
at  Madrid.  Pupil  of  Balaca  at  Bilboa;  Madrid  Academy 
under  Federico  de  Madrazo;  Meissonier  in  Paris.  Genre. 

Zi-i  SLEEPING  HUNTER.  A man,  asleep,  is  seated  on  a 
Gallery  rustic  bench  with  his  feet  up  and  his  back  against  a tree. 
18  H.  4f  in.  W.  6i\  in.  Wood.  Initialed:  E.  Z. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Zi-2  DOOR  OF  A MOSQUE.  In  the  center  of  the  foreground 
stands  a woman  who  carries  a pitcher  in  her  right  hand  and 
a dish  in  the  other;  several  figures  are  seated  on  the  steps 
within  the  archway  of  the  door  and  others  sit  or  stand 
against  the  wall. 

H.  i7Jin.  W.  i4|in.  Canvas.  Signed:  El  Zamacois. 

69. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

ZIEM,  Felix.  French;  born  1821  at  Beaume;  died  1911  at  Paris. 

Pupil  of  Dijon  Art  School.  Landscapes,  chiefly  Venice. 

Z6-1  INUNDATION  OF  THE  PIAZZA  OF  ST.  MARKUS, 
Gallery  VENICE.  A view  of  the  church  of  San  Marco  and  the 
18  Campanile  in  bright  sunlight  against  a deep  blue  sky; 
gondolas  are  being  rowed  across  the  flooded  Piazza. 

H.  32!  in.  W.  26J  in.  Canvas.  Signed:  Ziem. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Z6-2  VENICE.  After-sunset  effect  with  yellow  sky  and  gray 
clouds;  the  city  is  at  the  left  and  a gondola  passes  up  a 
shallow  stream  with  marshy  banks  at  the  right. 

H.  8 in.  W.  12J  in.  Water  color.  Signed:  Ziem. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 


351 


ZIEM  — ZULOAGA 

Z6-3  VENETIAN  FISHING  BOAT.  Low  horizon  witH 
water  reflecting  the  sun  and  flats  in  the  foreground; 
• Venice  is  seen  at  the  right. 

H.  8 in.  W.  iijin.  Water  color.  Signed:  Ziem. 

Mr.  and  Mrs.  Isaac  D.  Fletcher  Collection. 

Bequest  of  Isaac  D.  Fletcher,  1917. 

ZORN,  Anders.  Swedish;  born  i860;  died  1920  at  Stockholm. 

Z7-1  MRS.  WALTER  RATHBONE  BACON. 

Gallery  H.  675  in.  W.  42^  in.  Canvas.  Signed:  Zorn  1897. 

19  Gift  of  Mrs.  Walter  Rathbone  Bacon  in  memory  of  her 
husband,  Walter  Rathbone  Bacon,  1917. 

Z7-2  EDWARD  R.  BACON.  (1846-1915.)  Standing  figure. 
Gallery  life  size,  seen  to  the  knees.  He  has  black  hair,  moustache, 
19  and  side  whiskers,  and  wears  a black  frock  coat;  his 
right  hand  rests  on  his  hip  and  his  left  is  in  his  trouser 
pocket. 

H.  4SI  in.  W.  35i-  in.  Canvas.  Signed:  Zorn. 
Bequest  of  Mrs.  Virginia  Purdy  Bacon,  1919. 

ZUGEL,  Heinrich.  German;  born  1850  at  Murrhardt;  lives  in 
Munich.  Pupil  of  von  Holden  and  of  Stuttgart  Academy; 
studied  in  Vienna,  Paris,  and  Holland.  Chiefly  animals 
Z8-1  OXEN  FORDING  A STREAM.  Black  and  white  cattle 
Gallery  are  knee  deep  in  the  water;  a young  boy  is  astride  one  of 
19  ' the  foremost  pair;  flat  meadows  beyond  and  in  the  dis- 
tance a line  of  low  hills. 

H.  55I  in.  W.  79I  in.  Canvas.  Signed:  H v Ziigel  1908. 
Gift  of  Adolphus  Busch,  1909. 

ZULOAGA,  Ignacio.  Spanish;  born  1870  at  Eibar;  lives  chiefly  at 
Segovia.  He  learnt  the  art  of  ornamental  metalwork 
under  his  father,  Placido  Zuloaga,  a famous  armorer; 
influenced  by  El  Greco;  studied  in  Rome  and  Paris. 
Figure  subjects. 

Z81-51  MLLE.  LUCIENNE  BREVAL  AS  CARMEN.  (A 
Gallery  French  singer  in  the  title  role  of  Bizet’s  opera.)  Life- 
19  size,  full-length  figure  of  a woman,  standing  in  the  fore- 
ground dancing;  she  wears  a red  skirt  and  a fringed  black 
shawl  embroidered  with  Chinese  designs  in  green  and 
yellow;  the  footlights  shine  in  her  face  and  cast  her 
shadow  on  the  scenery  in  the  background;  in  the  half 
light  at  the  left  two  men  are  seated  at  a table  with  a jug 
between  them. 


352 


ZULOAGA  — ZURBARAN 

H.  91 J in.  W.  765  in.  Canvas.  Signed:  I.  Zuloaga. 
Lent  by  the  Hispanic  Society  of  America,  1909. 

ZURBARAN,  Francisco  de.  Spanish;  born  1598  at  Fuente  de 
' Cantos;  died  1662  at  Madrid.  Pupil  of  Juan  de  las 
Reales;  influenced  by  Caravaggio. 

Z82-1  ST.  MICHAEL,  THE  ARCHANGEL.  A full-length 
Gallery  figure  with  spread  wings,  holding  in  his  right  hand  a 
28  flaming  sword  and  in  his  left  a palm  branch;  his  left  foot 
rests  upon  the  shoulder  of  a prostrate,  winged  demon. 
He  wears  a blue  cuirass  over  a pale  purple  robe  and  a red 
mantle  floats  behind  him;  a plumed  helmet  is  on  his 
head;  a golden  sky  forms  the  background. 

H.  64!  in.  W.  43I  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

Z82-2  BATTLE  WITH  THE  MOORS.  The  Virgin  sits  among 
Gallery  golden  clouds  with  the  Child  on  her  knee,  looking  down 
28  upon  an  opening  in  the  forest  in  which  a battle  is  in  prog- 
ress between  Moorish  horsemen  wearing  turbans  and  Span- 
ish soldiers  in  half-armor.  In  the  close  foreground  life-sized 
pikemen  are  about  to  enter  the  battle  and  one  cavalier 
faces  the  beholder  and  points  with  his  right  hand  at  the 
battle. 

H.  13 1|  in.  W.  75 j in.  Canvas;  round  top.  Purchase, 
Kretchmar  Fund,  1920. 


1 

i 


353 


APPENDIX 


ARTISTS  REPRESENTED 

ARRANGED  BY  SCHOOLS 


AMERICAN  SCHOOL 

Abbey,  Edwin  A.,  1852-1911 
Alexander,  John  W.,  1856-1915 
Allston,  Washington,  1779-1843 
Ames,  Ezra,  1768-1836 
Ames,  Joseph,  1816-1872 
Baker,  George  A.,  1821-1880 
Beal,  Gifford,  1879- 
Beaux,  Cecilia,  Contemporary 
Bellows,  George,  1882- 
Benson,  Frank  W.,  1862- 
Bierstadt,  Albert,  1830-1902 
Blackburn,  Joseph,  i700?-after 
1765 

Blakelock, Ralph  Albert,  1847-1919 
Blashfield,  Edwin  Howland,  1848- 
Blum,  Robert  F.,  1857-1903 
Bogert,  George  H.,  1864- 
Boggs,  Frank  M.,  1855- 
Brown,  George  Coring,  1814-1889 
Brown,  J.  G.,  1831-1913 
Brush,  George  De  Forest,  1855- 
Bunce,  W.  Gedney,  1840-1916 
Bunker,  Dennis  M.,  1861-1890 
Burroughs,  Bryson,  1869- 
Butler,  George  B.,  1838-1907 
Carlsen,  Emil,  1853- 
Casilear,  John  W.,  1811-1893 
Cassatt,  Mary,  Contemporary 
Chapman,  Charles  S.,  1879- 
Chase,  William  M.,  1849-1916 
Church,  Frederic  E.,  1826-1900 
Church,  F.  S.,  1842- 
CoFFiN,  William  A.,  1855- 
CoHEN,  Lewis,  1858-1915 
Cole,  Thomas,  1801-1848 
Collins,  Alfred  Q.,  1855-1903 
CoLMAN,  Samuel,  1832- 
CoMAN,  Charlotte  B.,  1833- 
CoNANT,  Alban  Jasper,  1821-1915 
Copley,  John  Singleton,  1737-1815 
Couse,  E.  Irving,  1866- 
Cox,  Kenyon,  1856-1919 


Crane,  Bruce,  1857- 
Cropsey,  Jasper  F.,  1823-1900 
Cushing,  Howard  Gardiner,  1869- 
1916 

Da  BO,  Leon,  1868-  ' 

Daingekfield,  Elliott,  1859- 
Dana,  William  P.  W.,  1833- 
Dannat,  William  T.,  1853- 
Davies,  Arthur  B.,  1862- 
Davis,  Charles  H.,  1856- 
DEARTH,  Henry  Golden,  1864-1918 
Dessar,  Louis  Paul,  1867- 
Dewey,  Charles  Melville,  1849- 
Dewing,  Thomas  W.,  1851- 
Donoho,  Ruger,  1857-1916 
Dougherty,  Paul,  1877- 
Doughty,  Thomas,  1793-1856 
Du  Bois,  Guy  Pene,  1884- 
Dunlap,  William,  1766-1839 
Durand,  Asher  B.,  1796-1886 
Eakins,  Thomas,  1844-1916 
Earle,  Ralph,  1751-1801 
Elliott,  Charles  L.,  1812-1868 
Emmet,  Ellen  G.,  1876- 
Fitz,  F<.  Benjamin,  1855-1891 
Flagg,  Charles  Noel,  1848-1916 
Flagg,  Montague,  1842-1915 
Florian,  Walter,  1878-1909 
Foster,  Ben,  1852- 
Frieseke,  Frederick  C.,  1874- 
Fuller,  George,  1822-1884 
Gaugengigl,  1.  M.,  1855- 
GAY,  Edward,  1837- 
GAY,  Walter,  1856- 
Genth,  Lillian,  Contemporary 
Gifford,  R,  Swain,  1840-1905 
Gifford,  Sandford  R.,  1823-1880 
Glackens,  William  J.,  1870- 
GRAY,  Henry  Peters,  1819-1877 
Groll,  Albert,  1 866- 
Guy,  Seymour  J.,  1824-1910 
Hall,  George  H.,  1825-1913 
Hamilton,  James,  1819-1878 
Harding,  Chester,  1792-1866 


357 


APPENDIX 


Harrison,  T.  Alexander,  1853- 
HART,  lames  McDougal,  1828-1901 
Hart,  William,  1823-1894 
Hassam,  Childe,  1859- 
Hawthorne,  Charles  W.,  1872- 
Healy,  G.  P.  a.,  1813-1894 
Henri,  Robert,  1865- 
HENRY,  E.  L.,  1841-1919 
Herter,  Albert,  1871- 
Hicks,  Thomas,  1823-1890 
Hitchcock,  George,  1850-1913 
Homer,  Winslow,  1836-1910 
Hovenden,  Thomas,  1840-1895 
Hubbard,  Richard  W.,  1816-1888 
Hunt,  William  Morris,  1824-1879 
Huntington,  Daniel,  1816-1906 
Ingham,  Charles  C.,  1796-1863 
Inman,  Henry,  i8oi?-i846 
Inn  ESS,  George,  1825-1894 
Inness,  George,  Jr.,  1853- 
Irwin,  Benoni,  1840-1896 
IsHAM,  Samuel,  1855-1914 
Jarvis,  John  W.,  1780-1834 
Jefferson,  Joseph,  1829-1905 
Jewett,  William,  1795-1873 
Johnson,  David,  1827-1908 
Johnson,  Eastman,  1824-1906 
Jones,  H.  Bolton,  1848- 
JoNGERS,  Alphonse,  1872- 
Jouett,  Matthew  H.,  1783-1827 
Kendall,  W.  Sergeant,  1869- 
Kensett,  John  F.,  1818-1872 
Kent,  Rockwell,  1882- 
Kost,  Frederick  W.,  1861- 
Kronberg,  Louis,  1872- 
Kruseman  Van  Elten,  H.  D., 
1829-1904 

Kyle,  Joseph,  1815-1863 
La  Farge,  John,  1835-1910 
Lathrop,  William  L.,  1859- 
Lawson,  Ernest,  1873- 
Lazarus,  Jacob  H.,  1822-1891 
Leutze,  Emanuel,  1816-1868 
Lie,  Jonas,  1880- 
Linen,  George,  1802-1888 
Lockwood,  Wilton,  1861-1914 
Loeb,  Louis,  1866-1909 
Loop,  Henry  A.,  1831-1895 
Low,  Will  H.,  1853- 
Luks,  George  Benjamin,  1867- 
MacCameron,  Robert,  1866-1912 
McEntee,  Jervis,  1828-1891 
Magrath,  William,  1838-1918 
Marr,  Carl,  1858- 
Marshall,  William  Edgar,  1837- 
1907 


Martin,  Homer  D.,  1836-1897 
Mathews,  Arthur  F.,  1860- 
MAY,  Edward  H.,  1824-1887 
Maynard,  George  W.,  1843- 
Melchers,  Gari,  1860- 
Mignot,  Louis  R.,  1831-1871 
Miller,  Charles  H.,  1842- 
Miller,  Richard  E.,  1875- 
Millet,  Francis  D.,  1846-1912 
Moran,  Edward,  1829-1901 
Morse,  S.  F.  B.,  1791-1872 
Mosler,  Henry,  1841-1920 
Mount,  William  S,,  1807-1868 
Murphy,  J.  Francis,  1853- 
Myers,  Jerome,  1867- 
Nast,  Thomas,  1840-1902 
Neagle,  John,  1799-1865 
Newman,  Robert  Loftin,  1827-1912 
Nicoll,  J.  C.,  1846-1918 
OcHTMAN,  Leonard,  1854- 
Ogilvie,  Clinton,  1838-1900 
Palmer,  Walter  Launt,  1854- 
Parshall,  DeWitt,  1864- 
Parton,  Arthur,  1842-1914 
Paxton,  William  M.,  1869- 
Peale,  Charles  Willson,  1741-1827 
Peale,  Rembrandt,  1778-1860 
Pearce,  Charles  Sprague,  1851-1914 
PiCKNELL,  William  L.,  1854-1897 
Pine,  Robert  Edge,  British-Amer- 
ican,  1742-1790 
Pratt,  Matthew,  1734-1805 
Prendergast,  Maurice  B.,  1862 
Ranger,  Henry  W.,  1858-1916 
Redfield,  Edward  W,,  1868- 
Reid,  Robert,  1862- 
Remington,  Frederic,  1861-1909 
Richards,  William  T.,  1833-1905 
Robinson,  Theodore,  1852-1896 
Rossiter,  Thomas  P.,  1818-1871 
Ryder,  Albert  P.,  1847-1917 
Ryder,  Platt  P.,  1821-1896 
Sargent,  John  S.,  1856- 
Sartain,  William,  1843- 
ScHOFiELD,  W.  Elmer,  1867- 
ScHREYVOGEL,  Charles,  1861-1912 
Scott,  E.  M.,  1832-1915 
Shannon,  James  J.,  1862- 
Sharpless,  James,  1750-1811 
Shilling,  Alexander,  Contemporary 
Shinn,  Everett,  1873- 
Shurtleff,  R.  M.,  1838-1915 
Sloan,  John,  1871- 
Smibert,  John,  i684?-i75i 
Smillie,  George  H.,  1840- 
SoNNTAG,  William  L.,  1822-1900 


358 


ARTISTS  ARRANGED  BY  SCHOOLS 


Speicher,  Eugene,  1883- 
Spencer,  Robert,  1879- 
Steichen,  Eduard  J.,  1879- 
Sterner,  Albert  Edward,  1863 — 
Stone,  William  Oliver,  1830-1875 
Story,  George  H.,  1835- 
Stuart,  Gilbert,  1755-1828 
Sully,  Thomas,  1783-1872 
Symons,  Gardner,  Contemporary 
Taber,  Edward  M.,  1863-1896 
Talcott,  Allen  B.,  1867-1908 
Thayer,  Abbott,  1849-1921 
Thomas,  S.  Seymour,  1868- 
Thompson,  a.  Wordsworth,  1840- 
1896 

Tiffany,  Louis  Comfort,  1848- 
Trumbull,  John,  1756-1843 
Tryon,  Dwight,  1849- 
Tucker,  Allen,  1866- 
Turner,  C.  Y.,  1850-1919 
Twachtman,  John  H.,  1853-1902 
Ulrich,  Charles,  1858-1908 
Vanderlyn,  John,  1776-1852 
Vedder,  Elihu,  1836- 
VoLK,  Douglas,  1856- 
Waldo,  Samuel  L.,  1783-1861 
Walker,  H.  O.,  1843- 
WALKER,  Horatio,  1858- 
WARD,  Edgar  M.,  1849-1915 
Warren,  A.  W.,  ? -1873 
Watrous,  Harry  W.,  1857- 
Waugh,  Frederick  J.,  1861- 
Weeks,  Edwin  Lord,  1849-1903 
Weir,  John  F.,  1841- 
Weir,  j.  Alden,  1852-1919 
Weir,  Robert  W.,  1803-1889 
Wentworth,  Cecile  de.  Contempo- 
rary 

West,  Benjamin,  1738-1820 
Whistler,  James  A.  McNeill,  1834- 
1903 

White,  Edwin,  1817-1877 
Whittredge,  Worthington,  1820- 
1910 

Wiggins,  Carleton,  1848- 
WiGGiNS,  Guy  C.,  1883- 
WiLES,  Irving  R.,  1861- 
WiLLiAMs,  F.  Ballard,  1871- 
WooD,  Thomas  W.,  1823-1903 
Wyant,  Alexander  H.,  1836-1892 
Wylie,  Robert,  1839-1877 
Yewell,  George  H.,  1830- 

BELGIAN  SCHOOL 

Clays,  Paul  Jean,  1819-1900 
Cock,  Cesar  De,  1823-1904 


Cock,  Xavier  de,  1818-1896 
Defrance,  Leonard,  1735-1805 
Gallait,  Louis,  1810-1887 
Haghe,  Louis,  1806-1885 
Roller,  Guillaume,  1829-1884 
Stevens,  Alfred,  1828-1906 
Stevens,  Edouard  J.,  1822-1892 
Verboeckhoven,  Eugene,  1799- 
188 1 

Vriendt,  Julien  De,  1842- 
Wappers,  Gustaf,  1803-1874 
Willems,  Florent,  1823-1905 

BRITISH  SCHOOL 

Barker,  Thomas,  1769-1847 
Beechey,  Sir  William,  1753-1839 
Bonington,  Richard  Parkes,  1801- 
1828 

Boughton,  George  H.,  British- 
American,  1833-1905 
Callcott,  Sir  Augustus  W.,  1779- 
1844 

Cameron,  D.  Y.,  1865- 
CoNDER,  Charles,  1868-1909 
Constable,  John,  1776--1837 
CoTMAN,  John  Sell,  1782-1842 
Crome,  John,  1768-1821 
Drummond,  Samuel,  1763-1844 
Etty,  William,  1787-1849 
Gainsborough,  Thomas,  1727- 
1788 

Harlow,  George  H.,  1787-1819 
Haydon,  Benjamin  R.,  1786-1846 
Hogarth,  William,  1697-1764 
Hoppner,  John,  1758-1810 
John,  Augustus  E.,  1879- 
Kneller,  Sir  Godfrey,  Dutch- 
English,  1646-1723 
Lawrence,  Sir  Thomas,  1769-1830 
Lawson,  Cecil  G.,  1851-1882 
Leighton,  Frederick,  Lord,  1830- 
1896 

Lely,  Sir  Peter,  Dutch-English, 
1618-1680 

Leslie,  Charles  R.,  British- 
American,  1794-1859 
Lucy,  Charles,  1814-1873 
Melville,  Arthur,  1858-1904 
Millais,  Sir  John  Everett,  1829- 
1896 

Morland,  George,  1763-1804 
Morland,  Henry  Robert,  1730-1797 
Nasmyth, Patrick,. Scotch,  1 787-183 1 
Newton,  Gilbert  Stuart,  British- 
American,  1795-1835 
Opie,  John,  1761-1807 


359 


APPENDIX 


Orpen,  William,  1878- 
Peele,  John  T.,  British-American, 
1822-1897 

Philip,  John,  Scotch,  1817-1867 
Raeburn,  Sir  Henry,  Scotch,  1756- 
1823 

Reynolds,  Sir  Joshua,  1723-1792 
Romney,  George,  1734-1802 
Rossetti,  Dante  Gabriel,  1828-1882 
Rothenstein,  William,  1872- 
Shannon,  Charles  H.,  1865- 
Shee,  Sir  Martin  A.,  Irish,  1769-1850 
Smith,  John  Rubens,  British-Amer- 
ican, 1775-1844 
Stark,  James,  1794-1859 
Steer,  P.  Wilson,  1860- 
Tukner,  J.  M.  W.,  1775-1851 
Vincent,  George,  1796-1831 
Walker,  Robeit,  ?-i658  ? 

Watts,  George  F.,  1817-1904 
Webster,  Thomas,  1800-1886 
Wheatley,  Francis,  1747-1801 
Wilkie,  David,  1785-1841 
Wilson,  Richard,  1713-1782 

DUTCH  school 

Asch,  Pieter  Jansz.  van,  1603-1678 
Bakker-Korff,  Alexander  H.,  1824- 
1882 

Beerstraaten,  Jan  Abraharrisz,, 
1622-1666 

Berchem,  Claes,  1620-1683 
Beyeren,  Abraham  Hendricksz. 

van,  1620  ?-aftcr  1674 
Bisschop,  ChristofFel,  1828-1904 
Both,  Andries,  1609?- 1650? 

Both,  Jan,  i6io?-i652 
Bramer,  Leonard,  1595-1674 
Cappelle,  Jan  van  de,  i624?-i679 
CuYP,  Aelbert,  1620-1691 
DeWit,  Jacob,  1695-1754 
Dou,  Gerard,  1613-1675 
Eeckhout,  Gerbrandt  van  den, 
1621-1674 

Engelbrechtsen,  Cornells,  1468?- 

1533 

Gelder,  Aert  de,  1645-1727 
Goyen,  Jan  van,  1596-1656 
Hals,  Dirck,  1591-1656 
Hals,  Frans,  the  Elder,  i584?-i666 
Hals,  Frans,  the  Younger,  1617?- 
after  1669 

Haverman,  Margareta,  18th  century 
Heem,  Jan  Davidsz.  De,  1606-1683? 
Heemskerck,  Marten  van,  1498- 

1574 

360 


Helst,  Bartholomeus  van  der, 
1613-1670 

Hobbema,  Meindert,  1638-1709 
Hondecoeter,  Melchior  d’,  i6^6- 
1695 

Hooch,  Pieter  de,  1629-after  1677 
Hoogstraten,  Samuel  van,  1627- 
1678 

Hughtenburgh,  Jan  van,  1646- 

1733 

Israels,  Jozef,  1824-1911 
JoNGH,  Ludolf  de,  1616-1679 
JoNGKiND,  Barthold,  1819-1891 
Kaemmerer,  Frederik  Hendrik, 
1839-1902 

Kalf,  Willem,  i62i?-i693 
Kessel,  Johan  van,  i64i?-i68o 
Koekkoek,  Barend  Cornells,  1803- 
1862 

Koninck,  Philips,  1619-1688 
Lingelbach,  Johannes,  1622-1674 
Lorme,  Anton  de,  17th  century 
Lucas  van  Leyden,  1494-1533 
Maes,  Nicolaes,  1632-1693 
Maris,  Jacob,  1837-1899 
Maris,  Matthys,  1839-1917 
Mauve,  Anton,  1838-1888 
Memling,  Hans,  about  1430-1494 
Metsu,  Gabriel,  1630?- 1667 
Miereveld,  M.,  1567-1641 
Molyn,  Pieter  de,  the  Elder,  1595- 
1661 

Moor,  Karel  van,  1656-1738 
Murant,  Emmanuel,  1622-about 
1700 

Mytf.ns,  Daniel,  about  1590-after 
1658 

Nason,  Pieter,  1612-after  1680 
Neer,  Aert  van  der,  1603-1677 
Netscher,  Caspar,  1639-1684 
Neuhuys,  Albert,  1844-1914 
Ostade,  Adriaen  van,  1610-1685 
Ostade,  Isaac  van,  1621-1649 
Ovens,  Jurriaen,  1623-1678 
Poelenburgh,  Cornelis  van,  1586- 
1667 

Ravesteyn,  Jan  van,  i572?-i657 
Rembrandt  van  Ryn,  1606-1669 
Roestraten,  Pieter,  1630-1698 
Ruisdael,  Jacob  van,  i628?-i682 
Ruysch,  Rachel,  i664?-i750 
Ruysdael,  Salomon  van,  about 
1600-1670 

Slingeland,  Pieter  van,  1640-1691 
SoRGH,  H.  M.,  i6ii?-i670 
Steen,  Jan,  i626?-i679 


ARTISTS  ARRANGED  BY  SCHOOLS 


Stork,  Abraham,  about  1635-after 
1704 

Terborch,  Gerard,  1617-1681 
Velde,  Esaias  van  de,  about  1590- 
1630 

Velde,  Willem  van  de,  the  Younger, 
1633-1707 

Vermeer,  Johannes,  1632-1675? 
Verschuur,  Wouterus,  1812-1874 
Vlieger,  Simon  de,  1601-1653 
VosMAER,  Jacob,  1584?-i641 
Vries,  Adriaen  de,  17th  century 
Weenix,  Jan,  i640?-i7i9 
Weenix,  Jan  Baptist,  1621-1660 
Weissenbruch,  Jan  Hendrick, 
1824-1903 

Werff,  Adriaen  van  der,  1659-1722 
WouwERMAN,  Philips,  1619-1668 

FLEMISH  SCHOOL 

Bloemen,  Peeter  van,  1657-1720 
Bosch,  Hieronymus,  1462?-! 5 16 
Bouts,  Dirk,  about  1410-1475 
Boyermans,  Theodor,  1620-1677 
Bruegel,  Jan,  the  Elder,  1568-1625 
Bruegel,  Jan,  the  Younger,  1601- 
after  1677 

Bruegel,  Pieter,  the  Elder,  1525- 
1569 

Bruegel,  Pieter,  the  Younger, 

1 564-1638 

Bruges  Master  of  the  Legend  of 
Saint  Ursula,  late  15th  century 
Cristus,  Petrus,  about  1400-after 
1472 

David,  Gerard,  1460?-!  523 
Fyt,  Jan,  161 1-1661 
Heere,  Lucas  de,  1534-1584 
Hoecke,  Jan  van  den,  161 1-1651 
Hondecoeter,  Gijsbert  Gillesz.  d’, 
1604-1653 

Horemans,  Jan  Jozef,  the  Younger, 
1714-after  1790 

Huysmans,  Cornells,  1648-1727 
IsENBRANT,  Adrian,  ?-i557 
Janssens  van  Ceulen,  Cornelis, 

1 593-1664? 

JORDAENS,  Jacob,  I593-1678 
Koffermans,  Marcellius,  ?-i579? 
Mabuse,  Jan  van,  1470?-!  541 
Maitre  de  Flemalle  (Robert  Cam- 
pin),  I 5th  century 
Massys,  Quentin,  1460?-!  530 
Meire,  Gerard  van  der,  about 
1427-after  1474 

Memling,  Hans,  about  1430-1494 


Meulen,  Adam  Frans  van  den 
163H-1690 

Neeffs,  Pieter,  the  Elder,  about 
1577-1657? 

Neeffs,  Pieter,  the  Younger,  1620- 
after  1675 

Nieulandt,  Adriaen  van,  1587-1658 
OosT,  Jakob  van,  the  Elder,  about 
1600-1671 

Orley,  Bernard  van,  1493?-! 542 
Patinir,  Joachim;  about  1485-be- 
fore  1 524 

Rubens,  Peter  Paul,  1577-1640 
Ryckaert,  David,  HI,  1612-1661 
SiBERECHTS,  Jan,  1627-1703 
Snyders,  Frans,  1579-1657 
Snyers,  Pieter,  1681-1752 
Teniers,  David,  the  Elder,  1582- 
1649 

Teniers,  David,  the  Younger,  1610- 
1690 

Tilborch,  Gilles  van,  about  1625- 
1678? 

Van  Dyck,  Sir  Anthony,  1599-1641 
Van  Eyck,  Jan,  about  1380-1440 
Vos,  Cornells  de,  the  Elder,  about 
I 585-165 1 

Weyden,  Roger  van  der,  about 
1400-1464 

WiLLAERTS,  Adam,  1577-1664 
french  SCHOOL 

Baca-Flor,  Carlos,  French-Peru- 
vian,  1869- 

Bargue,  Charles,  ?-i883 
Bastien-Lepage,  Jules,  1848-1884 
Benjamin-Constant,  J.  J.,  1845- 
1902 

Berne-Bellecour,  E.  P.,  1838-1910 
Bida,  Alexander,  1813-1895 
Blanchard,  Jacques,  1600-1638 
Blarenberghe,  Henri  Joseph  van,, 
1741-1826 

Bonheur,  Francois  Auguste,  1824- 
1884 

Bonheur,  Rosa,  1822-1899 
Bonnat,  Leon,  1833- 
Bonvin,  Franfois,  1817-1888 
Boucher,  Francois,  1703-1770 
Boudin,  Eugene,  1824-1898 
Bouguereau,  W.  a.,  1825-1905 
Breton,  Jules,  1827-1906 
Brion,  Gustave,  1824-1877 
Brown,  John  Lewis,  1829-1890 
Cabanel,  Alexandre,  1823-1889 
Cazin,  Jean  Charles,  1841-1901 


APPENDIX 


CEZANNE,  Paul,  1839-1906 
Chapin,  Charles,  1825-1891 
Chardin,  Jean  Baptiste  Simeon, 
1699-1779 

Chavet,  Victor,  1822-1906 
Clairin,  Jules,  1843- 
Claude  Lorraine,  1600-1682 
Comte,  Pierre  Charles,  1823-1895 
CoNiNCK,  Pierre  de,  1828-1910 
Corneille  de  LvoN,-after  1 576 
Corneille,  Claude,  ?-about  1575 
Corot,  J.  B.  C.,  179^1875 
Cot,  P.  a.,  1837-1^3 
Courbet,  Gustave,  1819-1877 
Couture,  Thomas,  1815-1879 
CoYPEL,  Noel  Nicholas,  1692-1734 
Dagnan-Bouveret,  P.  A.  J.,  1852- 
Daubigny,  Charles  Franfois,  1817- 
1878 

Daumier,  Honore,  1808-1879 
David,  Jacques  Louis,  1748-1825 
Dawant,  a.  P.,  about  18^- 
Decamps,  Alexandre,  1803-1860 
Delacroix,  Eugene,  1798-1863 
Delort,  C,,  1841-1895 
Desgoffe,  Blaise,  1830-1901 
Detaille,  Edouard,  1848-1912 
Devedeux,  Louis,  1820-1875 
Diaz  de  la  pena,  N.  V,,  1^7-1876 
Dore,  Gustave,  1833-1^3 
Drouais,  Franfois  Hubert,  1727- 
«775 

Duez,  Ernest  Ange,  1843-1896 
Dughet,  Gaspard,  1613-1675 
Duplessis,  Joseph  Silfr^e,  1725- 
i8o2 

Dupre,  Jules,  1811-1889 
Dupr6,  Julien,  1851-1910 
Duverger,  Theophile,  1821-1901? 
Eksergian,  Carnig  (Armenian) 
1859- 

Escallier,  Eleonore,  ?-i888 
Fantin-Latour,  Henri,  1836-1904 
Fichel,  Eugene,  1826-1895 
Firmin-Gerard,  Marie  Franfois, 
1838- 

Francais,  Franfois  Louis,  1814- 
1897 

Frere,  Charles  Theodore,  1815- 
1888 

Frere,  Pierre  Edouard,  1819-1886 
Fromentin,  Eugene,  1820-1876 
Gericault,  Jean  Louis  Andre  Theo- 
dore, 1791-1824 

Gerome,  Jean  Leon,  1824-1904 
Glaize,  Leon,  1842- 


Greuze,  Jean  Baptiste,  1725-1805 
Grolleron,  Paul,  1848-1901 
Hamon,  Jean  Louis,  1821-1874 
Harpignies,  Henri,  1819-1916 
Hebert,  Ernest,  1817-1908 
Henner,  Jean  Jacques,  1829-1905 
Ingres,  Jean  Auguste  Dominique, 
1 780- 1 867 

IsABEY,  Eugene,  1803-1886 
Jacque,  Charles,  1813-1894 
Jacquet,  Gustave,  1846-1909 
Lambert,  Eugene,  1825-1900 
Lambinet,  Emile,  1815-1878 
Lami,  Eugene,  1800-1890 
Largilliere,  Nicholas  de,  1656- 
1746 

Leclaire,  Victor,  1830-1885 
Le  Clerc,  Jacques  Sebastian,  1734- 
1785 

Lefebvre,  Jules,  1834-1912 
Legros,  Alphonse,  1837-1911 
Leloir,  Louis,  1843-1884 
Leloir,  Maurice,  1853- 
Lemordant,  Jean-Julien,  contem- 
porary 

Le  Nain,  Antoine,  i588?-i648 
Le  Nain,  Louis,  i 593?-i648 
Le  Nain,  Mathieu,  i6o7?-i677 
Lerolle,  Henry,  1851?- 
Le  Roux,  Hector,  1829-1900 
Lhermitte,  Leon,  1844- 
Maignan,  Albert,  184^1908 
Manet,  Edouard,  1832-1883 
Marchal,  Charles,  1825-1877 
Marcke,  Emile  van,  1827-1890 
Meissonier,  Jean  Louis  Ernest, 
181 5-1891 

Merle,  Hugues,  1823-1881 
Mesgrigny,  Frank  de,  1836-1884 
Michel,  Georges,  1763-1843 
Millet,  Jean  Francois,  1814-1875 
Monchablon,  Jan,  1854-1904 
Monet,  Claude,  1840- 
Monticelli,  Adolphe,  1824-1886 
Moreau,  Gustave,  1826-1898 
Nattier,  Jean  Marc,  1685-1766 
Neuville,  Alphonse  de,  1836-1885 
OuDRY,  Jacques  Charles,  1720-1778 
OuDRY,  Jean  Baptiste,  1686-1755 
Pater,  Jean  Baptiste,  1695-1736 
Pelouse,  Leon,  1838-1891 
Poussin,  Nicolas,  1593-1665 
Prudhon,  Pierre,  1758-1823 
Puvis  DE  Chavannes,  Pierre,  1824- 
1898 

Raffaelli,  Jean  Franfois,  1850- 


362 


ARTISTS  ARRANGED  BY  SCHOOLS 


Regnault,  Henri,  1843-1871 
Renoir,  Auguste,  1841-1919 
Renouf,  Emile,  1845-1894 
Ricard,  Louis  Gustave,  1824-1873 
Robert,  Hubert,  1733-1808 
Robert-Fleury,  Tony,  1838-1911 
Rousseau,  Theodore,  1812-1867 
Roybet,  Ferdinand,  1840- 
ScHEFFER,  Ary,  1795-1858 
ScHENCK,  August  F.  A.  1828-1901 
Toulmouche,  Auguste,  1829-1890 
Trayer,  Jules,  1824-1908? 

Troyon,  Constant,  1810-1865 
Vernet,  Carle,  1758-1836 
Vernet,  Horace,  1789-1863 
Vestier,  Antoine,  1740-1825 
ViBERT,  j.  G.,  1840-1902 
VoLLON,  Antoine,  1833-1900 
Winterhalter,  Francois,  1806- 
1873 

Worms,  Jules,  1832- 
ZiEM,  Felix,  182 1-191 1 

german  school 

Achenbach,  Andreas,  Diisseldorf, 
1815-1910 

Achenbach,  Oswald,  Dusseldorf, 
1827-1905 

Apt,  Ulrich,  the  Elder,  1 5th  and  16th 
centuries 

Becker,  Carl,  1820-1900 
Beham,  Barthel,  1502-1540 
Brozik,  Vacslav  Bohemian,  1851- 
1901 

Cermak,  Jaroslav,  Hungarian,  1831- 
1878 

Cranach,  Lucas,  the  Elder,  Saxon, 
1472-1553 

Cranach,  Lucas,  the  Younger, 
1515-1586 

Defregger,  Franz  von.  Bavarian, 
1835-1921 

Dietrich,  Christian  W.  E.,  1712- 

1774 

Durer,  Albrecht,  1471-1528 
Faber,  Conrad,  i6th  century 
Graeb,  Carl,  1816-1884 
Gysis,  Nicolas,  Greek,  1842-1901 
Habermann,  Hugo  von,  1849- 
Hans  Maler  zu  Schwaz,  Austrian, 
early  16th  century 
Hennings,  Johann  Friedrich,  Mu- 
nich, 1839-1899 

Holbein,  Hans,  the  Younger,  1497- 

1543 

Jettel,  Eugene,  Austrian,  1845-1901 


Kaulbach,  Friedrich  August  von, 
1850- 

Kaulbach,  Wilhelm  von,  1805-1874 
Knaus,  Ludwig,  1829-1910 
Kulmbach,  Hans,  1476?-!  522 
Leibl,  Wilhelm,  1844-1900 
Lenbach,  Franz  von,  1836-1904 
Liebermann,  Max,  1849- 
LiNDENSCHMiT,  Wilhelm,  1829-1895 
Makart,  Hans,  Austrian,  1840-1884 
Max,  Gabriel,  Austrian,  1840- 
Meyer,  J.  G.  (Meyer  von  Bremen), 
1813-1886 

Munkacsy,  Mihaly  de,  Hungarian, 
1844-1900 

PiLOTY,  Carl  von,  1826-1886 
Preyer,  Emilie,  1849- 
Preyer,  Johann  Wilhelm,  1803-1889 
Ramberg,  A.G.  von,  Austrian,  1819- 
1875 

Richter,  Gustav,  1823-1884 
Riefstahl,  Wilhelm,  1827-1888 
Ring,  Ludger  tom,  the  Younger, 
about  1530-1583?  J 

Schrader,  Julius,  1815-1900 
ScHREYER,  Adolf,  1828-1899 
Seitz,  Anton,  1829-1900 
Strigel,  Bernhard,  1461-before 
1 528 

Thoma,  Hans,  1839- 
Traut,  Wolf,  ?-i520 
Trubner,  Wilhelm,  1851- 
Uhde,  Fritz  von,  1848-1911 
Velten,  Wilhelm,  1847- 
VoLTZ,  Friedrich,  1817-1886 
Zugel,  Heinrich,  1850- 

ITALIAN  SCHOOL 

Angelico,  Fra  Giovanni,  Floren- 
tine, 1387-1455 

Antonello  da  Messina,  Venetian, 

I 430?- I 479 

Baroccio,  Federigo,  Umbrian,  1528? 
-1612 

Baronzio,  Giovanni  of  Rimini, 
?-i362? 

Bartolo  di  Fredi,  Sienese,  1330- 
1410 

Bassano,  Jacopo,  Venetian,  1510- 
1592 

Bellini,  Giovanni,  Venetian,  1428? 
-1516 

Benvenuto  di  Giovanni,  Sienese, 
1436-after  1517 

Bicci  DI  Lorenzo,  Florentine,  1373- 
1452 

363 


\ 


APPENDIX 


Boccaccino,  Boccaccio,  Lombard, 
1460?-! 518 

Boldini,  Giovanni,  1844- 
Botticelli,  Florentine,  1447?-!  5 10 
Botticini,  Francesco,  Florentine, 
1446-1497 

Bramantino,  Milanese,  1450?-!  530 
Bronzino,  Agnolo,  Florentine,  1502? 
-1572 

Bugiardini,  Giuliano,  Florentine, 

1475-1554 

Buonaventura,  Segna  di,  Sienese, 
early  14th  century 
Butinone,  Bernardino,  Lombard 
before  1436-after  1507 
Caliari,  Carlo,  Venetian,  1570- 
1596 

Canaletto,  Venetian,  1697-1768 
Cariani,  Venetian,  about  1485-after 

1547 

Carpaccio,  Vittore,  Venetian,  1455? 
-1 526? 

Catena,  Vincenzo,  Venetian,  1470?- 
1531? 

CiMA,  Giovanni  Battista,  Venetian, 
i4^?-after  1517 

Correggio,  Emelian,  1494-1534 
Costa,  Lorenzo,  Ferrarese-Bolo- 
gnese,  1460?-!  535 

Credi,  Lorenzo  di,  Florentine,  1459- 

^ 1537 

Crivelli,  Carlo,  Venetian,  1430?- 
after  1493 

Crivelli,  Vittorio,  Venetian,  late 
1 5th  century 

Duccio  DI  Buoninsegma,  Sienese, 
active  1279-1319 

Fiorenzo  di  Lorenzo,  Umbrian, 
?-after  1521 

Francia,  Bolognese,  1448?-!  5 17 
Gaddi,  Taddeo,  Florentine,  about 
1300-after  1366 

Garofalo,  Ferrarese,  1481-1559 
Giambono,  Michele,  Venetian,  15th 
century 

Gianpietrino,  Milan,  early  i6th 
century 

Giordano,  Luca,  Neapolitan,  1632- 
1705 

Giorgio,  Francescodi,  Sienese,  1439 
-i  502 

Giorgione,  Venetian,  1478?-!  5 10? 
Giotto  di  Bondone,  Florentine, 

1 266?- 1 336 

Giovanni  da  Milano,  Florentine, 
14th  century 


Giovanni  di  Paolo,  Sienese,  about 
1403-after  1482 

Girolamo  dai  Li bri,  Verona,  1474- 
1556 

Gozzoli,  Benozzo,  Florentine,  1420- 
1498 

Guardi,  Francesco,  Venetian,  1712- 

1793 

JORIS,  Pio,  1843- 

Lippi,  Filippino,  Florentine,  1457?- 

• 504 

Lippi,  Fra  Filippo,  Florentine,  1406? 
-1469 

Longhi,  Alessandro,  Venetian,  1733- 
1813 

Longhi,  Pietro,  Venetian,  1702- 
after  1762 

Lorenzetti,  Pietro,  Sienese,  ?- 
1348? 

Lorenzo  di  Niccolo,  Florentine, 
1370-1440 

Lorenzo  il  Monaco,  Florentine, 
about  1370-1425 

Lotto,  Lorenzo,  Venetian,  1480?- 
1556 

Mainardi,  Sebastiano,  Florentine, 
about  1450-1513? 

Mancini,  Antonio,  1852- 
Mantegna,  Andrea,  Paduan,  1431- 
1 506 

Maratta,  Carlo,  Roman,  1625-1713 
Martini,  Simone,  Sienese,  about 
1283-after  1344 

Matteo  di  Giovanni,  Sienese, 

1430?-I495 

Montagna,  Bartolomeo,  Vicenzan, 
1440?-! 523 

Moretto  da  Brescia,  i498?-1  554? 
Moroni,  Giovanni  Battista,  Bres- 
cian,  about  1525-1578 
Pannini,  Giovanni  Paolo,  Piacen- 
zan,  169 1?- 1768? 

Pasini,  Alberto,  1826-1899 
Pellegrino  da  San  Daniele, 
Venetian,  1473?-!  547 
Perugino,  Umbrian,  1446-1523 
Pesellino,  Florentine,  1422-1457 
Piero  di  Cosimo,  Florentine,  1462- 
1521? 

Pietro  di  Domenico  da  Montepul- 
ciANO,  early  15th  century 
Pietro  di  Domenico  di  Pietro, 
Sienese,  1457-1501 
PiNTURiccHio,  Umbrian,  1454-15 13 
Pollaiuolo,  Antonio,  Florentine, 

I432?-I498 


364 


ARTISTS  ARRANGED  BY  SCHOOLS 


Pontormo,  Jacopo,  1494-1557 
Predis,  Ambrogio  de,  Milanese, 
about  1450-after  1506 
Raphael,  1483-1520 
Recco,  Giuseppe,  Neapolitan,  1634- 
1695 

Reni,  Guido,  Bolognese,  1575-1642 
Ricci,  Sebastiano,  Venetian,  1659?- 

1734 

Rosa,  Salvator,  1615-1673 
Sano  di  Pietro  di  Menico,  Sienese, 
1406-1481 

Sassoferrato,  Bolognese,  1605- 
1685 

Savoldo,  Giovanni  Girolamo,  Bres- 
cian,  about  1480-after  1548 
Sebastiano  del  Piombo,  Venetian- 
Roman,  about  1485-1547 
Sellaio,  Jacopo  del,  Florentine, 
1442-1493 

Simon ETTi,  Attilio,  contemporary 
, Sodom  A,  Sienese,  1477-1549 
^ Spinello  Aretino,  Florentine, 

i333?-i4io 

Stefano,  Tommaso  di,  Florentine, 
1496?-! 564 

Tiepolo,  Giovanni  Battista,  Ven- 
etian, 1696-1770 

Tintoretto,  Venetian,  1518-1594 
Titian,  Venetian,  1477?-!  576 
Torbido,  Francesco,  Veronese, 
1486?-! 546 

TuRA,Cosimo,  Lombard,  I432?-I495 
Veronese,  Paolo,  Venetian,  1528- 
1 588 

Verrocchio,  Andrea  del,  Florentine, 
1435-1488 


Volterrano,  Florentine,  1611-1698 

SPANISH  SCHOOL 

Baixeras-Verdaguer,  Dionisio, 
1862-  ^ 

Borrassa,  Luis,  Catalonian,  worked 
1390-1434 

Cerezo,  Mateo,  1635-1675 
Domingo,  Francisco,  1843- 
Escosura,  Leon  Y,  1834-1901 
Falero,  Luis,  1851-1896 
Fortuny,  Mariano,  1838-1874 
Goya,  Francisco  Jose,  1746-1828 
Greco,  El,  about  1548-1614 
Madrazo,  Raymundo  de,  1841- 
Murillo,  Bartolome  Esteban,  1617- 
1682 

Ribera,  Jusepe  de,  1588-1652? 

Rico,  Martin,  about  1850-1908 
Sanchez-Perrier,  Emilio,  Contem- 
porary 

Sorolla  y Bastida,  Joaquin,  1863- 
Velazquez,  Diego,  1599-1660 
Vergos,  Jaime,  11,  Catalan,  15th 
century 

Villegas,  Jose,  1848- 
Zamacois,  Eduardo,  1842-1871 
ZuLOAGA,  Ignacio,  1870- 
ZuRBARAN,  Francisco  de,  1598- 
1662 

SWEDISH  SCHOOL 

Hellquist,  Carl  Gustav,  1851- 
1890 

Wahlberg,  Alfred,  1834-1906 
Zorn,  Anders,  1860-1920 


365 


A LIST  OF  PORTRAITS 

ARRANGED  BY  SUBJECTS 


Catalogue 

Numbers 

Adler,  Felix;  by  Volk V88-2 

Altman,  Benjamin;  by  Emmet Em6-2 

Anderson,  Alexander;  by  Jarvis j29i-2 

Angelo,  Mrs.;  by  Reynolds E33~9 

Angerstein,  John  Julius;  by  Lawrence .L43-4 

Anthony,  Judge  Joseph,  Jr.;  by  Stuart Stg-4 

Anthony,  Mrs.  Joseph;  by  Stuart St9~5 

Archinto,  Filippo;  by  Titian T53-1 

Arnold,  Mrs.;  by  Reynolds Fl33~5 

Arundel,  Earl  of,  and  his  Grandson;  by  Van  Dyck V28-5 

Avery,  Samuel  P.;  by  Madrazo M26-3 

Babbe,  Hille;  by  Hals,  the  Younger H161-1 

Bache,  Mrs.;  by  Hoppner  H77-2 

Bacon,  Edward  R.;  by  Zorn Z7-2 

Bacon,  Mrs.  Walter  Rathbone,  by  Zorn Z7-1 

Baldwin,  Mrs.;  by  Reynolds R33-6 

Baltasar  Carlos;  by  School  of  Velazquez  V54S-1 

Baring,  Miss;  by  Lawrence L43-3 

Barnard,  Mrs.;  by  Reynolds R33-10 

Becket,  Thomas  a;  by  Van  Eyck,  Jan V29-1 

Berkeley,  Lady  Mary;  by  Kneller K73“i 

Binkes,  Admiral  Jacob;  by  Maes M261-2 

Bishop,  Heber  R.;  by  Bonnat B644-4 

Black,  Dr.  Joseph;  by  Raeburn R12-2 

Blair,  Charles,  with  Fane;  by  Reynolds R33-2 

Bongo,  Bartholomeo;  by  Moroni M823-1 

Bowers,  Mrs.  Mary  Sherburne;  by  Copley C79-2 

Brady,  James  Topham;  by  Ames Am3i-i 

Brady,  M.  B.;  by  Elliott EI5-2 

Breval,  Mile.  Lucienne,  as  Carmen;  by  Zuloaga Z81-51 

Bunker,  Mrs.  Dennis  M.;  by  Bunker B881-1 

Burroughs,  Rev.  Humphrey;  by  Gainsborough G12-2 

Carmencita;  by  Chase C38-2 

Charles  1 of  England;  by  Mytens M991-1 

Charpentier,  Madame,  and  her  Children;  by  Renoir R291-1 

Chase,  William  M.;  by  Sargent Say-2 

Cheesborough,  Margaret  Sylvester;  by  Blackburn B56-3 

Child,  Theodore;  by  Dannat D23-2 

Clay,  Henry;  by  Morse M83-2 

Clement  IX,  Pope;  by  Maratta M32-1 


366 


A LIST  OF  PORTRAITS 


Catalogue 

Numbers 

Clinton,  De  Witt;  by  Morse M83-1 

CoLLES,  Christopher;  American  School Am3S-3 

Collins,  Mrs.  Alfred  Q.;  by  Collins C69-1 

Columbus,  Christopher;  by  Sebastiano Se2-i 

CoNANT,  John  A.;  by  Dunlap D92-1 

CoNANT,  Mrs.  John  A.;  by  Dunlap D92-2 

CoNDE,  Princesse  de,  as  Diana;  by  Nattier N21-1 

CooLiDGE,  Mrs.  Thomas  Brewster;  by  Harding H21-1 

CoussMAKER,  Col.  Gcorge,’  by  Reynolds R33-14 

Cranmer,  (?)  Archbishop;  School  of  Hans  Holbein H69S-1 

Crewe,  Lady;  by  Reynolds -R33-3 

Cumberland,  William  Augustus,  Duke  of;  by  Reynolds R33~4 

Cushing,  Mrs.  Ethel;  by  Cushing C95-1 

Darley,  Jane  Sully,  and  son  Francis;  by  Sully SU5-9 

De  Christyn,  Miss;  School  of  Van  Dyck V28S-1 

Dering,  Mary  Sylvester;  by  Blackburn B56-2 

Dering,  Nicoll  Havens;  by  Huntington  H92-6 

Dering,  Thomas;  by  Blackburn B56-1 

Dering,  Virginia;  by  Huntington H92-5 

D’Ognes,  Mile.  Charlotte  du  Val;  by  David D271-1 

Dou,  Gerard;  by  Dou D741-1 

Drexel,  Joseph  W.;  by  Lazarus L45-3 

Durazzo,  Marchesa;  by  Van  Dyck V28-6 

Duret,  Theodore;  by  Whistler W57-7 

Eck,  Leonardt  von  (or  perhaps  Johann  Mayr  von  Eck);  by  Beham  B393-1 

Elizabeth,  Queen  of  England  (?);  by  Heere H362-1 

Ellenborough,  Lady;  by  Lawrence L43-1 

Elliott,  Charles  Loring;  by  Elliott EI5-1 

Elliott,  Charles  Loring;  by  Guy G99-1 

Elliott,  Georgiana  Augusta  Frederica;  by  Reynolds E33~n 

Elliott,  Mrs.  Grace  Dalrymple;  by  Gainsborough G12-9 

Emerson,  Edwin;  by  Lenbach L542-1 

Este,  Borso  d’(?);  byTura(?) T84-1 

Fane,  Hon.  Henry;  by  Reynolds R33-2 

Farnham,  Charles  H.;  by  Irwin Ir9-i 

Favart,  Mme.;  by  Drouais D831-2 

Finley,  John;  by  Sully SU5-2 

Fitzherbert,  Mrs.;  by  Romney R661-1 

Flagg,  Mrs.  Montague;  by  Montague  Flagg  F59>-i 

Fletcher,  Isaac  D.;  by  Eksergian Ek7~i 

Forsyth,  William;  by  Raeburn R12-1 

Foster,  Charles;  by  Flagg F591-2 

Francis,  Dr.  John  Wakefield;  by  Leslie L562-1 

Franklin,  Benjamin;  by  Duplessis D921-1 

Fugger,  Ulrich;  by  Hans  Maler  zu  Schwaz H19-1 

Gagny,  Mile.  Blondel  de;  by  Nattier N21-52 

Gainsborough,  Margaret;  by  Gainsborough G12-5 

Gallatin,  Albert;  by  Sharpless Sh2-i 

Gallatin,  Albert;  by  Stuart St9~9 

Gansevoort,  Leonard;  by  Stuart St9~53 

Gansevoort,  Gen’l.  Peter;  by  Stuart St9~52 

Garcini,  Donna  Josefa  de;  by  Goya G74-54 

Garcini,  Don  Ignacio;  by  Goya G74-55 

Gardiner,  Mrs.  and  her  children;  by  Hoppner H77-3 

Gasper,  Caleb;  by  Elliott EI5-3 


367 


APPENDIX 


Gautreau,  Mme.;  by  Sargent 

George,  Henry;  by  Brush 

Gifford,  Sandford  R.;  by  Eastman  Johnson 

Gilchrist,  Connie;  by  Whistler 

Gonzaga,  Federigo;  by  Francia 

Gottignies,  Mile,  de;  by  Van  Dyck 

Green,  Mary  Storer;  by  Copley 

Greenleaf,  Mrs.  Mary  Brown;  by  Blackburn 

Greenleaf,  Priscilla  Brown;  by  Blackburn 

Greenleaf,  William;  by  Blackburn 

Grey,  Lady  jane(?);  British  School 

Grimes,  John;  by  Jouett 

Griswold,  Mrs.  James  Clinton;  by  Elliott 

Guildford,  Lady;  by  Holbein 

Gwynn,  William;  by  Sully 

Gwynne,  Nell;  by  Lely 

Hamilton,  Alexander;  by  Trumbull 

Hamilton,  Lady;  by  Opie 

Hamilton,  Lady,  as  Daphne;  by  Romney 

Hare,  Master  (Infancy);  by  Reynolds 

Haring,  Thomas  Jacobz(?);  by  Rembrandt 

Harlow,  George  H.;  by  Harlow 

Hawksworth,  John;  copy  after  Reynolds 

Healy,  G.  P.  a.;  by  Healy 

Hearn,  Arthur  Hoppock;  by  Jongers 

Hearn,  George  A.;  by  Wiles 

Hertenstein,  Benedikt  von  (?);  by  Holbein 

Hicks,  Mrs.  Angie  King;  by  Hicks 

Hughes,  Sir  Edward;  by  Reynolds 

Humboldt,  Baron  Alexander  von;  by  Schrader 

Huntington,  William  Henry;  by  Walter  Gay 

Ingersoll,  Josiah;  by  Sharpless 

Inman,  Henry;  by  Lazarus 

Ireton,  General  (?);  by  Robert  Walker 

Irving,  Sir  Henry,  as  Philip  11  of  Spain;  by  Whistler 

Israels,  Jozef;  by  Florian 

Jackson,  General  Andrew;  by  Waldo 

James  VI  of  Scotland  as  a child;  British  School 

Jaudenes,  Josef  de;  by  Stuart 

Jaudenes,  Matilde  Stoughton  de;  by  Stuart 

Johnston,  John  Taylor;  by  Bonnat 

Jones,  Inigo,  with  Fane;  by  Reynolds 

Joseph  11,  Emperor  of  Austria;  by  Drouais 

Kellogg,  Edward;  by  Waldo  and  Jewett 

Kellogg,  Mrs.  Edward;  by  Waldo  and  Jewett 

Kennedy,  Edward  G.;  by  Whistler 

Kensett,  John  F.;  by  Baker 

Kyle,  Joseph;  by  Kyle 

Lafayette;  by  Peale 

Leblanc,  M.;  by  Ingres 

Leblanc,  Mme.;  by  Ingres 

Lee,  Lady  (Margaret  Wyatt);  by  Holbein 

Lennox,  James  Stuart,  Duke  of;  by  Van  Dyck 

Le  Roy,  Arnold;  by  Van  Dyck 

Lilburne,  John  (?);  Flemish  School 

368 


Catalogue 

Nujnbers 


.Sa7-i7 
. B 83 4-2 
.J631-1 
.W57-5 
. F844-1 
..V28-9 
. .C79-1 
.B 56-5 1 
.B56-53 
.B56-52 
Br77S-6 
..J82-1 
..El  5-4 
, . H6Q-4 
. .SU5-1 

•L533-3 

..T77-1 


..R33-8 
. R28-10 
. . H22-1 
R33C-1 
..H34-1 
•J73-2 
.W64-2 
. .H69-1 
. .H52-1 

..R33-1 
Sch6i-i 
.G25 1-2 
. . Sh2-2 


W152-1 

.W57-4 
..F66-1 
.W14-2 
Br77S-5 
, . . St9~6 
, ..St9-7 
. B644-1 
. .R33-2 
.D831-1 
W 14 1-2 
W141-3 
.W57-3 
. . B17-1 
. . K98-2 
. P3 1 i-i 

. . In4i-i 
. . 1 n4 1 -2 
..H69-3 
..V28-1 
. .V28-4 
FI62S-6 


A LIST  OF  PORTRAITS 


Catalogue 

Numbers 

Lincoln,  Abraham;  by  Hunt H91-52 

Ludlow,  Gabriel;  by  J.  R,  Smith Sm6-i 

McCarthy,  Lilah;  by  Charles  Shannon Sh  1-5 1 

McClellan,  Major-General  George  B.;  by  Wentworth W48-1 

McCosh,  Dr.  James;  by  Conant C74-1 

Macready,  William  C.;  by  Inman In5~3 

Male,  Jean  Van;  by  Heist H364-3 

Mariana  of  Austria;  by  Velazquez V54-51 

Mariana  of  Austria;  School  of  Velazquez V54S-3 

Mark  1'wain,  Samuel  L.  Clemens;  by  Flagg F59-1 

Marquand,  Henry  G.;  by  Sargent Say-i 

Marshall,  Mrs,;  by  Marshall M35-1 

Martinez,  Don  Sebastian;  by  Goya G74-3 

Mary,  Queen  of  Scots;  British  School Br77S-5 

Matthews,  Mrs.  Katherine;  by  Sully .SU5-5 

Mazarin,  Duchesse  de;  French  School Fr88S-i 

Medici,  Cosimo  de’;  by  Bronzino B78-1 

Morgan,  J.  Pierpont;  by  Baca-Flor B12-1 

Murray,  Alexander  S.;  by  Story St7i-i 

O’Connell,  Daniel;  by  Shee Sh3~i 

Olivares,  Count;  School  of  Velazquez V54S-4 

Orpen,  William;  by  Orpen Ory-i 

Pennicott,  Reverend  William;  by  Lawrence L43-2 

Philip  IV  of  Spain;  by  Velazquez V54-2 

PoLiGNAC,  Vicomtesse  de;  by  Nattier N21-2 

PoPHAM,  Colonel  William;  by  Linen L641-1 

PoRTiNARi,  Marie;  by  Memling M51-3 

PoRTiNARi,  Thomas;  by  Memling M51-2 

Prangins,  Baron  de;  by  Largilliere L32-2 

Prangins,  Baronne  de;  by  Largilliere L32-3 

Prime  William  C.;  by  Huntington H92-3 

PuLHAM,  Mrs.;  by  Constable C762-2 

PuMPELLY,  Raphael;  by  Thayer T33-3 

Putnam,  George  P.;  by  Ryder R971-1 

Rawle,  Miss;  by  Stone St6-i 

Rea,  Alexander;  by  Samuel  Drummond D84-1 

Reid,  Mrs.,  in  the  Character  of  a Sultana;  by  Pine P65-1 

Rembrandt;  by  Rembrandt R28-12 

Reynolds,  Elizabeth;  by  Reynolds R33-12 

Rice,  Captain  Henry;  by  Stuart St9~3 

Rich,  Lady;  by  Holbein H69-2 

Rodin,  Auguste;  by  MacCameron  M12-2 

Romney,  George;  by  Romney R661-4 

Rosa,  Salvator;  by  Rosa 47 

Rothenstein,  William;  by  Rothenstein R74~i 

Rotterdam,  Eugenie,  Betrothed  of  Admiral  Binkes;  by  Maes  . . . .M261-3 

Rowse,  Samuel  W.;  by  Eastman  Johnson J631-2 

Rutherfurd,  Robert  W.;  by  Eastman  Johnson J631-2 

Saint  Gaudens,  Augustus;  by  Cox C833-1 

Saint  Gaudens,  Augustus;  by  Emmet.... Em6-i 

Scott,  General  Winfie'd;  by  Robert  W.  Weir W432-1 

Sears,  David;  by  Stuart Stq-i 

SiDELL,  John  A.;  by  Vanderlyn V278-1 

Sorolla,  Clotilde  de;  by  Sorolla S061-3 

Smith,  Rev.  William;  by  Copley C79-52 


369 


APPENDIX 


Catalogue 

Numbers 

Sparrow,  Miss;  by  Gainsborough Gi2-^ 

Spring,  Rev.  Gardner;  by  Waldo  and  Jewett W141-1 

Stoffels,  Hendrickje;  by  Rembrandt R28-9 

Story,  George  H.;  by  Story Sty  1-2 

Stuart,  James;  by  Van  Dyck V28-1 

Sully,  Mrs.  Thomas;  by  Thomas  Sully SU5-6 

Sully,  Rosalie;  by  Thomas  Sully SU5-8 

Sully,  Thomas;  by  Sully • SU5-3 

Sumner,  Charles;  by  Hunt H91-51 

Temple,  Sir  William;  by  Lely L533-2 

Terry,  Ellen,  as  Portia;  by  Millais M61-1 

Thomas,  Mrs.  S.  Seymour;  by  S.  Seymour  Thomas T361-1 

Thorigny,  Marie  Marguerite  Lambert  de;  by  Largilliere L32-1 

Tickell,  Hon.  Mrs.;  by  Romney R661-3 

Titus,  son  of  Rembrandt;  by  Rembrandt R28-8 

Townshend,  Lady;  by  Janssens  van  Ceulen J262-2 

Uffel,  Lucas  van;  by  Van  Dyck V28-7 

Van  Buren,  Martin;  by  Inman In5~i 

Vanderlyn,  John;  by  Vanderlyn V278-2 

Van  Rensselaer,  Gen.  Stephen;  by  Stuart St9-5i 

Van  Schaick,  Catherine;  by  Ames Am3i-5i 

Veen,  Jacob  Willemz  van;  by  Heemskerck H361-1 

Velazquez;  School  of  Velazquez V54S-2 

Victoria,  Queen;  by  Sully SU5-7 

Walsh,  Captain  John;  by  Neagle N24-1 

Washington,  George;  by  Peale P31-2 

Washington,  George;  by  Stuart St9~2 

Washington;  by  Stuart  (Gibbs-Channing-Avery) St9~8 

Whistler,  James  A.  McNeill;  by  Chase C38-6 

Whitman,  Walt;  by  Alexander AI2-1 

Whittredge,  Worthington;  by  Leutze L57-2 

WiDMANN,  Count  Carlo  Aurelis;  by  Alessandro  Longhi L86-1 

Wiles,  Lemuel  Maynard;  by  Irving  R.  Wiles W64-1 

Willett,  Colonel  Marinus;  American  School Am3S-2 

Willett,  Wife  and  Child  of  Colonel  Marinus  Willett;  by  Vanderlyn  V278-3 

Williams,  Lady;  by  Earle Ea7-i 

Woffington,  Peg;  by  Hogarth H67-1 

Wolfe,  Catharine  Lorillard;  by  Cabanel Cii-i 

Wolfe,  John  David;  by  Huntington H92-1 

Wyatt,  Margaret,  Lady  Lee;  by  Holbein H69-3 

Wyndham,  Lady  Elizabeth;  by  Lawrence L43~5 

Yates,  Mrs.;  by  Reynolds R33-51 

York,  H.  R.  H.,  Duke  of;  by  Beechey B39-1 


370 


CLASSIFICATION  OF  PAINTINGS 

BY  GALLERIES 

GIVING  THE  GENERAL  CHARACTER  OF  EACH 


II. 

The  Marquand  Gallery,  important  works  of  various 
schools. 

12. 

American  paintings,  modern. 

American  paintings.  The  George  A.  Hearn  Collection. 

14. 

European  paintings,  chiefly  eighteenth  century  British. 
The  George  A.  Hearn  Collection. 

16. 

American  paintings,  early. 

17,  18. 

European  paintings,  nineteenth  century.  The  Cath- 
arine Lorillard  Wolfe  Collection. 

19. 

European  paintings,  modern. 

20. 

Erench  paintings,  eighteenth  century. 

21. 

French  paintings,  modern. 

24. 

British  paintings,  eighteenth  century. 

25. 

Drawings. 

26. 

Dutch  paintings,  seventeenth  century. 

27- 

Flemish  paintings,  seventeenth  century. 

28. 

Spanish  paintings,  seventeenth  and  eighteenth  centuries. 

29,  30- 

Italian  paintings,  sixteenth  to  eighteenth  century. 

31  & 33. 

Italian  paintings,  fourteenth  to  sixteenth  century. 

34- 

Flemish  and  German  paintings,  fifteenth  and  sixteenth 
centuries. 

37.  38,  39- 

Altman  Collection. 

371 


372 


KEY  TO  THE  CLASSIFICATION  OF  PAINTINGS  BY  GALLERIES 


OF  THIS  CATALOGUE 
TEN  THOUSAND  COPIES  WERE  PRINTED 
JANUARY,  1914 

A SIXTH  EDITION  OF  TEN  THOUSAND  COPIES 
WITH  ADDITIONS,  CORRECTIONS,  AND  ILLUSTRATIONS 
WAS  PRINTED  FEBRUARY,  I922 


! 

I 


?73 


